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Quatuor de Clarinettes: 4 clarinettes
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Solage: Le basile for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
30.81 €
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Quatuor de Clarinettes: 4 clarinettes
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Solage
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James M
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Solage: Le basile for Clarinet Quartet
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jmsgu3
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SheetMusicPlus
La Feria-clarinet quartet
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet, 4 Bb Clarinets - Advanced Intermediate - Digital Download Compose…
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Clarinet Quartet, 4 Bb Clarinets - Advanced Intermediate - Digital Download Composed by Paul Lacome. Arranged by Phil Beaman. Romantic Period, European, Recital. Score, Set of Parts. 39 pages. Published by Phil Beaman
La Feria (The Fair) is a Spanish fiesta! All the sights and sounds of a traditional Spanish street festival. <br> Paul Lacome wrote mostly operas-bouffes, light comic operas. That same drama and delight comes through in this piece. Originally written for orchestra, there have been many popular arrangements for band. I have arranged it for Clarinet Quartet without losing any of the Spanish tradition or dramatic character of the piece. <br> The Suite is in 3 sections. The first is entitled Los Toros (The Bulls). The running of the bulls is a tradition of nearly every Spanish fair. This highly energetic and rhythmic section is traditional Spanish fiesta music at its best. The second section is entitled La Reja (loosely-The Gate). This one is in the form of a Serenade. Every fair has a street barred off with a special archway entrance or gate. Inside, tents are set up serving local wine. Strolling street musicians will visit each tent and serenade. This section is scaled back dynamically and also in texture to imitate the solo or duo strolling musician. For the B theme of this section I move the melody to the Clarinet 3 part down low. I like to amuse myself and think of this brief growling melody as a tipsy patron of the tent singing back to the musicians. The street musicians then quickly resume their original song. The final section is entitled La Zarzuela. The Zarzuela is a uniquely Spanish comic opera that is heavy on dance and spoken dialogue. It has much in common with the American vaudeville shows. This section is in the form of a brisk waltz, another high energy rhythmic dance where Clarinet 2 takes the B theme melody. <br> This piece is of Advanced Intermediate difficulty due to constant movement, articulations, rhythm, and range. Clarinet 1 in particular uses the full range of the instrument. <br> 21 page score, 4 pages @ part, 38 pages total booklet<br> 4:30 minutes<br> temporary MIDI recording
$18.95
17.72 €
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Quatuor de Clarinettes: 4 clarinettes
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Paul Lacome
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Phil Beaman
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La Feria-clarinet quartet
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Phil Beaman
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SheetMusicPlus
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