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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ain Secular
Non classifié
373
Piano & claviers
Piano, Voix et Guitare
447
Piano, Voix
371
Piano Facile
216
Piano seul
212
Piano grosses notes
83
1 Piano, 4 mains
55
Instruments en Do
26
Instrument seul et Orgue
18
Accordéon, Voix
8
2 Pianos, 4 mains
7
Accordéon
7
Piano Quatuor: piano, violon, alto, violoncelle
3
Ligne De Mélodie, Piano
2
Orgue
2
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
1
1 Piano, 6 mains
1
Piano (partie séparée)
1
+ 13 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
144
Guitare notes et tablatures
78
Ukulele
65
Banjo
10
Guitare (partie séparée)
2
Guitare
1
Piano, Guitare (duo)
1
Mandoline
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
223
Chorale 3 parties
177
Chorale 2 parties
119
Chorale
39
Chorale TTBB
27
Chorale SSAA
19
Chorale Unison
6
Voix haute
6
Voix duo, Piano
4
Voix basse
3
Voix duo
3
Voix Soprano, Piano
3
Chorale SSAATTBB
3
Voix basse, Piano
3
Chorale SATTB
1
Voix Baryton, Piano
1
Chorale SATTBB A Cappella
1
Chorale SSAB, Piano
1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
Chorale SSATBB
1
+ 16 instrumentations
Retracter
Vents
Saxophone Alto
116
Clarinette
91
Flûte traversière
85
Saxophone Tenor
83
Clarinette et Piano
29
Flûte traversière et Piano
27
Saxophone Alto et Piano
14
Hautbois, Piano (duo)
13
Saxophone Soprano et Piano
13
2 Saxophones (duo)
9
Saxophone (partie séparée)
9
Instruments en Mib
7
3 Clarinettes (trio)
7
Saxophone Tenor et Piano
6
Saxophone Baryton, Piano
6
Cor anglais, Piano
6
2 Flûtes traversières (duo)
6
Flute (partie séparée)
5
2 Clarinettes (duo)
4
Clarinette (partie séparée)
4
Quatuor de Flûtes : 4 flûtes
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone, Clarinette (duo)
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Clarinette, Trompette (duo)
2
Flûte à bec Soprano
2
Hautbois, Basson (duo)
2
Clarinette, Violon (duo)
2
2 Hautbois (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Cor anglais et Harpe (duo)
1
Ensemble de Flûtes
1
3 Saxophones (trio)
1
Flûte, Clarinette (duo)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Flûte
1
Quatuor de Saxophones: 4 saxophones
1
Flûte, Saxophone (duo)
1
Flûte, Alto (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Hautbois (duo)
1
Saxophone et Piano
1
Hautbois, Violoncelle
1
Clarinette Basse, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon
1
Saxophone
1
Clarinette et Alto
1
Flûte à bec, Guitare (duo)
1
+ 45 instrumentations
Retracter
Cuivres
Trompette
111
Cor
97
Trombone
82
Bass Clef Instruments
28
2 Trombones (duo)
16
Trompette, Piano
14
Instruments en Sib
12
Trombone et Piano
11
Cor et Piano
9
Trompette (partie séparée)
9
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Tuba et Piano
8
Cor anglais, Piano
6
Trombone (partie séparée)
6
Cor (partie séparée)
3
2 Cors (duo)
2
Quatuor de Cuivres
2
Tuba et Orgue
2
Trompette, Saxophone (duo)
2
Trompette, Trombone (duo)
2
Euphonium, Piano (duo)
2
Cor anglais et Harpe (duo)
1
3 Trombones (trio)
1
2 Trompettes (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba (partie séparée)
1
+ 23 instrumentations
Retracter
Cordes
Alto seul
109
Violon
85
Violoncelle
83
Alto, Piano
27
Violon et Piano
24
Alto (partie séparée)
19
Violoncelle, Piano
17
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violon (partie séparée)
6
Contrebasse, Piano (duo)
5
Violoncelle (partie séparée)
3
2 Violons (duo)
3
2 Violoncelles (duo)
3
Violon, Alto (duo)
3
Violon, Violoncelle (duo)
3
Harpe, Flûte (duo)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Trio à Cordes: 3 violoncelles
2
2 Altos (duo)
2
Contrebasse (partie séparée)
2
Harpe
2
4 Violoncelles
1
Violon, Guitare (duo)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
92
Cloches
30
Orchestre à Cordes
8
Orchestre
7
Orchestre de chambre
6
Ensemble de cuivres
5
Ensemble Jazz
3
Percussion (partie séparée)
2
Batterie
1
Batterie (partie séparée)
1
+ 5 instrumentations
Retracter
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Instruments
ACCORDEON
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BASSON
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CLAIRON
CLARINETTE
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CONTREBASSE
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COR ANGLAIS
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CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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MARIMBA
ORCHESTRE
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PERCU. ORCH…
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PIANO
SAXOPHONE
SYNTHE
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TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
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NOËL
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OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
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Vous avez sélectionné:
Ain Secular
Quatuor de Flûtes : 4 flûtes
Partitions à imprimer
4 partitions trouvées
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1
When the Saints Go Marching In (for Flute Quartet)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Traditional
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Ralph Raymond Hays
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When the Saints Go Marching In
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Ralph Raymond Hays
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - SKU: A0.720613 Composed by Traditional. Arranged by Ralph Raymond Hays. Concert,Contemporary,Jazz,P...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - SKU: A0.720613 Composed by Traditional. Arranged by Ralph Raymond Hays. Concert,Contemporary,Jazz,Praise & Worship. 12 pages. Ralph Raymond Hays #4605865. Published by Ralph Raymond Hays (A0.720613). This remarkable arrangement is set in the style of a Dixieland Funeral, beginning with a warm and moving chorale which leads into a lively and exciting fast section during which the traditional melody is accompanied by newly composed counter-melodies. All instruments in the ensemble are featured making it as enjoyable for the performers as it is for the audience. It is suitable for myriad occasions both secular and sacred.
$12.99
Variations on hélas madame for flute quartet (mp3)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
#
Budapest Scoring
#
David Warin Solomons
#
Variations on hélas mad
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David Warin Solomons
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SheetMusicPlus
Level 4 - SKU: A0.1136040 By Budapest Scoring. By King Henry VIII (attrib.). Arranged by David Warin Solomons. Classical,Contemporary. Full Performance....
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Level 4 - SKU: A0.1136040 By Budapest Scoring. By King Henry VIII (attrib.). Arranged by David Warin Solomons. Classical,Contemporary. Full Performance. Duration 144. David Warin Solomons #736065. Published by David Warin Solomons (A0.1136040). Hélas madame is attributed to King Henry VIII. It is part of a secular collection, found on a manuscript that was used in Henry's court. The originality of the song has been questioned, with various parts of the song allegedly taken from similar pieces in Europe. The song itself is a courtship conversation in Middle French between a man and woman. Hélas madame, celle que j’ayme tant: Souffrez que soye vostre humble servant; Vostre humble servant je serays a toujours Et tant que je viv’ray aultr’ n’aymeray que vous. Hélas, beau sire, vous estez bel et bon, Sage et courtoys et de noble maison, Et aussi bon que l’on scairoit finer, Mais cil que j’ayme, ne scairoye oublier. Hellas, ma dame, pences en vostre cas: Entre nous deulx ne fault point d’avocatz. Certes non pas, et vous le scavez bien. Allez vous en, car vous ne faictez rien. Mon cueur souspire et se plaint tendrement, Quant il ne peult trouver allegement. Ne scay comment on me veult dechasser; S’il est ainsi, j’ayray ailleurs chasser. Hellas, ma dame, et n’en seray-je point? Certes beau sire, je ne le vous dis point. Servez a point: il vous sera mery. Hellas, ma dame, de bon cueur vous mercy. Alas my lady, whom I do so love: Suffer me to be your humble servant; Your humble servant I shall always be. And while I live, I'll love none else but you. Alas, fair sir, you are good and kind, Wise and courteous and from a noble house, And as good as one could find, But I can't forget the one I love. Alas my lady, think upon your case: Between us two, no need for advocate. Certainly not, and you know it well. Be gone, for you are doing nothing. My heart sighs and tenderly complains, When it cannot find relief. I know not how it wants me to woo; If it is so, I'll go wooing elsewhere. Alas my lady, and shall I not? Certainly, fair sir, I have not said so. Behave rightly and you will be rewarded. Alas my lady, from my whole heart, thank you. Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.
$4.50
Solage: Le basile for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Solage
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James M
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Solage: Le basile for Flute Qu
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jmsgu3
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Earl...
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
Carol of the Bells - Flute Quartet Score by Ukrainian Carol - Score
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Quatuor de Flûtes : 4 flûtes
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Noël
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Ukrainian Carol
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Carol of the Bells - Flute Qua
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Musicnotes
Carol of the Bells - Flute Quartet Score Digital Sheet Music - instantly downloadable sheet music (this arrangement does not contain lyrics), scoring: Instrumen...
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Carol of the Bells - Flute Quartet Score Digital Sheet Music - instantly downloadable sheet music (this arrangement does not contain lyrics), scoring: Instrumental Quartet;Score, instruments: Flute 1;Flute 2;Flute 3;Flute 4; 3 pages -- Holiday & Special Occasion~~Christmas~~Traditional~~Christmas - Secular
$5.50
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