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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PIANO
SAXOPHONE
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UKULELE
VIBRAPHONE
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AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
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COUNTRY
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Non classifié
1691
PIANO & CLAVIERS
Piano seul
1780
Piano Facile
1211
Instruments en Do
277
Piano, Voix
152
1 Piano, 4 mains
109
Piano, Voix et Guitare
75
Orgue
42
Accompagnement Piano
36
Piano Trio: piano, violon, violoncelle
11
2 Pianos, 4 mains
7
Accordéon
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
Piano (partie séparée)
1
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GUITARES
Basse electrique
245
Guitare
125
Guitare notes et tablatures
91
Ukulele
30
Ligne De Mélodie, (Paroles) et Accords
19
2 Guitares (duo)
14
Mandoline
12
Banjo
9
Piano, Guitare (duo)
8
Dulcimer
5
2 Ukuleles
5
Guitare (partie séparée)
2
4 Guitares (Quatuor)
2
Guitare, Violon, Violoncelle (trio)
1
Paroles et Accords
1
3 Guitares (trio)
1
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VOIX
Chorale SATB
203
Chorale Unison
74
Chorale 3 parties
44
Chorale TTBB
43
Voix Soprano, Piano
32
Chorale 2 parties
29
Voix Alto, Piano
28
Voix Tenor, Piano
28
Voix Baryton, Piano
27
Chorale SSAA
17
Voix seule
6
Male Voice
5
Voix duo, Piano
2
Chorale SSAATTBB
1
Chorale SSAB, Piano
1
Voix Tenor
1
Voix moyenne, Piano
1
Instrumentations suivantes
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VENTS
Clarinette
174
2 Saxophones (duo)
169
Saxophone Alto et Piano
144
Flûte traversière
131
Hautbois, Piano (duo)
129
Quatuor de Saxophones: 4 saxophones
117
Flûte traversière et Piano
115
Clarinette et Piano
110
Saxophone Alto
99
2 Flûtes traversières (duo)
88
Flûte, Hautbois, Clarinette, Basson
84
Quintette de Saxophone: 5 saxophones
78
Saxophone Tenor et Piano
67
Saxophone Tenor
66
Saxophone (partie séparée)
58
Saxophone Soprano et Piano
58
2 Clarinettes (duo)
57
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
57
Saxophone Baryton, Piano
47
Hautbois (partie séparée)
46
Hautbois
37
2 Flûte à bec (duo)
36
3 Saxophones (trio)
35
Quatuor de Clarinettes: 4 clarinettes
35
2 Hautbois (duo)
33
Saxophone Soprano
31
Flûte à bec Soprano
26
Ensemble de saxophones
25
3 Clarinettes (trio)
25
Saxophone Baryton
24
Flûte à bec Alto
20
Quatuor de Flûtes : 4 flûtes
19
Flûte, Clarinette (duo)
19
Trio de Flûtes: 3 flûtes
19
Clarinette, Basson (duo)
15
Flûte à Bec
15
Cor Anglais
14
Cor anglais, Piano
14
Hautbois, Clarinette, Basson (trio d'anches)
12
Flûte, Trombone (duo)
12
Ensemble de Clarinettes
12
3 Flûtes à bec (trio)
11
Flûte à bec Tenor
11
Flûte, Violoncelle
11
Hautbois, Basson (duo)
9
Quintette de Flûte : 5 flûtes
8
Flûte, Violon
8
Quintette de Clarinettes: 5 clarinettes
7
Flûte, Alto (duo)
7
Flûte, Hautbois (duo)
7
Quatuor de Flûtes à bec
6
Hautbois, Clarinette (duo)
6
5 Flûtes à bec
6
Hautbois, Flûte
6
Clarinette (partie séparée)
6
Flûte, Hautbois, Clarinette (trio)
6
Ensemble de Flûtes
5
Clarinette Basse, Piano
5
Hautbois, Violoncelle
5
Clarinette, Violon (duo)
4
Ensemble De Flûte à bec
4
Flûte, Clarinette et Basson
3
Clarinette et Alto
3
Saxophone
3
Flûte, Hautbois, Basson
2
Flûte et Trio à cordes
2
Flûte irlandaise
2
Flûte à Bec, Piano
2
Instruments en Mib
2
Clarinette, Trombone (duo)
2
Clarinette, Violoncelle (duo)
2
Cornemuse
2
Harmonica
2
Hautbois, violon (duo)
2
2 Cors Anglais Et Pianoforte
2
4 Hautbois
2
Flûte et Guitare
2
Clarinette Basse
2
Flûte à bec Alto, Piano
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois, Violoncelle et Piano
1
Hautbois et alto (duo)
1
Flûte à bec Soprano, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois, Basson et Piano
1
Flute (partie séparée)
1
3 Hautbois
1
Flûte, Tuba (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Violon et Violoncelle
1
Hautbois, Violon, Piano
1
Clarinette, Alto et Piano (trio)
1
Cor anglais et Harpe (duo)
1
Flûte, Violon, Piano
1
Flûte, Basson et Piano
1
Clarinette, Basson, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Clarinette, Piano (trio)
1
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Retracter
CUIVRES
Trompette
177
Trombone
117
Cor
93
Trompette, Piano
85
Tuba
83
Cor et Piano
82
Trombone et Piano
77
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
75
Tuba et Piano
63
2 Trombones (duo)
48
2 Trompettes (duo)
42
2 Cors (duo)
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
37
Quatuor de Cuivres: 2 trompettes, Cor, trombone
33
Trompette, Trombone (duo)
25
2 Tubas (duo)
20
Quatuor de Cuivres
18
Trompette (partie séparée)
14
Cor Anglais
14
Cor anglais, Piano
14
Euphonium
11
Quatuor de cuivres: 4 trombones
11
Ensemble de Trompettes
10
Ensemble de Cors
9
Trompette, Cor (duo)
9
Quatuor de cuivres: 4 trompettes
7
Trombone (partie séparée)
6
Trio de Cuivres
5
4 Tubas
5
Trombone, Cor (duo)
5
Euphonium, Piano (duo)
5
Ensemble de Trombones
4
Quatuor de cuivres: 4 cors
4
Trombone basse
4
Trompette, Tuba (duo)
4
Trombone, Tuba (duo)
4
3 Trombones (trio)
3
Tuba et Orgue
3
3 Tubas (trio)
3
Euphonium, Tuba (duo)
3
Bass Clef Instruments
3
Trompette, Violoncelle (duo)
2
Cor (partie séparée)
2
2 Cors Anglais Et Pianoforte
2
Instruments en Sib
2
Trompette, Trombone, Piano
1
Trombone, Alto (duo)
1
3 Cors (trio)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Cor, Tuba (duo)
1
4 Euphoniums
1
Cor anglais et Harpe (duo)
1
Tuba (partie séparée)
1
3 Trompettes (trio)
1
Instrumentations suivantes
Retracter
CORDES
Violon
300
Quatuor à cordes: 2 violons, alto, violoncelle
295
Violon et Piano
209
Violon, Violoncelle (duo)
187
Trio à Cordes: violon, alto, violoncelle
151
Violoncelle
143
Violoncelle, Piano
140
2 Harpes (duo)
118
Alto seul
106
Alto, Piano
96
Harpe
76
2 Violons (duo)
65
Contre Basse
63
2 Violoncelles (duo)
54
Quintette à cordes: 2 violons, alto, violoncelle, basse
54
2 Altos (duo)
49
Violon, Alto (duo)
48
Contrebasse, Piano (duo)
45
Alto (partie séparée)
28
Alto, Violoncelle (duo)
20
2 Contrebasses (duo)
19
Violon, Basson (duo)
16
Violon (partie séparée)
15
Trio à Cordes: 3 violoncelles
15
4 Violoncelles
10
Trio à cordes: 3 altos
9
Trio à cordes: 3 violins
9
Trio à Cordes: 2 violons, violoncelle
9
Quatuor à cordes : 4 altos
8
Contrebasse (partie séparée)
7
Violoncelle, Contrebasse (duo)
6
Quatuor à cordes: 4 violons
6
Trio à Cordes: 2 violons, alto
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Harpe, Flûte (duo)
4
Piano Trio: Violon, Alto, Piano
4
Quintette à cordes : 2 violons, alto et 2 violoncelles
4
4 Contrebasses
3
Violoncelle (partie séparée)
3
Violon, Guitare (duo)
2
4 Harpes
1
2 Violons, Piano
1
Alto et Basson
1
Alto, Guitare (duo)
1
Violon, Tuba (duo)
1
Violon, Clarinette, Piano (trio)
1
Autoharp
1
Harpe et mandoline
1
Ensemble de Violons
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
171
Orchestre d'harmonie
126
Batterie
61
Orchestre
30
Ensemble de cuivres
29
Cloches
22
Fanfare
21
Ensemble Jazz
18
Orchestre de chambre
12
Ensemble de Percussions
9
Jazz combo
7
Vibraphone
7
Marimba
3
Caisse Claire
2
Xylophone, Piano
1
Batterie (partie séparée)
1
Instrumentation Flexible
1
Percussion
1
2 Marimbas
1
Percussion (partie séparée)
1
Xylophone
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
1
Théorie de la musique
1
Vous avez sélectionné:
Practice
Quatuor de Flûtes : 4 flûtes
Partitions à imprimer
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Mirrors
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.507894
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.507894 By Justin Timberlake. By Chris Godbey, Garland Mosley, James Fauntleroy, Jerome Harmon, Justin Timberlake, and Tim Mosley. Arranged by Alison Hall. Dance,Pop. 17 pages. Alison Hall #2837273. Published by Alison Hall (A0.507894). Mirrors by Justin Timberlake Arrangement by Alison Hall for Flute Quartet. Thank you for stopping by and considering purchasing this piece. The pdf file is just the score (Concert Pitch Score). Level: Intermediate The range is from low C (below the staff) to high C (just above the staff). Duration of Work: 3 minutes and 48 seconds Please hear the whole audio by visiting my YouTube channel. That has a link below to it. Performance practice suggestions: Take things slow. Practice makes Permanent. Listen to each other. This is not appropriate for church services. This is appropriate with most schools and students in this century. This version does not have lyrics. Social Media Channels are below and Feel Free to Stop by and say Hi! https://www.facebook.com/musicteacherdoghousesit/ https://www.linkedin.com/in/alisonhall https://www.youtube.com/channel/UChsWIo9k2WfBsMV514npmjw I recommend that you copy and paste the links. Once again, thank you for stopping by and I hope to hear from you! Sincerely, Alison Hall
$10.00
9.03 €
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Quatuor de Flûtes : 4 flûtes
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Justin Timberlake
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Alison Hall
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Mirrors
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Alison Hall
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SheetMusicPlus
Solage: Le basile for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU:…
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
29.76 €
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Quatuor de Flûtes : 4 flûtes
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Solage
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James M
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Solage: Le basile for Flute Quartet
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jmsgu3
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SheetMusicPlus
Radar Love
Quatuor de Flûtes : 4 flûtes
Flute Quartet,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1494023 …
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Flute Quartet,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1494023 By Golden Earring. By Barry Hay and George Kooymans. Arranged by Sean Sullivan. 20th Century,Pop,Rock. 15 pages. Sean Sullivan #1070634. Published by Sean Sullivan (A0.1494023). Elevate your ensemble's repertoire with our stunning arrangement of Radar Love by Golden Earring for flute quartet! This chart-topping classic transforms into an exhilarating and vibrant piece that showcases the unique harmonies and melodic richness of flutes. Perfect for performances, recitals, or ensemble practice, it’s accessible yet engaging for all skill levels. Bring the energy of rock legend Golden Earring to your flute group and captivate your audience. Get your copy today and play the beat that drives them wild!
$14.99
13.54 €
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Quatuor de Flûtes : 4 flûtes
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Golden Earring
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Sean Sullivan
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Radar Love
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Sean Sullivan
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SheetMusicPlus
LULLABY for 4 flutes - SCHUBERT
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 1 - Digital Download SKU: A0.872801
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Woodwind Ensemble,Woodwind Quartet Flute - Level 1 - Digital Download SKU: A0.872801 Composed by Franz Schubert. Arranged by WEB-ARTS DigitalMusic. Instructional. 8 pages. WEB-ARTS Digital Music #2001885. Published by WEB-ARTS Digital Music (A0.872801). Lullaby arranged for 4 flutes with additional sheet with entire melody for student practice.
$9.99
9.02 €
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Quatuor de Flûtes : 4 flûtes
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Franz Schubert
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WEB-ARTS DigitalMusic
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LULLABY for 4 flutes - SCHUBERT
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WEB-ARTS Digital Music
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SheetMusicPlus
Alle Menschen Müssen Sterben (BWV 643) for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.793070
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.793070 Composed by Johann Sebastian Bach. Arranged by Suzie Wilkins. Baroque,Christian,Concert,Instructional,Standards. 7 pages. Suzie Wilkins #2936195. Published by Suzie Wilkins (A0.793070). This short piece (BWV 643) is one of Bach's most beautiful organ works, and here it is presented for flute quartet. Consisting of two flutes, alto flute and bass flute, this piece will be perfect for a concert or for ensemble practice. Unusually, nearly all of the musical interest lies in the underneath parts, giving the harmony players a chance to shine. Arranged by a flutist, the parts fit neatly under the fingers as much as possible.Approximate duration: 1 minute 30 seconds
$3.99
3.6 €
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Quatuor de Flûtes : 4 flûtes
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Johann Sebastian Bach
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Suzie Wilkins
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Alle Menschen Müssen Sterben
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Suzie Wilkins
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SheetMusicPlus
All Creatures of Our God and King (with Vivaldi's "Summer")
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.786375
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Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.786375 Composed by St. Francis of Assisi, Antonio Vivaldi. Arranged by Beka Wilson. Baroque,Christian,Sacred,Spiritual. 14 pages. Beka Wilson #4361891. Published by Beka Wilson (A0.786375). A challenging piece for flute quartet, this arrangement of All Creatures of Our God and King will make a great offertory, prelude, or contest piece. For students, this would be a good way to practice double tonguing, as there are some rapid 16th note passages. At 90 bpm, the arrangement is approximately 3 minutes long. Download contains score and set of parts (14 pages).Like Vivaldi? Like hymns? Check out the companion to this arrangement, Lily of the Valley meets Spring!https://www.sheetmusicplus.com/title/the-lily-of-the-valley-with-vivaldi-s-spring/20923230Check out some of my other flute quartet/choir arrangements here:https://www.sheetmusicplus.com/title/holy-holy-holy-digital-sheet-music/20942664https://www.sheetmusicplus.com/title/at-the-cross-digital-sheet-music/21152175https://www.sheetmusicplus.com/title/nearer-my-god-to-thee-digital-sheet-music/21152694https://www.sheetmusicplus.com/title/oh-worship-the-king-digital-sheet-music/20927803https://www.sheetmusicplus.com/title/fairest-lord-jesus-digital-sheet-music/20942679
$14.99
13.54 €
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Quatuor de Flûtes : 4 flûtes
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St
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Beka Wilson
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All Creatures of Our God and King
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Beka Wilson
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SheetMusicPlus
The Third Book of Songs for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.559766
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Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.559766 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 66 pages. Lisa L Ochoco #4726485. Published by Lisa L Ochoco (A0.559766). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.This collection of 20 songs from his Third Book of Songs is arranged for flute quartet – 4 C flutes or 3 C flutes and alto. Most of these songs are rather short, so it is recommended that each song is played in its entirety at least twice. I arranged these songs so that the 1st flute always has the melody. To practice fairness in all parts, the parts should be rotated, to give each musician a chance to play the melody. Song list: 1. Farewell Too Fair 2. Time Stands Still 3. Behold a Wonder Here 4. Daphne Was Not so Chaste 5. Me, Me, and None but Me 6. When Phoebus First did Daphne Love 7. Say Love if Ever Thou Didst Find 8. Flow Not so Fast Ye Fountains 9. What if I Never Speed? 10. Love Stood Amaz’d 11. Lend Your Ears to My Sorrow 12. By a Fountain Where I Lay 13. O What Hath Overwrought 14. Farewell Unkind 15. Weep You no More, Sad Fountains 16. Fie on This Feigning 17. I Must Complain 18. It was a Time When Silly Bees 19. The Lowest Trees Have Tops 20. What Poor Astronomers are They If each song is played twice in its entirety, you will have almost an hour's worth of music. If you love Renaissance music, this will be a great addition to your repertoire!
$12.00
10.84 €
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Quatuor de Flûtes : 4 flûtes
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a Fountain Where I Lay
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John Dowland
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Lisa Ochoco
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The Third Book of Songs for Flute Quartet
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Lisa L Ochoco
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. I…
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Flute Solo - Level 3 - Digital Download SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.52 €
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Quatuor de Flûtes : 4 flûtes
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
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Slide Ride
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SheetMusicPlus
I Left My Heart In San Francisco
Quatuor de Flûtes : 4 flûtes
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU:…
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.569470 By Tony Bennett. By George Cory. Arranged by Thomas Graf. Jazz. 13 pages. Thomas Graf - the-hit-factory.com #6355185. Published by Thomas Graf - the-hit-factory.com (A0.569470). Best known as the signature song of Tony Bennett - this is a sophisticated arrangement, which brings you the full spirit of that marvelous song and it’s worth every minute of practice. Have fun! Instrumentation: Flute 1/2, Alto Flute, Bass Flute Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! .
$14.99
13.54 €
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Quatuor de Flûtes : 4 flûtes
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Tony Bennett
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Thomas Graf
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I Left My Heart In San Francisco
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Kyrie (Durante) (Flute Quartet)
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1092455 Composed by Fr…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1092455 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 7 pages. Regis Bookshar #696547. Published by Regis Bookshar (A0.1092455). Kyrie - by Francesco Durante; Flute Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Flute Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Flute Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
9.03 €
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Quatuor de Flûtes : 4 flûtes
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
Moonlight Sonata by Beethoven for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - Digital Download SKU: A0.1138451
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Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - Digital Download SKU: A0.1138451 Composed by Ludwig van Beethoven. Arranged by Ander. Christmas,Classical,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #738787. Published by Woods Only, Arrangements (A0.1138451). This arrangement adapted for flute quartet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$7.99
7.22 €
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Quatuor de Flûtes : 4 flûtes
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven for Flute Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Turkish March by Beethoven for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - Digital Download SKU: A0.1143525
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Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - Digital Download SKU: A0.1143525 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743841. Published by Woods Only, Arrangements (A0.1143525). This arrangement adapted for flute quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.22 €
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Quatuor de Flûtes : 4 flûtes
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Flute Quartet
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Woods Only, Arrangements
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SheetMusicPlus
I Left My Heart In San Francisco
Quatuor de Flûtes : 4 flûtes
Flute Quartet,Woodwind Ensemble Bass Flute - Level 3 - Digital Download SKU: A0.568497
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Flute Quartet,Woodwind Ensemble Bass Flute - Level 3 - Digital Download SKU: A0.568497 By Tony Bennett. By George Cory. Arranged by Thomas Graf. Broadway,Film/TV,Jazz,Musical/Show,Pop. 13 pages. Thomas Graf - the-hit-factory.com #2963763. Published by Thomas Graf - the-hit-factory.com (A0.568497). Best known as the signature song of Tony Bennett - this is a sophisticated arrangement, which brings you the full spirit of that marvelous song and it’s worth every minute of practice. Have fun! Instrumentation: Flute 1/2, Alto Flute, Bass Flute Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalogue includedVideo: https://www.youtu.be/eDaUiBRmcPs
$14.99
13.54 €
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Quatuor de Flûtes : 4 flûtes
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Tony Bennett
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Thomas Graf
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I Left My Heart In San Francisco
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
William Tell Overture
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 1 - Digital Download SKU: A0.877931
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Woodwind Ensemble,Woodwind Quartet Flute - Level 1 - Digital Download SKU: A0.877931 Composed by Gioachino Rossini. Arranged by Rebecca Bogardus. Classical,Film/TV,Romantic Period,Standards. 61 pages. Lillwy Publishing #4776267. Published by Lillwy Publishing (A0.877931). The two movements of Rossini's famous opera overture included here are familiar the world over. Whether your students can name them or not, they've certainly heard them! There are two versions of this arrangement included. Version A is easier and is correlated with popular method books, and Version B is for a more intermediate-level group, although Version B's Parts 3 and 4 are still within the reach of a second-year student. For Version A, if a student has mastered the lesson listed in the score, they can play the part! About Ensembles by the BookBeginners will have a blast with these ensemble arrangements leveled to correlate with popular flute method books! Each part is correlated with a specific lesson in the Flute 101 and Blocki Methods. Creating an ensemble for your beginning flute students is one of the best things you can do for them; intonation, phrasing, and dynamics are all more effectively taught when reinforced through ensemble work. Since these are multi-level ensembles, your students will quickly find role models within your studio who are playing at a higher level, increasing motivation to practice so they can play the harder parts the next time! *Please note that these arrangements correlate with method books meant for private lessons, which typically begin with the notes B, A, and G, rather than band methods, which start students with less beginner-friendly flute notes.
$7.99
7.22 €
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Quatuor de Flûtes : 4 flûtes
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Gioachino Rossini
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Rebecca Bogardus
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William Tell Overture
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Lillwy Publishing
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
45.12 €
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Quatuor de Flûtes : 4 flûtes
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Guillaume de Machaut, 1300-1377
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James M
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Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - Digital Download S…
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Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853678. Published by jmsgu3 (A0.1260536). INSTRUMENTATION: 2 ALTO FLUTES, 2 BASS FLUTES1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
67.7 €
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Quatuor de Flûtes : 4 flûtes
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Guillaume de Machaut, 1300-1377
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James M
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Machaut: La Messe de Nostre Dame for Flute Quartet
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jmsgu3
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SheetMusicPlus
4 Baroque Classics - flute ensemble or quintet bundle / book / pack
Quatuor de Flûtes : 4 flûtes
Flute, Woodwind Quartet, Alto Flute, Flute Quintet, Flute Quartet, Piccolo - Advanced - …
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Flute, Woodwind Quartet, Alto Flute, Flute Quintet, Flute Quartet, Piccolo - Advanced - Digital Download Composed by Bach, Pachelbel, Handel. Arranged by Austin Ralphson. Baroque Period, Repertoire, Wedding, Recital. Score, Set of Parts. 96 pages. Published by Austin Ralphson
This pack of baroque music is ideal to use a practice and performance pieces. The arrangements have been tried and tested for many years with great success, and are brought together here in one book to provide a big saving on the pieces compared to their full price. Includes scores and parts for: * Brandenburg Concerto No. 3 (Bach) * Brandenburg Concerto No. 5, mvt. 3 (Bach) * Canon (Pachelbel) * Largo from ?Xerxes? (Handel) (quartet)
$9.99
9.02 €
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Quatuor de Flûtes : 4 flûtes
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Bach, Pachelbel, Handel
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Austin Ralphson
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4 Baroque Classics - flute ensemble or quintet bundle / book / pack
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Austin Ralphson
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SheetMusicPlus
Bach Jesu, joy of man's desiring for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Joha…
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Flute, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.<br> <br> Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99
9.02 €
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Quatuor de Flûtes : 4 flûtes
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Johann Sebastian Bach
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Bach Jesu, joy of man's desiring for Flute Quartet
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SheetMusicPlus
Arioso Bach Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute, Woodwind Quartet, Woodwind Choir or Ensemble - Easy/Beginner - Digital Downlo…
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Flute, Woodwind Quartet, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Sacred, Classroom, European, Easter. Score, Set of Parts. 7 pages. Published by KrahenfuBlieder
Arioso is part of Johann Sebastian Bach's Cantata 156 which corresponds to the same number in his B.W.V. catalog. The symphony was probably derived from an earlier oboe concerto and was later adapted as part of Bach's Concerto for harpsichord in F minor. This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with Baroque music, ideal also for liturgical performance in churches, as it is a sacred work. This version lasts 2:25 minutes with the original melody adapted with the harmony divided between the voices of the performers.
$9.99
9.02 €
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Quatuor de Flûtes : 4 flûtes
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Johann Sebastian Bach
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Arioso Bach Flute Quartet
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SheetMusicPlus
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