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TRI ET FILTRES
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FORMATION MUSI…
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HARMONICA
HARPE
HAUTBOIS
LIVRES
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MANDOLINE
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2
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63
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24
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17
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14
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12
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7
Quatuor de Cuivres
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2 Cors (duo)
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Euphonium, Piano (duo)
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Tuba et Piano
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2 Trombones (duo)
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2 Trompettes (duo)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de cuivres: 4 trombones
3
Ensemble de Trombones
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2 Tubas (duo)
2
Trompette, Saxophone (duo)
2
Cor
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Cor anglais, Piano
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone
2
2 Euphoniums (duo)
2
Ensemble de Cors
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Trompette, Basson (duo)
1
Cor anglais et Harpe (duo)
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Clarinette, Cor (duo)
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2 Euphoniums et 2 Tubas
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3 Trombones (trio)
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Quatuor de cuivres: 4 cors
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Trompette, Trombone (duo)
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Tuba
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Trompette (partie séparée)
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Trombone et orchestre
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2 Cors Anglais Et Pianoforte
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
151
Violon et Piano
46
Violoncelle, Piano
24
Trio à Cordes: violon, alto, violoncelle
23
Alto, Piano
17
Violoncelle (partie séparée)
13
Violon
11
2 Violons (duo)
10
4 Violoncelles
6
Harpe
5
2 Violoncelles (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon, Violoncelle (duo)
4
Harpe, Flûte (duo)
3
Trio à Cordes: 2 violons, violoncelle
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Violon, Alto (duo)
2
Quatuor à cordes: 4 violons
2
2 Contrebasses (duo)
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Piano Trio: Violon, Alto, Piano
2
Violon, Clarinette, Piano (trio)
1
Harpe, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
1
Alto, Guitare (duo)
1
Contrebasse, Piano (duo)
1
Violon (partie séparée)
1
Violoncelle
1
Alto (partie séparée)
1
Alto seul
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
57
Orchestre
38
Ensemble de cuivres
37
Orchestre d'harmonie
25
Orchestre de chambre
22
Ensemble Jazz
5
Vibraphone
4
Ensemble de Percussions
4
Cloches
4
Jazz combo
3
Marimba
3
Batterie
2
Piano et Orchestre
1
Xylophone
1
Batterie (partie séparée)
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2 Marimbas
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AUTRES
Vous avez sélectionné:
The Composer's Own Press
Orchestre de chambre
Partitions à imprimer
22 partitions trouvées
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1
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
50.2 €
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
The Joyce Cycle, for voice and orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
50.2 €
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Orchestre de chambre
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the turbulent sea, the loved one has disappeared
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Music and James Joyce, Ofer Ben-Amots, and Poetry
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The Joyce Cycle, for voice and orchestra
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The Composer's Own Press
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SheetMusicPlus
Concertino - for clarinet, mandolin and symphony orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
50.2 €
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Orchestre de chambre
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, mandolin and symphony orchestra
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The Composer's Own Press
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SheetMusicPlus
Story No. 2, for narrator and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944028 Composed by Music by Ofer Ben-A…
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Chamber Orchestra - Digital Download SKU: A0.944028 Composed by Music by Ofer Ben-Amots, Story by Eugene Ionesco. Contemporary. Score and parts. 92 pages. The Composer's Own Press #4605319. Published by The Composer's Own Press (A0.944028). COMPOSER’S NOTE: Story Nr. 2 for chamber ensemble and a narrator, was written as a commission for the 1983 Children's Music Festival in St. Omer, France. Since its inception, the work has been widely performed in French, German and English. The narrative of Story Nr. 2 is a little known children's story by the great French author and playwright Eugene Ionesco (1912 – 1994). The story is about play on words. Little Josette has a conversation with her father who teaches her the new meaning of words: A Telephone is called Cheese, a Cheese is a Music Box, the Music Box is called a Rug and so on. The meanings become funnier and stranger ad absurdum. Then Josette and her father combine the words into sentences and practice the new mismatched names and objects. The characters participating in the story beside of Josette and her father are Josette's pretty mother and the maid Jacqueline. Each of the characters has its own musical theme and color represented by distinguished instrumentation: Jossette's theme is played by the flute, the father is represented by the trumpet and trombone, the pretty mother by the oboe and Jacqueline by the xylophone and piano. The new orchestral version which includes the string section was written in 1990. Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$36.00
33.46 €
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Orchestre de chambre
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Music by Ofer Ben-Amots, Story by Eugene Ionesco
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Story No. 2, for narrator and chamber orchestra
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The Composer's Own Press
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SheetMusicPlus
Downward Spiral
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976917 Composed by Sabrina P…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976917 Composed by Sabrina Pena Young. 20th Century,Contemporary. 7 pages. Sabrina Peña Young #3425623. Published by Sabrina Peña Young (A0.976917). Beautiful adagio work for strings. Can be adapted to string quartet, string orchestra or string ensemble. Intermediate to advanced 21st century work. Written by award-winning composer. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
8.36 €
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Orchestre de chambre
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Sabrina Pena Young
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Downward Spiral
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Sabrina Peña Young
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SheetMusicPlus
Song of the Forgotten Rose Trio for Marimba, Flute and Piano
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976943 Composed by Sabrina P…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976943 Composed by Sabrina Pena Young. Children,Concert,Holiday,Love,Wedding. 9 pages. Sabrina Peña Young #3432533. Published by Sabrina Peña Young (A0.976943). Beautiful song for flute, marimba and piano about love, romance, and a forgotten rose found by her hero. A wedding song. Mythical tale. Truly a lovely work for intermediate to advanced musicians. A perfect work of repertoire for any music studio! Ideal for pedagogy, performance, or special event. Award-winning composer. Quite an exceptional work! Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
8.36 €
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Orchestre de chambre
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Sabrina Pena Young
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Song of the Forgotten Rose Trio for Marimba, Flute and Piano
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Sabrina Peña Young
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SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
92.95 €
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Orchestre de chambre
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
52.04 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich H…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
37.17 €
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Orchestre de chambre
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Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert
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Flavio Regis Cunha
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Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
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Flavio Regis Cunha
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SheetMusicPlus
Concerto for Piccolo Clarinet and Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.980579 Composed by William Grosvenor N…
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Chamber Orchestra - Digital Download SKU: A0.980579 Composed by William Grosvenor Neil. Contemporary. Score and parts. 61 pages. TheComposerStudio.Com, LLC #3501905. Published by TheComposerStudio.Com, LLC (A0.980579). Concerto for Piccolo Clarinet and Chamber Orchestra (2017) The music makes dramatic shifts between the E-flat clarinet’s high virtuous technical flights and its mystical, expressive qualities. The sound resources for entire work are entirely derived from the clarinet’s opening descending line that quickly develops into a succession of firey cadenzas. The soloist then leads the ensemble in a highly spirited dance of counterpoint and rhythm. Click here to order parts: https://www.thecomposerstudio.com/concerto/#tab-15982 Rental support: thecomposerstudio@gmail.com Information on the composer: www.williamneil.net .
$50.00
46.48 €
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Orchestre de chambre
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William Grosvenor Neil
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Concerto for Piccolo Clarinet and Chamber Orchestra
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Backwards Decade
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.924854 Composed by Stanley M…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.924854 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanleymhoffman.com #3913637. Published by stanleymhoffman.com (A0.924854). This piece was composed for and is dedicated to the Vine Orchestra, Michael Mikulka, Conductor. His call for scores was for (if memory serves) works for chamber orchestra under eight seconds in duration. That is arguably the most unusual call for scores to which the composer has ever or will ever respond. Consider the resultant composition a novelty piece that is only six seconds in duration. If any orchestra performs this work, it is sure to illicit laughter in the audience even though, interestingly enough, the music itself is anything but humorous-sounding. The title is taken from the fact that the composer took the word decade and ran it backwards to get the main and only theme of the piece (E-D-A-C-E-D). Perhaps this brief piece will serve as the basis for a larger work one day. Who knows? It's an attractive little thing. In the meantime, enjoy! (PS: it is painful to charge more than $2.00 for six seconds of music, but if SMP Press ever prints an order, I have to make it worth their while, rather than costing them money.).
$8.00
7.44 €
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Orchestre de chambre
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Stanley M
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Backwards Decade
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stanleymhoffman.com
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SheetMusicPlus
Asphixivision (Score & Parts)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.976911 Composed by Sabrina P…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.976911 Composed by Sabrina Pena Young. 20th Century,Contemporary,Latin,Standards. 32 pages. Sabrina Peña Young #3425603. Published by Sabrina Peña Young (A0.976911). Lively rhythmic 21st century string quartet work. Score and parts included. Ideal piece for advanced high school students, small orchestra or string ensemble, college string ensembles, professional string quartets, and community groups. Written by award-winning Cuban-Dominican composer. Feel free to contact composer directly for any questions. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
8.36 €
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Orchestre de chambre
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Sabrina Pena Young
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Asphixivision
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Sabrina Peña Young
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SheetMusicPlus
Serenade for flute, horn and orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1035228 Composed by Anton Em…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1035228 Composed by Anton Emil Titl (1809 - 1882 ). Arranged by James Strauss. Romantic Period. Score and parts. 30 pages. James Strauss #5873421. Published by James Strauss (A0.1035228). AntonÃn Emil Titl Was born October 2, 1809 in Pernstein, and died in January 21, 1882 in Vienna was an Austrian composer. Titl had been the military bandmaster in Prague since 1835. In 1840 he was hired as the successor of Heinrich Proch to the theater in Josefstadt, where he stayed until 1846. From 1850 until his retirement in 1870 he worked at the Burgtheater as Kapellmeister. As a composer, Titl created numerous songs and stage music for both of the above theaters. His greatest success was the Singspiel Der Zauberschleier by Franz Xaver Told, which contained the song A Wirtsg'schäft, which was extremely popular at the time, is really not bad.In 1898 the Titlgasse in Vienna-Hietzing was named after him. Titl's Serenade was composed for flute and horn with orchestra or piano accompaniment. With a lilting Bel Canto style in 12/8, its lyric melody features passages of filigree work that will excite and challenge the musician's technical as well as expressive capabilities. The piece is ideal for contest or recital for the intermediate player. This edition for flute, horn and orchestra is based in 2 sources , a set or parts published in 1896 by the French publisher E. GALLET plate n. G.5688 and a manuscript of the parts from Austrian National Library and has been carefully arranged and edited by James Strauss. All the discrepancies between the sources were corrected and for the very first time in a Full Score format.
$30.00
27.89 €
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Orchestre de chambre
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Anton Emil Titl
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James Strauss
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Serenade for flute, horn and orchestra
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James Strauss
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SheetMusicPlus
Tasto
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.962364 Composed by Ser. Contemporary,W…
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Chamber Orchestra - Digital Download SKU: A0.962364 Composed by Ser. Contemporary,World. Score and parts. 56 pages. Sergio Roberto de Oliveira #5992129. Published by Sergio Roberto de Oliveira (A0.962364). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$35.72
33.2 €
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Orchestre de chambre
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Ser
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Tasto
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Sergio Roberto de Oliveira
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SheetMusicPlus
Pr'os lados do Piaui, entre a Turquia e a Alemanha
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.962358 Composed by Sergio Roberto de O…
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Chamber Orchestra - Digital Download SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. Sergio Roberto de Oliveira #5011347. Published by Sergio Roberto de Oliveira (A0.962358). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.58
46.09 €
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Orchestre de chambre
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Sergio Roberto de Oliveira
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Pr'os lados do Piaui, entre a Turquia e a Alemanha
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Sergio Roberto de Oliveira
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SheetMusicPlus
Quadrado
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.962367 Composed by Sergio Roberto de O…
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Chamber Orchestra - Digital Download SKU: A0.962367 Composed by Sergio Roberto de Oliveira. Contemporary,World. Score and parts. 110 pages. Sergio Roberto de Oliveira #6248427. Published by Sergio Roberto de Oliveira (A0.962367). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.50
46.01 €
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Orchestre de chambre
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Sergio Roberto de Oliveira
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Quadrado
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Sergio Roberto de Oliveira
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SheetMusicPlus
2 Momentos
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.962308 Composed by Sergio Roberto de O…
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Chamber Orchestra - Digital Download SKU: A0.962308 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Contemporary. Score and parts. 102 pages. Sergio Roberto de Oliveira #2951589. Published by Sergio Roberto de Oliveira (A0.962308). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$28.80
26.77 €
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Orchestre de chambre
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Sergio Roberto de Oliveira
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2 Momentos
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Sergio Roberto de Oliveira
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SheetMusicPlus
Barcarole, A Dream for Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.886724 Composed by Panagioti…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.886724 Composed by Panagiotis Theodossiou. 20th Century,Concert,Contemporary,Standards. Score and parts. 24 pages. Panagiotis Theodossiou #4798429. Published by Panagiotis Theodossiou (A0.886724). Barcarole, for orchestra ( 2002). Short orchestral comment of romantic-impressionistic style, part of Music and Vision, a composer’s collection about sound and image (music for theatre, cinema, television or just imaginary visions).
$25.00
23.24 €
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Orchestre de chambre
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Panagiotis Theodossiou
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Barcarole, A Dream for Orchestra
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Panagiotis Theodossiou
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SheetMusicPlus
Jalousie, by Jacob Gade, - Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.767007 Composed by Jacob Gad…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.767007 Composed by Jacob Gade. Arranged by Bob Delfausse. Concert,Latin,Romantic Period. Score and parts. 47 pages. Robert Delfausse #6474639. Published by Robert Delfausse (A0.767007). Jalousie is probably the most famous piece of classical music that is also a tango. Playing this piece, with all of its Latin melodies and rhythms, should be as much fun as actually dancing the tango. I've compressed the composer's very thick score into music for a chamber orchestras: strings plus seven single winds (flute, oboe, clarinet, bassoon, trumpet, horn, trombone), and percussion There is an optional piano part, which adds depth and can solidify intonation.Duration: 3 minutes, 45 seconds.
$20.00
18.59 €
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Orchestre de chambre
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Jacob Gade
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Bob Delfausse
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Jalousie, by Jacob Gade, - Chamber Orchestra
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Robert Delfausse
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SheetMusicPlus
Chamber Music with Percussion in School II. - ÜtÅ‘s Kamarazene az Iskolában II.
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1373894 Composed by Béla …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1373894 Composed by Béla Ugró. 21st Century,Chamber,Classical,Contemporary,Multicultural,World. 107 pages. Bela Ugro #958370. Published by Bela Ugro (A0.1373894). Explore the rhythmic wonders of percussion chamber music with Chamber Music with Percussion in School II. - ÃœtÅ‘s Kamarazene az Iskolában II., an exciting music sheet collection crafted by the talented composer Béla Ugró. Specifically designed for school ensembles, this collection presents an array of engaging pieces meticulously curated to inspire and challenge budding percussionists with a total of 107 pages.Content:Drumset Duo: ROLLEREK FUNKY DRUMMERS BUMERÃNG BLUES DRUMMERS PICTURES Percussion Ensemble: AFRIKAI TÃNC JEGES LABIRINTUS Parade: BOSSA NOVA (Percussion Quintet) With a diverse selection ranging from dynamic drumset duos to intricate percussion ensemble pieces and vibrant parade compositions, this collection provides students with an immersive musical experience that fosters teamwork, creativity, and technical proficiency. Chamber Music with Percussion in School II. offers an enriching journey for both performers and audiences, encouraging exploration and expression through the captivating world of percussion chamber music.Keywords:Percussion Chamber MusicBéla Ugró CompositionsSchool Ensemble MusicDrumset Duo PiecesPercussion Ensemble RepertoireEducational Music SheetsRhythmic ChallengesCreative Percussion ArrangementsVibrant Parade CompositionsSchool Music CurriculumPercussion TechniquesEnsemble Performance MusicPercussion Education ResourcesStudent Percussion RepertoireCollaborative Percussion Music.
$20.00
18.59 €
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Orchestre de chambre
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Béla Ugró
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Chamber Music with Percussion in School II. - ÜtÅ‘s Kamarazene az Iskolában II.
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Bela Ugro
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SheetMusicPlus
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry P…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
27.84 €
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Orchestre de chambre
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Thierry Pélicant
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Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Musik Fabrik Music Publishing
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SheetMusicPlus
[Froom] Amichai Songs (Baritone and Orchestra)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.952859 Composed by David Froom. Contem…
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Chamber Orchestra - Digital Download SKU: A0.952859 Composed by David Froom. Contemporary. Score and parts. 52 pages. American Composers Alliance Inc. #4625241. Published by American Composers Alliance Inc. (A0.952859). Three songs for baritone and orchestra on texts by Yehuda Amichai. Includes: Now when the waters are pressing mightily, In a man's life, The House of Lovers. Instrumentation: 2(2=picc)2(2=EH)2(2=bcl)2(2=cbsn) - 222(2=btbn) - 2perc, pno - baritone solo - strings.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$26.95
25.05 €
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Orchestre de chambre
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David Froom
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[Froom] Amichai Songs
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American Composers Alliance Inc.
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SheetMusicPlus
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