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ACCORDEON
ALTO
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CHORALE - CHAN…
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COR
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232
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196
Orgue
47
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30
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7
Clavier
7
Piano Facile
6
Accordéon
4
2 Pianos, 4 mains
3
1 Piano, 4 mains
3
Piano Trio: piano, violon, violoncelle
3
Orgue, Trompette (duo)
2
Clavecin
1
Orgue, Voix
1
2 Orgues (duo)
1
Instruments en Do
1
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Guitare
41
Guitare notes et tablatures
7
Ukulele
3
3 Guitares (trio)
2
Mandoline
2
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1
Banjo
1
+ 2 instrumentations
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37
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24
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13
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7
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4
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3
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2
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2
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2
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1
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1
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1
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1
Chorale
1
+ 9 instrumentations
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19
Clarinette
12
Saxophone Alto et Piano
12
Hautbois, Piano (duo)
12
Saxophone Tenor et Piano
10
Clarinette Basse, Piano
10
Saxophone Baryton, Piano
9
Piccolo, Piano
8
Saxophone Soprano et Piano
8
Clarinette et Piano
7
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4
Flûte à bec Soprano, Piano
3
Flûte à bec Tenor
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte à Bec, Piano
3
Flûte à bec Alto, Piano
3
Flûte traversière
3
Flûte, Hautbois, Clarinette, Basson
2
Saxophone Tenor
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois (partie séparée)
2
Flûte et Guitare
2
Saxophone (partie séparée)
2
Flûte à bec Soprano
1
Quatuor de Flûtes à bec
1
Ensemble De Flûte à bec
1
Ensemble de Clarinettes
1
2 Flûte à bec (duo)
1
Hautbois, Orgue
1
3 Clarinettes (trio)
1
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1
Saxophone Alto
1
Flûte, Clarinette (duo)
1
2 Flûtes traversières (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
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20
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12
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11
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10
Cor et Piano
9
Trombone
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Quatuor de cuivres: 4 cors
2
Trombone, Orgue
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 trombones
1
Cor (partie séparée)
1
+ 7 instrumentations
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Cordes
Violon et Piano
110
Violoncelle, Piano
24
Violon (partie séparée)
22
Quatuor à cordes: 2 violons, alto, violoncelle
19
Trio à cordes: 3 violins
16
Alto, Piano
16
Violon
4
Violoncelle
4
Contrebasse, Piano (duo)
4
Alto (partie séparée)
3
Violoncelle (partie séparée)
2
Trio à Cordes: 3 violoncelles
1
Alto seul
1
Harpe
1
Violon, Alto (duo)
1
Violon, Violoncelle (duo)
1
+ 11 instrumentations
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Orchestre
15
Orchestre d'harmonie
7
Ensemble de Percussions
5
Ensemble de cuivres
4
Orchestre à Cordes
3
Orchestre de chambre
3
Piano et Orchestre
2
Ensemble Jazz
1
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Vous avez sélectionné:
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Orchestre de chambre
Partitions à imprimer
3 partitions trouvées
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1
Flute Concerto Nr. 7 in e min.
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Francois Devienne
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Flute Concerto Nr. 7 in e min.
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Carlos Ramírez
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SheetMusicPlus
Composed by Francois Devienne (1759-1803). Arranged by Carlos Ramírez Guzmán. Classical. Score and parts. 80 pages. Carlos Ramírez ...
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Composed by Francois Devienne (1759-1803). Arranged by Carlos Ramírez Guzmán. Classical. Score and parts. 80 pages. Carlos Ramírez #6659305. Published by Carlos Ramírez
$100.00
Story No. 2, for narrator and chamber orchestra
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Orchestre de chambre
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Contemporain
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Music by Ofer Ben-Amots, Story
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Story No. 2, for narrator and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944028 Composed by Music by Ofer Ben-Amots, Story by Eugene Ionesco. Contemporary. Score and parts. 92 pages. The Composer's...
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Chamber Orchestra - SKU: A0.944028 Composed by Music by Ofer Ben-Amots, Story by Eugene Ionesco. Contemporary. Score and parts. 92 pages. The Composer's Own Press #4605319. Published by The Composer's Own Press (A0.944028). COMPOSER’S NOTE: Story Nr. 2 for chamber ensemble and a narrator, was written as a commission for the 1983 Children's Music Festival in St. Omer, France. Since its inception, the work has been widely performed in French, German and English. The narrative of Story Nr. 2 is a little known children's story by the great French author and playwright Eugene Ionesco (1912 – 1994). The story is about play on words. Little Josette has a conversation with her father who teaches her the new meaning of words: A Telephone is called Cheese, a Cheese is a Music Box, the Music Box is called a Rug and so on. The meanings become funnier and stranger ad absurdum. Then Josette and her father combine the words into sentences and practice the new mismatched names and objects. The characters participating in the story beside of Josette and her father are Josette's pretty mother and the maid Jacqueline. Each of the characters has its own musical theme and color represented by distinguished instrumentation: Jossette's theme is played by the flute, the father is represented by the trumpet and trombone, the pretty mother by the oboe and Jacqueline by the xylophone and piano. The new orchestral version which includes the string section was written in 1990. Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$36.00
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681....
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Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
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