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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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CLASSIQUE - BAROQUE …
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COUNTRY
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Non classifié
1129
PIANO & CLAVIERS
Piano seul
680
Piano Facile
604
Piano, Voix
509
Piano, Voix et Guitare
412
Instruments en Do
212
Piano grosses notes
112
Orgue
77
Piano (partie séparée)
25
1 Piano, 4 mains
13
Accompagnement Piano
11
Piano Trio: piano, violon, violoncelle
9
2 Pianos, 4 mains
6
Orgue, Piano (duo)
3
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 6 mains
2
Clavier
2
Orgue, Trompette (duo)
1
Clavecin
1
Instrumentations suivantes
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
74
Guitare
65
Guitare (partie séparée)
51
Guitare notes et tablatures
51
Basse electrique
20
2 Guitares (duo)
10
Ukulele
9
Banjo
5
2 Dulcimers (duo)
5
Dulcimer
3
Mandoline
2
Paroles et Accords
2
Basse électrique (partie séparée)
1
3 Guitares (trio)
1
Piano, Guitare (duo)
1
4 Guitares (Quatuor)
1
Instrumentations suivantes
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VOIX
Chorale SATB
346
Chorale 3 parties
150
Chorale TTBB
89
Chorale SSAA
69
Chorale 2 parties
62
Voix Soprano, Piano
38
Chorale Unison
27
Voix duo
5
Voix Tenor, Piano
4
Voix duo, Piano
3
Voix moyenne, Piano
1
Voix Alto, Piano
1
Voix Tenor
1
Voix basse, Piano
1
Chorale SSATTB
1
Voix seule
1
Chorale SATBB
1
Voix haute
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
162
Quatuor de Saxophones: 4 saxophones
108
Clarinette et Piano
104
Flûte traversière et Piano
103
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
96
Flûte traversière
76
Clarinette
76
Hautbois, Piano (duo)
73
Saxophone Alto et Piano
63
Quintette de Saxophone: 5 saxophones
52
Saxophone Alto
51
2 Saxophones (duo)
51
Flûte, Hautbois, Clarinette, Basson
50
Hautbois (partie séparée)
42
Saxophone Tenor et Piano
40
Quatuor de Clarinettes: 4 clarinettes
31
2 Flûtes traversières (duo)
30
Saxophone Soprano et Piano
29
Ensemble de saxophones
26
Saxophone Baryton, Piano
25
Flute (partie séparée)
20
2 Clarinettes (duo)
19
Ensemble De Flûte à bec
19
2 Hautbois (duo)
17
Flûte, Clarinette (duo)
17
Quatuor de Flûtes : 4 flûtes
17
Hautbois
17
Clarinette (partie séparée)
17
Saxophone Soprano
15
Ensemble de Clarinettes
15
Saxophone Baryton
14
Saxophone Tenor
14
Quintette de Clarinettes: 5 clarinettes
11
Cor Anglais
11
Quatuor de Flûtes à bec
10
Cor anglais, Piano
10
Clarinette, Basson (duo)
9
Flûte à Bec
8
Clarinette Basse, Piano
8
Ensemble de Flûtes
7
Clarinette, Violon (duo)
6
Trio de Flûtes: 3 flûtes
6
Hautbois, Basson (duo)
6
Flûte à bec Soprano
5
Flûte, Hautbois (duo)
5
3 Saxophones (trio)
5
Saxophone, Clarinette (duo)
5
Quintette de Flûte : 5 flûtes
5
Clarinette, Violoncelle (duo)
5
Clarinette Basse
5
Hautbois, Clarinette (duo)
4
Clarinette, Trompette (duo)
4
Flûte à bec Alto
4
3 Clarinettes (trio)
4
Flûte et Guitare
4
Clarinette, Harpe (duo)
3
Flûte, Saxophone (duo)
3
Flûte, Violoncelle
3
Hautbois, Violoncelle
3
Clarinette et Alto
3
Flûte, Violon
3
Hautbois, Harpe
2
Flûte, Alto (duo)
2
5 Flûtes à bec
2
Hautbois, Flûte
2
Ensemble à vent
2
Flûte, Trompette (duo)
2
Flûte à bec Tenor
2
Flûte, Hautbois, Clarinette (trio)
1
Saxophone et Harpe
1
Hautbois, Guitare (duo)
1
2 Cors Anglais Et Pianoforte
1
Piccolo, Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Clarinette et Basson
1
Hautbois, violon (duo)
1
2 Clarinettes, Basson
1
Hautbois et alto (duo)
1
2 Flûte à bec (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
113
Trombone (partie séparée)
111
Trompette, Piano
86
Trompette (partie séparée)
81
Quatuor de Cuivres : 2 trompettes, trombone, tuba
79
Quatuor de Cuivres
77
Cor et Piano
72
Trompette
71
Cor
57
Trombone et Piano
57
Trombone
48
Tuba
40
Tuba et Piano
39
Cor (partie séparée)
25
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
Tuba (partie séparée)
20
2 Trompettes (duo)
18
2 Trombones (duo)
14
2 Cors (duo)
12
Trompette, Trombone (duo)
12
Quatuor de cuivres: 4 trombones
11
Cor Anglais
11
Cor anglais, Piano
10
Tuba et Orgue
9
2 Tubas (duo)
7
2 Euphoniums et 2 Tubas
6
Ensemble de Trombones
6
Quatuor de cuivres: 4 cors
5
Euphonium, Piano (duo)
5
Trompette, Cor (duo)
4
Trompette, Saxophone (duo)
4
Euphonium, Tuba (duo)
2
Cor, Tuba (duo)
2
Trombone, Cor (duo)
2
Trombone, Orgue
2
2 Euphoniums (duo)
2
Ensemble de Trompettes
2
Cor et Harpe
1
Trompette, Harpe
1
Trompette, Euphonium (duo)
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Cors
1
Trombone basse
1
4 Tubas
1
3 Trombones (trio)
1
Trompette et Guitare
1
Cor et Orgue
1
3 Trompettes (trio)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
259
Violon et Piano
122
Violon
110
Violoncelle, Piano
95
Alto, Piano
78
Alto seul
58
Violoncelle (partie séparée)
57
Contre Basse
55
Violon, Violoncelle (duo)
54
Violoncelle
44
Quintette à cordes: 2 violons, alto, violoncelle, basse
42
Contrebasse, Piano (duo)
34
Contrebasse (partie séparée)
33
Violon, Alto (duo)
29
2 Violoncelles (duo)
23
Trio à Cordes: violon, alto, violoncelle
23
2 Violons (duo)
21
Harpe
19
Violon (partie séparée)
17
2 Altos (duo)
17
Alto (partie séparée)
12
Trio à Cordes: 2 violons, violoncelle
10
2 Contrebasses (duo)
7
Trio à Cordes: 3 violoncelles
6
Harpe, Flûte (duo)
5
Violoncelle, Contrebasse (duo)
3
Violon, Basson (duo)
3
Alto, Violoncelle (duo)
3
4 Violoncelles
2
Violoncelle , Guitare (duo)
2
2 Harpes (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violon, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violon (duo)
1
Harpe, Violoncelle (duo)
1
4 Contrebasses
1
Trio à cordes: 3 violins
1
Alto et Harpe
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
267
Ensemble Jazz
195
Orchestre à Cordes
108
Orchestre
102
Ensemble de cuivres
52
Jazz combo
35
Batterie (partie séparée)
30
Cloches
30
Fanfare
20
Orchestre de chambre
18
Batterie
17
Marimba
12
Ensemble de Percussions
11
Percussion (partie séparée)
8
Xylophone
6
Xylophone, Piano
4
Vibraphone
1
Instrumentations suivantes
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AUTRES
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Orchestre de chambre
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1
Be Thou My Vision
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditio…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org: SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fire–an act of defiance against the pagan king Loegaire (fifth century)–led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint.  Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00
69.29 €
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Orchestre de chambre
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Traditional Irish Folk Tune
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Robert Myers
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Be Thou My Vision
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WheatMyer Music
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SheetMusicPlus
Silent Durations XXII (Parts) (a Zen experience)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.799391 Composed by Drake Mab…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.799391 Composed by Drake Mabry. Contemporary. Score and parts. 22 pages. Drake Mabry #2022225. Published by Drake Mabry (A0.799391). Silent Durations XXII (a Zen experience) was written for the French saxophone virtuoso, Daniel Kientzy. It features Drake Mabry's usage of silence as a musical architectural device. The solo part for bass saxophone highlights the tonal variations of this instrument in its various registers. The slow first movement is followed by a rapid and invigorating second movement. This is the first part of a trilogy of works based on the same source material. The other works are Concerto for Kientzy and Silent Concerto Durations which brings together the previous two compositions as one work. It would be conceivable to play Silent Durations XXII on other Bb saxophones. The solo part is included with the parts. The duration is 20'40.
$4.99
4.61 €
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Orchestre de chambre
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Drake Mabry
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Silent Durations XXII
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Drake Mabry
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SheetMusicPlus
EDGE for clarinet and strings
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025034 Composed by Anthony …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025034 Composed by Anthony Knaak. 20th Century,Contemporary,Standards. Score and parts. 7 pages. Tone Knack #5358031. Published by Tone Knack (A0.1025034). EDGE is the second movement of my clarinet concerto. It features solo clarinet, violins 1 and 2, viola, cello, and string bass. The motif I used in its composition were the notes: E, D, G, and E. The style is neo-classical. It is suitable for string chamber orchestra. .
$2.99
2.76 €
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Orchestre de chambre
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Anthony Knaak
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EDGE for clarinet and strings
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Tone Knack
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SheetMusicPlus
La Création du Monde
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1353972 Composed by Darius M…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1353972 Composed by Darius Milhaud. Arranged by John M. Laverty. 20th Century,Chamber. 222 pages. Zephyrwindmusic.com #938691. Published by zephyrwindmusic.com (A0.1353972). Edited by John M. Laverty. First published and ï¬rst performed in 1923, Darius Milhaud’s La Création du Monde is in many ways a cutting-edge work. Heavily influenced by American jazz at the time, it features alto saxophone as the main soloist. It also incorporates an awkwardly written percussion part that is an early example of a scored drum set part. This new edition includes an updated percussion part that is scored in a more appropriate manner for today’s musician.
$50.00
46.19 €
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Orchestre de chambre
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Darius Milhaud
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John M
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La Création du Monde
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zephyrwindmusic.com
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SheetMusicPlus
Amazing Grace (Small Orchestra)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.823145 Composed by Tradition…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.823145 Composed by Traditional. Arranged by Clark Cothern. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 22 pages. Clark Cothern #5205127. Published by Clark Cothern (A0.823145). This timeless hymn has been arranged for small orchestra. It features variations in style and a strong ending.
$25.00
23.1 €
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Orchestre de chambre
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Traditional
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Clark Cothern
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Amazing Grace
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Clark Cothern
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SheetMusicPlus
Essay No. 2, Op. 12
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1204952 Composed by Joseph J…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1204952 Composed by Joseph Jones. Classical,Contemporary. Score and parts. 90 pages. Joseph Jones #803240. Published by Joseph Jones (A0.1204952). This single movement work is elegaic, pensive, and ambiguous. It features wonderful solos for winds and brass, particularly oboe and horn. Suitable for youth, college, and professional ensembles, this work lasts around 12-13 minutes.
$125.00
115.48 €
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Orchestre de chambre
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Joseph Jones
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Essay No. 2, Op. 12
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Joseph Jones
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SheetMusicPlus
Rhapsody In Blue - wind octet / wind ensemble
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.564088 Composed by George Ge…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.564088 Composed by George Gershwin. Arranged by Austin Ralphson. 20th Century,Concert,Film/TV,Jazz. Score and parts. 48 pages. Austin Ralphson #6083935. Published by Austin Ralphson (A0.564088). This arrangement of Gershwin’s famous Rhapsody in Blue includes all of the main musical themes from the original piano composition, but carefully arranged to suit this group. It features most of the instruments at various points and is exciting and challenging to play across the whole ensemble. This arrangement has been performed many times and is an impressive concert item. Parts are provided for flute, oboe, 2 clarinets, 2 horns, 2 bassoons, and optional drums, glockenspiel and timpani.
$19.99
18.47 €
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Orchestre de chambre
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George Gershwin
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Austin Ralphson
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Rhapsody In Blue - wind octet / wind ensemble
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Austin Ralphson
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.97 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Homage to Sibelius
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1308171 Composed by Stanley M Hoffman. 21st Century,Classical. Score and Parts. 207 pages. Stanleymhoffman.com #897424. Published by stanleymhoffman.com (A0.1308171). I have long wanted to compose an homage to Jean Sibelius. However, his music is copyright protected in the EU for another five years or so. Thus, I struggled with how to compose a work without any direct musical quotations, and yet which in some way captures the essence of his symphonic music. I had a breakthrough in recent weeks, and the result is an eleven-minute orchestral composition which manages to invoke his music without directly quoting it. The opening passage on which the piece is based invokes the opening of Symphony No. 6 without quoting it; also, my homage is in the key of A Minor whereas the symphony is in the key of D minor. The piece also invokes the orchestral colors of one of my other favorite pieces of Sibelius, The Swan of Tuonela. My composition is scored very closely to that one, but I ended up using two oboes; I never needed an English Horn, and I added two flutes to that scoring. Thus, the instrumentation is as follows: 2fl-2ob-1cl/bcl-2bn-4hn-3tbn-timp-bd-str; the duration is ca. 11:30. My homage also invokes the more youthful compositions of the great master, and of course features his biggest personal influence, the sounds of nature. Sibelius was a master of musical forms. He managed to create entirely original forms such as the one for Symphony No. 7. While I do not pretend to be in his league in any way, I did manage to compose a work in a four-part form, which is unusual, and not the least of which for me. The piece contains all kinds of indirect references to the music of Sibelius through the use of motifs, melodies, harmonies, ornamentation, and orchestration.While not the most original piece of music I have ever composed (that would be The City In the Sea: Choral Tone Poem), my Homage to Sibelius is among the most subtle of my works in that it contains a good deal of variation technique, and a lot of attention to detail. Like my Homage to Vaughan Williams for string orchestra, the idea was not to break new stylistic ground, but rather to pay homage to the ground broken by the master. More so than anything, my Homage to Sibelius invokes how the symphonic music of Sibelius makes me feel when I am listening to it. I hope you enjoy it.---HOMAGE TO SIBELIUS for Chamber OrchestraMusic by  Stanley M. Hoffman (b. 1959 [BMI]) Inspired by the Music of Jean Sibelius (1865–1957)NotePerformer 4 Audio and Scrolling Score Video Seeking Live PerformancesMusic:© Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)comAll rights reserved.  The sheet music is available from the composer and from Sheet Music Plus.
$103.50
95.62 €
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Orchestre de chambre
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Stanley M Hoffman
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Homage to Sibelius
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stanleymhoffman.com
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SheetMusicPlus
Kuhlau: Sonatina Op 55, No. 1
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.921864 Composed by Friedrich…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.921864 Composed by Friedrich Kuhlau. Arranged by Joshua Feltman. Classical. Score and parts. 23 pages. Ryan Blauvelt #3519241. Published by Ryan Blauvelt (A0.921864). The sweet and joyful character of this Kuhlau Sonatina has made it the most popular of his piano works.Classical sonatas normally have three parts or movements: fast-slow-fast. However, this sonatina has only 2 movements, fast and faster. The energetic second movement is short but it packs a punch. The main theme is danceable and very articulated, but it also contains a more lyrical section, brilliant chromatic scales, and a dramatic grand finale.This arrangement features one pianist in a quasi-concerto format. The six Sonatinas, Op. 55, were published in Copenhagen in 1823 and, like the other sonatinas, were designed for teaching purposes or otherwise for the amateur market.
$20.00
18.48 €
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Orchestre de chambre
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Friedrich Kuhlau
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Joshua Feltman
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Kuhlau: Sonatina Op 55, No. 1
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Ryan Blauvelt
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.69 €
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Orchestre de chambre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
16.63 €
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Orchestre de chambre
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4
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Sneakwood Editions
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SheetMusicPlus
Esther Suite
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1236385 Composed by Gordon R…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1236385 Composed by Gordon Rouse. Arranged by Gordon Rouse. Broadway,Folk,Jewish,Musical/Show,Opera. Score and Parts. 95 pages. Rosemary Abetz-Rouse #831458. Published by Rosemary Abetz-Rouse (A0.1236385). Esther: Queen of Persian is a full choral musical first performed in South Morang 1997. This is an orchestral suite adapted from the overture. This features excerpts:FanfareBattle SceneEsther's PleaZeresh and Agagite DanceThis suitable for a reduced orchestra with piano feature. The oboe part is the same as the 2nd flute here. Please feel free to fill out brass by doubling clarinet parts.All parts on the score are included as separate instrumental parts.The piano gets a beautiful solo in the middle, this is like a Nocturne - milk it hard!
$24.99
23.09 €
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Orchestre de chambre
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Gordon Rouse
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Gordon Rouse
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Esther Suite
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Rosemary Abetz-Rouse
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SheetMusicPlus
Telemann – Grillen-Symphonie TWV 50:1 (Score and parts PDF)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.890768 Composed by Georg Phi…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.890768 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 34 pages. Sneakwood Editions #4781043. Published by Sneakwood Editions (A0.890768). The Concert à 9 Parties, 50:1, features an eccentric instrumentation of flute (ordinary, or that at the octave [i.e. piccolo], or the two combined), alto chalumeau, oboe, two violins almost entirely in unison, viola, two concertante contrabasses, and continuo.The work is in fact a three-movement symphony, as indicated by the original title that Telemann crossed out before he began composing: Grillen-Symphonie in the Italian, French, English, Scottish, and Polish styles. Although this title was rejected, along with the jumble of national idioms, it helps explain the music’s curiously tongue-in-cheek style (Grillen, as used in this sense, are whims) (From Music for a Mixed Taste: Style, Genre, and Meaning in Telemann’s by Steven Zohn)Edition based on manuscript by Telemann: Staatsbibliothek zu Berlin (D-B): Mus. ms. autogr. G. Ph. Telemann 3.Score (18 pp.) and parts (Flute, Oboe, Chalumeau, Double bass 1, Double bass 2, Violins 1 and 2, Viola and Basso Continuo)www.snakewoodeditions.com
$18.00
16.63 €
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Orchestre de chambre
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Georg Philipp Telemann
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Sneakwood Editions
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Telemann – Grillen-Symphonie TWV 50:1
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Sneakwood Editions
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SheetMusicPlus
Rockin' Around The Christmas Tree
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1324797 By LeAnn Rimes. By J…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1324797 By LeAnn Rimes. By Johnny Marks. Arranged by Kenny Goodson. Christmas,Pop. 26 pages. MADD Creations #913006. Published by MADD Creations (A0.1324797). A vocal solo arrangement with an easy orchestra arrangement of a Christmas favorite originally recorded by Brenda Lee, Rockin' Around the Christmas Tree. It also features a part for electric guitar.
$75.00
69.29 €
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Orchestre de chambre
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LeAnn Rimes
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Kenny Goodson
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Rockin' Around The Christmas Tree
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MADD Creations
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SheetMusicPlus
Tchaikovsky: Dance of the Sugar Plum Fairy from the Nutcracker
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.921875 Composed by P. I. Tch…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.921875 Composed by P. I. Tchaikovsky. Arranged by Joshua Feltman. Christmas,Classical. Score and parts. 17 pages. Ryan Blauvelt #3692809. Published by Ryan Blauvelt (A0.921875). This iconic selection from the Nutcracker is a Christmas favorite. This arrangement features a piano in place of the original celeste and incorporates several different technical levels, making it ideal for the small differentiated high school music ensemble .
$40.00
36.95 €
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Orchestre de chambre
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P
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Joshua Feltman
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Tchaikovsky: Dance of the Sugar Plum Fairy from the Nutcracker
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Ryan Blauvelt
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SheetMusicPlus
Flying South Oboe Solo with Orchestra Score and Parts PDF
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.750876 Composed by Brendan E…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.750876 Composed by Brendan Elliget MAGA 537. Contemporary,Latin. Score and parts. 32 pages. BJE Music #4323875. Published by BJE Music (A0.750876). This little piece features a plaintive yet restful Oboe Solo theme with Small Orchestra of Flute, Oboe, 3 Clarinets, Horns in F, Bassoon, Violin 1, Violin 2, Viola, Cello, Double Bass, Piano and Harp… It suggested to me a bird or group of birds flying. Let me know what you think…The MP3 certainly gives a better idea of how the piece should sound! Grade = 3.5 Duration 3 mins. .
$20.00
18.48 €
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Orchestre de chambre
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Brendan Elliget MAGA 537
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Flying South Oboe Solo with Orchestra Score and Parts PDF
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BJE Music
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SheetMusicPlus
Norwegian Wood (this Bird Has Flown) - Beatles for Chamber Orchestra
Orchestre de chambre
Harpsichord, Violin, Viola, Cello - Intermediate - Digital Download By The Beatles. A…
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Harpsichord, Violin, Viola, Cello - Intermediate - Digital Download By The Beatles. Arranged by Javier Martínez. Score, Set of Parts. 18 pages. Published by Arte Nova Music Lab
"Norwegian Wood (This Bird Has Flown)" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written mainly by John Lennon and credited to the Lennon–McCartney songwriting partnership. Influenced by the introspective lyrics of Bob Dylan, the song is considered a milestone in the Beatles' development as songwriters. The track features a sitar part, played by lead guitarist George Harrison, that marked the first appearance of the Indian string instrument on a Western rock recording. The song was a number 1 hit in Australia when released on a single there in 1966, coupled with "Nowhere Man".<br> <br> Lennon wrote the song as a veiled account of an extramarital affair he had in London. When recording the track, Harrison chose to add a sitar part after becoming interested in the instrument's exotic sound while on the set of the Beatles' film Help!, in early 1965. Further to several British bands, including the Beatles, using guitars to imitate the drone and other musical textures of the sitar in their recordings, "Norwegian Wood" was influential in the development of raga rock andpsychedelic rock during the mid 1960s. The song also helped elevate Ravi Shankar and Indian classical music to mainstream popularity in the West. Many other rock and pop artists, including the Byrds, the Rolling Stones and Donovan, began integrating elements of the genre into their musical approach. "Norwegian Wood" is also recognised as a key work in the early evolution of world music.<br> <br> Taken from https://en.wikipedia.org/wiki/Norwegian_Wood_(This_Bird_Has_Flown)
$40.00
36.95 €
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Orchestre de chambre
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The Beatles
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Javier Martínez
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Norwegian Wood
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SheetMusicPlus
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