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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
JMS Music
Non classifié
357
Piano & claviers
Instruments en Do
36
Piano Quatuor: piano, violon, alto, violoncelle
28
Piano seul
25
Piano, Voix
22
Piano Trio: piano, violon, violoncelle
15
Piano Facile
7
Orgue
5
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano, Voix et Guitare
2
1 Piano, 4 mains
1
2 Pianos, 4 mains
1
Accompagnement Piano
1
+ 7 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
6
Ligne De Mélodie, (Paroles) et Accords
4
3 Guitares (trio)
2
Voix
Chorale SATB
104
Chorale 3 parties
2
Chorale 2 parties
2
Chorale TTBB
1
Chorale SSAA
1
Vents
Flûte traversière et Piano
96
Clarinette et Piano
71
Hautbois, Piano (duo)
57
Saxophone Alto et Piano
57
Saxophone Tenor et Piano
52
Saxophone Baryton, Piano
51
Saxophone Soprano et Piano
51
2 Saxophones (duo)
43
Clarinette Basse, Piano
38
Cor anglais, Piano
35
Quatuor de Saxophones: 4 saxophones
31
2 Clarinettes (duo)
30
2 Flûtes traversières (duo)
28
Clarinette
21
Ensemble de Flûtes
21
Quatuor de Clarinettes: 4 clarinettes
15
3 Saxophones (trio)
12
3 Clarinettes (trio)
12
2 Hautbois (duo)
10
Quatuor de Flûtes : 4 flûtes
8
Piccolo, Piano
7
Hautbois, Basson (duo)
5
Ensemble de Clarinettes
5
Clarinette, Harpe (duo)
4
2 Cors Anglais Et Pianoforte
4
Flûte, Hautbois (duo)
4
Flûte, Hautbois, Clarinette, Basson
4
Clarinette, Violoncelle (duo)
3
Flûte, Clarinette (duo)
3
Hautbois, Harpe
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Ensemble de saxophones
3
Hautbois, Violoncelle
3
Flûte, Violoncelle
3
Saxophone Alto
2
Saxophone et Harpe
2
Cor anglais et Harpe (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette Basse
1
Flûte, Alto (duo)
1
Trio de Flûtes: 3 flûtes
1
Quintette de Saxophone: 5 saxophones
1
2 Flûtes traversières, Piano
1
2 Hautbois et Basson
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Tenor
1
Hautbois, Guitare (duo)
1
Flûte traversière
1
+ 43 instrumentations
Retracter
Cuivres
Euphonium, Piano (duo)
52
Cor et Piano
45
Trombone et Piano
45
Cor anglais, Piano
35
Trompette, Piano
27
2 Cors (duo)
19
Trompette
16
2 Trombones (duo)
14
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Tuba et Piano
9
2 Euphoniums (duo)
8
2 Trompettes (duo)
8
2 Tubas (duo)
6
2 Cors Anglais Et Pianoforte
4
Trompette, Trombone (duo)
3
3 Trombones (trio)
3
Quatuor de cuivres: 4 trombones
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Tuba et Orgue
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trombone, Tuba (duo)
2
Cor anglais et Harpe (duo)
1
Euphonium, Tuba (duo)
1
3 Cors (trio)
1
Cor, Violoncelle (duo)
1
Trompette, Violoncelle (duo)
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 cors
1
Trio de Cuivres
1
Cor
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
170
Violon et Piano
64
Alto, Piano
55
Trio à Cordes: violon, alto, violoncelle
50
Violoncelle, Piano
48
2 Violons (duo)
14
2 Violoncelles (duo)
12
Violon, Violoncelle (duo)
12
Harpe
8
Violon, Alto (duo)
8
2 Altos (duo)
8
Violoncelle
8
Harpe, Flûte (duo)
6
4 Violoncelles
4
Trio à Cordes: 3 violoncelles
4
2 Contrebasses (duo)
4
Alto, Violoncelle (duo)
4
Harpe, Violon (duo)
3
Quatuor à cordes : 4 altos
2
Trio à cordes
2
Alto (partie séparée)
1
Alto et Harpe
1
Contrebasse, Piano (duo)
1
Violon
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violoncelle (duo)
1
Violoncelle, Orgue
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
73
Ensemble Jazz
66
Orchestre
41
Orchestre d'harmonie
31
Jazz combo
28
Ensemble de cuivres
7
Orchestre de chambre
6
+ 2 instrumentations
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FLUTE A DIX…
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FORMATION M…
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LUTH, THEOR…
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MARIMBA
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PERCU. ORCH…
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SAXOPHONE
SYNTHE
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Vous avez sélectionné:
JMS Music
Quatuor de Clarinettes: 4 clarinettes
Partitions à imprimer
15 partitions trouvées
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1
Guthrie: The Clarinet Choir Christmas Book
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Noël
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Traditional
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James M
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Guthrie: The Clarinet Choir Ch
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jmsgu3
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SheetMusicPlus
Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas, Instructional, Standards. 65 pages. Jmsgu3 #4780799. Published by jmsgu3 ...
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Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas, Instructional, Standards. 65 pages. Jmsgu3 #4780799. Published by jmsgu3
$34.95
Beethoven: Sonata Op. 49 No. 2 for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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SheetMusicPlus
Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Classical Period, Repertoire, European, Wedding, Recital. Score, Se...
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Composed by Ludwig van Beethoven (1770-1827). Arranged by James M. Guthrie, ASCAP. Classical Period, Repertoire, European, Wedding, Recital. Score, Set of Parts. 51 pages. Published by jmsgu3
$49.95
The Lazy Mississippi - Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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Paul Hemmer
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The Lazy Mississippi - Clarine
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PJMS MUSIC
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - SKU: A0.798239 Composed by Paul Hemmer. Folk,Musical/Show. 12 pages. PJMS MUSIC #5298011. Published by PJM...
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Woodwind Ensemble,Woodwind Quartet Clarinet - SKU: A0.798239 Composed by Paul Hemmer. Folk,Musical/Show. 12 pages. PJMS MUSIC #5298011. Published by PJMS MUSIC (A0.798239). The Lazy Mississippi - scored for 3 Bb clarinets and 1 Bb bass clarinet - is from the Official Iowa Bi-Centennial Musical Get the Lead Out! which was performed before a total of 11,000 in the summer of 1976. It was one of the audience favorites from this musical-drama. The folk-like melody with a touch of the blues is melodic and features interesting and melodic parts for all four clarinets. .
$20.00
Because Of You
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Arthur Hammerstein and Dudley
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Paul Hemmer
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Because Of You
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PJMS MUSIC
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.1270916 Composed by Arthur Hammerstein and Dudley Wilkinson. Arranged by Paul Hemme...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.1270916 Composed by Arthur Hammerstein and Dudley Wilkinson. Arranged by Paul Hemmer. Jazz,Pop,Wedding. 7 pages. PJMS MUSIC #863299. Published by PJMS MUSIC (A0.1270916). Because of You was introduced by the Larry Clinton Orchestra in 1940. But it wasn't until Tony Bennett recorded it in 1951 that it became and international #1 hit - remaining on the Billboard charts top position for 10 weeks.This one-chorus arrangement for Clarinet Quartet is not difficult but will surely be popular with any audience.
$15.00
Dixieland - Royal Garden Blues (for Clarinet Quartet)
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Jazz
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Williams
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Kenneth Abeling
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Dixieland - Royal Garden Blues
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Composed by Williams. Arranged by Kenneth Abeling. Jazz, Dixieland. Score, Set of Parts. 15 pages. Published by LINCOLN MUSIC PUBLICATIONS (S0.143609). - Score,...
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Composed by Williams. Arranged by Kenneth Abeling. Jazz, Dixieland. Score, Set of Parts. 15 pages. Published by LINCOLN MUSIC PUBLICATIONS (S0.143609). - Score,Set of Parts - Jazz,Dixieland - LINCOLN MUSIC PUBLICATIONS
Royal Garden Blues for Clarinet Quartet is a well know andreadily recognizable Dixieland classic. This arrangement is suitable forprofessional musicians and more experienced ensembles. For hundreds of other arrangements by Kenneth Abeling please visit: www.lincolnmusicpublications.comPlaying time 3:00 Preview this score on YouTube: https://www.youtube.com/watch?v=SzyzmgjCjms
$12.50
Bach: Wachet auf for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Clarinet
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.549861 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,C...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.549861 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 18 pages. Jmsgu3 #3557469. Published by jmsgu3 (A0.549861). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore. Instrumentation: 2 Bb clarinets, 1 alto clarinet, 1 bass clarinet.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbrevia.
$39.95
Bach: Partita No. 2 BWV 826 for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Partita No. 2 BWV 826 fo
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jmsgu3
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1435859 Composed by Johann Sebastian Bach. Arranged by James M. Gut...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1435859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 75 pages. Jmsgu3 #1015958. Published by jmsgu3 (A0.1435859). BACH: Partita No. 2 BWV 826 Contents: Sinfonia, Allemande, Courante, Sarabande, Rondeau, Capriccio. Bach's Partita No. 2 in C minor, BWV 826, is an essential work for several reasons: Significance in Bach's Oeuvre It is part of Bach's monumental collection of six partitas (suites) for the keyboard, considered among music history's most famous and challenging suites. The partitas were published as Bach's Opus 1 in 1731, showcasing the diversity of forms and ingenious counterpoint in his keyboard writing. Partita No. 2 was one of the earliest partitas to be published individually in 1727, highlighting its significance. Musical Characteristics It opens with a grand Sinfonia movement akin to a French overture, followed by an expressive Andante aria-like movement. The fugue movement has an intense subject spanning a minor 9th interval. It includes a double (ornamented variation) of the traditional Sarabande dance movement. The final Capriccio movement is a virtuosic and contrapuntal concerto-like piece testing the performer's technical prowess. Overall, the partita exhibits a weighty, substantial, and momentous character compared to the first. Influence and Legacy It expanded keyboard suites' technical and musical boundaries and other partitas. Due to its artistic merit and challenges, it has remained a pinnacle of the keyboard repertoire, studied and performed by generations of musicians. In summary, Bach's Partita No. 2 is a significant work that exemplifies the composer's mastery of counterpoint, variation forms, and virtuosic keyboard writing, solidifying the partitas' enduring importance in the canon of Western classical music.
$42.95
Solage: Le basile for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Solage
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James M
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Solage: Le basile for Clarinet
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jmsgu3
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,C...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852647. Published by jmsgu3 (A0.1259372). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Clarinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: Le Messe de Nostre Dame for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Guillame de Machaut, 1300-1377
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James M
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Machaut: Le Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by Jam...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853210. Published by jmsgu3 (A0.1260025). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Calrinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Bach: Partita No. 1 BWV 825 for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Partita No. 1 BWV 825 fo
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jmsgu3
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1435016 Composed by Johann Sebastian Bach. Arranged by James M. Gut...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1435016 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 45 pages. Jmsgu3 #1015109. Published by jmsgu3 (A0.1435016). BACH: Partita No. 1 BWV 825. Contents: Praeludium, Allemande, Courante, Sarabande, Menuet I, Menuet II, Gigue. Johann Sebastian Bach's Partita No. 1 in B-flat Major, BWV 825, is a highly significant and influential work for several reasons: It is part of Bach's monumental Clavier-Übung (Keyboard Practice), a collection of some of his greatest keyboard works published in 1731. The Partitas were groundbreaking compositions demonstrating Bach's mastery of counterpoint, harmony, and keyboard technique. Bach referred to the Partitas as his Opus 1, indicating their importance as his first major published keyboard work aimed at refreshing the spirits of music lovers. The Partita No. 1 was the first of the set, published in 1726 and dedicated to a newborn prince. The work expanded the traditional Baroque Partita form by adding a Prelude and two Minuets, showcasing Bach's innovative compositional approach. Each dance movement is a masterful example of its style, from the virtuosic Praeludium and Gigue to the expressive Sarabande. It profoundly influenced subsequent composers and established Bach as a keyboard music pioneer. The Partitas' technical demands and musical depth set new standards for the genre. So, Bach's Partita No. 1 is a seminal work that exemplifies his genius as a composer, innovator, and keyboard master, making it one of the most important compositions in the Baroque era and the history of Western music.
$42.95
Bach: Partita No. 4 BWV 828 for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Partita No. 4 BWV 828 fo
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jmsgu3
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1439906 Composed by Johann Sebastian Bach. Arranged by James M. Gut...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1439906 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 110 pages. Jmsgu3 #1019854. Published by jmsgu3 (A0.1439906). BACH: Partita No. 4 BWV 828 Contents: Overture, Allemande, Courante, Aria, Sarabande, Menuet, Gigue. Bach's Partita No. 4 in D major, BWV 828, is an essential work for several reasons: It is part of Bach's Clavier-Übung I, a collection of keyboard suites that he published in the last 25 years of his life as a musical testament to convey his vision of music-making and composing. Unlike his earlier English and French suites, the Partitas in this collection are more severe, focusing on polyphonic structures that actively involve both the listener and performer. The Partita consists of seven movements, all in the key of D major, structured around Renaissance dance forms such as the allemande, courante, sarabande, minuet, and gigue. This instrumentation captures both the original medium for these dance sets as well as the Baroque style of Bach. Bach was well aware of his abilities as a composer, and he deliberately published these works with future generations in mind. The Partitas represent Bach's mature approach to keyboard composition, where he was less interested in dance rhythms and more focused on creating complex polyphonic structures. Overall, Partita No. 4 is an essential work in Bach's keyboard oeuvre, as it showcases his mastery of form and counterpoint while also reflecting his desire to create music that would endure.
$42.95
Solage: Plusers gens voy for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Solage
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James M
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Solage: Plusers gens voy for C
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jmsgu3
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1268995 Composed by Solage. Arranged by James M. Guthrie. Chamber,C...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1268995 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 6 pages. Jmsgu3 #861529. Published by jmsgu3 (A0.1268995). Plusers gens voy is a song composed by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that it is impossible for anyone to see her without failing. The song is a tribute to the lady's beauty and is likely a reflection of the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$24.95
Bach: Partita No. 3 BWV 827 for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Partita No. 3 BWV 827 fo
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jmsgu3
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1439145 Composed by Johann Sebastian Bach. Arranged by James M. Gut...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1439145 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 70 pages. Jmsgu3 #1019169. Published by jmsgu3 (A0.1439145). BACH: Partita No. 3 BWV 827 Contents: Fantasia, Allemande, Courante, Sarabande, Burlesca, Scherzo, Gigue. Bach's Partita No. 3 in A minor, BWV 827, is an essential work in the composer's output for keyboard instruments. Here are some key points about this piece: It is one of the six partitas that Bach composed for harpsichord or clavichord, regarded as pinnacles of Baroque keyboard music. The Partita No. 3 consists of seven movements following the traditional partita structure: Allemande, Corrente, Sarabande, Burlesca, Scherzo, Gigue. The Burlesca movement is particularly notable, featuring rapid hand-crossing and a lively, humorous character unusual for Bach's works. The Sarabande movement is considered one of Bach's most profound and expressive, with its rich harmonies and emotional depth. The final Gigue is a tour de force of contrapuntal writing, with multiple melodic lines interwoven in a lively dance rhythm. With the other partitas, BWV 827 demonstrates Bach's mastery of various dance forms and his ability to elevate them into profound artistic statements. So, in summary, Bach's Partita No. 3 stands out for its structural complexity, emotional range, and virtuosic demands, cementing its place among the composer's most outstanding keyboard achievements.
$42.95
Beethoven: Three Equali WoO 30 for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Classique
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Ludwig van Beethoven
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James Guthrie, ASCAP
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Beethoven: Three Equali WoO 30
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.551806 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Christian,Cla...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.551806 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Christian,Classical,Concert,Contemporary,Standards. 17 pages. Jmsgu3 #5722769. Published by jmsgu3 (A0.551806). Three Equali, WoO 30. Score: 9 pages, duration: ca. 4:15Commissioned in 1812 by Franz Xaver Glöggl, Stadtkapellmeister of Linz. Intended as tower music for All Souls' Day, they were first performed at the Old Linz Cathedral on 2 November 1812. Equals 1 & 3 were performed at Beethoven's funeral on 29 March 1827.Originally scored for trombone quartet
$29.95
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