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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Now\\\'s the Time
Non classifié
2 601
Piano & claviers
Piano seul
907
Piano, Voix
858
Piano Facile
378
Instruments en Do
296
Piano, Voix et Guitare
154
Accompagnement Piano
79
Orgue
78
Piano grosses notes
58
Piano Trio: piano, violon, violoncelle
22
1 Piano, 4 mains
13
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano (partie séparée)
8
Piano Quatuor: piano, 2 violons, violoncelle
7
2 Pianos, 4 mains
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Piano (duo)
3
Accordéon
3
Orgue, Trompette (duo)
2
1 Piano, 6 mains
2
2 Pianos, 8 mains
2
Clavecin
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
79
Guitare
78
Mandoline
23
Ligne De Mélodie, (Paroles) et Accords
18
Guitare (partie séparée)
16
Ukulele
12
2 Guitares (duo)
12
4 Guitares (Quatuor)
8
Basse electrique
8
Piano, Guitare (duo)
6
Banjo
4
3 Guitares (trio)
3
Dulcimer
3
Mandoline, Guitare (duo)
2
2 Ukuleles
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
420
Chorale 2 parties
132
Chorale 3 parties
128
Chorale TTBB
51
Voix Alto, Piano
48
Voix Tenor, Piano
47
Voix Soprano, Piano
45
Chorale Unison
43
Chorale SSAA
42
Voix Baryton, Piano
29
Voix duo, Piano
26
Voix duo
17
Voix seule
10
Voix haute
8
Voix moyenne, Piano
6
Voix Tenor
6
Voix basse, Piano
6
Pack Instrumental pour Chorale
4
Voix Soprano
1
Chorale
1
Chorale SSAB, Piano
1
Soli, choeur mixte et accompagnement
1
Voix basse
1
Chorale SSAATB
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
299
Quintette de Saxophone: 5 saxophones
259
Quatuor de Saxophones: 4 saxophones
238
Flûte, Hautbois, Clarinette, Basson
209
Flûte traversière et Piano
209
Clarinette et Piano
186
Hautbois, Piano (duo)
185
Saxophone Alto et Piano
158
Clarinette
149
2 Saxophones (duo)
140
Flûte traversière
127
2 Flûtes traversières (duo)
120
Saxophone Alto
107
Saxophone Tenor et Piano
103
Saxophone Soprano et Piano
101
Saxophone (partie séparée)
99
Hautbois (partie séparée)
96
Saxophone Baryton, Piano
76
Saxophone Tenor
71
2 Clarinettes (duo)
69
Ensemble de saxophones
63
Hautbois
60
Quatuor de Clarinettes: 4 clarinettes
56
Flûte, Clarinette (duo)
41
Cor anglais, Piano
38
Ensemble de Clarinettes
37
3 Saxophones (trio)
34
2 Hautbois (duo)
33
2 Flûte à bec (duo)
33
Saxophone, Clarinette (duo)
30
Hautbois, Basson (duo)
30
Clarinette Basse, Piano
28
Quintette de Flûte : 5 flûtes
26
3 Clarinettes (trio)
24
Flûte à bec Soprano
23
Clarinette, Violon (duo)
23
Ensemble de Flûtes
23
Quintette de Clarinettes: 5 clarinettes
22
Quatuor de Flûtes : 4 flûtes
21
Clarinette, Trompette (duo)
19
Hautbois, Clarinette (duo)
18
Saxophone Soprano
16
Saxophone Baryton
15
Flûte, Violon
15
Trio de Flûtes: 3 flûtes
15
Flûte à bec Alto
15
Flûte, Saxophone (duo)
13
Clarinette (partie séparée)
13
Flute (partie séparée)
13
Flûte à Bec
12
Cor Anglais
12
Flûte, Clarinette et Basson
12
Clarinette et Alto
12
Quatuor de Flûtes à bec
12
Flûte, Alto (duo)
11
Flûte, Hautbois, Clarinette (trio)
11
Hautbois, Flûte
11
Flûte et Guitare
10
Clarinette, Basson (duo)
10
Flûte, Hautbois (duo)
9
Flûte, Trompette (duo)
9
Flûte, Hautbois, Basson
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Clarinette, Guitare (duo)
7
5 Flûtes à bec
6
Clarinette, Violoncelle (duo)
6
Flûte, Violoncelle, Piano (trio)
5
Flûte, Violoncelle
5
Saxophone et Orgue
5
Flûte à bec Soprano, Piano
5
Flûte à bec Alto, Piano
5
Piccolo
4
Clarinette, Violoncelle, Piano (trio)
4
Flûte, Hautbois, Piano (trio)
4
3 Flûtes à bec (trio)
4
Harmonica
3
Hautbois, Violoncelle
3
Clarinette, Trombone (duo)
3
Clarinette Basse
3
Flûte, Alto et Piano
3
Piccolo, Piano
3
Instruments en Mib
2
Ensemble de Hautbois
2
Flûte traversière, Orgue (duo)
2
Flûte, Trombone (duo)
2
Ocarina
2
Ensemble De Flûte à bec
2
Flûte, Violon, Piano
2
Flûte irlandaise
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Saxophone et Guitare
1
Clarinette, Alto et Piano (trio)
1
Saxophone et Piano
1
Flûte et Trio à cordes
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Guitare (duo)
1
Flûte, Basson et Piano
1
2 Saxophones, Piano
1
4 Hautbois
1
2 Flûtes traversières, Piano
1
Cor anglais et Harpe (duo)
1
Clarinette, Orgue
1
Flûte à bec Tenor
1
2 Clarinettes, Piano
1
Hautbois, violon (duo)
1
Flûte, Violon et Violoncelle
1
Clarinette, Harpe (duo)
1
+ 102 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
321
Trompette, Piano
172
Trombone et Piano
149
Trompette
148
Quatuor de Cuivres : 2 trompettes, trombone, tuba
140
Cor et Piano
139
Trombone
92
Quatuor de Cuivres
91
Cor
84
Quatuor de Cuivres: 2 trompettes, Cor, trombone
80
Tuba
76
Tuba et Piano
73
Ensemble de Trompettes
60
2 Trompettes (duo)
44
2 Trombones (duo)
43
Trombone (partie séparée)
41
Trompette (partie séparée)
40
Cor anglais, Piano
38
Euphonium, Piano (duo)
37
Trompette, Trombone (duo)
31
2 Cors (duo)
28
Ensemble de Trombones
25
Trompette, Saxophone (duo)
24
Trompette, Cor (duo)
17
Quatuor de cuivres: 4 trombones
14
2 Tubas (duo)
13
Cor (partie séparée)
13
Cor Anglais
12
Quatuor de cuivres: 4 trompettes
11
Ensemble de Cors
10
Quatuor de cuivres: 4 cors
9
Tuba (partie séparée)
9
Euphonium
8
3 Trombones (trio)
7
4 Tubas
6
Tuba et Orgue
5
Trombone basse
4
Trombone, Orgue
4
3 Tubas (trio)
3
Trombone basse et Piano
3
Trombone, Cor (duo)
3
3 Trompettes (trio)
3
Trio de Cuivres
2
Cor, Violoncelle (duo)
2
3 Cors (trio)
2
2 Trompettes, Clavier (piano ou orgue)
2
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
2 Cors Anglais Et Pianoforte
1
Cor et Orgue
1
3 Euphoniums
1
Trompette, Violoncelle (duo)
1
Bass Clef Instruments
1
Cor anglais et Harpe (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Euphonium, Tuba (duo)
1
Trompette, Basson (duo)
1
2 Trombones, Piano
1
+ 53 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
446
Violon et Piano
235
Alto, Piano
196
Violoncelle, Piano
191
Violon
189
Quintette à cordes: 2 violons, alto, violoncelle, basse
159
Violoncelle
145
Alto seul
106
Trio à Cordes: violon, alto, violoncelle
83
Violon, Violoncelle (duo)
73
Contre Basse
65
2 Violons (duo)
59
Contrebasse, Piano (duo)
55
2 Violoncelles (duo)
51
Violon, Alto (duo)
44
2 Altos (duo)
34
Alto (partie séparée)
29
Trio à Cordes: 2 violons, violoncelle
27
Harpe
25
Violon (partie séparée)
22
Contrebasse (partie séparée)
16
Violon, Basson (duo)
15
Alto, Violoncelle (duo)
14
Trio à Cordes: 3 violoncelles
13
Ensemble de Violons
13
4 Violoncelles
13
2 Contrebasses (duo)
11
Ensemble d'Altos
11
Trio à cordes: 3 violins
7
Quatuor à cordes : 4 altos
7
Quatuor à cordes: 4 violons
7
Trio à cordes: 3 altos
6
Piano Trio: Violon, Alto, Piano
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Violoncelle (partie séparée)
6
2 Harpes (duo)
5
Harpe, Voix
4
Harpe, Flûte (duo)
4
Harpe, Violon, Violoncelle
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle, Orgue
2
Alto et Basson
2
Ensemble de Violoncelles
2
Trio à Cordes: 2 violons, alto
2
Violon, Guitare (duo)
2
Harpe, Violon (duo)
1
Violon, Orgue
1
Alto, Orgue
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Basse continue
1
Violoncelle, Orchestre
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
238
Orchestre à Cordes
129
Orchestre
121
Ensemble Jazz
79
Ensemble de cuivres
73
Cloches
35
Orchestre de chambre
27
Fanfare
18
Jazz combo
17
Ensemble de Percussions
12
Batterie (partie séparée)
9
Batterie
9
Marimba
7
Percussion (partie séparée)
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Xylophone
4
Xylophone, Piano
2
Vibraphone
1
Vibraphone (partie séparée)
1
Orchestre, Violon
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
2 Marimbas
1
+ 18 instrumentations
Retracter
Autres
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ACCORDEON
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AUTRES INST…
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BASSE
BASSON
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CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
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CONTREBASSE
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CORNEMUSE
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DULCIMER
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FLUTE A BEC
FLUTE A DIX…
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FORMATION M…
GUITARE
GUITARE PED…
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HAUTBOIS
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LUTH, THEOR…
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MARIMBA
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SYNTHE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Now\\\'s the Time
Quatuor de Clarinettes: 4 clarinettes
Partitions à imprimer
56 partitions trouvées
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1
26
51
Now And Then
#
Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
The Beatles
#
James Pybus
#
it was left unfinished
#
Now And Then
#
James Pybus
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1447539 By The Beatles. By George Harrison, John Lennon, Paul McCar...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1447539 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by James Pybus. Contemporary,Pop,Rock. 18 pages. James Pybus #1027323. Published by James Pybus (A0.1447539). Now and Then is a song by the English rock band the Beatles, released on 2 November 2023. Dubbed the last Beatles song, it appeared on a double A-side single, paired with a new stereo remix of the band's first single, Love Me Do (1962), with the two serving as bookends to the band's history. Both songs were included on the expanded re-issues of the 1973 compilations 1962–1966 and 1967–1970, released on 10 November 2023.The song is a psychedelic soft rock ballad that John Lennon wrote in the late 1970s. He recorded a solo five-minute piano demo around 1977 on a tape recorder at his home in the Dakota building in New York City; it was left unfinished. The final version features additional lyrics by McCartney. Lennon's voice was extracted from the demo using the machine-learning-assisted audio restoration technology commissioned by Peter Jackson for his 2021 documentary The Beatles: Get Back. Jackson also directed the music video for Now and Then. The song received much critical acclaim. This arrangement for SSAB or SSSB Clarinet Quartet is suitable for a variety of performance settings and should be appealing to audiences of all ages. The performance time is 3:46. Contact me at james.pybus56@gmail.com.
$15.99
John Henry Leslie | Praise Ye The Lord (arr. for Clarinet Quartet)
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Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE
#
Musique Sacrée
#
John Henry Leslie
#
Andrew Lamb
#
John Henry Leslie | Praise Ye
#
Andrew Lamb
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 3 - SKU: A0.1353518 By John Henry Leslie. By John Henry Leslie. Arra...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 3 - SKU: A0.1353518 By John Henry Leslie. By John Henry Leslie. Arranged by Andrew Lamb. 19th Century,Praise & Worship,Sacred. 23 pages. Andrew Lamb #938255. Published by Andrew Lamb (A0.1353518). 🎼 Immerse your clarinet quartet in the timeless beauty of Praise Ye The Lord by English composer John Henry Leslie, reimagined for clarity and brilliance by this arrangement crafted by Andrew Lamb! 🌟🎶 The quartet comes to life with a dynamic range of instruments:🎵 Part 1: Clarinet in Bb, Clarinet in Eb🎵 Part 2: Clarinet in Bb🎷 Part 3: Clarinet in Bb, Alto Clarinet in Eb, Basset Horn🎶 Part 4: Bass Clarinet⚡ With a medium difficulty level, this arrangement strikes the perfect balance, offering both challenge and accessibility. Ideal for clarinet ensembles looking to captivate their audience.🎉 Elevate your concert or recital with the sublime tones of this arrangement. The piece also lends itself beautifully to being an Anthem during a Church Service, filling the space with spiritual resonance.🌈 This adaptation is not just a rendition; it's a celebration of the clarinet's versatility and the composer's brilliance. Order your copy today and let the harmonies of Praise Ye The Lord resonate through your quartet!🎵 Share the joy of music with the world and make every performance memorable. Order now and experience the transformative power of this arrangement by Andrew Lamb!Please like and subscribe for more videos and music arrangements. 🎶.
$8.00
Annie's Song
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Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE
#
John Denver
#
Phyllis Avidan Louke, ASCAP
#
Annie's Song
#
Louke Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.736256 By John Denver. By John Denver. Arranged by Phyllis Avidan Louke, ASCAP. Folk,Pop...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.736256 By John Denver. By John Denver. Arranged by Phyllis Avidan Louke, ASCAP. Folk,Pop,Rock,Wedding. 13 pages. Louke Publishing #3120581. Published by Louke Publishing (A0.736256). For flexible Clarinet Quartet or Clarinet Choir Annie’s SongProgram NotesThis beautiful John Denver song, Annie’s Song (also known as You Fill Up My Senses) was written by John Denver as a love song to his wife at the time, Annie Martell Denver.  It is a favorite at weddings. This arrangement works beautifully for clarinet quartet. It is scored for either 3 Bb Clarinets and Bass Clarinet, or for 4 Bb Clarinets. WeddingsAnniversariesBirthdaysConcertsRomancePopCountryFolk Song Phyllis Avidan Louke is an award-winning composer and arranger with more than 70 published pieces to her credit.  A list of her other SMP digital download arrangements can be found at www.phyllislouke.com
$14.00
5 Famous Songs by Bach for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
#
FACILE
#
Classique
#
Christian Petzold, Johann Seba
#
Ander
#
5 Famous Songs by Bach for Cla
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Woods Only, Arrangements
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.1137849 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arrange...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.1137849 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738108. Published by Woods Only, Arrangements (A0.1137849). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
A Mighty Fortress is Our God by Luther for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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DÉBUTANT
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Martin Luther
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Ander
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A Mighty Fortress is Our God b
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 1 - SKU: A0.1041645 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 1 - SKU: A0.1041645 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. 6 pages. Woods Only, Arrangements #646409. Published by Woods Only, Arrangements (A0.1041645). This easy arrangement for clarinet quartet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$7.99
The Chrysanthemum - Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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Juan A
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The Chrysanthemum - Clarinet Q
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Juan A. Perez
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SheetMusicPlus
Clarinet Quartet - Early Intermediate - Digital Download Composed by Scott Joplin (1868-1917). Arranged by Juan A. Perez. Jazz, Ragtime. Score, Set o...
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Clarinet Quartet - Early Intermediate - Digital Download Composed by Scott Joplin (1868-1917). Arranged by Juan A. Perez. Jazz, Ragtime. Score, Set of Parts. 15 pages. Published by Juan A. Perez
Arrangement of the piano rag ?The Chrysanthemum?, composed by Scott Joplin. The Chrysanthemum is a piano rag published by Scott Joplin in 1904. Joplin?s marriage to his wife Belle was on the rocks at this point, and he dedicated the work to a young woman called Freddie Alexander who was to become his second wife. The origin of the name ?The Chrysanthemum? is not known, but Joplin frequently used the names of trees and flowers for his works.
$6.00
The Sound Of Silence
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Rock
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Simon And Garfunkel
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Benoit BARRAIL
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The Sound Of Silence
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Benoît Barrail
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.1380269 By Simon And Garfunkel. By Paul Simon. Arranged by Benoit BARRAIL. 20th Cen...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.1380269 By Simon And Garfunkel. By Paul Simon. Arranged by Benoit BARRAIL. 20th Century,Folk,Pop,Rock,Standards. 26 pages. Benoît Barrail #965021. Published by Benoît Barrail (A0.1380269). The Sound of Silence is a song by American folk rock duo Simon and Garfunkel, written by Paul Simon. A first version of the song was released in 1964 on the album Wednesday Morning, 3 A.M., it is an acoustic version. But their producer recorded an electric version without their knowledge the following year, it was part of the eponymous album published in 1966. The song then enjoyed immense success. Here is an arrangement for 2-Part Choir and Clarinet Quartet of this timeless song.The Sound of Silence est une chanson du duo de folk rock américain Simon and Garfunkel, écrite par Paul Simon. Une première version de la chanson sort en 1964 sur lâ??album Wednesday Morning, 3 A.M., câ??est une version acoustique. Mais leur producteur en enregistre une version électrique àleur insu lâ??année suivante, elle fait partie de lâ??album éponyme publié en 1966. La chanson connaît alors un immense succès. Voici un arrangement pour chÅ?ur à2 voix égales et quatuor de clarinettes de cette chanson indémodable.
$19.99
The Sound Of Silence
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Quatuor de Clarinettes: 4 clarinettes
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DÉBUTANT
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Simon And Garfunkel
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Benoit BARRAIL
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The Sound Of Silence
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Benoît Barrail
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 1 - SKU: A0.1380319 By Simon And Garfunkel. By Paul Simon. Arranged by Benoit BARRAIL. 20th Cen...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 1 - SKU: A0.1380319 By Simon And Garfunkel. By Paul Simon. Arranged by Benoit BARRAIL. 20th Century,Folk,Pop,Rock,Standards. Score and parts. 17 pages. Benoît Barrail #965076. Published by Benoît Barrail (A0.1380319). The Sound of Silence is a song by American folk rock duo Simon and Garfunkel, written by Paul Simon. A first version of the song was released in 1964 on the album Wednesday Morning, 3 A.M., it is an acoustic version. But their producer recorded an electric version without their knowledge the following year, it was part of the eponymous album published in 1966. The song then enjoyed immense success. Here is an arrangement for Clarinet Quartet of this timeless song. The Sound of Silence est une chanson du duo de folk rock américain Simon and Garfunkel, écrite par Paul Simon. Une première version de la chanson sort en 1964 sur l’album Wednesday Morning, 3 A.M., c’est une version acoustique. Mais leur producteur en enregistre une version électrique àleur insu l’année suivante, elle fait partie de l’album éponyme publié en 1966. La chanson connaît alors un immense succès. Voici un arrangement pour quatuor de clarinettes de cette chanson indémodable.
$14.99
3 Dutch Songs of the Sea
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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A J Schooleman, J J Viotta, an
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Fiona Hickie
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3 Dutch Songs of the Sea
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Fiona Alice Hickie
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.738224 Composed by A J Schooleman, J J Viotta, and Trad. Arranged by Fiona Hickie. ...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.738224 Composed by A J Schooleman, J J Viotta, and Trad. Arranged by Fiona Hickie. Folk,Multicultural,Patriotic,World. 16 pages. Fiona Alice Hickie #6082941. Published by Fiona Alice Hickie (A0.738224). This contains 3 pieces for clarinet quartet:1. Een Liedje van Koppestock, den Veerman is also known as In Naam van Oranje. This is about the intake of Den Briel in 1572 for Willem van Oranje.2. Daar was Laatst een Meisje Loos (There was a Girl Last Time There)This is a Dutch sea shanty that was sung as they walked around the capstan. This song is also a popular Dutch children's song.3. Een Triomfantelijk Lied van de Zilvervloot (A Triumphant Song of the Silver Fleet) Also called ' 'Heb je van de Zilveren Vloot wel Gehoord'This song is about the victory of Dutch Commander, Piet Hein on the Spanish Armada in 1628 during the Eighty Years’ War.
$12.00
Thomas Theme
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Ennio Morricone, Mike O'Donnel
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Diego Marani
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Thomas Theme
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.528165 Composed by Ennio Morricone, Mike O'Donnell, and William Campbell. Arranged by Di...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.528165 Composed by Ennio Morricone, Mike O'Donnell, and William Campbell. Arranged by Diego Marani. 20th Century,Contemporary,Film/TV,Instructional,Standards. 11 pages. Diego Marani #5001215. Published by Diego Marani (A0.528165). Duck, You Sucker! (Italian: Giù la testa), also known as A Fistful of Dynamite and Once Upon a Time... the Revolution, is a 1971 Italian epic Zapata Western film directed and co-written by Sergio Leone and starring Rod Steiger, James Coburn and Romolo Valli.The musical score for Duck, You Sucker! was composed by Ennio Morricone, who collaborated with Leone in all his previous projects as a director. Elvis Mitchell, former film critic for The New York Times, considered it as one of Morricone's most glorious and unforgettable scores.This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet. It is suitable for classroom, repertoire and recital.
$19.99
Traumerei from "Album For The Young" for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Classique
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R
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Diego Marani
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Traumerei from "Album For
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.527661 Composed by R. Schumann. Arranged by Diego Marani. Classical,Instructional,Romant...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.527661 Composed by R. Schumann. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. 10 pages. Diego Marani #3068577. Published by Diego Marani (A0.527661). Kinderszenen (original spelling Kinderscenen, Scenes from Childhood), Opus 15, by Robert Schumann, is a set of thirteen pieces of music for piano written in 1838. Schumann wrote 30 movements for this work, but chose 13 for the final version. The unused movements were later published in Bunte Blätter, Opus 99, and Albumblätter, Opus 124. Discussing the set, Schumann told his wife Clara that the thirty small, droll things were inspired by her comment that he sometimes seemed like a child. In 1840, he described them as more cheerful, gentler, more melodic than his earlier works. Movement No. 7 of the work, Träumerei, is one of Schumann's best known pieces; it is the opening and closing musical theme of the 1947 Hollywood film Song of Love, and Träumerei is the title of a 1944 German biographical film on Schumann.This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
$9.99
He's A Pirate
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Film/TV
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Geoffrey Zanelli, Hans Zimmer,
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He's A Pirate
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Jose Welligton Sousa de Castro
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1213525 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Jo...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1213525 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Jose Welligton Sousa de Castro. Broadway,Film/TV,Historic,Musical/Show,Pop. 10 pages. Jose Welligton Sousa de Castro #810716. Published by Jose Welligton Sousa de Castro (A0.1213525). He's A Pirate for Clarinet Quartet Sheet Music - Captivating Arrangement by Welligton Sousa in G Minor (Concert Pitch). Set sail with the captivating arrangement of He's A Pirate, the theme song from Pirates of the Caribbean: The Curse of the Black Pearl, now available for Clarinet Quartet. Expertly arranged by Welligton Sousa in the key of G Minor (Concert Pitch), this exciting piece features swashbuckling melodies that will transport your audience straight to the high seas. With a duration of 2:33, this sheet music is perfect for spring and fall recitals, concertos with a film theme, and more. Add this iconic soundtrack to your repertoire and impress your audience with the thrilling energy of this timeless classic.
$12.99
Amazing Grace! How Sweet the Sound (for Clarinet Quartet)
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Traditional
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Kenneth Abeling
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Amazing Grace! How Sweet the S
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble - Level 2 - SKU: A0.515076 Composed by Traditional. Arranged by Kenneth Abeling. Religious,Sacred. 12 pages. LINCOLN MUSIC PUBLICATION...
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Woodwind Ensemble - Level 2 - SKU: A0.515076 Composed by Traditional. Arranged by Kenneth Abeling. Religious,Sacred. 12 pages. LINCOLN MUSIC PUBLICATIONS #4758445. Published by LINCOLN MUSIC PUBLICATIONS (A0.515076). Amazing Grace! How Sweet the Sound, Lyrics by John Newton set to the hymn tune New Britain for Clarinet Quartet. This is perhaps the most well-known Hymn of all time reflecting Newton’s path to Christianity and prayer for forgiveness as a former Slave trader. This more contemporary and moderately easy level arrangement is appropriate for a variety of religious events. Playing time 3:15. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com.
$11.99
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852647. Published by jmsgu3 (A0.1259372). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Clarinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: Le Messe de Nostre Dame for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Guillame de Machaut, 1300-1377
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James M
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Machaut: Le Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by Jam...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853210. Published by jmsgu3 (A0.1260025). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Calrinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
God Bless The U.S.A.
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Lee Greenwood
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Dennis Ruello
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God Bless The U.S.A.
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Chicory Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.734480 By Lee Greenwood. By Lee Greenwood. Arranged by Dennis Ruello. 20th Century,Count...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.734480 By Lee Greenwood. By Lee Greenwood. Arranged by Dennis Ruello. 20th Century,Country,Historic,Patriotic,Singer/Songwriter. 15 pages. Chicory Music #5954073. Published by Chicory Music (A0.734480). God Bless the U.S.A. (also known as Proud to Be an American) is an American patriotic song written and recorded by American country music artist Lee Greenwood, and is considered to be his signature song. The first album it appears on is 1984's You've Got a Good Love Comin'. It reached No. 7 on the Billboard magazine Hot Country Singles chart when originally released in the spring of 1984, and was played at the 1984 Republican National Convention with President Ronald Reagan and First Lady Nancy Reagan in attendance, but the song gained greater prominence during the Gulf War in 1990 and 1991, as a way of boosting morale, and was re-included on his 1992 album American Patriot as a result of its newfound popularity.The popularity of the song rose sharply after the September 11 attacks and during the 2003 invasion of Iraq, and the song was re-released as a single, re-entering the country music charts at No. 16 and peaking at No. 16 on the Billboard Hot 100 pop chart in 2001. The song was also re-recorded in 2003 and released as God Bless the U.S.A. 2003. Greenwood also wrote a Canadian version of this song called God Bless You Canada. The song has sold over a million copies in the United States by July 2015.This version is arranged in F Concert for Clarinet Quartet plus Optional Acoustic Bass and Drum Set at the Intermediate Level.Performance time is approx. 3 minutes.
$15.99
HARK! THE HERALD ANGELS SING - Clarinet Quartet ( SSAB/SSSB) w/ optional Acoustic Bsss and Drum Set
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Dennis Ruello
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HARK! THE HERALD ANGELS SING -
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Chicory Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.734337 Composed by Felix Bartholdy Mendelssohn. Arranged by Dennis Ruello. Christian,Chr...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.734337 Composed by Felix Bartholdy Mendelssohn. Arranged by Dennis Ruello. Christian,Christmas,Jazz. 12 pages. Chicory Music #2948385. Published by Chicory Music (A0.734337). HARK! THE HERALD ANGELS SING - Clarinet Quartet w/opt. Acoustic Bass and Drum Set Parts Hark! The Herald Angels Sing is a Christmas carol that first appeared in 1739 in the collection Hymns and Sacred Poems, having been written by Charles Wesley. Wesley had requested and received slow and solemn music for his lyrics, not the joyful tune expected today. Moreover, Wesley's original opening couplet is Hark! how all the welkin rings / Glory to the King of Kings.[1] The popular version is the result of alterations by various hands, notably by Wesley's co-worker George Whitefield who changed the opening couplet to the familiar one, and by Felix Mendelssohn. In 1840, a hundred years after the publication of Hymns and Sacred Poems, Mendelssohn composed a cantata to commemorate Johann Gutenberg's invention of the printing press, and it is music from this cantata, adapted by the English musician William H. Cummings to fit the lyrics of Hark! The Herald Angels Sing, that propels the carol known today.This arrangement, in the clarinet friendly key of F concert, can be preformed as a quartet with or without the optional acoustic bass and drum set parts. No extremes in range or technique are required to play this intermediate level piece. Your performers and audience will enjoy the modern harmonies used in this presentation. Performance time approx. 2 minutes 6 seconds.
$11.99
It's Beginning To Look Like Christmas
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Noël
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Meredith Willson
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Vanessa Klassen
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It's Beginning To Look Like Ch
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Vanessa Klassen
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.919137 Composed by Meredith Willson. Arranged by Vanessa Klassen. Contemporary. 11 pages...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.919137 Composed by Meredith Willson. Arranged by Vanessa Klassen. Contemporary. 11 pages. Vanessa Klassen #6141353. Published by Vanessa Klassen (A0.919137). Meredith Willson was an American composer best known for his hit Broadway musical The Music Man. He wrote It’s Beginning to Look a Lot Like Christmas in 1951. It is a popular belief that Willson wrote the song while staying in the Grand Hotel in Yarmouth, Nova Scotia. The lyrics reference the Grand Hotel, the nearby park, and the five and ten, which was a store in Yarmouth at that time. This arrangement for clarinet quartet is set in a swing style and incorporates jazz rhythms and articulations.
$12.99
Rabbit's Foot Foxtrot for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Ragtime
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George Cobb
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Martin Todd
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Rabbit's Foot Foxtrot for Clar
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Madecroft Publishing
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SheetMusicPlus
Composed by George Cobb. Arranged by Martin Todd. Romantic Period, Repertoire, Recital, Old-time. Score, Set of Parts. 19 pages. Published by Madecroft Publishi...
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Composed by George Cobb. Arranged by Martin Todd. Romantic Period, Repertoire, Recital, Old-time. Score, Set of Parts. 19 pages. Published by Madecroft Publishing (S0.145517). - Score,Set of Parts - Romantic Period,Repertoire,Recital,Old-time - Madecroft Publishing
One of the cheekiest arrangements out there. Have a lot of fun as you perform Cobb's 'Rabbit's Foot Foxtrot'. Another hidden gem that no quartet should be without. Listen to then buy now. Arranged for Bb Clarinet 1, 2, 3 or Eb Alto Clarinet, and Bb Bass Clarinet.
$7.99
Solage: Le basile for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Solage
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James M
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Solage: Le basile for Clarinet
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jmsgu3
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,C...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
Bach: Wachet auf for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Clarinet
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.549861 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,C...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.549861 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 18 pages. Jmsgu3 #3557469. Published by jmsgu3 (A0.549861). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore. Instrumentation: 2 Bb clarinets, 1 alto clarinet, 1 bass clarinet.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbrevia.
$39.95
Who’s Sorry Now? (for Clarinet Quartet)
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Snyder, Kalmer & Ruby
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Kenneth Abeling
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Who’s Sorry Now?
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SheetMusicPlus
Clarinet Quartet - Advanced Intermediate - Digital Download Composed by Snyder, Kalmer & Ruby. Arranged by Kenneth Abeling. Jazz, Swing, Musicals...
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Clarinet Quartet - Advanced Intermediate - Digital Download Composed by Snyder, Kalmer & Ruby. Arranged by Kenneth Abeling. Jazz, Swing, Musicals, Movies. Score, Set of Parts. 19 pages. Published by LINCOLN MUSIC PUBLICATIONS
Who?s Sorry Now? Music by Ted Snyder, Lyrics by Bert Kalmer and Harry Ruby arranged here for Clarinet Quartet by Kenneth Abeling. This is an advanced intermediate to easy advanced level arrangement of the 1923 immensely popular song recorded by a variety of vocalists, and appearing in number of films. Playing Time 3:15. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com Preview this score on YouTube: https://www.youtube.com/watch?v=UqDO-OQdYAc
$11.99
That's A Plenty (clarinet quartet arrangement)
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
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Contemporain
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Lew Pollack
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James Pybus
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That's A Plenty
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James Pybus
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SheetMusicPlus
SSAB or SSSB Clarinet Quartet - Advanced - By Lew Pollack. Arranged by James Pybus. Score, Set of Parts. 27 pages. Published by James Pybus...
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SSAB or SSSB Clarinet Quartet - Advanced - By Lew Pollack. Arranged by James Pybus. Score, Set of Parts. 27 pages. Published by James Pybus
That's a Plenty is originally a 1914 ragtime piano composition by Lew Pollack. Lyrics by Ray Gilbert (born 1912) were added decades later. The composition started out as a rag but is nowadays played as a part of the Dixieland jazz repertoire. The song has been recorded by numerous artists and is considered a jazz standard. This arrangement of That?s A Plenty may be performed by either SSAB or SSSB Clarinet Quartet. Duration is 2:22. Contact me at james.pybus@rogers.com.
$20.00
Peter Gink
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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George L Cobb
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Spence Bundy
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Peter Gink
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Spencer Bundy
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.837538 Composed by George L Cobb. Arranged by Spence Bundy. 20th Century,Ragtime. 14 pag...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.837538 Composed by George L Cobb. Arranged by Spence Bundy. 20th Century,Ragtime. 14 pages. Spencer Bundy #4580773. Published by Spencer Bundy (A0.837538). In the early 1900's it was very popular for composers to use well known classical themes for the basis of a Ragtime tune.This time George L Cobb gives one of Grieg's most popular compositions the Ragtime treatment. It was also recorded in 1919 by The Six Brown Brothers as a Saxophone sextet.
$6.00
Still Still Still - Christmas song - Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Classique
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Musique Sacrée
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Traditional
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Thomas Graf
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Still Still Still - Christmas
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Composed by Traditional. Arranged by Thomas Graf. Baroque Period, Christian, Sacred, Christmas. Score, Set of Parts. 17 pages. Published by Thomas Graf - the-hi...
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Composed by Traditional. Arranged by Thomas Graf. Baroque Period, Christian, Sacred, Christmas. Score, Set of Parts. 17 pages. Published by Thomas Graf - the-hit-factory.com (S0.47157). - Score,Set of Parts - Baroque Period,Christian,Sacred,Christmas - Thomas Graf - the-hit-factory.com
Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum, it has changed slightly over the years but remains attributed to G. Götsch. As played by the ORIGINAL DRACHENFELSERMUSIKANTEN. Big fun to play! Not difficult. Instrumentation: Clarinet 1 and 2 in Bb, Basset Horn/Clarinet 3 in Bb, Bass Clarinet in Bb/Bassoon Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N...
$13.99
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