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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Old Man
Non classifié
3 245
Piano & claviers
Piano seul
2 350
Piano, Voix
1 235
Piano Facile
860
Piano, Voix et Guitare
671
Instruments en Do
154
Orgue
149
Accompagnement Piano
83
Piano Trio: piano, violon, violoncelle
51
1 Piano, 4 mains
50
Accordéon
48
2 Pianos, 4 mains
47
Piano Quatuor: piano, violon, alto, violoncelle
28
Piano Quatuor: piano, 2 violons, violoncelle
12
Piano grosses notes
9
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Clavecin
6
Clavier
6
Orgue, Trompette (duo)
4
Orgue, Piano (duo)
4
Piano (partie séparée)
4
1 Piano, 6 mains
2
2 Pianos, 8 mains
1
Ensemble d'Accordéons
1
Orgue, Voix
1
2 Accordéons
1
Instrument seul et Orgue
1
Accordéon, Voix
1
+ 22 instrumentations
Retracter
Guitares
Guitare notes et tablatures
349
Guitare
281
Ukulele
181
Ligne De Mélodie, (Paroles) et Accords
150
Basse electrique
108
Paroles et Accords
107
Mandoline
104
2 Guitares (duo)
21
Banjo
16
4 Guitares (Quatuor)
14
Piano, Guitare (duo)
12
Dulcimer
9
Mandoline, Guitare (duo)
6
3 Guitares (trio)
5
Basse électrique (partie séparée)
4
2 Ukuleles
3
Guitare (partie séparée)
3
2 Mandolines (duo)
2
Guitare, Violon, Violoncelle (trio)
1
Dobro
1
Ensemble de guitares
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
857
Chorale 3 parties
296
Chorale TTBB
218
Chorale 2 parties
138
Chorale SSAA
121
Chorale Unison
120
Voix haute
102
Voix basse, Piano
88
Voix Moyenne
79
Voix seule
59
Voix Soprano, Piano
42
Voix Baryton, Piano
40
Voix Alto, Piano
39
Voix duo, Piano
38
Voix Tenor, Piano
35
Voix moyenne, Piano
31
Pack Instrumental pour Chorale
28
Chorale
21
Voix duo
13
Soli, choeur mixte et accompagnement
5
Chorale SSATTB
5
Voix Mezzo-Soprano, Piano
4
Chorale SSAATTBB
3
Voix Tenor
2
Chorale SSAATB
1
Voix basse
1
Voix, Guitare
1
Chorale SSATB
1
Voix Soprano, Orchestre
1
+ 24 instrumentations
Retracter
Vents
Flûte traversière et Piano
271
Flûte traversière
248
Clarinette
214
Clarinette et Piano
211
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
205
Hautbois, Piano (duo)
199
Quatuor de Saxophones: 4 saxophones
196
2 Saxophones (duo)
177
Saxophone Alto et Piano
174
Saxophone Alto
172
Saxophone (partie séparée)
160
Saxophone Tenor
149
Flûte, Hautbois, Clarinette, Basson
144
Quatuor de Clarinettes: 4 clarinettes
120
Saxophone Tenor et Piano
119
Hautbois (partie séparée)
105
Saxophone Soprano et Piano
98
Saxophone
88
2 Flûtes traversières (duo)
81
Quintette de Saxophone: 5 saxophones
76
2 Clarinettes (duo)
73
Quatuor de Flûtes : 4 flûtes
67
3 Saxophones (trio)
57
Saxophone Baryton, Piano
53
Ensemble de saxophones
49
2 Flûte à bec (duo)
45
Ensemble de Clarinettes
41
Flûte, Clarinette (duo)
38
Cor anglais, Piano
37
Flûte et Guitare
36
Quintette de Clarinettes: 5 clarinettes
35
Clarinette (partie séparée)
34
Saxophone, Clarinette (duo)
33
Flûte, Violon
32
2 Hautbois (duo)
32
Clarinette, Violon (duo)
29
Trio de Flûtes: 3 flûtes
26
Ensemble de Flûtes
26
3 Clarinettes (trio)
26
Ensemble De Flûte à bec
24
Flûte à bec Soprano
23
Hautbois, Basson (duo)
21
Clarinette Basse, Piano
21
Hautbois
20
Quatuor de Flûtes à bec
19
Hautbois, Clarinette (duo)
18
Flute (partie séparée)
17
Instruments en Mib
17
Flûte, Hautbois, Clarinette (trio)
16
Clarinette, Guitare (duo)
15
Flûte, Hautbois (duo)
14
Flûte, Trompette (duo)
14
Saxophone Soprano
13
Flûte à Bec
12
Clarinette, Basson (duo)
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Clarinette, Trompette (duo)
12
Flûte à bec Tenor
11
Hautbois, Flûte
11
Flûte à bec Alto
11
Flûte, Clarinette et Basson
10
Hautbois, violon (duo)
10
Quintette de Flûte : 5 flûtes
10
3 Flûtes à bec (trio)
9
Saxophone, Violon (duo)
9
Hautbois, Trompette (duo)
9
3 Hautbois
8
Flûte, Hautbois, Basson
8
Clarinette et Alto
7
Flûte, Saxophone (duo)
7
Flûte, Violoncelle
6
Flûte, Alto (duo)
6
Flûte, Clarinette, Piano (trio)
6
Flûte à bec Soprano, Piano
6
Clarinette Basse
6
2 Flûtes traversières, Piano
5
Cor anglais, Guitare (duo)
4
Flute, harpe et violon
4
Saxophone Baryton
4
Flûte, Violon et Violoncelle
4
Flûte à bec Alto, Piano
4
Cor Anglais
4
4 Hautbois
4
Flûte, Basson et Piano
3
2 Clarinettes, Piano
3
Clarinette, Trombone (duo)
3
Piccolo, Piano
3
Harmonica
3
Saxophone et Guitare
3
5 Flûtes à bec
3
Flûte, Violoncelle, Piano (trio)
3
Hautbois, Guitare (duo)
3
Hautbois, Violoncelle
3
Flûte, Trombone (duo)
2
Clarinette, Harpe (duo)
2
Flûte à Bec, Piano
2
Clarinette, Basson, Piano (trio)
2
2 Clarinettes, Basson
2
Saxophone et Orgue
2
Flûte, Violon, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, alto et harpe
1
Ensemble de Hautbois
1
Flûte, Violon, Violoncelle et Piano
1
Flûte et Quatuor à Cordes
1
Harmonica, Piano
1
Flûte à bec, Harpe
1
Flûte et Trio à cordes
1
2 Saxophones, Piano
1
2 Flûtes, Basse continue
1
Cor anglais et Harpe (duo)
1
Hautbois, Basson et Piano
1
Flûte irlandaise
1
Flûte à bec Alto, Basse continue
1
Clarinette, Violoncelle (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Hautbois, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
+ 115 instrumentations
Retracter
Cuivres
Trompette
253
Quatuor de Cuivres : 2 trompettes, trombone, tuba
201
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
199
Trombone
191
Trombone et Piano
162
Trompette, Piano
130
Cor
115
Cor et Piano
112
Quatuor de cuivres: 4 trombones
76
Trompette (partie séparée)
69
Quatuor de Cuivres: 2 trompettes, Cor, trombone
58
Trombone (partie séparée)
56
Tuba
55
Tuba et Piano
52
2 Trompettes (duo)
47
Euphonium, Piano (duo)
42
Cor anglais, Piano
37
2 Trombones (duo)
35
Quatuor de cuivres: 4 cors
34
Trompette, Saxophone (duo)
32
Ensemble de Trombones
30
2 Cors (duo)
30
Trompette, Trombone (duo)
25
Quatuor de Cuivres
21
Euphonium
19
Instruments en Sib
17
Cor (partie séparée)
16
Trompette, Cor (duo)
13
Trompette, violon (duo)
12
Tuba (partie séparée)
11
Quatuor de cuivres: 4 trompettes
11
Trompette, Basson (duo)
10
Ensemble de Trompettes
10
2 Euphoniums et 2 Tubas
9
Trio de Cuivres
8
Trombone, violoncelle (duo)
8
3 Trompettes (trio)
7
2 Tubas (duo)
6
Ensemble de Cors
6
Bass Clef Instruments
5
Cor anglais, Guitare (duo)
4
Tuba ou Euphonium ou Saxhorn
4
Tuba et Orgue
4
Cor Anglais
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Cors (trio)
3
2 Euphoniums (duo)
3
Trompette et Guitare
2
Trombone, Tuba (duo)
2
Trombone, Cor (duo)
2
Trompette, Trombone, Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone basse et Piano
2
Trombone, Orgue
1
Trompette, Violoncelle (duo)
1
Cor, Violoncelle (duo)
1
Cor anglais et Harpe (duo)
1
2 Cors, Piano
1
Trompette, Euphonium (duo)
1
Cor, Tuba (duo)
1
2 Trombones, Piano
1
Cor et Basson (duo)
1
3 Tubas (trio)
1
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
4 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
3 Trombones (trio)
1
+ 63 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
860
Violon et Piano
395
Violon
350
Violoncelle, Piano
252
Violoncelle
242
Alto, Piano
215
Alto seul
156
Violon, Violoncelle (duo)
142
Trio à Cordes: violon, alto, violoncelle
100
2 Violons (duo)
91
Harpe
82
Trio à Cordes: 2 violons, violoncelle
61
Contre Basse
60
Contrebasse, Piano (duo)
59
2 Violoncelles (duo)
58
Quintette à cordes: 2 violons, alto, violoncelle, basse
53
Violon, Alto (duo)
53
Alto (partie séparée)
49
2 Altos (duo)
45
Violon (partie séparée)
40
4 Violoncelles
35
Contrebasse (partie séparée)
22
Alto, Violoncelle (duo)
22
Trio à cordes: 3 violins
15
Piano Trio: Violon, Alto, Piano
13
Trio à Cordes: 3 violoncelles
13
Violon, Guitare (duo)
13
Quatuor à cordes: 4 violons
13
Quatuor à cordes : 4 altos
12
Violoncelle , Guitare (duo)
9
2 Harpes (duo)
9
Violoncelle, Contrebasse (duo)
8
2 Violons, Piano
8
Violoncelle (partie séparée)
8
2 Contrebasses (duo)
7
Harpe, Voix
7
Trio à Cordes: 2 violons, alto
7
Trio à cordes: 3 altos
7
Harpe, Flûte (duo)
5
Trio à cordes
5
Ensemble de Violons
4
Ensemble d'Altos
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe et Piano
2
Alto, Guitare (duo)
2
Ensemble de Violoncelles
2
Violon, Basson (duo)
2
2 Violoncelles, Piano
2
Alto et Basson
2
Harpe (partie séparée)
1
Violon, Orgue
1
Autoharp
1
4 Contrebasses
1
Harpe, Violon (duo)
1
Violoncelle, Orchestre
1
Alto et Harpe
1
Violoncelle, Orgue
1
Violon, Clarinette, Piano (trio)
1
+ 53 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
778
Orchestre à Cordes
331
Orchestre
288
Cloches
254
Ensemble de cuivres
179
Ensemble Jazz
124
Batterie
120
Orchestre de chambre
120
Fanfare
82
Percussion
30
Percussion (partie séparée)
23
Ensemble de Percussions
19
Jazz combo
16
Marimba
11
Xylophone, Piano
4
Batterie (partie séparée)
3
Vibraphone
3
Vibraphone (partie séparée)
2
Timbales (partie séparée)
2
Orchestre, Violon
2
Instrumentation Flexible
2
Xylophone
2
Quintette de Cuivres: autres combinaisons
1
Timbales
1
Ensemble d'École
1
Quintette à Vent
1
2 Marimbas
1
+ 22 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
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MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
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Old Man
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51
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101
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
#
AVANCÉ
#
Classique
#
Georg Philipp Telemann
#
Sneakwood Editions
#
TELEMANN – VIOLIN CONCER
#
Sneakwood Editions
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Pr'os lados do Piaui, entre a Turquia e a Alemanha
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Orchestre de chambre
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Sergio Roberto de Oliveira
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Pr'os lados do Piaui, entre a
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Sergio Roberto de Oliveira
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SheetMusicPlus
Chamber Orchestra - SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. Sergio Roberto d...
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Chamber Orchestra - SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. Sergio Roberto de Oliveira #5011347. Published by Sergio Roberto de Oliveira (A0.962358). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.58
Concertino - for clarinet, mandolin and symphony orchestra
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Orchestre de chambre
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Klezmer
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, man
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029....
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Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
12 Variations on "Ah, vous dirai-je maman", K.265 for flute and orchestra
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Orchestre de chambre
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Classique
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Wolfgang Amadeus Mozart
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James Strauss
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12 Variations on "Ah, vou
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James Strauss
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1035220 Composed by Wolfgang Amadeus Mozart. Arranged by James Strauss. Christmas,Classical,Easter,Holiday,Love. Score and p...
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Chamber Orchestra - SKU: A0.1035220 Composed by Wolfgang Amadeus Mozart. Arranged by James Strauss. Christmas,Classical,Easter,Holiday,Love. Score and parts. 37 pages. James Strauss #5298007. Published by James Strauss (A0.1035220). Twelve Variations on Ah vous dirai-je, Maman, K. 265/300e, is a piano composition by Wolfgang Amadeus Mozart, composed when he was around 25 years old (1781 or 1782). This piece consists of twelve variations on the French folk song Ah! vous dirai-je, Maman. The French melody first appeared in 1761, and has been used for many children's songs, such as Twinkle, Twinkle, Little Star, Baa, Baa, Black Sheep and the Alphabet Song.Here is an arrangement for flute and orchestra .
$29.00
Carson Cooman: Quintet for Bassoon and Strings (2005–08) for bassoon and string quartet
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Quintet for Bas
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533574 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533574 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3024985. Published by Musik Fabrik Music Publishing (A0.533574). Quintet for Bassoon and Strings (2005–08) was commissioned by The Commission Projectand is dedicated to Klaus Heymann, in tribute for his invigoration of the classical recordingindustry and his enthusiastic support for the composers of our time.The original conception for the work was devised during an extremely foggy week onNantucket Island, Massachusetts in the summer of 2005. It is music deeply connected to theocean landscape. Throughout the work, the strings often present a fog-like backdrop,through which the bassoon’s color emerges like a lighthouse beacon—lyrical and flexible.The work opens with a series of interlocking, nebulous figurations in the strings thatgradually build in intensity. The bassoon unfolds the work’s basic melodic material in a freesolo that also increases in intensity. At the point of climax, the tempo suddenly slowsdramatically, and a tender, lyrical cantilena emerges. As this music dissolves, a bouncy andenergetic music takes the foreground. It climaxes in a bassoon cadenza. Though the bassoonhas played the leader throughout, this is the first time it is heard unaccompanied. A brief,but vigorous afterglow recalls the opening of the work. The final section emerges out of it: aseries of high, distant harmonics (perhaps harbor buoys) in the strings through which thebassoon sings a final song.
$25.95
On The road To Mandalay for Tenor and Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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the time your soloist reaches
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Oley Speaks, Rudyard Kipling
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John Hoesly
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On The road To Mandalay for Te
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PRS&B
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.771584 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 113 pages. PRS&B ...
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Chamber Orchestra - Level 4 - SKU: A0.771584 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 113 pages. PRS&B #379228. Published by PRS&B (A0.771584). On The Road To Mandalay- for Tenor and Orchestra. From a poem by Rudyard Kipling, set to music by Oley Speaks in 1907. On the road to Mandalay…Where the flyin’ fishes play! A rousing, hugely popular ballad from the turn of the 20th Century. The publication of On The road To Mandalay sold over a million copies of sheet music. It has been recorded numerous times by artists from Frank Sinatra to Thomas Hampson. Taken from Kipling’s Barrack-Room Ballads and Other Verses, the lyric tells the story of a Cockney soldier’s remembrance of his time spent in Burma (now Myanmar), his fondness for the city and the girl he left behind. By the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Tenor (C- F Sharp)- 1111- 2110- Timp+4-hp- pf- str. Level: Advanced Intermediate.
$70.00
On The road To Mandalay for Baritone and Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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the time your soloist reaches
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Oley Speaks, Rudyard Kipling
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John Hoesly
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On The road To Mandalay for Ba
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PRS&B
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.771583 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 109 pages. PRS&B ...
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Chamber Orchestra - Level 4 - SKU: A0.771583 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 109 pages. PRS&B #379227. Published by PRS&B (A0.771583). On The Road To Mandalay- for Baritone and Orchestra. From a poem by Rudyard Kipling, set to music by Oley Speaks in 1907. On the road to Mandalay…Where the flyin’ fishes play! A rousing, hugely popular ballad from the turn of the 20th Century. The publication of On The road To Mandalay sold over a million copies of sheet music. It has been recorded numerous times by artists from Frank Sinatra to Thomas Hampson. Taken from Kipling’s Barrack-Room Ballads and Other Verses, the lyric tells the story of a Cockney soldier’s remembrance of his time spent in Burma (now Myanmar), his fondness for the city and the girl he left behind. By the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Baritone (A Flat- D)- 1111- 2110- Timp+4-hp- pf- str. Level: Advanced Intermediate.
$70.00
Soldiers' March
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Robert Schumann
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Christopher Kalstad
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Soldiers' March
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Christopher Kalstad
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1466526 Composed by Robert Schumann. Arranged by Christopher Kalstad. 19th Century,Children,Classical,Romantic Per...
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Chamber Orchestra - Level 3 - SKU: A0.1466526 Composed by Robert Schumann. Arranged by Christopher Kalstad. 19th Century,Children,Classical,Romantic Period. 35 pages. Christopher Kalstad #1045095. Published by Christopher Kalstad (A0.1466526). Soldiers' March from Schumann's beloved piano work Album for the Young is now arranged for chamber orchestra. The composer's musical charm is on full display in this attractive light piece - perfect as an encore!
$11.99
VARIATION 25 (from the GOLDBERG VARIATIONS)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Stanley M
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VARIATION 25
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.924813 Composed by Johann Sebastian Bach. Arranged by Stanley M. Hoffman. Baroque. Score and parts. 18 pages. Stan...
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Chamber Orchestra - Level 4 - SKU: A0.924813 Composed by Johann Sebastian Bach. Arranged by Stanley M. Hoffman. Baroque. Score and parts. 18 pages. Stanleymhoffman.com #3911845. Published by stanleymhoffman.com (A0.924813). This arrangement of VARIATION 25 from J. S. Bach's GOLDBERG VARIATIONS is transposed to the key of A minor to make it playable by the solo violin, and more easily playable by all performers. Duration: 12:00 with repeats.
$10.00
Grave of Charlie Reynolds
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Jim Bosse
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Grave of Charlie Reynolds
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Jim Bosse
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.955018 Composed by Jim Bosse. Contemporary,Folk. Score and parts. 41 pages. Jim Bosse #4595307. Published by Jim B...
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Chamber Orchestra - Level 4 - SKU: A0.955018 Composed by Jim Bosse. Contemporary,Folk. Score and parts. 41 pages. Jim Bosse #4595307. Published by Jim Bosse (A0.955018). This is the final movement from Shavano Suite, a set of four pieces inspired by folklore and campfire tales of the Maysville/Mount Shavano area in the Rocky Mountains of Colorado. The suite was originally scored for classical guitar duet, but this version is expanded for guitar, string quartet and percussion. The percussion part requires a large drum (or timpani), glockenspiel, guiro and wind chimes. The suite has a total performance time if 17 minutes. This movement, however, can stand alone as a concert piece, with a performance time of 3 minutes and 30 seconds. Performance demand is advanced intermediate level. Videos of all four movements in the original guitar duet form can be viewed on YouTube by searching jimbosseguitar. Jim's web site is www.facebook.com/jimbosse
$4.99
Elizabeth: The Golden Age
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Orchestre de chambre
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INTERMÉDIAIRE
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Film/TV
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A
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Juan Villodre
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Elizabeth: The Golden Age
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Juan Villodre
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1331995 Composed by A. R. Rahman and Craig Mackenzie Armstrong. Arranged by Juan Villodre. Film/TV. 21 pages. Juan...
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Chamber Orchestra - Level 3 - SKU: A0.1331995 Composed by A. R. Rahman and Craig Mackenzie Armstrong. Arranged by Juan Villodre. Film/TV. 21 pages. Juan Villodre #918767. Published by Juan Villodre (A0.1331995). For string orchestra, flute and piano.
$49.99
German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
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Orchestre de chambre
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INTERMÉDIAIRE
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Thomas Graf
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Instrumentation:
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German Spring Song Collection
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com...
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Chamber Orchestra - Level 3 - SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #3038961. Published by Thomas Graf - the-hit-factory.com (A0.568673). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Part Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw
$3.99
The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
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Orchestre de chambre
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AVANCÉ
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #7...
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Chamber Orchestra - Level 5 - SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #727154. Published by Studio at the Post (A0.1126484). Score only (see A727154 for Parts) Duration: 11 - 12 minutes, 37 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$15.04
The Disqualification of Harry Semantix as Trial Juror for East County (Parts only)
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Orchestre de chambre
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AVANCÉ
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #...
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Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #727166. Published by Studio at the Post (A0.1126491). Parts only (see A727154 for Score). Duration: 11 - 12 minutes, 23 Parts including soloist, parts averaging 3 -5 pp., soloist part 9 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$5.02
Isolde's Liebestod
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Orchestre de chambre
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AVANCÉ
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Classique
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Richard Wagner
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Nandor & Katrina Szederkenyi
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Isolde's Liebestod
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iStrings
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.875796 Composed by Richard Wagner. Arranged by Nandor & Katrina Szederkenyi. Opera,Romantic Period. Score and part...
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Chamber Orchestra - Level 5 - SKU: A0.875796 Composed by Richard Wagner. Arranged by Nandor & Katrina Szederkenyi. Opera,Romantic Period. Score and parts. 20 pages. IStrings #4351047. Published by iStrings (A0.875796). One of the most beautiful Wagner scenes, arranged for string quartet with the original harp part.
$13.00
Histoire du Soldat Concert Suite
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Orchestre de chambre
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AVANCÉ
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Classique
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Igor Stravinsky
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John M
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Histoire du Soldat Concert Sui
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zephyrwindmusic.com
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1141262 Composed by Igor Stravinsky. Arranged by John M. Laverty. 20th Century,Chamber,Classical. Score and Parts....
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Chamber Orchestra - Level 5 - SKU: A0.1141262 Composed by Igor Stravinsky. Arranged by John M. Laverty. 20th Century,Chamber,Classical. Score and Parts. 245 pages. Zephyrwindmusic.com #741570. Published by zephyrwindmusic.com (A0.1141262). Histoire du Soldat is one of Igor Stravinsky’s most performed chamber works. It is published in the original edition (for seven players, three spoken parts, and a single dancer) and as a trio version for clarinet, violin, and piano scored by the composer. It is also frequently performed as a concert suite using the original instrumentation. Although the concert suite is in many respects identical to the original, it omits several movements as well as small sections within some movements where spoken parts with music occur. This new edition is intended to eliminate any confusion as to what music should be included or eliminated in order to create a more deï¬nitive concert suite. Fortunately, Stravinsky performed or recorded the concert suite on many occasions indicating his intentions for how the work should be presented. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download. Instrumentation: Clarinet in B-flat and A Bassoon Cornet in B-flat and A (with an optional part in C) Trombone Percussion Violin Double Bass.
$50.00
Marches of the Wooden Soldiers (Chamber Orchestra)
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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Christopher Kalstad
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Marches of the Wooden Soldiers
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Christopher Kalstad
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1405366 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher Kalstad. 19th Century,Classical,Holiday,Roma...
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Chamber Orchestra - Level 3 - SKU: A0.1405366 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher Kalstad. 19th Century,Classical,Holiday,Romantic Period. 34 pages. Christopher Kalstad #988421. Published by Christopher Kalstad (A0.1405366). Marches of the Wooden Soldiers from Tchaikovsky's Album for the Young is now arranged for chamber orchestra. Tchaikovsky's melodic gift and musical charm are fully on display in this attractive light piece - perfect as a chamber orchestra encore!
$11.99
Marches of the Wooden Soldiers (Chamber Orchestra) - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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Christopher Kalstad
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Marches of the Wooden Soldiers
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Christopher Kalstad
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1406009 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher Kalstad. 19th Century,Classical,Romantic Per...
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Chamber Orchestra - Level 3 - SKU: A0.1406009 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher Kalstad. 19th Century,Classical,Romantic Period. 8 pages. Christopher Kalstad #989060. Published by Christopher Kalstad (A0.1406009). Marches of the Wooden Soldiers from Tchaikovsky's Album for the Young is now arranged for chamber orchestra. Tchaikovsky's melodic gift and musical charm are fully on display in this attractive light piece - perfect as a chamber orchestra encore! (Score only).
$3.99
I Told You, Dear Mother
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Orchestre de chambre
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Lazaros Delidemos
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I Told You, Dear Mother
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Lazaros Delidemos
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SheetMusicPlus
Chamber Orchestra - SKU: A0.931490 Composed by Lazaros Delidemos. Folk,Instructional,Romantic Period,World. Score and parts. 16 pages. Lazaros Delidemos...
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Chamber Orchestra - SKU: A0.931490 Composed by Lazaros Delidemos. Folk,Instructional,Romantic Period,World. Score and parts. 16 pages. Lazaros Delidemos #3531861. Published by Lazaros Delidemos (A0.931490). I wrote this piece as an example for my composition students. It is a contrapuntal composition based on a Greek folk song,which is presented at the beginning with clarinet solo, and then it is used as a cantus firmus. In the second part of the composition a two part canon is created on this cantus firmus (shown with the words canon and resolutio instead ofdux and comes.
$11.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Heinzelmannchens Wachtparade
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Orchestre de chambre
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Classique
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Kurt Noack
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Heinzelmannchens Wachtparade
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Schott Music - Digital
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SheetMusicPlus
Salon orchestra - Digital Download Character piece. Composed by Kurt Noack. This edition: piano direction and parts. Domesticum. Downloadable. Op. 5....
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Salon orchestra - Digital Download Character piece. Composed by Kurt Noack. This edition: piano direction and parts. Domesticum. Downloadable. Op. 5. Duration 8 minutes. Schott Music - Digital #Q49252. Published by Schott Music - Digital
The parade of the 'Heinzelmaennchen' (brownies) is reminiscent of old times. Catchy naive motifs prompt the listener to sing along, move to the rhythm and wallow in memories. Extremely popular in post-war Germany and frequently played even today, this music carries you off into the coffee houses of the 1920s. It is part of the standard repertoire of each spa and salon orchestra still today.
$42.99
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido ...
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Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
Old French Song (Chamber Orchestra)
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Peter Ilyich Tchaikovsky
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Christopher Kalstad
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Old French Song
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Christopher Kalstad
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1426742 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher Kalstad. 19th Century,Classical,Romantic Per...
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Chamber Orchestra - Level 3 - SKU: A0.1426742 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher Kalstad. 19th Century,Classical,Romantic Period. 32 pages. Christopher Kalstad #1007400. Published by Christopher Kalstad (A0.1426742). Old French Song from Tchaikovsky's evergreen piano work Album for the Young is now arranged for chamber orchestra. Tchaikovsky's musical charm is on full display in this delightful miniature - perfect as a chamber orchestra encore or as a pairing with Kalstad's other orchestrations of Tchaikovsky's enduring piano gems.
$11.99
WAGNER: Vorspiel to 'Die Meistersingers von Nürnberg' 13 player ensemble - PARTS ONLY
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Orchestre de chambre
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AVANCÉ
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Classique
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Richard Wagner
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Matthew Toogood
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WAGNER: Vorspiel to 'Die Meist
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Matthew Toogood
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1094114 Composed by Richard Wagner. Arranged by Matthew Toogood. Classical,Opera,Patriotic,Romantic Period,Traditi...
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Chamber Orchestra - Level 5 - SKU: A0.1094114 Composed by Richard Wagner. Arranged by Matthew Toogood. Classical,Opera,Patriotic,Romantic Period,Traditional. Score and parts. 58 pages. Matthew Toogood #698220. Published by Matthew Toogood (A0.1094114). Commissioned for the Swiss Richard Wagner Society for a performance in the Richard Wagner Museum (Tribschen) 2022, this chamber arrangement of Richard Wagners Vorspiel (Prelude/Overture) to his opera 'Die Meistersingers von Nürnberg' endeavours to maintain the original sound and intention of the full orchestra but executed by an ensemble of 13 solo players. The arrangement is designed to pair with Wagner's original Siegfried Idyll using the same instrumentation. String parts are as close as possible to the original, thus can be expanded without modification to string sections of more players. Instrumentation: Flute, Oboe, 2 Clarinets in Bb, Bassoon, 2 Horns in F, Trumpet in C, Strings (V1, V2, Vla, Vc, DB) PARTS ONLY!! - score sold separately. A transposed Trumpet part in Bb is included. Each part is designed to be printed on a double sided A3 sheet of paper, then folded to create a booklet part of up to 4 pages. (*note exception Viola, which is adapted to help manage page turns). ALSO AVAILABLE is a 12 player ensemble, with modifications to the horn parts in order to dispense with the Trumpet.
$50.00
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