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Lady A
Non classifié
127
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87
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72
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60
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31
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20
Accordéon
10
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4
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3
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2
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue
2
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Guitares
Guitare notes et tablatures
26
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19
Ukulele
9
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9
Basse electrique
8
Mandoline
4
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3
Banjo
1
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Chorale SATB
38
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30
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26
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14
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11
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11
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9
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8
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5
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1
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33
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31
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19
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17
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16
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15
Clarinette
15
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11
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10
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10
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8
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8
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8
Saxophone
7
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7
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7
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7
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6
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5
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5
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4
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4
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3
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3
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2
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2
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1
Cor anglais, Guitare (duo)
1
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Clarinette Basse, Piano
1
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1
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1
Saxophone et Guitare
1
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1
Cor Anglais
1
Flûte à bec Soprano
1
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1
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19
Trompette (partie séparée)
13
Trombone
13
Trombone et Piano
12
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10
Trompette, Piano
10
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trombone (partie séparée)
7
Cor
7
Tuba
5
Euphonium
4
2 Trompettes (duo)
4
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3
2 Trombones (duo)
3
Quatuor de Cuivres
3
Euphonium, Piano (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Trombones (trio)
2
Cor anglais, Piano
2
Cor et Piano
2
Quatuor de cuivres: 4 cors
1
Trompette, Trombone (duo)
1
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1
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1
2 Cors (duo)
1
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7
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7
Contre Basse
5
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4
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4
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4
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1
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1
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1
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1
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33
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22
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5
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Vous avez sélectionné:
Lady A
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Quatuor de Flûtes : 4 flûtes
Partitions à imprimer
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Solage: Plusers gens voy for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Solage
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James M
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Solage: Plusers gens voy for F
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jmsgu3
#
SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1269004 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Earl...
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1269004 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 6 pages. Jmsgu3 #861537. Published by jmsgu3 (A0.1269004). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$24.95
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: La Messe de Nostre Dame for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
#
FACILE
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. G...
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Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853678. Published by jmsgu3 (A0.1260536). INSTRUMENTATION: 2 ALTO FLUTES, 2 BASS FLUTES1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
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