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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
End Of An Era
Non classifié
1 251
Piano & claviers
Piano seul
760
Piano, Voix
355
Piano Facile
227
Piano, Voix et Guitare
211
Orgue
46
Instruments en Do
43
1 Piano, 4 mains
24
Piano Trio: piano, violon, violoncelle
24
2 Pianos, 4 mains
17
Piano grosses notes
14
Accompagnement Piano
11
Piano Quatuor: piano, violon, alto, violoncelle
8
Clavecin
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Ligne De Mélodie, Piano
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
2
2 Accordéons
1
Fake Book
1
Accordéon
1
Orgue, Trompette (duo)
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
101
Guitare
81
Ligne De Mélodie, (Paroles) et Accords
35
Ukulele
17
4 Guitares (Quatuor)
8
Basse electrique
6
2 Guitares (duo)
5
Dulcimer
3
Piano, Guitare (duo)
2
Mandoline
2
Banjo
2
3 Guitares (trio)
1
Ensemble de Ukulélés
1
Ensemble de guitares
1
Guitare, Violon, Violoncelle (trio)
1
Paroles et Accords
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
346
Chorale 3 parties
105
Chorale Unison
68
Chorale 2 parties
54
Chorale TTBB
50
Voix duo, Piano
32
Chorale SSAA
20
Voix duo
14
Voix Soprano, Piano
13
Voix Baryton, Piano
9
Voix Tenor, Piano
8
Voix haute
8
Voix moyenne, Piano
7
Voix seule
5
Voix Alto, Piano
4
Chorale SSAATTBB
3
Chorale
2
Voix basse, Piano
2
Chorale SSATTB
1
Voix Soprano
1
+ 15 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
106
Flûte traversière et Piano
87
Clarinette et Piano
84
Quintette de Saxophone: 5 saxophones
81
2 Saxophones (duo)
78
Quatuor de Saxophones: 4 saxophones
72
Saxophone Alto et Piano
57
Hautbois, Piano (duo)
54
2 Flûtes traversières (duo)
51
Saxophone Tenor et Piano
42
Flûte, Hautbois, Clarinette, Basson
42
Quatuor de Clarinettes: 4 clarinettes
42
Saxophone Soprano et Piano
38
Flûte traversière
37
2 Clarinettes (duo)
29
Clarinette
26
Flûte, Clarinette (duo)
21
3 Saxophones (trio)
19
Ensemble de saxophones
19
Saxophone, Clarinette (duo)
18
Saxophone Alto
17
Ensemble de Clarinettes
16
Ocarina
16
Clarinette, Violon (duo)
16
Quatuor de Flûtes : 4 flûtes
15
Harmonica
15
Saxophone Baryton, Piano
15
Cor anglais, Piano
14
Hautbois (partie séparée)
14
Trio de Flûtes: 3 flûtes
13
Saxophone (partie séparée)
12
2 Hautbois (duo)
12
Flûte à bec Soprano
12
Flûte à bec Alto
11
Saxophone Tenor
11
Clarinette, Trompette (duo)
11
3 Clarinettes (trio)
10
Quintette de Clarinettes: 5 clarinettes
10
Quintette de Flûte : 5 flûtes
10
Hautbois, Clarinette (duo)
9
Ensemble de Flûtes
8
Flûte, Violoncelle, Piano (trio)
7
Hautbois, Basson (duo)
7
Clarinette et Alto
7
2 Flûte à bec (duo)
7
Flûte, Violon
7
Hautbois, Flûte
7
Clarinette, Violoncelle (duo)
6
Clarinette Basse, Piano
6
Flûte, Alto (duo)
6
Clarinette, Basson (duo)
6
Flûte, Saxophone (duo)
6
2 Clarinettes, Piano
5
Flûte, Trompette (duo)
5
3 Hautbois
4
Flute (partie séparée)
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Flûte, Violon, Piano
4
Clarinette (partie séparée)
4
Flûte et Guitare
3
Hautbois
3
Flûte, Clarinette, Piano (trio)
3
Instruments en Mib
3
Flûte, Alto et Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
3
3 Flûtes à bec (trio)
3
Quatuor de Flûtes à bec
3
Flûte, trombone et piano
2
Cornemuse
2
Flûte à bec Soprano, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte à bec Alto, Piano
2
Piccolo, Piano
2
2 Flûtes traversières, Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violon, Violoncelle et Piano
2
Flûte irlandaise
2
Clarinette, Harpe (duo)
2
5 Flûtes à bec
1
Cor Anglais
1
Ensemble à vent
1
Hautbois, Harpe
1
Flûte, Clarinette et Basson
1
2 Saxophones, Piano
1
Flûte, Hautbois (duo)
1
Hautbois, Basson et Piano
1
Flûte, Violon, Guitare
1
Flûte, Hautbois, Piano (trio)
1
Clarinette, Trombone (duo)
1
Flûte de Pan
1
Flute, harpe et violon
1
Ensemble de Hautbois
1
Hautbois, violon (duo)
1
Clarinette, Orgue
1
Flûte, Basson et Piano
1
Hautbois, Violoncelle
1
Flûte à Bec, Piano
1
Flûte à Bec
1
Saxophone
1
+ 94 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
99
Quatuor de Cuivres : 2 trompettes, trombone, tuba
55
Trombone et Piano
50
Quatuor de Cuivres
47
Trompette, Piano
43
Trompette
35
Cor et Piano
27
Trombone
21
Cor
19
2 Trombones (duo)
17
2 Trompettes (duo)
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Tuba
16
Euphonium, Piano (duo)
14
Trompette, Saxophone (duo)
14
Cor anglais, Piano
14
Ensemble de Trompettes
13
Tuba et Piano
13
Ensemble de Trombones
12
Quatuor de cuivres: 4 trombones
11
2 Cors (duo)
10
Trompette (partie séparée)
9
Trombone (partie séparée)
7
Trompette, Trombone (duo)
7
Quatuor de cuivres: 4 cors
5
2 Tubas (duo)
5
Quatuor de cuivres: 4 trompettes
4
Bass Clef Instruments
4
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Trombone, Tuba (duo)
3
Instruments en Sib
3
4 Tubas
3
3 Euphoniums
3
Trompette, Violoncelle et Piano
3
Ensemble de Cors
2
3 Trombones (trio)
2
Euphonium
2
2 Euphoniums et 2 Tubas
2
Cor Anglais
1
Ensemble de Tubas
1
Cor (partie séparée)
1
2 Euphoniums (duo)
1
3 Trompettes (trio)
1
Trombone basse et Piano
1
Trompette, Cor (duo)
1
+ 40 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
234
2 Harpes (duo)
119
Violon et Piano
119
Violoncelle, Piano
76
Alto, Piano
62
Violon
62
Violoncelle
48
Harpe
37
Violon, Violoncelle (duo)
35
Quintette à cordes: 2 violons, alto, violoncelle, basse
31
2 Violons (duo)
30
2 Violoncelles (duo)
27
Trio à Cordes: violon, alto, violoncelle
24
Alto seul
21
2 Altos (duo)
19
Trio à Cordes: 2 violons, violoncelle
17
Violon, Alto (duo)
17
Contre Basse
13
Contrebasse, Piano (duo)
8
Alto (partie séparée)
7
Alto, Violoncelle (duo)
6
Ensemble d'Altos
6
Trio à cordes: 3 violins
6
4 Violoncelles
6
Ensemble de Violons
6
Violon (partie séparée)
5
Harpe, Flûte (duo)
4
Trio à Cordes: 3 violoncelles
4
Trio à cordes: 3 altos
4
Harpe, Voix
3
Quatuor à cordes: 4 violons
3
2 Contrebasses (duo)
3
Piano Trio: Violon, Alto, Piano
3
Violon, Clarinette, Piano (trio)
2
3 Contrebasses
2
Quatuor à cordes : 4 altos
2
Violoncelle (partie séparée)
2
Harpe et Piano
1
Alto et Basson
1
Harpe, Trombone (duo)
1
2 Violons, Piano
1
Ensemble de Violoncelles
1
Harpe, Violon (duo)
1
Harpe, Violoncelle (duo)
1
Violon, Basse continue
1
Alto et Harpe
1
Violoncelle, Basse continue
1
Violon, Orgue
1
Contrebasse (partie séparée)
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
227
Orchestre
120
Cloches
95
Orchestre à Cordes
64
Orchestre de chambre
53
Ensemble de cuivres
51
Ensemble Jazz
51
Jazz combo
20
Ensemble de Percussions
14
Fanfare
6
Marimba
4
Batterie
2
Xylophone, Piano
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Ensemble d'École
1
Vibraphone
1
2 Caisses Claires (duo)
1
Piano et Orchestre
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
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Nouveautes
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Vous avez sélectionné:
End Of An Era
Quatuor de Flûtes : 4 flûtes
Partitions à imprimer
15 partitions trouvées
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1
The Third Book of Songs for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Renaissance
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a Fountain Where I Lay
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John Dowland
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Lisa Ochoco
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The Third Book of Songs for Fl
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Lisa L Ochoco
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - SKU: A0.559766 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 66 pages. Lisa L O...
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Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - SKU: A0.559766 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 66 pages. Lisa L Ochoco #4726485. Published by Lisa L Ochoco (A0.559766). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.This collection of 20 songs from his Third Book of Songs is arranged for flute quartet – 4 C flutes or 3 C flutes and alto. Most of these songs are rather short, so it is recommended that each song is played in its entirety at least twice. I arranged these songs so that the 1st flute always has the melody. To practice fairness in all parts, the parts should be rotated, to give each musician a chance to play the melody. Song list: 1. Farewell Too Fair 2. Time Stands Still 3. Behold a Wonder Here 4. Daphne Was Not so Chaste 5. Me, Me, and None but Me 6. When Phoebus First did Daphne Love 7. Say Love if Ever Thou Didst Find 8. Flow Not so Fast Ye Fountains 9. What if I Never Speed? 10. Love Stood Amaz’d 11. Lend Your Ears to My Sorrow 12. By a Fountain Where I Lay 13. O What Hath Overwrought 14. Farewell Unkind 15. Weep You no More, Sad Fountains 16. Fie on This Feigning 17. I Must Complain 18. It was a Time When Silly Bees 19. The Lowest Trees Have Tops 20. What Poor Astronomers are They If each song is played twice in its entirety, you will have almost an hour's worth of music. If you love Renaissance music, this will be a great addition to your repertoire!
$12.00
Solage: Le basile for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Solage
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James M
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Solage: Le basile for Flute Qu
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jmsgu3
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Earl...
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
A floral sea; a cloudless night
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Quatuor de Flûtes : 4 flûtes
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AVANCÉ
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Contemporain
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Kyle Rowan
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A floral sea; a cloudless nigh
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Penguinman Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 5 - SKU: A0.1023048 Composed by Kyle Rowan. Contemporary. 31 pages. Penguinman Music #4595909. Publishe...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 5 - SKU: A0.1023048 Composed by Kyle Rowan. Contemporary. 31 pages. Penguinman Music #4595909. Published by Penguinman Music (A0.1023048). A floral sea; a cloudless night was adapted from music originally composed for my upcoming hypertext opera, Not Quite a Sunset. Through a combination of guided improvisation and fully composed sections, the four flutists create textures that evoke the dreamworld experienced by the protagonist of the opera. The wind picks up around me, rousing me from sleep, and I open my eyes, but I do not move, only breathe. I am lying on my side in a field of long grass, the brushÂlike ends of which nudge me softly in rhythm with the moving air, encouraging me to get up. Something Â- the floral scent in the air, the chattering of insects around me  seems familiar about this place, though I am not entirely sure where I am.I begin to sit up slowly, first propping myself up on my elbows, taking in my surroundings. The tall grass spreads out in an endless sea around me, shaded black and grey by the darkness, occasionally glinting silver as it sways.  -excerpt from Not Quite a Sunset
$20.00
Divertimento N° 1 K. 136 for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Diego Marani
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Divertimento N° 1 K. 136 f
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.997949 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Contest,Fes...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.997949 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Standards. 49 pages. Diego Marani #603649. Published by Diego Marani (A0.997949). Mozart composed the Divertimento, K. 136, during down-time in Salzburg in the winter of 1772, following two extended periods in Italy. This Divertimento is in three movements, fast-slow-fast after the manner of the Italian sinfonia. The opening Allegro, in sonata form, centers around a delightful, charming theme that ends with an amusing little dynamic retreat. The Andante is typically warm and elegant, its two halves contrasted by a brief acceleration in the accompaniment's pulse. A spirited Presto finale brings the Divertimento, a fine example of Mozart's ambitious work in a genre traditionally designated as light music, to a close. This arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) of the entire Divertimento is suitable for classroom, repertoire and recital.
$16.99
Flute Quartet sheet music: Levanta Poeira (score & parts)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Francesco Leone
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Francesco Leone
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Flute Quartet sheet music: Lev
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Glissato Edizioni Musicali
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.1509398 By Francesco Leone. By Zequinha de Abreu. Arranged by Francesco Leone. 20th Century...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.1509398 By Francesco Leone. By Zequinha de Abreu. Arranged by Francesco Leone. 20th Century,Latin. 24 pages. Glissato Edizioni Musicali #1084637. Published by Glissato Edizioni Musicali (A0.1509398). Dive into the heart of Brazilian Chorinho with Levanta Poeira, an exuberant piece by Zequinha de Abreu, the illustrious composer behind the iconic Tico Tico. This vibrant composition has been masterfully arranged for Flute Quartet by Francesco Leone, targeting intermediate-level flutists who wish to explore the rhythmic complexities and melodic richness of Brazilian music.This ebook provides a complete package, including the score and parts for C Flutes 1-4, meticulously arranged to capture the essence of Chorinho's spirited melodies and harmonies. Each part is designed to challenge and engage the musicians, encouraging a deep dive into the nuances of Brazilian musical tradition while ensuring an enjoyable and rewarding ensemble experience.An audio demo of this engaging arrangement is available on www.glissato.it, offering a glimpse into the lively and captivating performance that awaits. This resource is invaluable for understanding the intended articulation, dynamics, and tempo, serving as an excellent learning tool for ensembles preparing to bring Levanta Poeira to the stage.Additionally, this edition is enhanced with informative resources available in multiple languages: English, French, German, Spanish, Italian, and Portuguese. These materials offer insights into the history of Chorinho, the legacy of Zequinha de Abreu, and the cultural significance of Levanta Poeira, enriching the musician's connection to the piece. Whether you are a performer, a music educator, or a fan of Brazilian music, these resources provide a comprehensive understanding of the genre, the composer, and the arrangement itself.Levanta Poeira for Flute Quartet by Francesco Leone is not just sheet music; it's an invitation to journey through the captivating world of Chorinho, bringing the lively streets of Brazil to your concert hall. Embrace this opportunity to expand your musical horizons with the enchanting rhythms and melodies of one of Brazil's most cherished musical traditions.- Querflöten-Noten, partitions pour flûte, partituras para flauta, partituras para flauta, spartiti per flauto, flüt notaları, nuty na flet, noter for fløyte, noter för flöjt, 플루트 악보, フルートの楽譜 -.
$14.00
Moonlight Sonata by Beethoven for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Classique
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - SKU: A0.1138451 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructio...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - SKU: A0.1138451 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #738787. Published by Woods Only, Arrangements (A0.1138451). This arrangement adapted for flute quartet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$7.99
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Flute Solo - Level 3 - SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride ...
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Flute Solo - Level 3 - SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Flute Quartet easy arrangement: Little Brown Jug (score & parts)
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Jazz
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Francesco Leone
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Francesco Leone
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Flute Quartet easy arrangement
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Glissato Edizioni Musicali
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - SKU: A0.1509428 By Francesco Leone. By Glenn Miller and Joseph Winner. Arranged by Francesco Leone....
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Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - SKU: A0.1509428 By Francesco Leone. By Glenn Miller and Joseph Winner. Arranged by Francesco Leone. Jazz,Standards. 23 pages. Glissato Edizioni Musicali #1084667. Published by Glissato Edizioni Musicali (A0.1509428). Little Brown Jug, the enduring swing classic by Joseph Winner and brilliantly reimagined by Glenn Miller, is now beautifully arranged for Flute Quartet by Francesco Leone. This easy-level arrangement invites flute players to immerse themselves in the lively rhythms and captivating melodies of swing music, making it an ideal choice for ensembles at the early stages of their musical development.This arrangement features a SCORE and PARTS for 4 C Flutes, offering a straightforward yet engaging approach to this beloved piece. To add versatility and depth to the ensemble's performance, an optional Drum part is included, bringing a rhythmic pulse that echoes the swing era's energetic vibe. Furthermore, an alternative part for G Alto Flute is provided to replace the fourth flute part, offering ensembles the opportunity to explore a richer, more varied tonal palette.Listeners and performers can access an audio demo of this arrangement at www.glissato.it. This demo serves as an invaluable resource, offering a clear example of how the arrangement should sound and aiding in practice and performance preparation.Little Brown Jug by Francesco Leone for flute quartet captures the essence of swing music, making it accessible to early intermediate players. Whether for educational purposes, ensemble practice, or performance, this arrangement promises to bring joy and swing to musicians and audiences alike.
$16.00
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: La Messe de Nostre Dame for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. G...
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Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853678. Published by jmsgu3 (A0.1260536). INSTRUMENTATION: 2 ALTO FLUTES, 2 BASS FLUTES1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
The Pilgrim's Chorus for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Classique
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Richard Wagner
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Diego Marani
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The Pilgrim's Chorus for Flute
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528154 Composed by Richard Wagner. Arranged by Diego Marani. Classical,Concert,Instructiona...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528154 Composed by Richard Wagner. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 12 pages. Diego Marani #4978565. Published by Diego Marani (A0.528154). Tannhäuser is an 1845 opera in three acts, music and text by Richard Wagner, based on two German legends; Tannhäuser, the legendary medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centers on the struggle between sacred and profane love, and redemption through love, a theme running through much of Wagner's mature work.The Pilgrim's Chorus represents the penitential journey of pilgrims as they travel to and from Rome to receive absolution. The noble aspirations of the penitents are embodied in this song, which sings the praises of God's mercy and the peace obtained by those who remit the debt of their sins.This arrangement for flute quartet includes the following parts: Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute.
$12.99
TO A WILD ROSE - FLUTE QUARTET
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Quatuor de Flûtes : 4 flûtes
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FACILE
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EDWARD MACDOWELL
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BRIAN W
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TO A WILD ROSE - FLUTE QUARTET
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EMK Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - SKU: A0.834116 Composed by EDWARD MACDOWELL (1860-1908). Arranged by BRIAN W. COPPING. Concert,Roma...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - SKU: A0.834116 Composed by EDWARD MACDOWELL (1860-1908). Arranged by BRIAN W. COPPING. Concert,Romantic Period,Standards. 9 pages. EMK Music #6619649. Published by EMK Music (A0.834116). ‘To a Wild Rose’ is one of the most popular pieces from Edward MacDowell’s ‘Woodland Sketches’ (Op.51) written in 1896. While the melody of ‘To a Wild Rose’ has a poignant and retrospective romantic simplicity, more contemporary textures are achieved through the use of more progressive chords with altered, fifths, sevenths and ninths. The overall effect is an endearing charm that has contributed to its longevity.
$14.00
Amazing Grace / The Entertainer (Flute Quartet)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Musique Sacrée
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John Newton, Scott Joplin
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John A
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Amazing Grace / The Entertaine
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John A. Dempsey
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Flute - Level 3 - SKU: A0.524329 Composed by John Newton, Scott Joplin. Arranged by John A. Dempsey. Christian,Easter,Pr...
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Flute Quartet,Woodwind Ensemble Flute - Level 3 - SKU: A0.524329 Composed by John Newton, Scott Joplin. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Ragtime,Sacred. 20 pages. John A. Dempsey #5303713. Published by John A. Dempsey (A0.524329). The classic John Newton hymn Amazing Grace has been merged stylistically with Scott Joplin's rousing rag The Entertainer to give this arrangement a joyful, exuberant touch. Â A heady mix of praise and worship, this flute quartet is recommended as a prelude, postlude, an offertory or special music for church services and other worship events. Â Also makes an inspiring, crowd-pleasing selection for concerts and recitals. Â 16 pages of music (that includes the score and separate two-page parts for flute 1, flute 2, flute 3 and flute 4). Â Key: G major.
$12.99
William Tell Overture
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Quatuor de Flûtes : 4 flûtes
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DÉBUTANT
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Gioachino Rossini
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Rebecca Bogardus
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William Tell Overture
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Lillwy Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 1 - SKU: A0.877931 Composed by Gioachino Rossini. Arranged by Rebecca Bogardus. Classical,Film/TV,Roman...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 1 - SKU: A0.877931 Composed by Gioachino Rossini. Arranged by Rebecca Bogardus. Classical,Film/TV,Romantic Period,Standards. 61 pages. Lillwy Publishing #4776267. Published by Lillwy Publishing (A0.877931). The two movements of Rossini's famous opera overture included here are familiar the world over. Whether your students can name them or not, they've certainly heard them! There are two versions of this arrangement included. Version A is easier and is correlated with popular method books, and Version B is for a more intermediate-level group, although Version B's Parts 3 and 4 are still within the reach of a second-year student. For Version A, if a student has mastered the lesson listed in the score, they can play the part! About Ensembles by the BookBeginners will have a blast with these ensemble arrangements leveled to correlate with popular flute method books! Each part is correlated with a specific lesson in the Flute 101 and Blocki Methods. Creating an ensemble for your beginning flute students is one of the best things you can do for them; intonation, phrasing, and dynamics are all more effectively taught when reinforced through ensemble work. Since these are multi-level ensembles, your students will quickly find role models within your studio who are playing at a higher level, increasing motivation to practice so they can play the harder parts the next time! *Please note that these arrangements correlate with method books meant for private lessons, which typically begin with the notes B, A, and G, rather than band methods, which start students with less beginner-friendly flute notes.
$7.99
Roxanne
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Juliet Simms
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Austin Ralphson
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Roxanne
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Austin Ralphson
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Flute - Level 4 - SKU: A0.564218 By Juliet Simms. By Sting. Arranged by Austin Ralphson. Contemporary. 19 pages. Austin ...
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Flute Quartet,Woodwind Ensemble Flute - Level 4 - SKU: A0.564218 By Juliet Simms. By Sting. Arranged by Austin Ralphson. Contemporary. 19 pages. Austin Ralphson #6287491. Published by Austin Ralphson (A0.564218). Sting wrote this song whilst in a hotel in Paris. The title comes from the name of the character in the play Cyrano de Bergerac, an old poster of which was hanging in the hotel foyer. It's arranged here for small ensemble, starting off with a similar groove to the original track but then ending in a big band swing feel.
$14.99
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