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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
What A Man
Non classifié
955
Piano & claviers
Piano seul
714
Piano, Voix et Guitare
531
Piano, Voix
312
Piano Facile
135
Orgue
78
Instruments en Do
28
1 Piano, 4 mains
24
Piano Trio: piano, violon, violoncelle
17
2 Pianos, 4 mains
14
Accompagnement Piano
13
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavier
3
Piano grosses notes
3
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
Accordéon
1
Clavecin
1
Orgue, Piano (duo)
1
+ 15 instrumentations
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Guitares
Guitare notes et tablatures
59
Guitare
54
Ukulele
12
Mandoline
7
Ligne De Mélodie, (Paroles) et Accords
6
4 Guitares (Quatuor)
5
Banjo
4
Basse electrique
4
Paroles et Accords
3
Guitare (partie séparée)
2
2 Guitares (duo)
2
Piano, Guitare (duo)
1
Dulcimer
1
3 Guitares (trio)
1
Ensemble de guitares
1
2 Dulcimers (duo)
1
Mandoline, Piano (duo)
1
+ 12 instrumentations
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Voix
Chorale SATB
307
Chorale 2 parties
70
Chorale 3 parties
69
Chorale TTBB
53
Chorale Unison
49
Voix duo, Piano
24
Chorale SSAA
23
Voix Alto, Piano
16
Voix duo
13
Voix Soprano, Piano
11
Pack Instrumental pour Chorale
10
Voix haute
10
Chorale
9
Voix Baryton, Piano
4
Voix Soprano
3
Voix seule
3
Voix Tenor, Piano
3
Voix moyenne, Piano
3
Chorale SSAB a cappella
2
Chorale SSAATTBB
2
Voix basse, Piano
1
Voix Tenor
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATTB
1
+ 19 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
106
Quatuor de Saxophones: 4 saxophones
94
Quintette de Saxophone: 5 saxophones
88
2 Saxophones (duo)
79
Flûte, Hautbois, Clarinette, Basson
78
Flûte traversière et Piano
49
Flûte traversière
42
Clarinette et Piano
42
Saxophone Alto et Piano
41
Clarinette
39
Quatuor de Clarinettes: 4 clarinettes
39
Saxophone Tenor et Piano
38
Hautbois, Piano (duo)
38
2 Flûtes traversières (duo)
34
Hautbois (partie séparée)
27
2 Clarinettes (duo)
26
3 Saxophones (trio)
24
Saxophone Alto
24
Saxophone Soprano et Piano
23
Saxophone (partie séparée)
21
Saxophone Tenor
15
Quatuor de Flûtes : 4 flûtes
14
Flûte, Clarinette (duo)
12
Ensemble de Flûtes
12
3 Clarinettes (trio)
11
Saxophone, Clarinette (duo)
11
Saxophone Baryton, Piano
11
Quintette de Clarinettes: 5 clarinettes
10
Flûte et Guitare
10
Flute (partie séparée)
9
Hautbois, Basson (duo)
9
Clarinette, Violon (duo)
9
Quintette de Flûte : 5 flûtes
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Quatuor de Flûtes à bec
7
Flûte, Hautbois, Clarinette (trio)
6
Ensemble de Clarinettes
6
Hautbois, Clarinette, Basson (trio d'anches)
6
2 Flûte à bec (duo)
6
2 Flûtes traversières, Piano
6
Flûte, Saxophone (duo)
6
Flûte, Violon
5
Flûte, Violon, Piano
5
Clarinette, Trompette (duo)
5
Flûte à bec Soprano
5
2 Hautbois (duo)
5
Ensemble de saxophones
4
Clarinette et Alto
4
Hautbois, Clarinette (duo)
4
Flûte, Clarinette, Piano (trio)
4
Hautbois, Flûte
4
Flûte, Violon et Violoncelle
3
Cor anglais, Piano
3
Clarinette (partie séparée)
3
Clarinette, Violoncelle (duo)
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, Guitare (duo)
3
Clarinette, Alto et Piano (trio)
2
Hautbois
2
Clarinette, trompette et piano
2
Flûte, Alto (duo)
2
Saxophone Soprano
2
Flûte, Trompette (duo)
2
Saxophone Baryton
2
Hautbois, Basson et Piano
2
Hautbois, Guitare (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte à bec Alto, Piano
2
Flûte, Alto et Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, trombone et piano
1
Flûte, Basson et Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Violoncelle
1
Flûte irlandaise
1
Flûte, Trombone (duo)
1
Clarinette Basse, Piano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte à bec Tenor
1
Flûte à Bec
1
Flûte, Hautbois (duo)
1
2 Saxophones, Piano
1
Hautbois, Violon, Piano
1
Flûte, Hautbois, Basson
1
3 Flûtes à bec (trio)
1
Piccolo
1
2 Clarinettes, Piano
1
Cor Anglais
1
Saxophone et Piano
1
Clarinette, Basson (duo)
1
Saxophone
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
Flûte et Trio à cordes
1
5 Flûtes à bec
1
Ocarina
1
Saxophone et Orgue
1
Instruments en Mib
1
+ 94 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
113
Quatuor de Cuivres
73
Quatuor de Cuivres : 2 trompettes, trombone, tuba
34
Trombone et Piano
33
Trompette, Piano
31
Trompette
30
Quatuor de cuivres: 4 trombones
30
Cor et Piano
20
Trombone
19
Cor
19
Trompette (partie séparée)
16
Tuba
16
2 Trombones (duo)
14
Trompette, Saxophone (duo)
14
Tuba et Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
2 Trompettes (duo)
10
Trompette, Trombone (duo)
9
Trombone (partie séparée)
9
Ensemble de Trombones
7
Ensemble de Trompettes
7
2 Cors (duo)
6
2 Euphoniums et 2 Tubas
5
Euphonium, Piano (duo)
4
Trio de Cuivres
4
Quatuor de cuivres: 4 cors
4
2 Tubas (duo)
3
Cor anglais, Piano
3
Cor (partie séparée)
3
2 Trompettes, Clavier (piano ou orgue)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: 4 trompettes
3
Trombone basse et Piano
2
Euphonium, Tuba (duo)
2
Ensemble de Cors
2
Bass Clef Instruments
2
Tuba (partie séparée)
2
Trompette, Cor (duo)
1
2 Trombones, Piano
1
Trombone, Orgue
1
Instruments en Fa
1
Trompette, Tuba (duo)
1
Trombone et orchestre
1
4 Tubas
1
Euphonium
1
Trompette, Violoncelle et Piano
1
Cor Anglais
1
Instruments en Sib
1
Cor anglais, Guitare (duo)
1
2 Euphoniums (duo)
1
Trompette, Trombone, Piano
1
+ 46 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
201
Violon et Piano
89
Quintette à cordes: 2 violons, alto, violoncelle, basse
67
Violoncelle, Piano
53
Alto, Piano
52
Violon
52
Violoncelle
46
Harpe
35
Trio à Cordes: violon, alto, violoncelle
33
2 Violons (duo)
33
Violon, Violoncelle (duo)
29
Alto seul
24
2 Violoncelles (duo)
22
Violon, Alto (duo)
17
2 Altos (duo)
16
Contre Basse
11
Trio à Cordes: 2 violons, violoncelle
11
Contrebasse, Piano (duo)
10
Alto (partie séparée)
7
Violoncelle, Contrebasse (duo)
6
Alto, Violoncelle (duo)
6
4 Violoncelles
6
Quatuor à cordes: 4 violons
5
Harpe, Voix
4
Trio à Cordes: 3 violoncelles
4
Piano Trio: Violon, Alto, Piano
4
Ensemble de Violons
4
Violon, Guitare (duo)
4
Violon (partie séparée)
3
2 Contrebasses (duo)
3
Trio à cordes: 3 violins
3
Violoncelle (partie séparée)
2
2 Violons, Piano
2
Contrebasse (partie séparée)
2
Harpe, Flûte (duo)
2
Harpe, Violoncelle (duo)
2
4 Contrebasses
2
Trio à cordes
2
Violoncelle , Guitare (duo)
2
Violoncelle, Orgue
1
Quatuor à cordes : 4 altos
1
Violon, Clarinette, Piano (trio)
1
Trio à cordes: 3 altos
1
Harpe et Piano
1
Ensemble d'Altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Violoncelles, Piano
1
Alto et Harpe
1
Violon, Trompette et Piano
1
Alto, Guitare (duo)
1
Harpe, Trombone (duo)
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
280
Ensemble Jazz
97
Orchestre
92
Orchestre à Cordes
67
Fanfare
56
Orchestre de chambre
30
Cloches
29
Ensemble de cuivres
28
Jazz combo
9
Batterie
5
Ensemble de Percussions
5
Marimba
4
Percussion (partie séparée)
3
Vibraphone
2
Piano et Orchestre
1
Vibraphone et Marimba
1
Xylophone
1
Ensemble d'École
1
Xylophone, Piano
1
+ 14 instrumentations
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DOBRO - GUI…
DULCIMER
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
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LUTH, THEOR…
MANDOLINE
MARIMBA
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PERCUSSION
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What A Man
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Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Cerulean: Doubl
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
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Orchestre de chambre
#
AVANCÉ
#
Contemporain
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Carson Cooman
#
Carson Cooman: Cerulean: Doubl
#
Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399....
(+)
Chamber Orchestra - Level 5 - SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
Carson Cooman: Autumn Sun Canticle (2006) for Bb or C trumpet and orchestra:, score and complete par
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Autumn Sun Cant
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533666 Composed by Carson Cooman. Contemporary. Score and parts. 36 pages. Musik Fabrik Music Publishing #3036593....
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Chamber Orchestra - Level 5 - SKU: A0.533666 Composed by Carson Cooman. Contemporary. Score and parts. 36 pages. Musik Fabrik Music Publishing #3036593. Published by Musik Fabrik Music Publishing (A0.533666). Autumn Sun Canticle (2006) for trumpet and orchestra was commissioned by The CommissionProject in memory of Bob Stata. Bob Stata was a jazz bassist and teacher, who died on June 14, 2005at the age of 52. (Stata commissioned and directed the premiere of Cooman's The Great Wilno(1999) for solo piano and wind ensemble.)This work has an autumnal spirit, but is lyrical and hopeful as well. An opening aria section leadstoward a chorale-like passage. A development of this material leads towards a passionate andsomewhat anguished climax. The opening aria returns, before an elegiac coda closes the work.Orchestration: 2222/0000/1perc/Solo Trumpet/stringsBoth Bb and C trumpets parts are included in the set. A version for trumpet and piano is also available for sale.
$64.95
Carson Cooman: Autumn Sun Canticle (2006) for Bb or C trumpet and orchestra:, score and solo parts
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Autumn Sun Cant
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533665 Composed by Carson Cooman. Contemporary. Score and parts. 27 pages. Musik Fabrik Music Publishing #3036591....
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Chamber Orchestra - Level 5 - SKU: A0.533665 Composed by Carson Cooman. Contemporary. Score and parts. 27 pages. Musik Fabrik Music Publishing #3036591. Published by Musik Fabrik Music Publishing (A0.533665). Autumn Sun Canticle (2006) for trumpet and orchestra was commissioned by The CommissionProject in memory of Bob Stata. Bob Stata was a jazz bassist and teacher, who died on June 14, 2005at the age of 52. (Stata commissioned and directed the premiere of Cooman's The Great Wilno(1999) for solo piano and wind ensemble.)This work has an autumnal spirit, but is lyrical and hopeful as well. An opening aria section leadstoward a chorale-like passage. A development of this material leads towards a passionate andsomewhat anguished climax. The opening aria returns, before an elegiac coda closes the work.Orchestration: 2222/0000/1perc/Solo Trumpet/stringsBoth Bb and C trumpets parts are included in the set. A version for trumpet and piano is also available for sale.
$19.95
Romanza for classical guitar ensemble or quartet.
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Orchestre de chambre
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AVANCÉ
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Juan Gaspar
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Romanza for classical guitar e
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Juan Gaspar
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1015738 Composed by Juan Gaspar. 20th Century,Contemporary,World. Score and parts. 23 pages. Juan Gaspar #5742513....
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Chamber Orchestra - Level 5 - SKU: A0.1015738 Composed by Juan Gaspar. 20th Century,Contemporary,World. Score and parts. 23 pages. Juan Gaspar #5742513. Published by Juan Gaspar (A0.1015738). This piece is based on a solo piece for guitar I composed. This version is more extensive. The original idea was to share a friend's secret. Can you guess what secret he had hidden in his heart? The MP3 version is the Finale audio.
$5.99
Sinfonia Concertante for Treble Recorder, Mandolin and Strings
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Alex Tinlin
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Alex Tinlin
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Sinfonia Concertante for Trebl
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Alex Tinlin
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1367498 By Alex Tinlin. By Domenico Caudioso. Arranged by Alex Tinlin. Baroque,Classical,Early Music. 53 pages. Al...
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Chamber Orchestra - Level 4 - SKU: A0.1367498 By Alex Tinlin. By Domenico Caudioso. Arranged by Alex Tinlin. Baroque,Classical,Early Music. 53 pages. Alex Tinlin #951848. Published by Alex Tinlin (A0.1367498). My arrangement and edition of a Sinfonia Concertante attributed to the Italian composer Domenico Caudioso. The original score is for treble recorder, mandolin and keyboard reduction of what is presumed to be a small orchestra. I have arranged this for the two solo instruments and strings.
$5.99
Variations on a Rossini Theme op.Posth
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Orchestre de chambre
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Classique
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme
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James Strauss
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33...
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Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
Sophie Finds a Bird - for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Fiona Caldarevic
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Sophie Finds a Bird - for cham
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Fiona Caldarevic
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.827199 Composed by Fiona Caldarevic. Classical,Contemporary. Score and parts. 34 pages. Fiona Caldarevic #3226971....
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Chamber Orchestra - Level 3 - SKU: A0.827199 Composed by Fiona Caldarevic. Classical,Contemporary. Score and parts. 34 pages. Fiona Caldarevic #3226971. Published by Fiona Caldarevic (A0.827199). An original composition by Fiona Caldarevic written for chamber orchestra (woodwinds, horn, percussion and strings). This is a 3-minute long, peaceful somewhat cinematic score of intermediate level that would suit a high school orchestra. The harp part could easily be played by a piano. Some cues have been provided for the important woodwind solos. The PDF contains the full score as well as all the parts. Permission is given to copy the string parts as many times as is needed.www.fionacaldamusic.com
$35.99
A Dream from the Past
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Arianna Cunningham
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A Dream from the Past
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Arianna Cunningham
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1164132 Composed by Arianna Cunningham. Classical,Romantic Period. 55 pages. Arianna Cunningham #764482. Published...
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Chamber Orchestra - Level 3 - SKU: A0.1164132 Composed by Arianna Cunningham. Classical,Romantic Period. 55 pages. Arianna Cunningham #764482. Published by Arianna Cunningham (A0.1164132). A couple or a few years ago during the Pandemic, there was a Discord Server vs Server Competition going on, and one of the online virtual group communities out of all the other servers took part in a theme called Dreams. When the event started, I immediately started composing this beautiful composition, and chose the instrumentation for Uncommon Woodwinds (Alto Flute, English Horn, and Sopranino Sax), Strings, Harp, and Crotales. However, my submission entry didn't make it to the final Dreams EP as expected. But the admins of the online orchestra group told me that I can still host it as a community project, and it just so happens that I actually did do that, and I've gotten a good amount of submissions from the members themselves, went through all the mixing and editing, etc, before releasing the final performance.This piece is meant to be described about dreaming to a wonderful place you might've remembered, and haven't forgotten in a long time, experiencing the deja vu moments of what you think might've happened long time ago, hence the title, of course.
$25.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
When She Loved Me
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Sarah McLachlan
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When She Loved Me
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www.studio-orchestrations.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1430293 By Sarah McLachlan. By Randy Newman. Arranged by John Langley / Studio Orchestrations. Broadway,Children,C...
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Chamber Orchestra - Level 4 - SKU: A0.1430293 By Sarah McLachlan. By Randy Newman. Arranged by John Langley / Studio Orchestrations. Broadway,Children,Contemporary,Film/TV,Musical/Show,Singer/Songwriter. 28 pages. Www.studio-orchestrations.com #1010934. Published by www.studio-orchestrations.com (A0.1430293). What a privilege to share an arrangement of this perfect song, sung by Sarah McLachlan in Toy Story 2 in 1999. If Toy Story and Toy Story 2 hadn't already entirely induced a nostalgic empathy from its audience for the life of old toys we used to play with, Jessie's heartfelt song of her memories with 'Emily' tugs the heart strings to make grown men cry. Randy Newman wrote a perfect little gem in this short but iconic moment in movie history. In the most respectful way the write and the song do so little SO well. The orchestration is sparse but completely appropriate and supportive. This arrangement follows the original soundtrack as closely as possible and would make a wonderful addition to a kids or education concert or an evening of film, musicals or just a celebration of great song writers. Thank you Randy Newman for your wonderful understated genius for using musical simplicity to unpack human complexity.
$140.00
Prayer of Saint Francis (SSAA, Chamber Strings and Bb Trumpet)
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Orchestre de chambre
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FACILE
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D
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Prayer of Saint Francis
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D. M. Gardner Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.799648 Composed by D. M. Gardner. Christian,Contemporary,Sacred. Score and parts. 32 pages. D. M. Gardner Music #6...
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Chamber Orchestra - Level 2 - SKU: A0.799648 Composed by D. M. Gardner. Christian,Contemporary,Sacred. Score and parts. 32 pages. D. M. Gardner Music #61775. Published by D. M. Gardner Music (A0.799648). ****SSAA, Piano, and Bb Trumpet version is INCLUDED with this chamber string version!****Lord, make me an instrument of Thy peacePrayer of Saint Francis features poetry attributed to 13th Century Monk, St Francis of Assisi, Italy.Though attributed to Saint Francis many centuries after his death, Saint Francis' great devotion to God is beautifully echoed in this poem, as much a work of art, as a humble prayer.This powerful setting of the Prayer of St Francis reflects a deeply intimate relationship between St Francis and the Lord, illustrating the internal conflict of God's Will versus man's. On his knees in prayer, hands folded, eyes closed, face turned away from the heavens... he asks so humbly to give what he cannot himself completely offer... The unconditional, perfect love of Christ.Prayer of Saint Francis was originally written for children's chorus, but could easily accommodate women's or boy's choir.Approx. 4 minutes in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$2.50
Piano Concerto No. 1 - SECOND movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
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Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Piano Concerto No. 1 - THIRD movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
Appassionato
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Orchestre de chambre
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Peter Nostrand
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Peter Nostrand
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the strings are supportive
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Appassionato
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Imagine Music - Digital
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SheetMusicPlus
Chamber orchestra - Grade 3 - SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Published by Imagin...
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Chamber orchestra - Grade 3 - SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Published by Imagine Music - Digital (IZ.OMS128). 9 x 12 in inches.For Chamber Orchestra (Grade 3). By Peter Nostrand. Appassionato is a story about the struggle for love. While it was composed in a traditional ABA structure, there are many elements in this composition which are not at all traditional. As the piece awakens, the oboes and flutes seem innocent and coquettish. As orchestral participation grows, one has the sense of an entire field of rich colors growing before our very ears. Enter the piano. Simple, elegant and romantic. Softly supported by the strings, the piano issues an invitation to the winds. They respond cautiously, obviously curious to see what this charming piano has in mind. The strings express an opinion. It's not what the piano wants and he presses harder. The strings and winds question each other, back and forth with triplets. Who is this piano? The mid-section is an announcement by the strings that a love relationship may be in the cards. The piano replies with passion and tenderness.With eighth notes, the strings become entangled with the piano, counseling it, guiding it. The winds using triplets put their two cents on the table. They're not so sure. The piano makes a passionate plea; the strings are supportive. The piano and the winds have a conversation. They finally dance together. In the end,.Appassionato is a musical expression of the struggle over whether or not love is worth the risk Sometimes in conflict sometimes in harmony, the piano and winds do unite. Passion has won.
$30.00
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Thomas Oboe Lee
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Tantric Psalms
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869311 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869311 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32293. Published by Thomas Oboe Lee (A0.869311). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
Tantric Psalms (1997, rev. 1999) for mezzo-soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Thomas Oboe Lee
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Tantric Psalms
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869299 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869299 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Om ah hum hum (Chant sung with mouth closed.). 21 pages. Thomas Oboe Lee #32649. Published by Thomas Oboe Lee (A0.869299). Program notes: Mark Ludwig came to me in the spring of 1997 wondering if I would be interested in writing a piece of music for the Hawthorne String Quartet that would bring to the attention of the world what many Tibetans are experiencing as exiles or political prisoners under the rule of the Peoples Republic of China. I told him I would be. So, he loaned me several books on Tibet, the Dalai Lamas, a video about a Tibetan ethnomusicologist who is currently in prison for spying, and a few recordings of Tibetan folk music. I found the material very intriguing and fascinating. And toward the end of a five-week residency at the American Academy in Rome that summer, I completed the first draft of Tantric Psalms. The work was completed a week later at home in Cambridge, Massachusetts. In 1999, I revisited the score and added a voice so that the beautiful Tibetan chants and prayers can be invoked. Tantric Psalms is in three sections, but organized in two movements: I. Invocation Om ah hum hum (Chant sung with mouth closed.) Prayer: Then bless me to embark ... II. Invocation Simple Song of Fun/Om ma ni pad me hum (Chant sung with mouth closed.) (Om ah hum hum. Om ah kham hum. Om ah om hum. Om ah sva hum. Om ah ah hum. Om ah ha hum. Om ah lam hum. Om ah mam hum. Om ah bam hum. Om ah tam hum. Om ah jah hum. Om ah hum hum. Om ah bam hum. Om ah hoh hum. Om ah maim hum. Om ah thlim hum. Om am om hum. Om ah om hum. Om ah om hum. Om ah hum hum. Om ah om hum. Om ah sam hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum. Om ah hum hum.) Then bless me to embark in a boat to cross the ocean of the Tantras, Through the kindness of the Captain Vajra master, Holding vows and pledges, root of all power, more dearly than life itself! Bless me to perceive all things as the deity body, Cleasing the taints of ordinary perception, Through the yoga of the first stages of Unexcelled Tantra, Changing births, deaths, and between into the three Buddha bodies! (Om ma ni pad me hum.).
$9.99
Let It Snow! Let It Snow! Let It Snow!
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Jessica Simpson
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Let It Snow! Let It Snow! Let
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www.studio-orchestrations.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1298466 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by John Langley (for Studio Orchestrations). Br...
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Chamber Orchestra - Level 4 - SKU: A0.1298466 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by John Langley (for Studio Orchestrations). Broadway,Christmas,Contemporary,Film/TV,Musical/Show,Standards. Score and Parts. 71 pages. Www.studio-orchestrations.com #888438. Published by www.studio-orchestrations.com (A0.1298466). The classic Christmas ballad made famous by Dean Martin, arranged here for SATB chorus and smal orchestra will charm any christmas audience and is a version suitable for any good amateur or professional performance group. A perfect Christmas Concert Stocking filler.Instrumentation:SATB ChorusFlute dbl. PiccoloPiccolo2 ClarinetsGlockenspielHarpPiano/KeyboardGuitar (optional)Drum KitStringsA correpsonding SATB Chorus and Piano version is also available from this supplier arranged by John Langley.Other titles available from the same arranger:A Million Dreams (The Greatest Showman)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1305770/Product.aspxWhen you believe (The Prince of Egypt) https://www.sheetmusicdirect.com/en-US/se/ID_No/1369099/Product.aspxCome what may (Moulin Rouge)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1346777/Product.aspxEl Tango de Roxanne (Moulin Rouge) https://www.sheetmusicdirect.com/en-US/se/ID_No/1346335/Product.aspxMaadowlark (The Baker's Wife)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372145/Product.aspxDiamonds are forever  (Title song)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372605/Product.aspxBarcelona [Freddie Mercury/Montserrat Caballe)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1305928/Product.aspxSummer Wine [Lee Hazelwood/Nancy Sinatra]  https://www.sheetmusicdirect.com/en-US/se/ID_No/1151500/Product.aspxMalone's death (The Untoucahables) https://www.sheetmusicdirect.com/en-US/se/ID_No/1380919/Product.aspx.
$150.00
Let It Snow! Let It Snow! Let It Snow!
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Orchestre de chambre
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INTERMÉDIAIRE
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Jessica Simpson
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Let It Snow! Let It Snow! Let
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www.studio-orchestrations.com
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1298552 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by John Langley (for Studio Orchestrations). Ch...
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Chamber Orchestra - Level 3 - SKU: A0.1298552 By Jessica Simpson. By Jule Styne and Sammy Cahn. Arranged by John Langley (for Studio Orchestrations). Christmas,Contemporary,Film/TV,Holiday,Standards. Score and Parts. 64 pages. Www.studio-orchestrations.com #888447. Published by www.studio-orchestrations.com (A0.1298552). The classic Christmas ballad made famous by Dean Martin, arranged here for Baritone (or mezzo) Solo and small orchestra will charm any christmas audience and is a version suitable for any good amateur or professional performance group.  A perfect Christmas Concert Stocking filler.Instrumentation:SATB ChorusFlute dbl. PiccoloPiccolo2 ClarinetsGlockenspielHarpPiano/KeyboardGuitar (optional)Drum KitStringsA correpsonding SATB Chorus with Orchestra or just Piano version is also available from this supplier arranged by John Langley.Other titles available from the same arranger:A Million Dreams (The Greatest Showman)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1305770/Product.aspxWhen you believe (The Prince of Egypt) https://www.sheetmusicdirect.com/en-US/se/ID_No/1369099/Product.aspxCome what may (Moulin Rouge)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1346777/Product.aspxEl Tango de Roxanne (Moulin Rouge) https://www.sheetmusicdirect.com/en-US/se/ID_No/1346335/Product.aspxMaadowlark (The Baker's Wife)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372145/Product.aspxDiamonds are forever  (Title song)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1372605/Product.aspxBarcelona [Freddie Mercury/Montserrat Caballe)  https://www.sheetmusicdirect.com/en-US/se/ID_No/1305928/Product.aspxSummer Wine [Lee Hazelwood/Nancy Sinatra]  https://www.sheetmusicdirect.com/en-US/se/ID_No/1151500/Product.aspxMalone's death (The Untoucahables) https://www.sheetmusicdirect.com/en-US/se/ID_No/1380919/Product.aspx.
$150.00
Histoire du Soldat Concert Suite
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Orchestre de chambre
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AVANCÉ
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Classique
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Igor Stravinsky
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John M
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Histoire du Soldat Concert Sui
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zephyrwindmusic.com
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1141262 Composed by Igor Stravinsky. Arranged by John M. Laverty. 20th Century,Chamber,Classical. Score and Parts....
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Chamber Orchestra - Level 5 - SKU: A0.1141262 Composed by Igor Stravinsky. Arranged by John M. Laverty. 20th Century,Chamber,Classical. Score and Parts. 245 pages. Zephyrwindmusic.com #741570. Published by zephyrwindmusic.com (A0.1141262). Histoire du Soldat is one of Igor Stravinsky’s most performed chamber works. It is published in the original edition (for seven players, three spoken parts, and a single dancer) and as a trio version for clarinet, violin, and piano scored by the composer. It is also frequently performed as a concert suite using the original instrumentation. Although the concert suite is in many respects identical to the original, it omits several movements as well as small sections within some movements where spoken parts with music occur. This new edition is intended to eliminate any confusion as to what music should be included or eliminated in order to create a more deï¬nitive concert suite. Fortunately, Stravinsky performed or recorded the concert suite on many occasions indicating his intentions for how the work should be presented. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download. Instrumentation: Clarinet in B-flat and A Bassoon Cornet in B-flat and A (with an optional part in C) Trombone Percussion Violin Double Bass.
$50.00
Concerto For Clarinet
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Orchestre de chambre
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AVANCÉ
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Jazz
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Artie Shaw
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Edited Robert C
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Concerto For Clarinet
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Robert C. Olivia
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1433339 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 176 pages. Robert C. Olivia #1013...
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Chamber Orchestra - Level 5 - SKU: A0.1433339 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. 176 pages. Robert C. Olivia #1013630. Published by Robert C. Olivia (A0.1433339). This edition of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture. These are the parts for the big band and strings. Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. Techniques are carefully detailed to show ornaments, slurs, accents etc. This edition restores many elements missing in other versions available. The strings here are restored to the original voicings so important to the style of the classic sound of the period.The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie” Brown on Trombone.There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available.
$200.00
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