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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Power Of Two
Non classifié
168
Piano & claviers
Piano seul
74
Accompagnement Piano
54
Piano, Voix
14
Piano, Voix et Guitare
14
Piano Facile
10
2 Pianos, 4 mains
10
Orgue
7
Orgue, Trompette (duo)
6
Instruments en Do
3
Orgue, Piano (duo)
2
Clavier
1
Piano Trio: piano, violon, violoncelle
1
Accordéon
1
+ 8 instrumentations
Retracter
Guitares
Guitare
7
Guitare notes et tablatures
6
2 Guitares (duo)
4
Mandoline
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
77
Chorale 2 parties
26
Chorale 3 parties
18
Voix Tenor, Piano
17
Chorale Unison
13
Chorale TTBB
10
Voix Soprano, Piano
9
Chorale SSAA
7
Voix Alto, Piano
6
Voix Tenor
4
Voix duo, Piano
4
Voix Soprano
1
Chorale SSATTB
1
Voix Baryton, Piano
1
+ 9 instrumentations
Retracter
Vents
2 Saxophones (duo)
21
2 Flûtes traversières (duo)
18
Clarinette et Piano
16
2 Clarinettes (duo)
15
Quatuor de Saxophones: 4 saxophones
10
Flûte traversière et Piano
10
Quintette de Saxophone: 5 saxophones
8
Saxophone Soprano et Piano
7
Hautbois, Piano (duo)
7
Flûte, Clarinette (duo)
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Saxophone, Clarinette (duo)
5
Hautbois (partie séparée)
5
Saxophone Tenor et Piano
5
Flute (partie séparée)
5
3 Clarinettes (trio)
5
Saxophone Alto et Piano
5
Flûte, Hautbois, Clarinette, Basson
5
3 Saxophones (trio)
4
Clarinette, Trompette (duo)
4
Clarinette
4
Clarinette, Violon (duo)
4
Quatuor de Flûtes : 4 flûtes
4
2 Hautbois (duo)
3
Cor anglais, Piano
3
Clarinette et Alto
3
Clarinette (partie séparée)
3
Quatuor de Clarinettes: 4 clarinettes
3
Clarinette Basse, Piano
3
Flûte, Saxophone (duo)
2
Flûte, Alto (duo)
2
Quatuor de Flûtes à bec
2
Flûte traversière
2
Quintette de Flûte : 5 flûtes
2
Flûte et Guitare
2
Saxophone Baryton, Piano
2
Flûte traversière, Orgue (duo)
1
Trio de Flûtes: 3 flûtes
1
Saxophone Alto
1
Clarinette Basse
1
Flûte à bec Soprano, Piano
1
Saxophone et Guitare
1
Ensemble de Hautbois
1
Ensemble de Flûtes
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Guitare (duo)
1
2 Flûte à bec (duo)
1
Hautbois, Basson et Piano
1
Hautbois, Basson (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Flûte
1
Saxophone Tenor
1
2 Flûtes traversières, Piano
1
Flûte à bec Alto, Piano
1
2 Flûtes traversières, Harpe
1
Hautbois, Clarinette (duo)
1
Hautbois, Harpe
1
+ 52 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
2 Trombones (duo)
9
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trombone et Piano
7
Cor
6
Trompette (partie séparée)
6
Cor et Piano
6
Trompette, Piano
5
Trompette, Saxophone (duo)
4
Tuba et Piano
4
Trompette
4
Trompette, Trombone (duo)
4
2 Trompettes (duo)
4
Quatuor de Cuivres
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor anglais, Piano
3
Trombone (partie séparée)
3
Euphonium, Piano (duo)
2
Cor (partie séparée)
2
Cor et Harpe
1
2 Tubas (duo)
1
Trompette, Cor (duo)
1
3 Euphoniums
1
Trombone basse et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 trombones
1
Trompette, Harpe
1
4 Tubas
1
+ 24 instrumentations
Retracter
Cordes
Violon et Piano
21
Quatuor à cordes: 2 violons, alto, violoncelle
15
Violoncelle, Piano
13
Trio à Cordes: 2 violons, violoncelle
13
Alto, Piano
10
2 Violons (duo)
9
Violon
8
Harpe
6
2 Violoncelles (duo)
6
Violon, Violoncelle (duo)
6
2 Altos (duo)
5
Violon (partie séparée)
2
Violoncelle
2
Violon, Alto (duo)
2
Contrebasse, Piano (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Alto seul
2
Contre Basse
2
Contrebasse (partie séparée)
2
Harpe, Violon (duo)
2
Trio à Cordes: 2 violons, alto
2
Alto et Harpe
1
2 Violoncelles, Piano
1
Piano Trio: Violon, Alto, Piano
1
2 Violons, Piano
1
Quatuor à cordes: 4 violons
1
Harpe, Flûte (duo)
1
4 Violoncelles
1
2 Harpes (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto (partie séparée)
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
79
Orchestre
33
Fanfare
24
Cloches
16
Orchestre à Cordes
13
Orchestre de chambre
7
Ensemble de cuivres
4
Ensemble de Percussions
3
Percussion (partie séparée)
2
Percussion
1
Jazz combo
1
Batterie
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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Power Of Two
Quatuor de Flûtes : 4 flûtes
Partitions à imprimer
4 partitions trouvées
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16 Favourite Easter Hymns for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Musique Sacrée
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Various
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David McKeown
#
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - SKU: A0.587864 Composed by Various. Arranged by David McKeown. Easter,Sacred. 72 pages. David McKeo...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - SKU: A0.587864 Composed by Various. Arranged by David McKeown. Easter,Sacred. 72 pages. David McKeown #5031043. Published by David McKeown (A0.587864). 16 Favourite Easter Hymns for Flute Quartet is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for four flutes, with an alternative part 4 for Alto Flute included. Separate parts are included with the score in one single pdf file. You can watch and listen to two of these hymns (the Saxophone Quartet version), via the youtube link above. 16 Favourite Easter Hymns for Flute Quartet are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns Flute Quartet useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Carmen's Great Adventure
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Quatuor de Flûtes : 4 flûtes
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AVANCÉ
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Opera
#
Classique
#
Georges Bizet, Francois Bourne
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David Heywood
#
Carmen's Great Adventure
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David Heywood
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 5 - SKU: A0.910423 Composed by Georges Bizet, Francois Bourne. Arranged by David Heywood. Opera,Romanti...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 5 - SKU: A0.910423 Composed by Georges Bizet, Francois Bourne. Arranged by David Heywood. Opera,Romantic Period. 65 pages. David Heywood #5204847. Published by David Heywood (A0.910423). The opera Carmen by Georges Bizet is almost universally considered to be the greatest opera ever written, and if you have ever heard any of it, you already know why - the lyrical beauty and power of the fantastic songs that are in it. Serious flute players have always included the famous theme and variations based on Bizet’s music, composed by Francois Bourne for flute and piano, in their programs, and it remains one of the most popular works in the entire flute literature. Here is a flute quartet version of this amazing work scored for Three C Flutes with optional Piccolo double in the Flute two part, and Alto Flute, with an optional Bass Flute part that copies the Alto part if you want to use five players and beef up the lower notes. Rest assured that this arrangement is not a simplified version - it retains all of the difficulty, passion, and energy of the original piece. The technical passages are divided between first and second flute, with the lower parts driving the engine that both adds lyricism and excitement to this energetic juggernaut. This piece is every bit as much an obsession as it is the ultimate program closer!
$24.99
Solage: Le basile for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Solage
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James M
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Solage: Le basile for Flute Qu
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jmsgu3
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Earl...
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
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Power Of Two
