English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
6 341
Partitions
Numériques
145
Librairie
Musicale
16
Matériel
de Musique
3 909
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
9389
PIANO & CLAVIERS
Piano Facile
2958
Piano seul
2368
Piano, Voix
1030
1 Piano, 4 mains
701
Instruments en Do
675
Piano, Voix et Guitare
491
Accompagnement Piano
222
Orgue
142
Piano Trio: piano, violon, violoncelle
63
Accordéon
50
1 Piano, 6 mains
37
2 Pianos, 4 mains
37
Ligne De Mélodie, Piano
20
Piano Quatuor: piano, violon, alto, violoncelle
18
Piano (partie séparée)
16
Piano Quintette: piano, 2 violons, alto, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
8
Piano grosses notes
7
Orgue, Trompette (duo)
7
2 Pianos, 8 mains
7
Orgue, Piano (duo)
6
Clavecin
5
Instrument seul et Orgue
4
Clavier
2
Ensemble d'Accordéons
2
2 Accordéons
1
Accordéon, Voix
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
855
Ligne De Mélodie, (Paroles) et Accords
600
Basse electrique
437
Guitare
420
Ukulele
151
Guitare (partie séparée)
134
Basse électrique (partie séparée)
61
Paroles et Accords
53
Dulcimer
33
2 Guitares (duo)
29
Mandoline
16
Piano, Guitare (duo)
14
4 Guitares (Quatuor)
13
2 Dulcimers (duo)
11
Ensemble de guitares
9
3 Guitares (trio)
7
Ukulele Baryton
5
Banjo
4
Guitare, Violon, Violoncelle (trio)
3
Mandoline, Guitare (duo)
2
Guitare Pedal Steel
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
863
Chorale 2 parties
487
Chorale 3 parties
262
Chorale TTBB
261
Chorale Unison
242
Chorale SSAA
173
Voix seule
119
Voix duo, Piano
50
Voix Soprano, Piano
48
Voix duo
34
Voix Alto, Piano
22
Voix haute
14
Voix basse, Piano
14
Voix Baryton, Piano
11
Chorale SSAB a cappella
9
Voix moyenne, Piano
9
Voix, Guitare
5
Voix Tenor, Piano
4
Chorale SSATBB
4
Chorale
4
Chorale SSAB, Piano
3
Voix Tenor
2
Chorale SATTB
2
Voix Mezzo-Soprano, Piano
2
Chorale SSATTB
2
Voix Soprano
2
Chorale SSAATTBB
2
Voix basse
1
Chorale SATBB
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
16426
Saxophone Alto
4597
Saxophone Tenor
1999
2 Saxophones (duo)
1708
Saxophone Alto et Piano
1503
Quatuor de Saxophones: 4 saxophones
1286
Saxophone
1170
Saxophone Tenor et Piano
1161
Saxophone Soprano et Piano
634
3 Saxophones (trio)
609
Flûte traversière et Piano
547
Flûte traversière
533
Quintette de Saxophone: 5 saxophones
516
Clarinette
513
Clarinette (partie séparée)
395
Saxophone Soprano
392
Quatuor de Clarinettes: 4 clarinettes
299
Clarinette et Piano
263
Saxophone Baryton, Piano
258
Hautbois (partie séparée)
257
Ensemble de saxophones
252
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
235
2 Flûtes traversières (duo)
233
Hautbois, Piano (duo)
228
Flute (partie séparée)
202
Saxophone Baryton
194
Flûte à bec Soprano
169
Flûte, Hautbois, Clarinette, Basson
168
Hautbois
165
Quatuor de Flûtes : 4 flûtes
131
2 Clarinettes (duo)
128
Saxophone, Clarinette (duo)
82
3 Clarinettes (trio)
73
Ensemble de Clarinettes
68
Flûte à bec Alto
65
Instruments en Mib
63
Quintette de Clarinettes: 5 clarinettes
54
2 Saxophones, Piano
53
Saxophone, Violon (duo)
52
Cor anglais, Piano
50
Ensemble de Flûtes
50
2 Hautbois (duo)
49
Flûte, Clarinette (duo)
49
Trio de Flûtes: 3 flûtes
45
2 Flûte à bec (duo)
42
Saxophone et Guitare
38
Hautbois, Basson (duo)
35
Clarinette, Violon (duo)
34
Flûte et Guitare
32
Clarinette Basse, Piano
31
Flûte à Bec
31
Flûte, Saxophone (duo)
29
Saxophone, Basson (duo)
27
Hautbois, Clarinette (duo)
25
Quatuor de Flûtes à bec
25
Clarinette et Alto
24
Flûte, Violoncelle
22
Saxophone et violoncelle
22
Clarinette, Basson (duo)
21
Flûte, Alto (duo)
21
Clarinette, Violoncelle (duo)
19
Clarinette, Trompette (duo)
18
Quintette de Flûte : 5 flûtes
18
Flûte, Violon
15
Piccolo
14
Saxophone et Orchestre
14
Hautbois, Violoncelle
14
Hautbois, Flûte
13
Flûte, Hautbois, Clarinette (trio)
12
Cor Anglais
12
Flûte, Hautbois (duo)
12
3 Flûtes à bec (trio)
12
Harmonica
11
Saxophone et Piano
11
Flûte, Clarinette et Basson
10
Hautbois, Guitare (duo)
9
5 Flûtes à bec
9
Flûte à bec Tenor
8
Clarinette Basse
8
Piccolo, Piano
8
Ensemble De Flûte à bec
8
Hautbois, Clarinette, Basson (trio d'anches)
8
2 Flûtes traversières, Piano
8
Flûte, Hautbois, Basson
7
Hautbois et alto (duo)
7
Clarinette, Guitare (duo)
6
Flûte à bec Soprano, Piano
6
Saxophone et Orgue
6
Flûte, Trompette (duo)
6
Hautbois, violon (duo)
5
Flûte, Violoncelle, Piano (trio)
4
Ensemble à vent
4
Ocarina
4
Harmonica, Piano
3
Flûte à Bec, Piano
3
3 Hautbois
3
Flûte, Basson et Piano
3
2 Clarinettes, Piano
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Flûte, Violon et Violoncelle
3
Flûte à bec Alto, Piano
2
Cor anglais, Guitare (duo)
2
Flûte, Violon, Piano
2
Flûte, Clarinette, Piano (trio)
2
2 Cors Anglais Et Pianoforte
2
4 Hautbois
2
2 Clarinettes, Basson
1
Ensemble de Hautbois
1
Cornemuse
1
Melodica
1
Clarinette, Orgue
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte traversière, Basse continue
1
Clarinette, Orchestre
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte et Trio à cordes
1
Flûte irlandaise
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte traversière, Orgue (duo)
1
Clarinette, Basson, Piano (trio)
1
Clarinette, Harpe (duo)
1
Flute, harpe et violon
1
Hautbois, Violoncelle et Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
635
Trompette (partie séparée)
629
Cor
292
Cor (partie séparée)
263
Tuba ou Euphonium ou Saxhorn
246
Tuba
176
Tuba (partie séparée)
164
Trompette, Piano
158
Cor et Piano
141
Instruments en Sib
96
Trompette, Saxophone (duo)
88
2 Trompettes (duo)
59
Euphonium, Piano (duo)
54
Cor anglais, Piano
50
Tuba et Piano
48
2 Cors (duo)
40
Euphonium
30
2 Tubas (duo)
28
Bass Clef Instruments
22
Quatuor de cuivres: 4 cors
22
Trompette, Cor (duo)
20
Trio de Cuivres
16
Tuba et Orgue
15
2 Euphoniums (duo)
14
Cor Anglais
12
Ensemble de Trompettes
10
Cor, Violoncelle (duo)
9
Quatuor de cuivres: 4 trompettes
8
Cor et Basson (duo)
7
Cornet A Pistons
7
Trompette, Basson (duo)
7
2 Euphoniums et 2 Tubas
6
Euphonium, Tuba (duo)
6
Trompette, Violoncelle (duo)
6
Trompette, Tuba (duo)
4
4 Tubas
3
Cor, Tuba (duo)
3
Ensemble de Cors
3
Cor anglais, Guitare (duo)
2
2 Cors Anglais Et Pianoforte
2
3 Cors (trio)
2
Clarinette, Cor (duo)
1
3 Euphoniums
1
Trompette, violon (duo)
1
Trompette et Guitare
1
3 Tubas (trio)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
919
Violon
868
Violon et Piano
488
Violoncelle (partie séparée)
383
Alto seul
352
Violoncelle, Piano
309
Violon, Violoncelle (duo)
287
Violon (partie séparée)
237
Alto, Piano
232
Violoncelle
229
Trio à Cordes: violon, alto, violoncelle
207
2 Violons (duo)
167
Harpe
152
Contre Basse
152
Contrebasse (partie séparée)
125
Alto (partie séparée)
111
2 Violoncelles (duo)
105
Violon, Alto (duo)
104
Quintette à cordes: 2 violons, alto, violoncelle, basse
96
2 Altos (duo)
80
Contrebasse, Piano (duo)
66
Trio à Cordes: 2 violons, violoncelle
64
Alto, Violoncelle (duo)
45
Violon, Guitare (duo)
44
4 Violoncelles
31
2 Contrebasses (duo)
22
Violoncelle, Contrebasse (duo)
21
Trio à Cordes: 3 violoncelles
17
Trio à cordes: 3 violins
15
Quatuor à cordes: 4 violons
12
Violon, Basson (duo)
11
2 Harpes (duo)
10
Alto et Basson
10
Violoncelle , Guitare (duo)
9
Flûte, Contrebasse (duo)
8
Trio à cordes: 3 altos
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Trio à cordes
6
Piano Trio: Violon, Alto, Piano
6
Trio à Cordes: 2 violons, alto
6
Harpe (partie séparée)
5
Ensemble d'Altos
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
Harpe, Violon (duo)
4
Ensemble de Violons
4
Alto, Guitare (duo)
3
Quatuor à cordes : 4 altos
3
4 Contrebasses
2
Harpe, Flûte (duo)
2
Violoncelle, Orchestre
2
5 Harpes
2
Harpe, Voix
2
3 Harpes
2
Violon, Basse continue
1
Ensemble de Violoncelles
1
Violoncelle, Basse continue
1
Harpe, Violon, Violoncelle
1
2 Violoncelles, Piano
1
Harpe et Piano
1
2 Violons, Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
6793
Fanfare
719
Orchestre à Cordes
628
Orchestre
350
Percussion (partie séparée)
309
Batterie (partie séparée)
273
Xylophone
248
Cloches
246
Ensemble Jazz
154
Orchestre de chambre
145
Ensemble de Percussions
113
Ensemble de cuivres
111
Batterie
106
Percussion
59
Xylophone, Piano
44
2 Xylophones
32
Timbales (partie séparée)
29
Jazz combo
23
Xylophone (partie séparée)
18
Marimba
15
Timbales
13
Vibraphone
9
Xylophone ou Marimba ou Vibraphone
3
Caisse Claire
2
Instrumentation Flexible
2
Vibraphone et Marimba
1
Vibraphone (partie séparée)
1
Ensemble d'École
1
Bongos
1
Marimba ou Xylophone et Piano
1
Quintette de Cuivres: autres combinaisons
1
Cajon
1
Instrumentations suivantes
Retracter
AUTRES
Papeterie
16
Vous avez sélectionné:
One by One - Trombone 1
Orchestre de chambre
Partitions à imprimer
145 partitions trouvées
<
1
26
51
....
126
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.97 €
#
Orchestre de chambre
#
Carson Cooman
#
Carson Cooman: The Acts of the Apostles
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Admit One
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1030978 Composed by Jim Gailloreto. 20…
(+)
Chamber Orchestra - Digital Download SKU: A0.1030978 Composed by Jim Gailloreto. 20th Century,Contemporary,Jazz. Score and parts. 26 pages. Jazz String Quintet #3563659. Published by Jazz String Quintet (A0.1030978). For string quartet and soprano saxophone. This is originally composed for the Marcel Du Champ Memorial Players (ca. 1983). It was arranged for Jazz String Quintet and record in 2004. The style has minimalistic overtones, but is also reminiscent of a music-box. It is about 2 minutes long, The notes are easy, but the best performance requires steady time. released January 1, 2006 Jim Gailloreto - Soprano Saxophone Katherine Hughes - Violin Mark Agnor - Violin Benton Wedge - Viola Jill Kaeding - Cello
$25.00
23.09 €
#
Orchestre de chambre
#
Jim Gailloreto
#
Admit One
#
Jazz String Quintet
#
SheetMusicPlus
Londonderry Air (Danny Boy) - wind nonet / wind ensemble
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.564089 Composed by Tradition…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.564089 Composed by Traditional. Arranged by Austin Ralphson. Film/TV,Folk. Score and parts. 16 pages. Austin Ralphson #6083971. Published by Austin Ralphson (A0.564089). This is a very special arrangement of The Londonderry Air, which was done in tribute to the film Brassed Off. It is for nine wind players and sounds great when played well. Parts are provided for 2 flutes, 2 oboes, 2 clarinets, 1 horn in F and 2 bassoons.
$9.99
9.23 €
#
Orchestre de chambre
#
Traditional
#
Austin Ralphson
#
Londonderry Air
#
Austin Ralphson
#
SheetMusicPlus
Stefano Maria Torchio: En Archè en o Logos - Violin 1 part
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022759 Composed by Stefano …
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871. Published by Stefano Torchio (A0.1022759). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comYou can find me also on: facebook, instagram and twitter.
$4.00
3.69 €
#
Orchestre de chambre
#
Stefano Maria Torchio
#
Stefano Maria Torchio: En Archè en o Logos - Violin 1 part
#
Stefano Torchio
#
SheetMusicPlus
Romanza, from Symphonette
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.901639 Composed by David Tho…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.901639 Composed by David Thompson. 20th Century,Contemporary. Score and parts. 18 pages. David M Thompson #4626263. Published by David M Thompson (A0.901639). Romanza. Third movement of the Symphonette, for chamber orchestra. A short but atmospheric movement. Not difficult. Pairs well with the Gavotte and the Allegro Giusto movements. Includes score and parts (2 Fl, 1 Ob., 2 Cl., 1 Bsn., 2 Hns, and Strings). Gavotte: https://www.sheetmusicplus.com/title/gavotte-from-symphonette-digital-sheet-music/21318553Allegro giusto: https://www.sheetmusicplus.com/title/allegro-giusto-from-symphonette-digital-sheet-music/22038331?pu... .
$7.95
7.34 €
#
Orchestre de chambre
#
David Thompson
#
Romanza, from Symphonette
#
David M Thompson
#
SheetMusicPlus
Sacred Prelude No. 1 for Organ and Orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.572670 Composed by James Mic…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.572670 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Graduation,Sacred,Standards,Wedding. Score and parts. 29 pages. James M Stevens Music ASCAP #3877747. Published by James M Stevens Music ASCAP (A0.572670). This is an original composition for Organ and Orchestra with the orchestra parts written around Stevens' bestselling organ solo, Sacred Prelude No. 1 for Organ. Contains full conductor score, original organ solo, and parts. Fl 1, 2, Oboe, Trp 1, 2, Tbone, tuba, organ, timpani, violin 1, 2, viola, cello. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College. The MP3 clip is a midi reduction while the YouTube is from a performance at Welch College on Nov. 30, 2018. https://youtu.be/7Cu1t1J1MOI
$39.99
36.93 €
#
Orchestre de chambre
#
James Michael Stevens
#
James Michael Stevens
#
Sacred Prelude No. 1 for Organ and Orchestra
#
James M Stevens Music ASCAP
#
SheetMusicPlus
Vivaldi - 10 Concertos (Book 1) for Violin solo, Strings and Cembalo - Scores and Parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1221417 By Santino Cara. By …
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1221417 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and Parts. 847 pages. Santino Cara #817739. Published by Santino Cara (A0.1221417). Complete scores and parts of 10 Concertos Book1 for Violin solo, Strings and Cembalo. Composed in Venice between 1712 and 1727 by Antonio Vivaldi. Reconstructed and elaborated over the years by Santino Cara from the publications of publishers of the Vivaldi period.Sources: National University Library of Turin, the National Library of Bologna, the Italian Antonio Vivaldi Institute – Giorgio Cini Foundation directed by Francesco Fanna, the Saxony State University Library in Dresden, and some copied manuscripts from Vivaldi's period by Johann Georg Pisendel. Concertos:01 - Violin Concerto in C major RV 17002 - Violin Concerto in C major RV 17103 - Violin Concerto in C major RV 17204 - Violin Concerto in C major RV 17705 - Violin Concerto in C minor RV 19906 - Violin Concerto in D major RV 22207 - Violin Concerto in D major RV 23108 - Violin Concerto in D minor RV 243More Vivaldi Works for Violin, Strings and HarpsichordVivaldi - L'Estro Armonico Op.3 Book 1 - 6 Concertos for Violins, Cello, Strings and HarpsichordVivaldi - L'Estro Armonico Op.3 Book 2 - 6 Concertos for Violins, Cello, Strings and HarpsichordVivaldi - La Stravaganza Op.4 - 12 Concertos for Violin solo, Strings and Cembalo - Full scores and PartsVivaldi - Six Concertos Op.6 for Violin, Cello, Strings and Harpsichord - Scores and PartsVivaldi - 10 Violin Concertos Op.7 for Violin, Strings and Cembalo - Scores and PartsVivaldi - Il Cimento dell'Armonia e dell'Invenzione Op.8 - 12 Concertos for Violin, Strings and CembaloVivaldi - La Cetra Op.9 - 12 Concertos for Violin, Strings and Cembalo - Scores and PartsVivaldi - Six Violin Concertos Op.11 for Violin, Strings and Cembalo - Full scores and PartsVivaldi - Six Concertos Op.12 for Violin, Strings and Cembalo - Full scores and Parts
$80.40
74.25 €
#
Orchestre de chambre
#
Santino Cara
#
Santino Cara
#
Vivaldi - 10 Concertos
#
Santino Cara
#
SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.38 €
#
Orchestre de chambre
#
Karl Friedrich Abel
#
Guido Menestrina
#
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
#
Guido Menestrina
#
SheetMusicPlus
Guitar Concerto No 1 (Score only)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.942093 Composed by Apostolos Paraskeva…
(+)
Chamber Orchestra - Digital Download SKU: A0.942093 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 113 pages. Silver Sickle Publications #6082737. Published by Silver Sickle Publications (A0.942093). The guitar concerto Phygein Adynaton (Impossible to Escape) calls for a guitarist with two classical guitars (one of which is prepared with paper-clips) and orchestra. The work is in one movement throughout but essentially has two parts divided in half by the guitar Cadenza at the end of the first part. The first part is evocative and stochastic. This invocation is around a tonal center where guitar and orchestra coexist in equal terms. In the second part the orchestra takes a different, more dynamic part. The prepared guitar sounds almost distorted, like a new instrument melodic and percussive at the same time. This part of the concerto is darker in the mood and of a philosophical point of view is trying to give a direction in the battle between life and death.
$35.00
32.32 €
#
Orchestre de chambre
#
Apostolos Paraskevas
#
Guitar Concerto No 1
#
Silver Sickle Publications
#
SheetMusicPlus
Minimally Fantastic Suite for Chamber Orchestra No. 1
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1135286 Composed by Steven K…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1135286 Composed by Steven Kudlo. 20th Century,Chamber,Classical,Contemporary. Score and Parts. 113 pages. Steven Mark Kudlo #733234. Published by Steven Mark Kudlo (A0.1135286). This suite is almost 16 minutes long, and while not technically challenging, it has multiple meters, and some stylistic varieties, mainly pandiatonic, expressionistic, and tonal within each of its six movements. Each movement ends on a passage of common practice harmony. Overall impression: neoclassical. There is one instrument per part, with a total of 10 instruments: 1,1,1,1; 1,0,0,0; 0; 1,1,1,1,1.
$7.99
7.38 €
#
Orchestre de chambre
#
Steven Kudlo
#
1,0,0,0
#
Minimally Fantastic Suite for Chamber Orchestra No. 1
#
Steven Mark Kudlo
#
SheetMusicPlus
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
23.09 €
#
Orchestre de chambre
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - Score Only
#
Juan Maria Solare
#
SheetMusicPlus
Eintritt (No.1 from Waldenscenen) arr. for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.883445 Composed by Robert Sc…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.883445 Composed by Robert Schumann. Arranged by Travis Freshner. Romantic Period,Standards. Score and parts. 23 pages. Tfresh productions #3087965. Published by tfresh productions (A0.883445). Originally one of a set of nine short piano pieces composed by Robert Schumann, this has been expertly orchestrated/arranged for chamber orchestra (1 flute, 1 oboe, 1 bassoon, 1 clarinet, 2 horns, full strings).Score and parts are created on 9x12 pages. If you wish to print on 8.5x11, be sure to check scale to fit page size in your printer options.VideoScore available here:https://www.youtube.com/watch?v=WQKmeua-6os
$25.00
23.09 €
#
Orchestre de chambre
#
Robert Schumann
#
Travis Freshner
#
Eintritt
#
tfresh productions
#
SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.48 €
#
Orchestre de chambre
#
Juan MarÃa Solare
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - SECOND movement [score and parts]
#
Juan Maria Solare
#
SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.48 €
#
Orchestre de chambre
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - FIRST movement [score and parts]
#
Juan Maria Solare
#
SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
30.48 €
#
Orchestre de chambre
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - THIRD movement [score and parts]
#
Juan Maria Solare
#
SheetMusicPlus
Chalumeau Concerto FaWV L:B 1
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1143512 Composed by Johann F…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1143512 Composed by Johann Friedrich Fasch. Arranged by John M. Laverty. Chamber,Classical. Score and Parts. 100 pages. Zephyrwindmusic.com #743828. Published by zephyrwindmusic.com (A0.1143512). As an instrument, the chalumeau can without a doubt be considered the precursor of the modern clarinet. The Chalumeau Concerto by Johann Friedrich Fasch (1688 - 1758) is one of the few examples of a piece written by a signiï¬cant composer for this instrument. In addition to being a piece written for an instrument in transition, the piece itself is from an era when compositional style was in great transition. The Chalumeau Concerto has elements that can be considered either late Baroque period or early Classical period just like the instrument itself. To add to the strange development of this instrument, two additional spellings are found on the original set of parts. “Chalumeaux†and “Chalimeau†can be clearly seen. Instrumentation: Solo Clarinet (Chalumeau) in B-flat Violin 1 Violin 2 Viola Cello Bass Harpsichord Oboe 1 Oboe 2 Bassoon.
$25.00
23.09 €
#
Orchestre de chambre
#
Johann Friedrich Fasch
#
John M
#
Chalumeau Concerto FaWV L:B 1
#
zephyrwindmusic.com
#
SheetMusicPlus
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich H…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
36.93 €
#
Orchestre de chambre
#
Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert
#
Flavio Regis Cunha
#
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
#
Flavio Regis Cunha
#
SheetMusicPlus
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.739503 Composed by David Cat…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.739503 Composed by David Catherwood. Children,Musical/Show. Score and parts. 124 pages. Opus 3 Music #6052713. Published by Opus 3 Music (A0.739503). 'Jack's Journey'(A new Musical by Adeline Dinsmore and David Catherwood)Full set of Orchesrtal Parts (contains 7 songs plus overture and incidental music) - $45Flute, Clarinet in Bb. Trumpet in Bb, Horn in F, Strings, Vln 1 Vln 2 Vla Cello Percussion 1 & 2 Bass/guitarDuration c.40 minutesIdeal for schools, youth groups or adult dramatic/musical companies.Requirements - Narrator, Chorus, (unison/2part) Soloists, Actors, Piano accompanimentOptional - Dancers, orchestral parts for Flute, Clarinet. Trumpet, Horn, Strings, Percussion and Bass/guitar About the MusicalA great story about one of the 20th century.
$45.00
41.56 €
#
Orchestre de chambre
#
David Catherwood
#
$45
Flute,
#
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis
#
Opus 3 Music
#
SheetMusicPlus
Ballroom - Minuets by Joseph Haydn - orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1311307 Composed by Franz Jo…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1311307 Composed by Franz Joseph Haydn. Arranged by Jasmin Schlotterbeck. Chamber,Classical. 28 pages. Jasmin Schlotterbeck #900300. Published by Jasmin Schlotterbeck (A0.1311307). ContentsMinuet Hob. IX:8/12Minuet Hob. IX:8/3Minuet Hob. IX:8/8Minuet Hob. IX:3/2This arrangement contains one score and the following parts: oboe, bassoon, horn (F) 1, horn (F) 2, violin 1, violin 2, viola, violoncello.
$9.90
9.14 €
#
Orchestre de chambre
#
Franz Joseph Haydn
#
Jasmin Schlotterbeck
#
Ballroom - Minuets by Joseph Haydn - orchestra
#
Jasmin Schlotterbeck
#
SheetMusicPlus
Beethoven, piano sonata No.15 movement 1 - orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1221354 Composed by Ludwig v…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1221354 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Chamber,Classical. 79 pages. Scott Fields Davis #817317. Published by Scott Fields Davis (A0.1221354). Ludwig van Beethoven (1770-1827) was a German pianist and composer. He is one of the world's most admired and celebrated composers. Beethoven composed 32 piano sonatas. This is an orchestral arrangement of the first movement of the 15th sonata. It is orchestrated by Scott Fields Davis.This download contains the conductor’s score and all instrument parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass Approximate performance duration is 12 minutes and 55 seconds.More music and contact information can be found at: compositionsbyscottfieldsdavis.com.Find me on Facebook and Youtube.
$16.00
14.78 €
#
Orchestre de chambre
#
Ludwig van Beethoven
#
Scott Fields Davis
#
Beethoven, piano sonata No.15 movement 1 - orchestra
#
Scott Fields Davis
#
SheetMusicPlus
Death and the Maiden (Mvt.1) - Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.921701 Composed by Franz Sch…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.921701 Composed by Franz Schubert. Arranged by Liam Jurgens. Classical,Romantic Period. Score and parts. 139 pages. L Jurgens #4796711. Published by L Jurgens (A0.921701). Iconic and one of the most famous string quartets ever written. Arranged for chamber orchestra in a the style of Schubert. - String parts are largely unchanged from the original work, however some areas that are particularly nasty for the 1st violin have been split between both violin parts.- Modern timpani required.Performance lasts approx. 16 minutes (12 w/o repeat)
$25.00
23.09 €
#
Orchestre de chambre
#
Franz Schubert
#
Liam Jurgens
#
Death and the Maiden
#
L Jurgens
#
SheetMusicPlus
Kuhlau: Sonatina Op 55, No. 1
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.921864 Composed by Friedrich…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.921864 Composed by Friedrich Kuhlau. Arranged by Joshua Feltman. Classical. Score and parts. 23 pages. Ryan Blauvelt #3519241. Published by Ryan Blauvelt (A0.921864). The sweet and joyful character of this Kuhlau Sonatina has made it the most popular of his piano works.Classical sonatas normally have three parts or movements: fast-slow-fast. However, this sonatina has only 2 movements, fast and faster. The energetic second movement is short but it packs a punch. The main theme is danceable and very articulated, but it also contains a more lyrical section, brilliant chromatic scales, and a dramatic grand finale.This arrangement features one pianist in a quasi-concerto format. The six Sonatinas, Op. 55, were published in Copenhagen in 1823 and, like the other sonatinas, were designed for teaching purposes or otherwise for the amateur market.
$20.00
18.47 €
#
Orchestre de chambre
#
Friedrich Kuhlau
#
Joshua Feltman
#
Kuhlau: Sonatina Op 55, No. 1
#
Ryan Blauvelt
#
SheetMusicPlus
ADAGIO from Brandenburg Concerto No. 1, BWV 1046
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597335 Composed by Johann Se…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597335 Composed by Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Christmas,Concert,Easter,Wedding. Score and parts. 19 pages. Flavio Regis Cunha #5722177. Published by Flavio Regis Cunha (A0.597335). The adagio of Brandenburg 1 features an obligato oboe and violino piccolo. They contrast each other, but play the same melody line, albeit simultaneously upon its recapitulation. The bass line picks up the melody, creating a dark tone, competing against the sighing oboes and strings. The hunting horns are silent, waiting to burst out after a climactic final dominant chord. The continuo used is the Neue Bach Ausgabe realization.
$8.49
7.84 €
#
Orchestre de chambre
#
Johann Sebastian Bach
#
Flavio Regis Cunha
#
ADAGIO from Brandenburg Concerto No. 1, BWV 1046
#
Flavio Regis Cunha
#
SheetMusicPlus
Sonata Op. 19 #1
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.952022 Composed by Marcello, Benedetto…
(+)
Chamber Orchestra - Digital Download SKU: A0.952022 Composed by Marcello, Benedetto. Arranged by Nick M Lacanski. Baroque. Score and parts. 20 pages. Theupperstaff #557751. Published by theupperstaff (A0.952022). Arranged for solo bassoon and string quartet or string orchestra. I like to call this series of arrangements – just the notes. Why? Because that’s exactly what you get. As a performer/instructor I longed for the day when I no longer needed to write over someone’s bowings, interpretations and fingerings.
$9.99
9.23 €
#
Orchestre de chambre
#
Marcello, Benedetto
#
Nick M Lacanski
#
Sonata Op. 19 #1
#
theupperstaff
#
SheetMusicPlus
<
1
26
51
....
126
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
