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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For All That Is
Non classifié
8 523
Piano & claviers
Piano seul
3 307
Piano, Voix
1 239
Piano Facile
878
Piano, Voix et Guitare
746
Instruments en Do
704
Accompagnement Piano
308
Orgue
279
1 Piano, 4 mains
101
Piano Trio: piano, violon, violoncelle
82
Piano grosses notes
62
2 Pianos, 4 mains
48
Piano (partie séparée)
37
Accordéon
35
Piano Quatuor: piano, violon, alto, violoncelle
29
Piano Quatuor: piano, 2 violons, violoncelle
16
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Orgue, Trompette (duo)
9
Orgue, Piano (duo)
8
Clavecin
7
2 Pianos, 8 mains
4
Clavier
2
1 Piano, 6 mains
2
+ 17 instrumentations
Retracter
Guitares
Guitare
367
Guitare notes et tablatures
282
Ligne De Mélodie, (Paroles) et Accords
124
Guitare (partie séparée)
76
Basse electrique
58
Ukulele
56
2 Guitares (duo)
49
4 Guitares (Quatuor)
29
Piano, Guitare (duo)
26
Dulcimer
23
Banjo
20
Mandoline
19
3 Guitares (trio)
16
Ensemble de guitares
10
Paroles et Accords
9
Mandoline, Guitare (duo)
6
Guitare, Flûte, Clarinette
2
Ukulele Baryton
1
Guitare, Orchestre
1
Dobro
1
Guitare, Violon, Violoncelle (trio)
1
Ensemble de Ukulélés
1
2 Dulcimers (duo)
1
Cithare
1
+ 19 instrumentations
Retracter
Voix
Chorale SATB
1 994
Chorale 3 parties
772
Chorale Unison
629
Chorale 2 parties
623
Chorale TTBB
266
Voix duo, Piano
232
Chorale SSAA
194
Voix Alto, Piano
75
Voix duo
71
Voix Soprano, Piano
60
Voix Tenor, Piano
56
Voix Baryton, Piano
34
Voix Tenor
30
Voix Soprano
29
Voix haute
25
Voix seule
12
Voix moyenne, Piano
9
Chorale SSATB
5
Chorale SSAATTBB
5
Voix basse, Piano
3
Soli, choeur mixte et accompagnement
2
Voix Mezzo-Soprano, Piano
2
Chorale
2
Chorale SSAB a cappella
1
Voix basse
1
Chorale SSAB, Piano
1
Chorale SSATTB
1
+ 22 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
549
2 Saxophones (duo)
543
Quatuor de Saxophones: 4 saxophones
499
Flûte traversière et Piano
488
Clarinette et Piano
411
Hautbois, Piano (duo)
388
Flûte, Hautbois, Clarinette, Basson
340
Quintette de Saxophone: 5 saxophones
338
Saxophone Alto et Piano
319
2 Flûtes traversières (duo)
293
Saxophone (partie séparée)
288
Flûte traversière
273
Saxophone Tenor et Piano
264
2 Clarinettes (duo)
254
Clarinette
248
Saxophone Soprano et Piano
220
Quatuor de Clarinettes: 4 clarinettes
212
Saxophone Alto
188
Ensemble de saxophones
158
Hautbois (partie séparée)
141
Flûte, Clarinette (duo)
138
Clarinette, Violon (duo)
135
Quatuor de Flûtes : 4 flûtes
134
Saxophone, Clarinette (duo)
124
3 Saxophones (trio)
121
Saxophone Tenor
116
Saxophone Baryton, Piano
115
2 Hautbois (duo)
112
Ensemble de Clarinettes
108
Ensemble de Flûtes
90
Hautbois, Basson (duo)
81
2 Flûte à bec (duo)
75
Quintette de Clarinettes: 5 clarinettes
74
Quintette de Flûte : 5 flûtes
73
Clarinette, Trompette (duo)
69
Flûte, Violon
68
Hautbois, Clarinette (duo)
66
Hautbois
65
Clarinette et Alto
62
Cor anglais, Piano
60
3 Clarinettes (trio)
53
Flûte, Saxophone (duo)
51
Clarinette Basse, Piano
49
Flûte, Alto (duo)
49
2 Flûtes traversières, Piano
45
Saxophone Soprano
44
Hautbois, Flûte
44
Trio de Flûtes: 3 flûtes
44
Quatuor de Flûtes à bec
41
Flûte, Trompette (duo)
39
Flute (partie séparée)
37
Flûte et Guitare
35
Flûte, Hautbois, Clarinette (trio)
32
Flûte, Clarinette, Piano (trio)
31
Flûte, Violon et Violoncelle
30
Hautbois, Clarinette, Basson (trio d'anches)
28
Saxophone Baryton
28
Clarinette (partie séparée)
28
Flûte à bec Soprano
27
Clarinette, Basson (duo)
27
Flûte, Hautbois (duo)
24
Flûte, Violoncelle
22
Clarinette, Violoncelle, Piano (trio)
22
Flûte, Clarinette et Basson
22
Flûte, trombone et piano
22
Flûte à Bec
21
Flûte, Violon, Piano
20
5 Flûtes à bec
20
Clarinette, Violoncelle (duo)
19
Flûte, Violoncelle, Piano (trio)
18
Clarinette, Guitare (duo)
17
3 Flûtes à bec (trio)
16
Harmonica
16
Flûte, Basson et Piano
16
Hautbois, violon (duo)
15
Clarinette, Trombone (duo)
15
Flûte, Alto et Piano
15
2 Clarinettes, Piano
14
Flûte, Trombone (duo)
14
Hautbois, Violoncelle
14
Flûte irlandaise
13
Flûte, Hautbois, Piano (trio)
13
Ocarina
12
Flûte, Hautbois, Basson
11
Piccolo, Piano
9
Clarinette, trompette et piano
9
Flûte à bec Alto
8
Hautbois, Guitare (duo)
8
Flûte à bec Alto, Piano
8
Flûte, Violon, Violoncelle et Piano
7
Clarinette Basse
7
Ensemble De Flûte à bec
7
Flute, harpe et violon
5
Saxophone et Orgue
5
Flûte, Violoncelle, Guitare
5
Clarinette, Harpe (duo)
5
Cor Anglais
4
Saxophone
4
Hautbois et alto (duo)
4
Flûte à bec Soprano, Piano
4
Flûte et Trio à cordes
4
4 Hautbois
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
Saxophone et Guitare
3
2 Saxophones, Piano
3
Hautbois, Violon, Piano
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Piccolo
3
Ensemble à vent
3
Flûte, Violon, Guitare
2
Flûte à bec Tenor
2
Flûte à Bec, Piano
2
2 Cors Anglais Et Pianoforte
2
Hautbois, Clarinette et Piano (Trio)
2
Flûte traversière, Orgue (duo)
2
Flûte, Harpe et Violoncelle
2
2 Hautbois, Piano
2
Cor anglais, Guitare (duo)
2
3 Hautbois
2
Flûte, alto et harpe
2
Cor anglais et Harpe (duo)
1
Saxophone et Harpe
1
Flûte, Clarinette, Violon (trio)
1
2 Clarinettes, Basson
1
Flûte, Hautbois, Violon
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Basson et Piano
1
Flute, Cor (duo)
1
Clarinette, Contrebasse (duo)
1
Saxophone, Tuba (duo)
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Harpe
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Ensemble de Hautbois
1
Cornemuse
1
Clarinette, Tuba
1
+ 131 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
561
Quatuor de Cuivres : 2 trompettes, trombone, tuba
390
Trombone et Piano
326
Trompette, Piano
316
Trompette
287
Cor et Piano
274
Trombone (partie séparée)
207
Trombone
183
Cor
173
Quatuor de Cuivres: 2 trompettes, Cor, trombone
172
Trompette (partie séparée)
167
2 Trombones (duo)
164
Tuba et Piano
142
Tuba
135
2 Trompettes (duo)
134
Trompette, Trombone (duo)
93
Ensemble de Trombones
91
Trompette, Saxophone (duo)
90
Quatuor de cuivres: 4 trombones
83
Ensemble de Trompettes
83
Quatuor de Cuivres
81
Euphonium, Piano (duo)
72
2 Cors (duo)
66
Cor anglais, Piano
60
Trompette, Cor (duo)
36
Cor (partie séparée)
33
Tuba (partie séparée)
29
2 Tubas (duo)
27
Quatuor de cuivres: 4 cors
24
2 Euphoniums (duo)
24
Quatuor de cuivres: 4 trompettes
21
Ensemble de Cors
21
Trio de Cuivres
19
Quatuor de cuivres: 2 trompettes, 2 trombones
12
3 Trombones (trio)
11
Euphonium
11
Trompette, Violoncelle et Piano
8
4 Tubas
7
2 Euphoniums et 2 Tubas
6
Tuba et Orgue
6
Trombone, Orgue
6
Trombone, Tuba (duo)
5
Trombone basse
5
3 Trompettes (trio)
5
Cor, Violoncelle (duo)
5
Trombone basse et Piano
4
Cor Anglais
4
Euphonium, Tuba (duo)
4
3 Cors (trio)
3
2 Cors, Piano
3
2 Trompettes, Clavier (piano ou orgue)
3
3 Tubas (trio)
2
Trompette, Violoncelle (duo)
2
Trombone, Cor (duo)
2
Cor, Tuba (duo)
2
2 Cors Anglais Et Pianoforte
2
Trompette, Tuba (duo)
2
Cor anglais, Guitare (duo)
2
Trompette, Trombone, Piano
2
Cor anglais et Harpe (duo)
1
Trompette, Euphonium (duo)
1
Cor, Violoncelle et Piano
1
Trombone, Alto (duo)
1
3 Euphoniums
1
Cor et Basson (duo)
1
Cor et Orgue
1
Trompette, Basson (duo)
1
Cornet et orchestre
1
Trompette et Guitare
1
Trompette, violon (duo)
1
Cor et Harpe
1
Ensemble de Tubas
1
Bass Clef Instruments
1
Trompette, Harpe
1
Clarinette, Cor (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
+ 71 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 391
Violon et Piano
558
Violon
544
Violon, Violoncelle (duo)
503
Alto, Piano
409
Trio à Cordes: violon, alto, violoncelle
388
Violoncelle, Piano
375
Violoncelle
327
Harpe
232
Quintette à cordes: 2 violons, alto, violoncelle, basse
226
2 Violons (duo)
213
Alto seul
201
Violon, Alto (duo)
172
2 Violoncelles (duo)
170
2 Altos (duo)
126
Contre Basse
120
Trio à Cordes: 2 violons, violoncelle
119
Contrebasse, Piano (duo)
118
Alto (partie séparée)
71
2 Harpes (duo)
68
Contrebasse (partie séparée)
64
Violon (partie séparée)
58
Alto, Violoncelle (duo)
42
4 Violoncelles
38
Piano Trio: Violon, Alto, Piano
32
Ensemble de Violons
27
Trio à cordes: 3 violins
27
Violoncelle, Contrebasse (duo)
24
Ensemble d'Altos
22
Trio à Cordes: 3 violoncelles
22
Violon, Basson (duo)
21
Quatuor à cordes: 4 violons
19
2 Contrebasses (duo)
16
Quintette à cordes: 2 violons, 2 altos, violoncelle
15
Violoncelle (partie séparée)
15
Harpe, Flûte (duo)
15
Trio à cordes: 3 altos
13
Quatuor à cordes : 4 altos
11
Violon, Clarinette, Piano (trio)
11
Harpe, Voix
9
Violon, Guitare (duo)
9
Violoncelle , Guitare (duo)
7
Alto et Basson
7
Flûte, Contrebasse (duo)
6
Harpe, Violon (duo)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Trio à Cordes: 2 violons, alto
5
Alto, Guitare (duo)
4
4 Contrebasses
4
2 Violons, Piano
3
Harpe, Violon, Violoncelle
3
4 Harpes
3
2 Violoncelles, Piano
2
3 Harpes
2
Violon, Trompette et Piano
2
Harpe et Piano
2
5 Harpes
2
Ensemble de Violoncelles
2
Alto et Harpe
2
Harpe, Trombone (duo)
1
Violoncelle, Orgue
1
Harpe et Orgue
1
Violoncelle, Basse continue
1
Violoncelle, Orchestre
1
Alto et orchestre
1
Violon, Violoncelle, Clarinette
1
Violon, Orgue
1
+ 62 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
2 130
Orchestre à Cordes
714
Orchestre
502
Ensemble Jazz
400
Ensemble de cuivres
266
Cloches
217
Orchestre de chambre
177
Fanfare
104
Ensemble de Percussions
90
Jazz combo
76
Batterie
59
Batterie (partie séparée)
41
Percussion (partie séparée)
24
Marimba
18
Vibraphone
13
Xylophone, Piano
6
2 Xylophones
6
Ensemble d'École
5
Piano et Orchestre
2
Xylophone
2
Quintette de Cuivres: autres combinaisons
2
Orchestre, Violon
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Marimba et Orgue
1
Instrumentation Flexible
1
Bongos
1
Vibraphone et Marimba
1
+ 22 instrumentations
Retracter
Autres
Théorie de la musique
3
Formation musicale - Solfège
1
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Vous avez sélectionné:
For All That Is
Quatuor de Flûtes : 4 flûtes
Partitions à imprimer
134 partitions trouvées
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126
Turkish March by Beethoven for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
#
FACILE
#
Classique
#
Classique
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for
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Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - SKU: A0.1143525 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Rom...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - SKU: A0.1143525 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743841. Published by Woods Only, Arrangements (A0.1143525). This arrangement adapted for flute quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
Solage: Le basile for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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FACILE
#
Solage
#
James M
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Solage: Le basile for Flute Qu
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jmsgu3
#
SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Earl...
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
In the Hall of the Mountain King - Flute Quartet score & parts
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Francesco Leone
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Francesco Leone
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In the Hall of the Mountain Ki
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Glissato Edizioni Musicali
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.1508749 By Francesco Leone. By Francesco Leone. Arranged by Francesco Leone. Classical,Roma...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.1508749 By Francesco Leone. By Francesco Leone. Arranged by Francesco Leone. Classical,Romantic Period. 22 pages. Glissato Edizioni Musicali #1083558. Published by Glissato Edizioni Musicali (A0.1508749). Experience the thrilling and dynamic In the Hall of the Mountain King from Edvard Grieg's Peer Gynt with this exciting transcription for Flute Quartet by Francesco Leone. Perfect for intermediate-level musicians, this arrangement captures the escalating intensity and rhythmic drive of Grieg's iconic piece.Includes:Full ScoreSet of Parts (4):C Flute 1C Flute 2C Flute 3C Flute 4Features:Exciting Arrangement: Francesco Leone's transcription preserves the tension and excitement of Grieg's original composition, ensuring a dynamic and engaging performance.Intermediate Level: This arrangement is tailored for intermediate-level flutists, providing a balanced challenge that is both rewarding and accessible.Comprehensive Package: Includes a full score and individual parts for each member of the quartet, facilitating a smooth rehearsal and performance process.Why Choose This Arrangement? This transcription is perfect for flute quartets looking to explore the dramatic and evocative world of Grieg's music and add a piece of classical repertoire to their performances. Whether for concerts, recitals, or special events, In the Hall of the Mountain King arranged by Francesco Leone offers a captivating and memorable musical experience.Bring the thrilling and hypnotic sounds of Edvard Grieg's In the Hall of the Mountain King to your flute quartet and mesmerize audiences with this timeless classic. Get your copy today and let Grieg's music inspire your next performance!
$15.00
16 Favourite Easter Hymns for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - SKU: A0.587864 Composed by Various. Arranged by David McKeown. Easter,Sacred. 72 pages. David McKeo...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - SKU: A0.587864 Composed by Various. Arranged by David McKeown. Easter,Sacred. 72 pages. David McKeown #5031043. Published by David McKeown (A0.587864). 16 Favourite Easter Hymns for Flute Quartet is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for four flutes, with an alternative part 4 for Alto Flute included. Separate parts are included with the score in one single pdf file. You can watch and listen to two of these hymns (the Saxophone Quartet version), via the youtube link above. 16 Favourite Easter Hymns for Flute Quartet are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns Flute Quartet useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
"The Easy Winners" for Flute Quartet (score & parts)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Francesco Leone
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Francesco Leone
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"The Easy Winners" f
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Glissato Edizioni Musicali
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.1508273 By Francesco Leone. By Scott Joplin. Arranged by Francesco Leone. Ragtime. 21 pages...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.1508273 By Francesco Leone. By Scott Joplin. Arranged by Francesco Leone. Ragtime. 21 pages. Glissato Edizioni Musicali #1083574. Published by Glissato Edizioni Musicali (A0.1508273). Delight in the lively rhythms and vibrant melodies of Scott Joplin's The Easy Winners, expertly arranged for Flute Quartet by Francesco Leone. Perfect for intermediate-level musicians, this arrangement captures the joyful spirit and intricate syncopation of Joplin's classic ragtime composition.Includes:Full ScoreSet of Parts (4):C Flute 1C Flute 2C Flute 3C Flute 4Features:Authentic Ragtime Feel: Francesco Leone's arrangement preserves the playful syncopation and engaging melodies of Joplin's original composition, ensuring a dynamic and entertaining performance.Intermediate Level: This arrangement is tailored for intermediate-level flutists, providing a balanced challenge that is both enjoyable and accessible.Comprehensive Package: Includes a full score and individual parts for each member of the quartet, facilitating a smooth rehearsal and performance process.Why Choose This Arrangement? This arrangement is perfect for flute quartets looking to explore the rich traditions of ragtime music and add a piece of American musical history to their repertoire. Whether for concerts, recitals, or community events, The Easy Winners arranged by Francesco Leone offers a captivating and enjoyable musical experience.Bring the spirited and rhythmic sounds of Scott Joplin's The Easy Winners to your flute quartet and enchant audiences with this timeless ragtime masterpiece. Get your copy today and let Joplin's music inspire your next performance!
$13.00
Thor's Mighty Toothbrush, rock concert piece for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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FACILE
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David McKeown
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Thor's Mighty Toothbrush, rock
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David McKeown
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute - Level 2 - SKU: A0.1316102 Composed by David McKeown. 21st Century,Contemporary,Film/TV,Jazz,Rock. 10 pages....
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Flute Quartet,Woodwind Ensemble Alto Flute - Level 2 - SKU: A0.1316102 Composed by David McKeown. 21st Century,Contemporary,Film/TV,Jazz,Rock. 10 pages. David McKeown #904849. Published by David McKeown (A0.1316102). Thor’s Mighty Toothbrush is a fun, original composition in a rock style by David McKeown and arranged for Flute Quartet. You will download the full score along with all the separate parts in one pdf file. Three parts are written for Flute, with part 4 for Alto Flute. Two of the parts have split notes so the arrangement can be extended for more players and will work well with a much larger group. The arrangement lasts around two minutes.Thor’s Mighty Toothbrush is ideal for players of an Early Intermediate standard. Part 1 is more difficult, part 3 is easier. The keys and range are as accessible as possible for your instrument. Click the link above to hear the Saxophone version of this arrangement on YouTube.Thor’s Mighty Toothbrush;  is perfect for concert performances large and small  appeals to Marvel fans. has a title that will stand out on any concert program.  is fully articulated to help interpret each style.  is great for helping with simple rhythms and developing that internal pulse.  is road tested with scores of students and performed all over the world.  is fun to play.
$9.99
Variations on hélas madame for flute quartet (mp3)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Budapest Scoring
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David Warin Solomons
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Variations on hélas mad
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David Warin Solomons
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SheetMusicPlus
Level 4 - SKU: A0.1136040 By Budapest Scoring. By King Henry VIII (attrib.). Arranged by David Warin Solomons. Classical,Contemporary. Full Performance....
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Level 4 - SKU: A0.1136040 By Budapest Scoring. By King Henry VIII (attrib.). Arranged by David Warin Solomons. Classical,Contemporary. Full Performance. Duration 144. David Warin Solomons #736065. Published by David Warin Solomons (A0.1136040). Hélas madame is attributed to King Henry VIII. It is part of a secular collection, found on a manuscript that was used in Henry's court. The originality of the song has been questioned, with various parts of the song allegedly taken from similar pieces in Europe. The song itself is a courtship conversation in Middle French between a man and woman. Hélas madame, celle que j’ayme tant: Souffrez que soye vostre humble servant; Vostre humble servant je serays a toujours Et tant que je viv’ray aultr’ n’aymeray que vous. Hélas, beau sire, vous estez bel et bon, Sage et courtoys et de noble maison, Et aussi bon que l’on scairoit finer, Mais cil que j’ayme, ne scairoye oublier. Hellas, ma dame, pences en vostre cas: Entre nous deulx ne fault point d’avocatz. Certes non pas, et vous le scavez bien. Allez vous en, car vous ne faictez rien. Mon cueur souspire et se plaint tendrement, Quant il ne peult trouver allegement. Ne scay comment on me veult dechasser; S’il est ainsi, j’ayray ailleurs chasser. Hellas, ma dame, et n’en seray-je point? Certes beau sire, je ne le vous dis point. Servez a point: il vous sera mery. Hellas, ma dame, de bon cueur vous mercy. Alas my lady, whom I do so love: Suffer me to be your humble servant; Your humble servant I shall always be. And while I live, I'll love none else but you. Alas, fair sir, you are good and kind, Wise and courteous and from a noble house, And as good as one could find, But I can't forget the one I love. Alas my lady, think upon your case: Between us two, no need for advocate. Certainly not, and you know it well. Be gone, for you are doing nothing. My heart sighs and tenderly complains, When it cannot find relief. I know not how it wants me to woo; If it is so, I'll go wooing elsewhere. Alas my lady, and shall I not? Certainly, fair sir, I have not said so. Behave rightly and you will be rewarded. Alas my lady, from my whole heart, thank you. Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.
$4.50
Variations on When the Roll is called up yonder for flute quartet (mp3)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Budapest Scoring
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David Warin Solomons
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Variations on When the Roll is
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David Warin Solomons
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SheetMusicPlus
Level 4 - SKU: A0.1138178 By Budapest Scoring. By James Milton Black. Arranged by David Warin Solomons. Christian,Classical. Full Performance. Duration ...
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Level 4 - SKU: A0.1138178 By Budapest Scoring. By James Milton Black. Arranged by David Warin Solomons. Christian,Classical. Full Performance. Duration 245. David Warin Solomons #738444. Published by David Warin Solomons (A0.1138178). Variations on this famous gospel song by James Milton Black, in which, in various verses, each instrument has a turn at the tune and at the descant accompaniment. One of the verses goes into the minor mode for a bit more variety. The words of the original hymn are: 1 When the trumpet of the Lord shall sound, and time shall be no more, and the morning breaks, eternal, bright and fair; when the saved of earth shall gather over on the other shore, and the roll is called up yonder, I'll be there. Refrain: When the roll is called up yonder, when the roll is called up yonder, when the roll is called up yonder, when the roll is called up yonder, I'll be there. 2 On that bright and cloudless morning when the dead in Christ shall rise, and the glory of His resurrection share; ahen His chosen ones shall gather to their home beyond the skies, and the roll is called up yonder, I'll be there. [Refrain] 3 Let us labor for the Master from the dawn till setting sun; let us talk of all His wondrous love and care; then when all of life is over, and our work on earth is done, and the roll is called up yonder, I'll be there. [Refrain] Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.
$4.50
"Pezzo in forma di Sonatina" from Serenade Op. 48 for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Classique
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P
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Diego Marani
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"Pezzo in forma di Sonati
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.744984 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festival,...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.744984 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Romantic Period,Standards. 26 pages. Diego Marani #352979. Published by Diego Marani (A0.744984). Tchaikovsky's Serenade for Strings in C Major was written with an ear towards one of his idols, a certain 18th century composer by the name of Mozart. The title and structure of the piece are taken from the serenades of the latter, though this is certainly Tchaikovsky's own particularly 19th century rendering of these older ideas. That it is a masterful work, is demonstrated by the fact that it still remains among the most performed and appreciated by the public alongside the serenades by AntonÃn Dvořák and Josef Suk. Cast in a classical four movement outlay, the work begins with a sonata form movement (Tchaikovsky calls it a sonatina, i.e. little sonata, though it is a rather robust form, replete with a slow introduction and full development). This arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) reflects faithfully the original and is suitable for classroom, repertoire and recital.
$14.99
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: La Messe de Nostre Dame for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. G...
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Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853678. Published by jmsgu3 (A0.1260536). INSTRUMENTATION: 2 ALTO FLUTES, 2 BASS FLUTES1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
The Third Book of Songs for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Renaissance
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a Fountain Where I Lay
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John Dowland
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Lisa Ochoco
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#
The Third Book of Songs for Fl
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Lisa L Ochoco
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - SKU: A0.559766 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 66 pages. Lisa L O...
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Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - SKU: A0.559766 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 66 pages. Lisa L Ochoco #4726485. Published by Lisa L Ochoco (A0.559766). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.This collection of 20 songs from his Third Book of Songs is arranged for flute quartet – 4 C flutes or 3 C flutes and alto. Most of these songs are rather short, so it is recommended that each song is played in its entirety at least twice. I arranged these songs so that the 1st flute always has the melody. To practice fairness in all parts, the parts should be rotated, to give each musician a chance to play the melody. Song list: 1. Farewell Too Fair 2. Time Stands Still 3. Behold a Wonder Here 4. Daphne Was Not so Chaste 5. Me, Me, and None but Me 6. When Phoebus First did Daphne Love 7. Say Love if Ever Thou Didst Find 8. Flow Not so Fast Ye Fountains 9. What if I Never Speed? 10. Love Stood Amaz’d 11. Lend Your Ears to My Sorrow 12. By a Fountain Where I Lay 13. O What Hath Overwrought 14. Farewell Unkind 15. Weep You no More, Sad Fountains 16. Fie on This Feigning 17. I Must Complain 18. It was a Time When Silly Bees 19. The Lowest Trees Have Tops 20. What Poor Astronomers are They If each song is played twice in its entirety, you will have almost an hour's worth of music. If you love Renaissance music, this will be a great addition to your repertoire!
$12.00
Phoenix of the Water (for Flute Quartet from same or mixed instrumentation)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Contemporain
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James-Michael Sellers
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Phoenix of the Water
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JMS Composer
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.749358 Composed by James-Michael Sellers. Contemporary. 20 pages. JMS ...
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.749358 Composed by James-Michael Sellers. Contemporary. 20 pages. JMS Composer #2119557. Published by JMS Composer (A0.749358). Imagine a phoenix with its tail feathers burning a bright red. Now, imagine a watery counterpart, complete with shades of blue covering its body and trailing behind as the bird flies around. That is the Phoenix of the Water. Follow along as it flies around exploring all existence has to offer. Phoenix of the Water is designed to be played by four like instruments. This means 4 Piccolos, 4 C Flutes, 4 Alto Flute, or 4 Bass Flutes.
$5.99
Wiener Blut for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Classique
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Johann Strauss Jr
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Diego Marani
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Wiener Blut for Flute Quartet
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528133 Composed by Johann Strauss Jr. Arranged by Diego Marani. Classical,Holiday,Instructi...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528133 Composed by Johann Strauss Jr. Arranged by Diego Marani. Classical,Holiday,Instructional,Romantic Period,Standards. 35 pages. Diego Marani #4795713. Published by Diego Marani (A0.528133). Wiener Blut ('Viennese Blood' or 'Viennese Spirit') Op. 354 is a waltz by Johann Strauss II first performed by the composer on 22 April 1873. The waltz was chiefly noted by Strauss' biographers as the début of Strauss with the Vienna Philharmonic Orchestra. 'Wiener Blut' is one of a handful of late works by Strauss that were not composed for the stage; at this point in his career he was concentrating on writing for the performing stage, and not for the ballroom, and had written at least two operettas before penning this waltz, with Die Fledermaus still to come.This arrangement for flute quartet includes the following parts: Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute.
$15.99
Divertimento N° 1 K. 136 for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Diego Marani
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Divertimento N° 1 K. 136 f
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.997949 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Contest,Fes...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.997949 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Standards. 49 pages. Diego Marani #603649. Published by Diego Marani (A0.997949). Mozart composed the Divertimento, K. 136, during down-time in Salzburg in the winter of 1772, following two extended periods in Italy. This Divertimento is in three movements, fast-slow-fast after the manner of the Italian sinfonia. The opening Allegro, in sonata form, centers around a delightful, charming theme that ends with an amusing little dynamic retreat. The Andante is typically warm and elegant, its two halves contrasted by a brief acceleration in the accompaniment's pulse. A spirited Presto finale brings the Divertimento, a fine example of Mozart's ambitious work in a genre traditionally designated as light music, to a close. This arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) of the entire Divertimento is suitable for classroom, repertoire and recital.
$16.99
Serenade Op. 48 for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Classique
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P
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Diego Marani
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Serenade Op. 48 for Flute Quar
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.854124 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festival,...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.854124 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Romantic Period,Standards. 93 pages. Diego Marani #460688. Published by Diego Marani (A0.854124). Tchaikovsky's Serenade for Strings in C Major was written with an ear towards one of his idols, a certain 18th century composer by the name of Mozart. The title and structure of the piece are taken from the serenades of the latter, though this is certainly Tchaikovsky's own particularly 19th century rendering of these older ideas. That it is a masterful work, is demonstrated by the fact that it still remains among the most performed and appreciated by the public alongside the serenades by AntonÃn Dvořák and Josef Suk. This arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) reflects faithfully the original and is suitable for classroom, repertoire and recital. It contains all the four movements of the serenade: 1) Pezzo in forma di sonatina 2) Walzer 3) Elegie 4) Finale (Tema russo).
$29.99
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Flute Solo - Level 3 - SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride ...
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Flute Solo - Level 3 - SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Symphony No. 8 for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Franz Schubert
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Diego Marani
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Symphony No. 8 for Flute Quart
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Diego Marani
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute,Soprano Flute - Level 3 - SKU: A0.1516240 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Fil...
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Flute Quartet,Woodwind Ensemble Alto Flute,Soprano Flute - Level 3 - SKU: A0.1516240 Composed by Franz Schubert. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Standards. 18 pages. Diego Marani #1090468. Published by Diego Marani (A0.1516240). Franz Schubert's Symphony No. 8 in B minor, D. 759, commonly known as the Unfinished Symphony, is a musical composition that Schubert started in 1822 but left with only two movements - though he lived for another six years. Schubert's Eighth Symphony is sometimes called the first Romantic symphony due to its emphasis on the lyrical impulse within the dramatic structure of Classical sonata form. In this arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) we have the marvelous and very famous first movement, an Allegro moderato of rare beauty and full of inspired smoothness.It is suitable for any occasion: classroom, repertoire, recital.
$12.99
Intermezzo from Cavalleria Rusticana by Mascagni for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Pietro Mascagni
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Ander
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Intermezzo from Cavalleria Rus
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Woods Only, Arrangements
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble - Level 2 - SKU: A0.1308571 Composed by Pietro Mascagni. Arranged by Ander. 19th Century,Chamber,Opera,Romantic Period,W...
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Flute Quartet,Woodwind Ensemble - Level 2 - SKU: A0.1308571 Composed by Pietro Mascagni. Arranged by Ander. 19th Century,Chamber,Opera,Romantic Period,Wedding. 6 pages. Woods Only, Arrangements #897812. Published by Woods Only, Arrangements (A0.1308571). In this arrangement, you will play the Intermezzo from the Opera Cavalleria Rusticana by Pietro Mascagni for Flute Quartet, one of the most beautiful and exciting works of classical music. You will preserve all the fidelity and expressiveness of the original score, adapting it to a smaller ensemble. You will be enchanted by the beauty and delicacy of this piece, which represents a moment of calm and reflection in the opera. This arrangement is ideal for performance events or didactic material, as well as for weddings, concerts or public presentations. It is an accessible and rewarding piece, that will make you feel like a true artist. Do not miss this opportunity to acquire this exclusive and wonderful arrangement of the Intermezzo from the opera Cavalleria Rusticana by Pietro Mascagni for Quartet!
$7.99
The Wexford Carol (Flute Quartet)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Noël
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Traditional Irish Melody
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John A
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The Wexford Carol
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John A. Dempsey
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Flute - Level 3 - SKU: A0.523758 Composed by Traditional Irish Melody. Arranged by John A. Dempsey. Celtic,Christmas,Hol...
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Flute Quartet,Woodwind Ensemble Flute - Level 3 - SKU: A0.523758 Composed by Traditional Irish Melody. Arranged by John A. Dempsey. Celtic,Christmas,Holiday,Irish,Sacred,Spiritual. 20 pages. John A. Dempsey #3876695. Published by John A. Dempsey (A0.523758). Also known as Good People All, This Christmas Time and Carul Loch Garman, this traditional Irish Christmas carol has a hauntingly beautiful melody that dates back to the 12th century. Â A Celtic-flavored celebration of the Nativity, this flute quartet is recommended for Christmas church services and worship events, as a prelude, an offertory, special music or an interlude during a Christmas play. Â Also makes an elegant, festive selection for holiday recitals and Christmas concerts. Â 16 pages of music (that includes the score and separate two-page pullout parts for flute 1, flute 2, flute 3 and flute 4). Â Key: F major.
$11.99
Dora PejaÄević: "Méditation (op. 51)" Arrangement for 3 flutes and alto flute by Yuki Hasegawa
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Dora PejaÄević
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Yuki Hasegawa
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Dora PejaÄević: "M
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Edition les bons concerts
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - SKU: A0.1033846 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. 20th Century,Standard...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - SKU: A0.1033846 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. 20th Century,Standards. 14 pages. Edition les bons concerts #6667327. Published by Edition les bons concerts (A0.1033846). Dora PejaÄević, born in Budapest in 1885 and died in Munich in 1923, was a composer of the Croatian noble family.This is one of the fascinating collection of her works that allow for deep expression through the use of harmony that sometimes pushes the limits towards her later years, as is typical around the beginning of the 20th century.The arrangement for flute quartet was commissioned by the Japan Croatia Music Society and was completed in July 2021, and premiered in Tokyo on 6 August by the Flute Quartet Tsutsu-uraura. The performers in the recording and Youtube are Ms. Mari Akimoto (Fl.1), Ms. Natsuki Oba (Alto Fl.), Mr. Atsushi Kawasaki (Fl. 3), Ms. Shiho Shirasaki (Fl. 2).Arranger Yuki Hasegawa, biographyArranger, pianist, conductor and producer.Shortly after enrolling in the piano department of Kunitachi College of Music, she was appointed as the official accompanist for the flute public lecture, and since then she has co-starred about 150 works in the flute repertoire. After leaving for study abroad in Paris, she often performed as the official accompanist for flute competitions and masterclasses there also, and won four first prizes in a duo with flute.She completed the departments of piano accompaniment, chamber music, écriture musicale and orchestration at the Conservatoire Supérieur de Paris-CNR and others. She also studied écriture musicale at the CNSM-Lyon. She studied under Profs. Alain Louvier, Bernard de Crepy and other representative professors in France in terms of composition and arrangement.She later completed the conducting biennio department at the Milano Civica Scuola di Musica Claudio Abbado, and in recent years has been the guest conductor at the Japan Croatia Music Society. She travels to various parts of Croatia to research music, visits music research institutes and composers, and strives for understanding. As a chamber musician, she has also worked on numerous experimental harmony works of the same era as Dora PejaÄević, and has also recorded on CD.She is a member of the Irish Music Rights Organisation and the Mechanical-Copyright Protection Society in U.K. Her works can be licensed for use by representative organisations in each country.Representative of the Edition les bons concerts and cooperating artist of the Pro Arte Musicae Co., Ltd. Japan.(As of 20, December 2021)About Edition les bons concertsThe name of the publisher has been given with the wish: Use this sheet music to do good concerts!In addition to considering the page-turning position, the sheet musics are designed for ease of use in the rehearsal, such as adding the rehearsal numbers of other editions in case the accompanist's score is different from the soloist's.
$10.00
Call from Beyond the Waves (Low Flutes)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Michael Barrera
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Call from Beyond the Waves
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Michael Barrera
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1436947 Composed by Michael Barrera. Chamber,Classical. 17 pages. Michael Barr...
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1436947 Composed by Michael Barrera. Chamber,Classical. 17 pages. Michael Barrera #1017013. Published by Michael Barrera (A0.1436947). Https://www.michaelbarreraflute.com/shop/p/call-from-beyond-the-waves-fluteProgram NotesCall from Beyond the Waves is a piece in the style of an old sea shanty. It invokes feelings of being lost at sea and drifting along the waves in the ocean far from shore. The melody lines are somewhat uneven but feel natural as if they are being sung in the late hours of the night. Rising and falling passages in the background reflect the waves on these moonlit nights. This piece was originally commissioned by a wonderful colleague of mine Tim Chernobrov. He wanted something that would capture the unique sound of the low harmony clarinets. This version is arranged for low flutes.InstrumentationLow flute quartet consisting of - Alto FluteBass FluteContra Alto FluteContrabass Flute.
$19.99
Solage: Plusers gens voy for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Solage
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James M
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Solage: Plusers gens voy for F
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jmsgu3
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1269004 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Earl...
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1269004 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 6 pages. Jmsgu3 #861537. Published by jmsgu3 (A0.1269004). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$24.95
Dora PejaÄević: "Papillon (op. 6)" Arrangement for 3 flutes and alto flute by Yuki Hasegawa
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Dora PejaÄević
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Yuki Hasegawa
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Dora PejaÄević: "P
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Edition les bons concerts
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.1033845 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. Instructional,Romanti...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.1033845 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. Instructional,Romantic Period,Standards,World. 27 pages. Edition les bons concerts #6666767. Published by Edition les bons concerts (A0.1033845). Dora PejaÄević, born in Budapest in 1885 and died in Munich in 1923, was a composer of the Croatian noble family.This is one of the fascinating collection of her works that allow for deep expression through the use of harmony that sometimes pushes the limits towards her later years, as is typical around the beginning of the 20th century (This early work is still quite simple).The arrangement for flute quartet was commissioned by the Japan Croatia Music Society and was completed in July 2021, and premiered in Tokyo on 6 August by the Flute Quartet Tsutsu-uraura. The recording/Youtube is by Ms. Mari Akimoto (Fl.1), Ms. Natsuki Oba (Alto Fl.), Mr. Atsushi Kawasaki (Fl. 3), Ms. Shiho Shirasaki (Fl. 2).Arranger Yuki Hasegawa, biographyArranger, pianist, conductor and producer.Shortly after enrolling in the piano department of Kunitachi College of Music, she was appointed as the official accompanist for the flute public lecture, and since then she has co-starred about 150 works in the flute repertoire. After leaving for study abroad in Paris, she often performed as the official accompanist for flute competitions and masterclasses there also, and won four first prizes in a duo with flute.She completed the departments of piano accompaniment, chamber music, écriture musicale and orchestration at the Conservatoire Supérieur de Paris-CNR and others. She also studied écriture musicale at the CNSM-Lyon. She studied under Profs. Alain Louvier, Bernard de Crepy and other representative professors in France in terms of composition and arrangement.She later completed the conducting biennio department at the Milano Civica Scuola di Musica Claudio Abbado, and in recent years has been the guest conductor at the Japan Croatia Music Society. She travels to various parts of Croatia to research music, visits music research institutes and composers, and strives for understanding. As a chamber musician, she has also worked on numerous experimental harmony works of the same era as Dora PejaÄević, and has also recorded on CD.She is a member of the Irish Music Rights Organisation and the Mechanical-Copyright Protection Society in U.K. Her works can be licensed for use by representative organisations in each country.Representative of the Edition les bons concerts and cooperating artist of the Pro Arte Musicae Co., Ltd. Japan.(As of 20, December 2021)About Edition les bons concertsThe name of the publisher has been given with the wish: Use this sheet music to do good concerts!In addition to considering the page-turning position, the sheet musics are designed for ease of use in the rehearsal, such as adding the rehearsal numbers of other editions in case the accompanist's score is different from the soloist's.
$8.75
Canzona BWV588 for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Lisa Ochoco
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Canzona BWV588 for Flute Quart
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Lisa L Ochoco
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560118 Composed by Johann Sebastian Bach. Arranged by Lisa Ochoco. Baroque. 22...
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.560118 Composed by Johann Sebastian Bach. Arranged by Lisa Ochoco. Baroque. 22 pages. Lisa L Ochoco #6453905. Published by Lisa L Ochoco (A0.560118). JS Bach wrote this canzona for the organ. It is a typical canzona of its time, consisting of the same melody played in two different time signatures. It also has some chromatic counterpoint in it that makes this piece sound interesting. Only a small number of measures were changed in this piece to accommodate this quartet setting, mainly to do with range and in the effort to not leave any one part sitting without music to play for too long.
$12.00
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