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372
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122
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120
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Orgue
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14
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4
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3
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2
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1
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Ligne De Mélodie, (Paroles) et Accords
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7
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2
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2
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2
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1
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Chorale SATB
101
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30
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27
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17
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17
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14
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9
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7
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4
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3
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3
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1
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1
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1
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1
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1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
40
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32
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31
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29
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26
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24
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23
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21
Flûte traversière
20
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20
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19
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18
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18
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16
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16
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14
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13
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12
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11
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5
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5
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5
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5
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4
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4
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4
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3
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3
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2
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2
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2
Clarinette et Alto
2
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2
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2
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2
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2
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2
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1
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1
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1
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1
Clarinette, Alto et Piano (trio)
1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
54
Quatuor de cuivres: 4 trombones
44
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39
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27
Trompette
27
Trombone et Piano
21
Cor et Piano
17
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14
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14
Trombone
12
Cor
11
Cor anglais, Piano
11
Euphonium, Piano (duo)
11
Ensemble de Trombones
11
Tuba
9
Tuba et Piano
7
Trombone (partie séparée)
6
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5
Quatuor de Cuivres
4
Trompette (partie séparée)
4
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3
Quatuor de cuivres: 4 cors
2
2 Trompettes (duo)
2
2 Trombones (duo)
2
2 Tubas (duo)
1
3 Cors (trio)
1
4 Tubas
1
Tuba (partie séparée)
1
2 Cors (duo)
1
Ensemble de Tubas
1
3 Trombones (trio)
1
Bass Clef Instruments
1
Cor (partie séparée)
1
2 Euphoniums et 2 Tubas
1
Trombone basse et Piano
1
Quatuor de cuivres: 4 trompettes
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
189
Violon, Violoncelle (duo)
99
Trio à Cordes: 2 violons, violoncelle
61
Violon
44
Violon et Piano
44
Trio à Cordes: violon, alto, violoncelle
38
Violoncelle (partie séparée)
29
Alto, Piano
26
Violoncelle
23
Violoncelle, Piano
21
Violon, Alto (duo)
20
2 Violoncelles (duo)
13
Alto seul
12
Quatuor à cordes: 4 violons
10
Contre Basse
9
Harpe
8
2 Violons (duo)
6
2 Altos (duo)
6
4 Violoncelles
5
Trio à cordes: 3 altos
5
Contrebasse, Piano (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble d'Altos
4
Ensemble de Violons
4
Alto (partie séparée)
3
Contrebasse (partie séparée)
2
Violon, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
Quatuor à cordes : 4 altos
2
Trio à Cordes: 3 violoncelles
2
Alto et Harpe
1
Trio à cordes: 3 violins
1
Ensemble de Violoncelles
1
Harpe et Piano
1
Harpe, Violoncelle (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Trombone (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
111
Orchestre d'harmonie
100
Orchestre
44
Batterie
42
Ensemble de cuivres
25
Orchestre de chambre
16
Ensemble Jazz
9
Fanfare
5
Cloches
4
Ensemble de Percussions
3
Jazz combo
2
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1
Piano et Orchestre
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AUTRES
Vous avez sélectionné:
The Other Side
Quatuor de Flûtes : 4 flûtes
Partitions à imprimer
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Turkish March by Beethoven for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - Digital Download SKU: A0.1143525
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Woodwind Ensemble,Woodwind Quartet Flute - Level 2 - Digital Download SKU: A0.1143525 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743841. Published by Woods Only, Arrangements (A0.1143525). This arrangement adapted for flute quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.46 €
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Quatuor de Flûtes : 4 flûtes
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Flute Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Kyrie (Durante) (Flute Quartet)
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1092455 Composed by Fr…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.1092455 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. 7 pages. Regis Bookshar #696547. Published by Regis Bookshar (A0.1092455). Kyrie - by Francesco Durante; Flute Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a Flute Quartet. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide many students with the opportunity to practice breath control because of its long phrases, and to help them to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a Flute Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00
9.34 €
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Quatuor de Flûtes : 4 flûtes
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
"Finale" from Serenade Op. 48 for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.854102
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.854102 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Contest,Festival,Instructional,Romantic Period,Standards. 32 pages. Diego Marani #460664. Published by Diego Marani (A0.854102). Tchaikovsky's Serenade for Strings in C Major was written with an ear towards one of his idols, a certain 18th century composer by the name of Mozart. The title and structure of the piece are taken from the serenades of the latter, though this is certainly Tchaikovsky's own particularly 19th century rendering of these older ideas. That it is a masterful work, is demonstrated by the fact that it still remains among the most performed and appreciated by the public alongside the serenades by AntonÃn Dvořák and Josef Suk. The final movement begins with slow and subdued section, based on a Russian folk song, stands in stark contrast to the core of the movement, which is a very quick-paced and rollicking finale based on another Russian folk melody—this time a dance tune. This dance tune spins out and gives the orchestra a rather strenuous workout. It is almost as if the piece is continually building and building, seemingly getting faster, until Tchaikovsky channels the inventiveness and unpredictability of his beloved Mozart. This arrangement for flute quartet (Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute) reflects faithfully the original and is suitable for classroom, repertoire and recital.
$14.99
13.99 €
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Quatuor de Flûtes : 4 flûtes
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P
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Diego Marani
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"Finale" from Serenade Op. 48 for Flute Quartet
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Diego Marani
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SheetMusicPlus
Eleanor Rigby
Quatuor de Flûtes : 4 flûtes
Flute Quartet,Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.807744 B…
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Flute Quartet,Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.807744 By David Cook. By John Lennon and Paul McCartney. Arranged by Genessa West. 20th Century,Contemporary,Pop,Rock. 14 pages. Genessa West #6601807. Published by Genessa West (A0.807744). Eleanor Rigby is a Beatles Classic lasting just 2 minutes. Despite starting life as the B side of the, to my mind, inferior song ,Yellow Submarine, is musically rich and very rewarding to play. It is skilfully arranged for Flute Quartet, by, Genessa West. Each part is interesting, as the melody is shared by all the parts. This is just what you need for your next concert. Genessa West has arranged several other Beatles Songs, all published on SMP. https://www.sheetmusicplus.com/publishers/genessa-west/15963.
$13.99
13.06 €
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Quatuor de Flûtes : 4 flûtes
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David Cook
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Genessa West
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Eleanor Rigby
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Genessa West
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SheetMusicPlus
Solage: Le basile for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU:…
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.76 €
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Quatuor de Flûtes : 4 flûtes
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Solage
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James M
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Solage: Le basile for Flute Quartet
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jmsgu3
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SheetMusicPlus
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