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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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COMEDIES MUSICALES -…
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difficulté (tous)
débutant
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expert
avec audio
avec vidéo
avec play-along
Non classifié
19334
PIANO & CLAVIERS
Piano seul
36529
Piano, Voix
6060
Piano Facile
3575
Piano, Voix et Guitare
2783
Accordéon
2281
Orgue
1547
Instruments en Do
1029
1 Piano, 4 mains
499
Accompagnement Piano
327
Piano Trio: piano, violon, violoncelle
207
Piano (partie séparée)
126
2 Pianos, 4 mains
103
Orgue, Piano (duo)
71
Piano grosses notes
69
Piano Quatuor: piano, violon, alto, violoncelle
62
Clavecin
34
Piano Quatuor: piano, 2 violons, violoncelle
32
1 Piano, 6 mains
29
Piano Quintette: piano, 2 violons, alto, violoncelle
22
Orgue, Trompette (duo)
18
2 Pianos, 8 mains
8
Clavier
8
Ligne De Mélodie, Piano
6
Instrument seul et Orgue
2
Accordéon, Voix
1
Ensemble d'Accordéons
1
Ensemble de Pianos
1
Instrumentations suivantes
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GUITARES
Guitare
5532
Basse electrique
3413
Guitare notes et tablatures
2678
Ligne De Mélodie, (Paroles) et Accords
714
Ukulele
652
Mandoline
353
Paroles et Accords
235
2 Guitares (duo)
193
Piano, Guitare (duo)
147
Guitare (partie séparée)
137
Dulcimer
70
Banjo
69
4 Guitares (Quatuor)
66
3 Guitares (trio)
41
Ensemble de guitares
22
Basse électrique (partie séparée)
16
Mandoline, Guitare (duo)
10
Partitions De Groupes
6
Ukulele Baryton
6
2 Dulcimers (duo)
5
Mandoline, Piano (duo)
4
2 Ukuleles
4
Guitare, Violon, Violoncelle (trio)
4
Guitare, Orchestre
3
Guitare Pedal Steel
2
Guitare, Flûte, Clarinette
2
Dobro
1
Luth
1
Ensemble de Ukulélés
1
Instrumentations suivantes
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VOIX
Chorale SATB
6369
Voix seule
5828
Chorale 3 parties
1801
Chorale 2 parties
1109
Chorale TTBB
1059
Chorale Unison
672
Chorale SSAA
660
Voix haute
272
Voix duo, Piano
251
Voix Soprano, Piano
233
Voix duo
145
Voix Tenor, Piano
142
Voix Baryton, Piano
139
Voix basse, Piano
118
Voix Alto, Piano
106
Soli, choeur mixte et accompagnement
106
Chorale
69
Voix Mezzo-Soprano, Piano
54
Voix moyenne, Piano
53
Voix haute, Piano
29
Chorale SSAATTBB
29
Chorale SSATB
18
Chorale SSATTB
16
Voix Tenor
16
Voix basse
13
Voix Soprano
12
Voix, Guitare
10
Chorale SSAB, Piano
4
Chorale SATBB
3
Chorale SSAATB
3
Voix duo, Orgue
2
Voix et basse continue
1
Voix Soprano, Orchestre
1
Chorale SSAB a cappella
1
Voix Baryton
1
Chorale SATTBB A Cappella
1
Chorale SSAATB A Cappella
1
Instrumentations suivantes
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VENTS
Saxophone
16029
Flûte traversière
8182
Clarinette
7648
Saxophone Alto
1930
Saxophone Tenor
1721
Flûte traversière et Piano
1549
Clarinette et Piano
1357
2 Saxophones (duo)
1341
Flûte à Bec
1259
Quatuor de Saxophones: 4 saxophones
1240
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1199
Hautbois, Piano (duo)
1156
Saxophone Alto et Piano
994
Flûte, Hautbois, Clarinette, Basson
924
Hautbois
898
Saxophone (partie séparée)
826
Saxophone Tenor et Piano
799
Quatuor de Clarinettes: 4 clarinettes
704
2 Flûtes traversières (duo)
699
Saxophone Soprano
680
Quintette de Saxophone: 5 saxophones
603
2 Clarinettes (duo)
593
Saxophone Soprano et Piano
432
Hautbois (partie séparée)
370
Flûte à bec Soprano
361
Saxophone Baryton, Piano
315
Ocarina
302
Flûte, Clarinette (duo)
284
Clarinette (partie séparée)
274
3 Saxophones (trio)
273
2 Flûte à bec (duo)
271
Quatuor de Flûtes : 4 flûtes
259
Saxophone, Clarinette (duo)
248
Flûte à bec Alto
246
2 Hautbois (duo)
246
Ensemble de Clarinettes
225
Harmonica
211
Clarinette, Violon (duo)
210
Flûte et Guitare
176
Hautbois, Clarinette (duo)
173
Hautbois, Basson (duo)
164
Clarinette, Trompette (duo)
163
3 Clarinettes (trio)
160
Ensemble de saxophones
155
Flute (partie séparée)
154
Ensemble de Flûtes
145
Trio de Flûtes: 3 flûtes
138
Quintette de Clarinettes: 5 clarinettes
138
Cor anglais, Piano
134
Flûte, Violon
127
Clarinette et Alto
107
Saxophone Baryton
96
Flûte, Alto (duo)
95
Flûte, Hautbois, Clarinette (trio)
93
Clarinette Basse, Piano
92
Flûte, Saxophone (duo)
90
Hautbois, Flûte
88
Flûte, Trompette (duo)
86
Clarinette, Basson (duo)
80
Flûte, Clarinette et Basson
74
Quintette de Flûte : 5 flûtes
73
Quatuor de Flûtes à bec
72
Flûte à bec Alto, Piano
65
Clarinette, Guitare (duo)
63
Hautbois, Clarinette, Basson (trio d'anches)
61
Flûte, Hautbois (duo)
60
Flûte à bec Soprano, Piano
56
Ensemble De Flûte à bec
50
Flûte, Violoncelle
49
Flûte à bec Tenor
47
Cor Anglais
47
2 Saxophones, Piano
46
2 Flûtes traversières, Piano
40
Clarinette, Violoncelle (duo)
39
Flûte, Clarinette, Piano (trio)
36
Hautbois, Violoncelle
33
3 Flûtes à bec (trio)
32
Flûte, Violon, Piano
31
Flûte, Hautbois, Basson
30
5 Flûtes à bec
27
Hautbois, violon (duo)
25
Piccolo
24
Hautbois, Guitare (duo)
22
Flûte, Basson et Piano
22
Piccolo, Piano
21
Saxophone et Orgue
20
Flûte à bec Alto, Basse continue
18
Instruments en Mib
18
Clarinette Basse
18
Flûte, Clarinette, Cor, Basson (Quartet)
17
Flûte, Violon et Violoncelle
17
Flûte à Bec, Piano
16
Clarinette, Harpe (duo)
16
Flûte, Violoncelle, Piano (trio)
16
Clarinette, Trombone (duo)
15
Clarinette, Violoncelle, Piano (trio)
15
Flûte, Trombone (duo)
14
2 Clarinettes, Piano
14
Hautbois et alto (duo)
12
Flute, harpe et violon
11
Clarinette, Basson, Piano (trio)
11
Flûte, Alto et Piano
10
Flûte, Violon, Violoncelle et Piano
10
Flûte, trombone et piano
9
2 Clarinettes, Basson
9
Saxophone et Guitare
8
Cor anglais, Guitare (duo)
8
4 Hautbois
8
Clarinette, Alto et Piano (trio)
7
Flûte, Hautbois, Piano (trio)
7
Hautbois, Harpe
7
3 Hautbois
7
Ensemble de Hautbois
6
Clarinette, Contrebasse (duo)
6
Flûte irlandaise
6
Saxophone et Harpe
6
Clarinette, trompette et piano
5
Clarinette, Orgue
5
Flûte traversière, Orgue (duo)
5
Hautbois, Clarinette et Piano (Trio)
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Hautbois, Violoncelle et Piano
4
Flûte, Violoncelle, Guitare
4
Flûte et Trio à cordes
4
Ensemble à vent
4
Hautbois, Violon, Piano
3
Hautbois, trombone (duo)
3
Flûte, Tuba (duo)
3
2 Cors Anglais Et Pianoforte
3
Flûte, alto et harpe
3
Flûte, Clarinette, Violon (trio)
2
Saxophone et Piano
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Clarinette, Tuba
2
Cor anglais et Harpe (duo)
2
Hautbois, Basson et Piano
2
2 Flûtes, Basse continue
1
Clarinette, Orchestre
1
Flûte et Quatuor à Cordes
1
Hautbois, Trompette (duo)
1
Flûte, Hautbois, Violon
1
Hautbois et Orchestre
1
Flûte de Pan
1
Flute, Cor (duo)
1
Flûte à bec, Guitare (duo)
1
Flûte, Harpe et Violoncelle
1
2 Hautbois, 2 Cors et 2 Bassons
1
Saxophone et violoncelle
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
2 Flûtes à bec, Guitare
1
2 Flûtes à bec, Piano
1
2 Flûtes traversières, Harpe
1
Instrumentations suivantes
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CUIVRES
Trompette
6916
Trombone
6141
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1391
Trombone et Piano
1055
Trompette, Piano
956
Cor
942
Cor et Piano
697
Quatuor de Cuivres : 2 trompettes, trombone, tuba
643
Tuba
627
Trompette (partie séparée)
548
Trombone (partie séparée)
524
Euphonium
428
Tuba et Piano
399
2 Trombones (duo)
377
2 Trompettes (duo)
363
Quatuor de Cuivres
304
Trompette, Trombone (duo)
277
Quatuor de Cuivres: 2 trompettes, Cor, trombone
273
2 Cors (duo)
226
Cor (partie séparée)
218
Trompette, Saxophone (duo)
184
Euphonium, Piano (duo)
170
Quatuor de cuivres: 4 trombones
151
Cor anglais, Piano
134
Tuba (partie séparée)
111
2 Tubas (duo)
98
Quatuor de cuivres: 4 cors
90
Ensemble de Trompettes
73
Trompette, Cor (duo)
70
Ensemble de Trombones
67
Quatuor de cuivres: 4 trompettes
49
Cor Anglais
47
Ensemble de Cors
39
3 Trombones (trio)
35
2 Euphoniums et 2 Tubas
27
4 Tubas
26
Trio de Cuivres
25
Bass Clef Instruments
22
Trombone basse et Piano
22
3 Trompettes (trio)
20
Trombone basse
20
Tuba et Orgue
20
Instruments en Sib
18
Cor, Violoncelle (duo)
15
2 Euphoniums (duo)
15
Trombone, Orgue
15
Trombone, Cor (duo)
15
Tuba ou Euphonium ou Saxhorn
14
Trompette, Violoncelle (duo)
12
Cor et Harpe
12
Trompette, Basson (duo)
11
3 Tubas (trio)
10
Trompette, Harpe
10
Quatuor de cuivres: 2 trompettes, 2 trombones
10
3 Cors (trio)
9
Trompette, Tuba (duo)
9
Cor, Tuba (duo)
9
Cor anglais, Guitare (duo)
8
Trombone, Tuba (duo)
8
Cor et Basson (duo)
7
Euphonium, Tuba (duo)
7
Cor et Orgue
6
Trompette, Trombone, Piano
5
Trompette et Guitare
4
Cornet A Pistons
4
Trompette, violon (duo)
4
Trombone et orchestre
4
Trombone, Violon (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Violoncelle et Piano
3
2 Trompettes, Clavier (piano ou orgue)
3
2 Cors Anglais Et Pianoforte
3
Clarinette, Cor (duo)
2
Cor anglais et Harpe (duo)
2
2 Trombones, Piano
2
4 Euphoniums
1
Trompette, Euphonium (duo)
1
Cornet et orchestre
1
Instruments en Fa
1
3 Euphoniums
1
Trompette, Orchestre
1
Ensemble de Tubas
1
Instrumentations suivantes
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CORDES
Violon
5408
Violoncelle
3697
Quatuor à cordes: 2 violons, alto, violoncelle
3238
Alto seul
2767
Violon et Piano
2133
Violoncelle, Piano
1435
Alto, Piano
1206
Violon, Violoncelle (duo)
707
Harpe
697
2 Violons (duo)
572
Contre Basse
502
2 Violoncelles (duo)
468
Trio à Cordes: violon, alto, violoncelle
433
Quintette à cordes: 2 violons, alto, violoncelle, basse
414
Violon, Alto (duo)
363
2 Altos (duo)
358
Contrebasse, Piano (duo)
321
Violon (partie séparée)
301
Contrebasse (partie séparée)
226
Trio à Cordes: 2 violons, violoncelle
217
Alto (partie séparée)
194
Alto, Violoncelle (duo)
107
Piano Trio: Violon, Alto, Piano
97
2 Harpes (duo)
97
2 Contrebasses (duo)
94
4 Violoncelles
93
Trio à cordes: 3 violins
92
Violon, Guitare (duo)
91
Violoncelle (partie séparée)
77
Violoncelle, Contrebasse (duo)
54
Trio à Cordes: 3 violoncelles
51
Violoncelle , Guitare (duo)
44
Harpe, Flûte (duo)
41
Quatuor à cordes : 4 altos
37
Quatuor à cordes: 4 violons
37
Alto, Guitare (duo)
34
Harpe, Violon (duo)
33
Violon, Basson (duo)
30
Trio à cordes: 3 altos
25
Trio à Cordes: 2 violons, alto
24
Quintette à cordes : 2 violons, alto et 2 violoncelles
23
2 Violons, Piano
22
Trio à cordes
20
Quintette à cordes: 2 violons, 2 altos, violoncelle
20
Alto et Basson
16
Alto et Harpe
16
Violoncelle, Orgue
15
Harpe, Voix
15
Ensemble de Violons
15
Harpe, Violoncelle (duo)
15
Violon, Basse continue
14
Violon, Clarinette, Piano (trio)
13
Ensemble d'Altos
11
Flûte, Contrebasse (duo)
10
Ensemble de Violoncelles
7
3 Harpes
6
Violon, Orgue
6
4 Contrebasses
6
Autoharp
6
Violoncelle, Basse continue
5
Harpe, Violon, Violoncelle
4
Violoncelle, Orchestre
4
Violon, Violoncelle, Clarinette
4
Violon, Tuba (duo)
3
Harpe et Piano
3
Harpe, Trombone (duo)
3
Harpe et Orgue
2
5 Harpes
2
Alto, Orgue
2
Harpe (partie séparée)
2
Alto et orchestre
2
2 Altos, Piano
2
4 Harpes
1
Violon, Trompette et Piano
1
2 Violoncelles, Piano
1
Harpe et mandoline
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
6827
Batterie
5862
Orchestre
2792
Orchestre à Cordes
1672
Cloches
1008
Ensemble Jazz
830
Ensemble de cuivres
598
Orchestre de chambre
476
Fanfare
239
Percussion (partie séparée)
213
Ensemble de Percussions
198
Percussion
188
Jazz combo
186
Batterie (partie séparée)
127
Marimba
55
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
29
Vibraphone
28
Timbales (partie séparée)
25
Xylophone, Piano
24
Timbales
21
Xylophone
19
Quintette à Vent
7
Piano et Orchestre
7
Orchestre, Violon
7
Ensemble d'École
6
2 Xylophones
5
Xylophone ou Marimba ou Vibraphone
4
3 Marimbas
4
Quintette de Cuivres: autres combinaisons
4
Caisse Claire
2
Big band
2
2 Marimbas
2
2 Caisses Claires (duo)
2
Bodhran
1
Bongos
1
Conga
1
Batterie-Fanfare
1
Vibraphone et Marimba
1
Marimba et Orgue
1
Quatuor à Vent : 4 instruments à vents
1
Voix Mezzo-Soprano, Orchestre
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
54
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The Gifted Home - Full Score
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1327407 By MSGL Orchestra. B…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1327407 By MSGL Orchestra. By Daniel Scheufler. Arranged by Götz Bergmann. Christian,Film/TV,Pop. 28 pages. Musikschule Goldenes Lamm #915354. Published by Musikschule Goldenes Lamm (A0.1327407). THE GIFTED HOME. Arrangement for Chamber Orchestra plus Piano & Guitar. With Individual Parts. Enjoy it!This file does contain Full Score and Individual Parts for Oboe, Harp, Percussion, Guitar, Piano, Violin I, Violin II, Viola, Cello and Double Bass.
$24.99
22.43 €
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Orchestre de chambre
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MSGL Orchestra
#
Götz Bergmann
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Guitar
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The Gifted Home - Full Score
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Musikschule Goldenes Lamm
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
50.26 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Teddy Bears Picnic
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1234321 Composed by John W Bratton and…
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Chamber Orchestra - Digital Download SKU: A0.1234321 Composed by John W Bratton and Paul Gareth James. Arranged by Greg Eaton. 20th Century,Broadway,Children,Film/TV,Musical/Show. Score and Parts. 58 pages. Greg Eaton #829865. Published by Greg Eaton (A0.1234321). The Teddy Bear's Picnic, arranged for orchestra and one line voices. Very playful. Listen to the whole track via the YouTube link.
$49.99
44.88 €
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Orchestre de chambre
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John W Bratton and Paul Gareth James
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Greg Eaton
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Teddy Bears Picnic
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Greg Eaton
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SheetMusicPlus
Wailings (Tânguiri) - miniature adapted for string orchestra and flute
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.913115 Composed by Andrei Lu…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.913115 Composed by Andrei Lucian Dragoi. 20th Century,Contemporary,Standards. Score and Parts. 24 pages. Andrei-Lucian Dragoi #6507903. Published by Andrei-Lucian Dragoi (A0.913115). Miniature adapted for string orchestra and fluteMusic (composed on 31st of May 2001 and firstly published on 1st of February 2021):
$4.00
3.59 €
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Orchestre de chambre
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Andrei Lucian Dragoi
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Wailings
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Andrei-Lucian Dragoi
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.3 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.58 €
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Orchestre de chambre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Canticum Canticorum for Krzysztof Penderecki
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by Mohammad…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
22.43 €
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Orchestre de chambre
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysztof Penderecki
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Rimorarte Edition
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SheetMusicPlus
Downward Spiral
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976917 Composed by Sabrina P…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976917 Composed by Sabrina Pena Young. 20th Century,Contemporary. 7 pages. Sabrina Peña Young #3425623. Published by Sabrina Peña Young (A0.976917). Beautiful adagio work for strings. Can be adapted to string quartet, string orchestra or string ensemble. Intermediate to advanced 21st century work. Written by award-winning composer. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
8.07 €
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Orchestre de chambre
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Sabrina Pena Young
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Downward Spiral
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Sabrina Peña Young
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SheetMusicPlus
Dreams - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Gue…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
143.63 €
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Orchestre de chambre
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Hail To The Lord's Anointed (for String Quartet and Piano)
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.624464 Composed by Tradition…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.624464 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred. Score and parts. 19 pages. Exultet Music #4775983. Published by Exultet Music (A0.624464). The traditional hymn that was written by the poet James Montgomery has now been freshly arranged for a String Quartet (Violin (2), Viola, Cello), C-Trumpet obbligato with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year. .
$12.99
11.66 €
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Orchestre de chambre
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Traditional
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Stephen DeCesare
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Hail To The Lord's Anointed
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Exultet Music
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SheetMusicPlus
Hail To The Lord's Anointed (String Quartet with Organ accompaniment)
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.628818 Composed by Tradition…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.628818 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and parts. 19 pages. Exultet Music #6232281. Published by Exultet Music (A0.628818). One of the most widely used hymns in the Christian hymnal has now been freshly arranged and scored for a String Quartet (Violin (2), Viola, Cello) with Organ accompaniment. Accessible and appropriate for any church setting. Can be used at various times throughout the liturgical year but especially during Lent. An accompaniment track is also available.
$12.99
11.66 €
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Orchestre de chambre
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Traditional
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Stephen DeCesare
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Hail To The Lord's Anointed
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Exultet Music
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SheetMusicPlus
Chamber Music with Percussion in School I. - ÜtÅ‘s Kamarazene az Iskolában I.
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1373893 Composed by Béla …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1373893 Composed by Béla Ugró. 21st Century,Blues,Chamber,Children,Contemporary. 116 pages. Bela Ugro #958369. Published by Bela Ugro (A0.1373893). Explore the captivating world of percussion chamber music with Chamber Music with Percussion in School I. - ÃœtÅ‘s Kamarazene az Iskolában I., a vibrant music sheet collection crafted by the talented composer Béla Ugró. Designed for school ensembles, this collection offers an array of engaging pieces, each meticulously curated to inspire and challenge budding percussionists with a total of 116 pages.Explore the captivating world of percussion chamber music with Chamber Music with Percussion in School I. - ÃœtÅ‘s Kamarazene az Iskolában I., a vibrant music sheet collection crafted by the talented composer Béla Ugró. Designed for school ensembles, this collection offers an array of engaging pieces, each meticulously curated to inspire and challenge budding percussionists.Content:Chamber Music: LITTLE BLUES (Percussion Duo) SZAMBA ROCK (Percussion Trio) CLICKER DRUMMERS (Percussion Quartet) START-UP BOOTS (Percussion Quartet) Parade:   5. SZAMBA (Percussion Quintet)   6. TRAPPOLÓ DRUMMERS (Percussion Quintet)Drumset duo:   7. LU-FUKY DRUMS   8. DARÃLÓKA   9. HINTATÓNIA  10. FAVÃGÓK PARADE DRUMSET DUOWith a diverse selection ranging from energetic duets to intricate quintets, this collection provides students with an immersive musical experience that encourages teamwork, creativity, and technical proficiency. Whether exploring rhythmic grooves or experimenting with innovative percussion techniques, Chamber Music with Percussion in School I. offers an enriching journey for both performers and audiences alike.Keywords: Percussion Chamber MusicSchool Ensemble MusicBéla Ugró CompositionPercussion QuartetPercussion QuintetDrumset DuoPercussion DuetsMusical ChallengesCreative Percussion PiecesTeamwork in MusicTechnical ProficiencyVibrant Music SheetsEnergetic Percussion MusicInnovative Percussion TechniquesImmersive Musical Experience.
$20.00
17.95 €
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Orchestre de chambre
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Béla Ugró
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Chamber Music with Percussion in School I. - ÜtÅ‘s Kamarazene az Iskolában I.
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Bela Ugro
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SheetMusicPlus
Rondo in A minor for Cello and Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jack…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.723064 Composed by Joel Jacklich (ASCAP). Arranged by Joel Jacklich (ASCAP). Contemporary. Score and parts. 157 pages. Joel Jacklich #2075225. Published by Joel Jacklich (A0.723064). His is an arrangement by the composer of his Rondo in A minor (originally written for Guitar and Orchestra) for Cello and Orchestra. There is also a version arranged for Viola and Orchestra. In October, 2014, after my most recent commission, the creative juices were still flowing, and I felt the urge to write a work for guitar and orchestra (which I had always wanted to do, partly inspired by the memories Pepe Romero's performances with my orchestra forty years earlier). Amazingly, within two days I had, except for a few minor corrections, a completed work. The result was the Rondo in A minor for Guitar and Orchestra, which I dedicated to my friend, Sir Pepe Romero, with the greatest respect and admiration. In December of 2014, I realized the work was easily accessible for either viola or cello and created versions of the piece for solo cello and orchestra, and also a version for solo viola and orchestra. The work is rondo-like in form, but does not strictly follow all the rules. The form of the work is a kind of a musical palindrome: A B A C A D A C A B A (including a cadenza in the final rondo statement). The presence of castanets gives the work a bit of a Spanish flair. The piece is scored for pairs of flutes, oboes, clarinets in A, bassoons, horns, and trumpets in C; with timpani, castanets, and strings (8,8,5,5,3). Parts for clarinets and trumpets in B-flat are included in the set for those orchestras lacking clarinets in A or trumpets in C.
$65.00
58.35 €
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Orchestre de chambre
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Joel Jacklich
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Joel Jacklich (ASCAP)
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Rondo in A minor for Cello and Orchestra
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Joel Jacklich
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.48 €
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
The Enchanted Garden
Orchestre de chambre
2 Fl. · 2 Ob. · 1 Fg. - Cemb. - Str. (5 · 4 · 3 · 2 · 1) [mit modernen o…
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2 Fl. · 2 Ob. · 1 Fg. - Cemb. - Str. (5 · 4 · 3 · 2 · 1) [mit modernen oder barocken Instrumenten aufführbar] violin and chamber orchestra - Digital Download SKU: S9.Q47444 Concertino for violin and chamber orchestra. Composed by Christian Jost. This edition: piano reduction with solo part. Violin Library. Downloadable, Piano reduction with solo part. Duration 18 minutes. Schott Music - Digital #Q47444. Published by Schott Music - Digital (S9.Q47444). Zauberei, Magie, Mythen, Legenden, dies sind die großen Themen barocker Opern – Ausdruck der Sehnsucht jener Zeit, sich durch die Illusion der Oper dem Phantastischen hingeben zu können. Diese unverkennbare Parallele zu unserer Gegenwart ist die Grundlage einer tiefgreifenden kompositorischen und inhaltlichen Auseinandersetzung mit Stoffen und Gesten der Alten Musik, die mich zu einer Reihe von Werken anregt. Sie wird mit dem Zaubergarten – Concertino für Violine und Kammerorchester gleichsam eröffnet. Die vier Sätze „erwacht – verzaubert – bedroht – entschwunden“, deren jeweilige atmosphärische Struktur von der Solo-Violine charakterisiert wird (darin ähnlich den vivaldinischen Vier Jahreszeiten), durchlaufen unterschiedliche Stadien der Idiome „Alter Musik“, um sie durch das Prisma unserer Zeit unverbraucht und „magisch“ erscheinen zu lassen. So kann sich der Konzertmeister oder ein Gastsolist auf die Pfade des „Zaubergartens“ begeben, sie lenken oder sich dahintreibend in das Geschehen einfügen. Christian Jost, Mai 2011Die vier Sätze „erwacht – verzaubert – bedroht – entschwunden“, deren jeweilige atmosphärische Struktur von der Solo-Violine charakterisiert wird (ähnlich den vivaldinischen Vier Jahreszeiten), durchlaufen unterschiedliche Stadien der Idiome „Alter Musik, um sie durch das Prisma unserer Zeit unverbraucht und „magisch erscheinen zu lassen. So kann sich der Konzertmeister oder ein Gastsolist auf die Pfade des „Zaubergartens begeben, sie lenken oder sich dahintreibend in das Geschehen einfügen. Christian Jost.
$36.99
33.21 €
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Orchestre de chambre
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Christian Jost
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The Enchanted Garden
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Schott Music - Digital
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SheetMusicPlus
Some Enchanted Evening
Orchestre de chambre
By The Temptations. By Oscar Hammerstein and Richard Rodgers. Arranged by Marek Czek…
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By The Temptations. By Oscar Hammerstein and Richard Rodgers. Arranged by Marek Czekala. 20th Century,Broadway,Classical,Mus ical/Show. Score and Parts. 31 pages. Marek Czekala #863493. Published by Marek Czekala
$69.00
61.94 €
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Orchestre de chambre
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The Temptations
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Marek Czekala
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Some Enchanted Evening
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Marek Czekala
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SheetMusicPlus
Tasto
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.962364 Composed by Ser. Contemporary,W…
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Chamber Orchestra - Digital Download SKU: A0.962364 Composed by Ser. Contemporary,World. Score and parts. 56 pages. Sergio Roberto de Oliveira #5992129. Published by Sergio Roberto de Oliveira (A0.962364). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$35.72
32.07 €
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Orchestre de chambre
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Ser
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Tasto
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Sergio Roberto de Oliveira
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SheetMusicPlus
Pr'os lados do Piaui, entre a Turquia e a Alemanha
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.962358 Composed by Sergio Roberto de O…
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Chamber Orchestra - Digital Download SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. Sergio Roberto de Oliveira #5011347. Published by Sergio Roberto de Oliveira (A0.962358). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.58
44.51 €
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Orchestre de chambre
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Sergio Roberto de Oliveira
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Pr'os lados do Piaui, entre a Turquia e a Alemanha
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Sergio Roberto de Oliveira
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SheetMusicPlus
Quadrado
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.962367 Composed by Sergio Roberto de O…
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Chamber Orchestra - Digital Download SKU: A0.962367 Composed by Sergio Roberto de Oliveira. Contemporary,World. Score and parts. 110 pages. Sergio Roberto de Oliveira #6248427. Published by Sergio Roberto de Oliveira (A0.962367). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.50
44.44 €
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Orchestre de chambre
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Sergio Roberto de Oliveira
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Quadrado
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Sergio Roberto de Oliveira
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SheetMusicPlus
2 Momentos
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.962308 Composed by Sergio Roberto de O…
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Chamber Orchestra - Digital Download SKU: A0.962308 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 102 pages. Sergio Roberto de Oliveira #2951589. Published by Sergio Roberto de Oliveira (A0.962308). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$28.80
25.86 €
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Orchestre de chambre
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Sergio Roberto de Oliveira
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2 Momentos
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Sergio Roberto de Oliveira
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SheetMusicPlus
Concertino - for clarinet, mandolin and symphony orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.48 €
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Orchestre de chambre
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, mandolin and symphony orchestra
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The Composer's Own Press
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SheetMusicPlus
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95
42.15 €
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Orchestre de chambre
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Germaine Tailleferre
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Germaine Tailleferre: Concerto for two guitars and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Happy Birthday (dedicated to my wife Brenda)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.864057 Composed by Patty and…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.864057 Composed by Patty and Mildred Hill. Arranged by Jordan Grigg. Concert,Holiday,Instructional,Standards. Score and parts. 21 pages. Jordan Grigg #4327173. Published by Jordan Grigg (A0.864057).
$16.95
15.22 €
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Orchestre de chambre
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Patty and Mildred Hill
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Jordan Grigg
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Happy Birthday
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Jordan Grigg
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SheetMusicPlus
In Memoriam (dedicated to Tara Lynne Touesnard)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.863407 Composed by Jordan Gr…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.863407 Composed by Jordan Grigg. 20th Century,Concert,Contemporary,Standards. Score and parts. 34 pages. Jordan Grigg #3387969. Published by Jordan Grigg (A0.863407).
$10.95
9.83 €
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Orchestre de chambre
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Jordan Grigg
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In Memoriam
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Jordan Grigg
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SheetMusicPlus
Fauré: Pavane Op. 50 for Piano Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel F…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire.
$46.95
42.15 €
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Orchestre de chambre
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Gabriel Faure
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James M
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Fauré: Pavane Op. 50 for Piano Sextet
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jmsgu3
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SheetMusicPlus
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