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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
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TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Fear
Non classifié
71
Piano & claviers
Piano seul
76
Piano, Voix et Guitare
43
Piano, Voix
26
Instruments en Do
10
Orgue
8
Piano Facile
2
1 Piano, 4 mains
1
Orgue, Trompette (duo)
1
Accompagnement Piano
1
+ 4 instrumentations
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Guitares
Guitare notes et tablatures
23
Paroles et Accords
16
Ligne De Mélodie, (Paroles) et Accords
12
Basse electrique
9
Guitare
6
Ukulele
4
4 Guitares (Quatuor)
1
Mandoline
1
3 Guitares (trio)
1
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Voix
Chorale SATB
65
Chorale 3 parties
10
Chorale TTBB
6
Chorale SSAA
4
Chorale
3
Chorale 2 parties
2
Voix duo, Piano
2
Chorale Unison
2
Voix duo
2
Voix Baryton, Piano
1
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Vents
Flûte traversière
9
Clarinette
8
Saxophone Alto
6
2 Saxophones (duo)
5
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone, Clarinette (duo)
3
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3
Saxophone Tenor
3
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2
Clarinette et Piano
2
Clarinette, Violon (duo)
2
2 Flûtes traversières (duo)
2
2 Clarinettes (duo)
2
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2
Clarinette, Guitare (duo)
1
Hautbois
1
2 Hautbois (duo)
1
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1
Flûte à Bec
1
Ensemble de Flûtes
1
Flûte, Alto (duo)
1
Flûte, Clarinette (duo)
1
Flûte, Violon
1
Flûte, Saxophone (duo)
1
Hautbois, Piano (duo)
1
Cor anglais, Guitare (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Hautbois, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Ensemble à vent
1
Saxophone Tenor et Piano
1
Saxophone et Guitare
1
Hautbois, Flûte
1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trompette
4
Trombone
2
Trompette, Saxophone (duo)
2
Tuba et Piano
2
2 Trompettes (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor
2
Trompette, Piano
1
Trompette, Trombone (duo)
1
2 Trombones (duo)
1
Cor anglais, Guitare (duo)
1
+ 7 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
12
Violon
11
Violon et Piano
11
Violoncelle
7
Harpe
4
Alto seul
3
Contre Basse
2
2 Violons (duo)
1
Violon, Violoncelle (duo)
1
Alto, Piano
1
Violoncelle, Piano
1
Piano Trio: Violon, Alto, Piano
1
2 Violoncelles (duo)
1
Trio à cordes: 3 altos
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Alto (duo)
1
Trio à cordes: 3 violins
1
+ 12 instrumentations
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Orchestre & Percussions
Orchestre
17
Batterie
15
Ensemble Jazz
11
Orchestre d'harmonie
7
Cloches
6
Orchestre à Cordes
4
Fanfare
4
Orchestre de chambre
2
Ensemble de Percussions
2
Ensemble de cuivres
1
Vibraphone
1
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--INSTRUMENTS--
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AUTOHARPE
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Vous avez sélectionné:
Fear
intermédiaire
Quatuor de Clarinettes: 4 clarinettes
Partitions à imprimer
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Don't Fear The Reaper
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Rock
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Blue Oyster Cult
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Sean Sullivan
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Don't Fear The Reaper
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Sean Sullivan
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1098021 By Blue Oyster Cult. By Donald Roeser. Arranged by Sean Sullivan. Pop,Rock....
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1098021 By Blue Oyster Cult. By Donald Roeser. Arranged by Sean Sullivan. Pop,Rock. 14 pages. Sean Sullivan #701917. Published by Sean Sullivan (A0.1098021).
$12.99
Solage: Le basile for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Solage
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James M
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Solage: Le basile for Clarinet
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jmsgu3
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,C...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
Intermezzo from "Cavalleria rusticana" (Mascagni) - Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Clas...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 15 pages. RBMusic #913462. Published by RBMusic (A0.1325229). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for clarinet in E-flat and alto clarinet in E-flat. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
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