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--INSTRUMENTS--
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Great In Power - Trombone 1,2
Non classifié
36
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--INSTRUMENTS--
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Crtitères actifs :
Great In Power - Trombone 1,2
Quatuor de Flûtes : 4 flûtes
Partitions à imprimer
4 partitions trouvées
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1
Solage: Le basile for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Solage
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James M
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Solage: Le basile for Flute Qu
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jmsgu3
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Earl...
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
Welcome To The Jungle
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Guns N' Roses
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Diego Marani
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Welcome To The Jungle
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528233 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl R...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528233 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Diego Marani. 20th Century,Contemporary,Instructional,Rock,Standards. 15 pages. Diego Marani #5317403. Published by Diego Marani (A0.528233). Welcome to the Jungle is a song by American rock band Guns N' Roses, featured on their debut album, Appetite for Destruction (1987). Axl Rose and Slash are the main authors of the piece. In 2009 it was named the greatest hard rock song of all time by VH1, and the readers of Rolling Stone Magazine rated it the greatest sports anthem.This funky arrangement for flute quartet includes the following parts: Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute.It is suitable for classroom, repertoire and for a powerful encore.
$14.99
Mas Que Nada
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Latin/Musique du monde
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Jazz
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Sergio Mendes
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Diego Marani
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Mas Que Nada
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528225 By Sergio Mendes. By Jorge Ben. Arranged by Diego Marani. Contemporary,Instructional...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528225 By Sergio Mendes. By Jorge Ben. Arranged by Diego Marani. Contemporary,Instructional,Jazz,Latin,Standards. 17 pages. Diego Marani #5310889. Published by Diego Marani (A0.528225). Mas, que Nada! is a song written and originally performed in 1963 by Jorge Ben on his debut album, which became Sérgio Mendes' signature song in his 1966 cover version. It was voted by the Brazilian edition of Rolling Stone as the fifth greatest Brazilian song. It was inducted to the Latin Grammy Hall of Fame in 2013.This arrangement for flute quartet includes the following parts: Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute.It is suitable for classroom, repertoire, recital and for a powerful encore.
$19.99
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Great In Power - Trombone 1,2
