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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
ERC
Non classifié
423
Piano & claviers
Piano seul
901
Piano Facile
350
Piano, Voix
182
Instruments en Do
77
Piano, Voix et Guitare
54
Orgue
34
Accordéon
18
1 Piano, 4 mains
13
Accompagnement Piano
7
Piano Trio: piano, violon, violoncelle
4
Orgue, Piano (duo)
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavecin
2
1 Piano, 6 mains
1
2 Pianos, 4 mains
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
182
Guitare
131
Basse electrique
95
Paroles et Accords
35
Ligne De Mélodie, (Paroles) et Accords
31
Ukulele
18
Banjo
8
Mandoline
8
4 Guitares (Quatuor)
7
Piano, Guitare (duo)
4
2 Guitares (duo)
3
3 Guitares (trio)
1
Ensemble de guitares
1
Cithare
1
Dulcimer
1
Ukulele Baryton
1
+ 11 instrumentations
Retracter
Voix
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184
Chorale 2 parties
139
Chorale 3 parties
93
Voix duo, Piano
75
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59
Chorale TTBB
38
Voix seule
37
Voix duo
23
Chorale SSAA
12
Chorale
3
Voix haute
2
Voix moyenne, Piano
1
Voix Alto, Piano
1
+ 8 instrumentations
Retracter
Vents
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145
Saxophone
136
Flûte à Bec
111
Hautbois
102
Clarinette
90
Saxophone Alto
36
Flûte traversière et Piano
34
Saxophone Alto et Piano
31
Clarinette et Piano
30
Quatuor de Saxophones: 4 saxophones
28
Flûte, Hautbois, Clarinette, Basson
27
Saxophone Tenor
24
Saxophone Tenor et Piano
24
2 Saxophones (duo)
24
Hautbois, Piano (duo)
21
Saxophone (partie séparée)
20
2 Flûtes traversières (duo)
19
Quatuor de Clarinettes: 4 clarinettes
17
Saxophone Soprano et Piano
13
2 Clarinettes (duo)
11
Hautbois (partie séparée)
10
Flûte à bec Soprano
8
Cor anglais, Piano
6
Harmonica
6
Flûte à bec Alto
6
3 Saxophones (trio)
5
Flûte à bec Tenor
5
Saxophone Baryton, Piano
5
Saxophone Soprano
5
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5
Ocarina
4
Quatuor de Flûtes : 4 flûtes
4
2 Flûte à bec (duo)
4
Clarinette Basse, Piano
4
Flûte, Clarinette (duo)
4
3 Flûtes à bec (trio)
3
Saxophone Baryton
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Clarinette (partie séparée)
3
Ensemble de Clarinettes
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Hautbois, Basson (duo)
3
3 Clarinettes (trio)
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Ensemble De Flûte à bec
3
Flûte, Hautbois, Clarinette (trio)
3
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2
Clarinette, Basson (duo)
2
Flûte, Clarinette et Basson
2
Flûte, Violon, Piano
2
Quintette de Saxophone: 5 saxophones
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2
2 Hautbois (duo)
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1
Flûte de Pan
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Clarinette, Violoncelle (duo)
1
Ensemble de Flûtes
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Flûte irlandaise
1
Hautbois, Violoncelle
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2 Clarinettes, Piano
1
Clarinette, Basson, Piano (trio)
1
3 Hautbois
1
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1
Piccolo, Piano
1
Flûte et Guitare
1
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1
Quintette de Clarinettes: 5 clarinettes
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Flûte, Hautbois, Basson
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Flute (partie séparée)
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Ensemble de saxophones
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Trio de Flûtes: 3 flûtes
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Cor Anglais
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Cornemuse
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+ 68 instrumentations
Retracter
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53
Trombone
48
Tuba
26
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23
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20
Trompette, Piano
18
Cor
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Cor et Piano
13
Euphonium
8
2 Trompettes (duo)
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Cor anglais, Piano
6
Tuba et Piano
6
2 Trombones (duo)
6
Euphonium, Piano (duo)
5
Quatuor de cuivres: 4 trombones
4
Trompette, Trombone (duo)
3
Trompette, Cor (duo)
3
Quatuor de Cuivres
3
Trompette (partie séparée)
2
3 Trombones (trio)
2
2 Cors (duo)
2
Trompette, Tuba (duo)
2
2 Euphoniums (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Cor (duo)
1
Quatuor de cuivres: 4 cors
1
Ensemble de Trombones
1
2 Tubas (duo)
1
4 Tubas
1
Cor Anglais
1
Tuba (partie séparée)
1
Cor, Tuba (duo)
1
Trombone, Tuba (duo)
1
4 Euphoniums
1
+ 31 instrumentations
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104
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64
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48
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38
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26
Contre Basse
25
Alto seul
25
Alto, Piano
22
2 Violoncelles (duo)
12
Harpe
12
2 Violons (duo)
10
Violon, Alto (duo)
7
Alto (partie séparée)
7
Trio à Cordes: violon, alto, violoncelle
7
Piano Trio: Violon, Alto, Piano
7
Violon, Violoncelle (duo)
6
Alto, Violoncelle (duo)
4
Contrebasse, Piano (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
2 Altos (duo)
3
Violoncelle, Contrebasse (duo)
3
Trio à cordes: 3 altos
2
2 Contrebasses (duo)
2
Violon (partie séparée)
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
Alto, Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
Violoncelle (partie séparée)
1
+ 29 instrumentations
Retracter
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Orchestre d'harmonie
116
Batterie
36
Orchestre à Cordes
28
Ensemble de Percussions
27
Orchestre
24
Fanfare
21
Orchestre de chambre
18
Ensemble Jazz
15
Ensemble de cuivres
12
Cloches
9
Jazz combo
8
Marimba
5
Percussion (partie séparée)
4
Vibraphone
3
Bongos
2
Percussion
1
+ 11 instrumentations
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4 partitions trouvées
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1
Ricercare for Flute Ensemble
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Reno Fusani
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Ricercare for Flute Ensemble
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Reno Fusani
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute - Level 2 - SKU: A0.1287749 Composed by Reno Fusani. Early Music,Renaissance. 7 pages. Reno Fusani #878824. P...
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Flute Quartet,Woodwind Ensemble Alto Flute - Level 2 - SKU: A0.1287749 Composed by Reno Fusani. Early Music,Renaissance. 7 pages. Reno Fusani #878824. Published by Reno Fusani (A0.1287749). Originally intended as a teaching piece, this composition reflects the sounds and spirit of the Renaissance with modest demands on the players. Written for 3 C flutes and Alto flute, the composition gives you flexibility for instruction and performance. Might be a great warm-up also!
$10.00
Flirting song 1. For you.
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Quatuor de Flûtes : 4 flûtes
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FACILE
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César Zumel
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Flirting song 1. For you.
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César Zumel
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - SKU: A0.939978 Composed by César Zumel. Children,Concert,Folk,World. 2 pages. César Zumel #30...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - SKU: A0.939978 Composed by César Zumel. Children,Concert,Folk,World. 2 pages. César Zumel #3067127. Published by César Zumel (A0.939978). ¿Why not a shepperd's song?Flute song based on a traditional youngs flirting song from Burgos (Spain). Rythm and melodie are combined to create a little town atmosphere where young men tries to seduce young women.Specially recommended for flute ensemble / choir, and for other many wind instruments.Around one minute of music, easy to build up musical phrases, very interesting also from conducting point of view, as exercise.
$2.00
Watermelon Sugar
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Pop musique
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Harry Styles
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Paulo Galvão Filho
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Watermelon Sugar
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Paulo Galvao Filho
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - SKU: A0.709232 By Harry Styles. By Harry Styles, Mitchell Kristopher Rowland, Mitchell Rowland, Tho...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - SKU: A0.709232 By Harry Styles. By Harry Styles, Mitchell Kristopher Rowland, Mitchell Rowland, Thomas Edward Percy Hull, Thomas Hull, Tyler Johnson, and Tyler Sam Johnson. Arranged by Paulo Galvão Filho. Pop. 15 pages. Paulo Galvao Filho #6354633. Published by Paulo Galvao Filho (A0.709232).
$12.99
Solage: Le basile for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
#
FACILE
#
Solage
#
James M
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Solage: Le basile for Flute Qu
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jmsgu3
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Earl...
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
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