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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
That
Sheetmusicplus
Non classifié
19 101
Piano & claviers
Piano seul
11 576
Piano, Voix
5 056
Piano Facile
3 426
Piano, Voix et Guitare
2 672
Accompagnement Piano
2 226
Instruments en Do
1 381
Orgue
1 001
1 Piano, 4 mains
280
Piano Trio: piano, violon, violoncelle
200
Piano (partie séparée)
116
2 Pianos, 4 mains
98
Piano grosses notes
85
Piano Quatuor: piano, 2 violons, violoncelle
76
Accordéon
69
Piano Quatuor: piano, violon, alto, violoncelle
53
Orgue, Trompette (duo)
30
Piano Quintette: piano, 2 violons, alto, violoncelle
26
Orgue, Piano (duo)
23
Clavecin
17
1 Piano, 6 mains
8
2 Pianos, 8 mains
7
Clavier
5
Ensemble d'Accordéons
1
Orgue et Orchestre
1
+ 19 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 207
Guitare
1 100
Ligne De Mélodie, (Paroles) et Accords
557
Ukulele
549
Guitare (partie séparée)
223
Basse electrique
187
Paroles et Accords
152
2 Guitares (duo)
90
Piano, Guitare (duo)
69
Mandoline
59
4 Guitares (Quatuor)
56
Dulcimer
50
Banjo
44
3 Guitares (trio)
28
Ensemble de guitares
17
Mandoline, Guitare (duo)
7
2 Dulcimers (duo)
5
Guitare, Violon, Violoncelle (trio)
4
Basse électrique (partie séparée)
3
Ukulele Baryton
2
Mandoline, Piano (duo)
2
Guitare, Flûte, Clarinette
2
Guitare Pedal Steel
2
Guitare, Orchestre
2
Guitare, Quatuor à cordes
1
2 Ukuleles
1
Ensemble de Ukulélés
1
Orchestre à Plectres
1
Dobro
1
Guitare Tab, Voix, Basse, Batterie
1
Cithare
1
+ 26 instrumentations
Retracter
Voix
Chorale SATB
6 783
Chorale 2 parties
2 910
Chorale 3 parties
2 470
Chorale Unison
2 045
Voix duo, Piano
1 294
Chorale TTBB
1 005
Chorale SSAA
605
Voix duo
362
Voix Soprano, Piano
300
Voix Alto, Piano
237
Voix Tenor, Piano
224
Voix Baryton, Piano
127
Pack Instrumental pour Chorale
103
Voix haute
103
Voix seule
94
Voix moyenne, Piano
55
Chorale
44
Voix Tenor
43
Voix Soprano
36
Voix basse, Piano
27
Chorale SSAATTBB
19
Chorale SSATB
14
Voix Mezzo-Soprano, Piano
10
Voix basse
9
Chorale SSATTB
8
Soli, choeur mixte et accompagnement
5
Chorale SSAB, Piano
3
Chorale SSAB a cappella
3
Chorale SATBB
3
Chorale, Orgue
2
Male Voice
2
Voix haute, Piano
1
Voix, Guitare
1
Chorale SSAATB
1
+ 29 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
1 429
Flûte traversière et Piano
1 219
2 Saxophones (duo)
1 031
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 030
Clarinette et Piano
993
Flûte, Hautbois, Clarinette, Basson
971
Saxophone (partie séparée)
906
Hautbois, Piano (duo)
876
Saxophone Alto et Piano
850
Flûte traversière
707
Saxophone Tenor et Piano
685
Clarinette
637
Quintette de Saxophone: 5 saxophones
621
Saxophone Soprano et Piano
587
2 Flûtes traversières (duo)
558
Quatuor de Clarinettes: 4 clarinettes
527
2 Clarinettes (duo)
514
Saxophone Alto
484
Hautbois (partie séparée)
317
Saxophone Tenor
315
Flûte, Clarinette (duo)
308
Quatuor de Flûtes : 4 flûtes
306
3 Saxophones (trio)
292
Ensemble de Clarinettes
267
Saxophone Baryton, Piano
257
Ensemble de saxophones
236
Clarinette, Violon (duo)
233
Ensemble de Flûtes
200
2 Hautbois (duo)
199
Clarinette (partie séparée)
182
Saxophone, Clarinette (duo)
177
Flûte, Violon
149
Hautbois, Basson (duo)
148
3 Clarinettes (trio)
140
2 Flûte à bec (duo)
139
Quintette de Clarinettes: 5 clarinettes
138
Hautbois
129
Quintette de Flûte : 5 flûtes
123
Trio de Flûtes: 3 flûtes
123
Flute (partie séparée)
122
Cor anglais, Piano
115
Hautbois, Clarinette (duo)
112
Flûte, Violon, Piano
100
Clarinette, Trompette (duo)
98
Clarinette Basse, Piano
93
Saxophone Soprano
88
Flûte irlandaise
87
Clarinette et Alto
84
Flûte et Guitare
82
Flûte, Hautbois, Clarinette (trio)
80
Clarinette, Basson (duo)
75
2 Flûtes traversières, Piano
74
Flûte, Violoncelle
71
Flûte, Alto (duo)
71
Flûte à bec Soprano
71
Flûte, Saxophone (duo)
70
Quatuor de Flûtes à bec
69
Hautbois, Flûte
65
Flûte, Trompette (duo)
63
Clarinette, Violoncelle (duo)
62
Saxophone Baryton
60
Flûte, Clarinette et Basson
57
Flûte, Hautbois (duo)
54
Hautbois, Clarinette, Basson (trio d'anches)
53
Flûte, Clarinette, Piano (trio)
52
Hautbois, Violoncelle
48
2 Clarinettes, Piano
48
Flûte, Violon et Violoncelle
41
Flûte à bec Alto
38
Flûte à Bec
37
Clarinette, Guitare (duo)
36
Clarinette, Violoncelle, Piano (trio)
36
Hautbois, violon (duo)
34
5 Flûtes à bec
33
Harmonica
31
Flûte, trombone et piano
30
Flûte, Violoncelle, Piano (trio)
30
Flûte, Hautbois, Piano (trio)
29
Flûte, Hautbois, Basson
28
Flûte, Trombone (duo)
27
Ocarina
26
Flûte, Basson et Piano
25
Clarinette, Trombone (duo)
24
Flûte, Alto et Piano
24
3 Flûtes à bec (trio)
20
Flûte à bec Tenor
16
Piccolo, Piano
16
Flûte à bec Alto, Piano
15
Flûte à bec Soprano, Piano
14
2 Saxophones, Piano
13
Ensemble De Flûte à bec
13
Clarinette, trompette et piano
13
Hautbois et alto (duo)
12
Cor Anglais
12
3 Hautbois
12
4 Hautbois
11
Instruments en Mib
11
Flûte, Violon, Violoncelle et Piano
11
Clarinette Basse
11
Saxophone, Violon (duo)
10
Flûte, Clarinette, Cor, Basson (Quartet)
10
Hautbois, Trompette (duo)
10
Hautbois, Guitare (duo)
10
Cor anglais, Guitare (duo)
9
Saxophone et Guitare
9
Flute, harpe et violon
8
Saxophone
8
Saxophone et Orgue
6
Hautbois, Harpe
6
Flûte, Violoncelle, Guitare
6
Piccolo
6
Clarinette, Harpe (duo)
6
Ensemble à vent
6
Saxophone et Harpe
5
Flûte et Trio à cordes
5
Hautbois, Violin, Alto et Violoncelle (Quatuor)
4
Flûte traversière, Orgue (duo)
4
Clarinette, Tuba
4
Hautbois, trombone (duo)
4
Flûte à Bec, Piano
4
2 Cors Anglais Et Pianoforte
3
Hautbois, Violon, Piano
3
Clarinette, Basson, Piano (trio)
3
Cornemuse
3
2 Clarinettes, Basson
3
Flûte, Violon, Guitare
3
Hautbois, Clarinette et Piano (Trio)
3
Flute, Cor (duo)
3
Clarinette, Alto et Piano (trio)
3
Flûte, Tuba (duo)
3
Ensemble de Hautbois
2
Clarinette, Contrebasse (duo)
2
Hautbois, Basson et Piano
2
Flûte à bec Alto, Basse continue
2
Flûte, Hautbois, Violon
2
2 Hautbois, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Harpe et Violoncelle
2
Flûte, alto et harpe
2
Flûte traversière, Basse continue
2
Clarinette, Saxophone, Piano
1
Saxophone et violoncelle
1
Cor anglais et Harpe (duo)
1
2 Hautbois, 2 Cors et 2 Bassons
1
Flûte, Clarinette, Violon (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone, Tuba (duo)
1
Clarinette, Orgue
1
2 Flûtes à bec, Piano
1
Saxophone, Basson (duo)
1
Flûte à bec, Guitare (duo)
1
Flûte à bec, Harpe
1
Harmonica, Piano
1
+ 148 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 172
Trompette, Piano
848
Trombone et Piano
847
Quatuor de Cuivres : 2 trompettes, trombone, tuba
813
Trompette
708
Trombone (partie séparée)
701
Cor et Piano
604
Trompette (partie séparée)
591
Trombone
449
Quatuor de Cuivres: 2 trompettes, Cor, trombone
388
Cor
378
Tuba et Piano
336
2 Trombones (duo)
310
2 Trompettes (duo)
301
Tuba
291
Quatuor de Cuivres
220
Trompette, Trombone (duo)
186
2 Cors (duo)
167
Euphonium, Piano (duo)
153
Quatuor de cuivres: 4 trombones
141
Trompette, Saxophone (duo)
137
Cor (partie séparée)
137
Tuba (partie séparée)
122
Ensemble de Trombones
117
Ensemble de Trompettes
116
Cor anglais, Piano
115
Trompette, Cor (duo)
114
2 Tubas (duo)
79
Quatuor de cuivres: 4 cors
65
Quatuor de cuivres: 4 trompettes
45
Trio de Cuivres
41
Euphonium
37
Ensemble de Cors
35
2 Euphoniums et 2 Tubas
34
Quatuor de cuivres: 2 trompettes, 2 trombones
31
2 Euphoniums (duo)
28
Trompette, Violoncelle et Piano
27
Cor, Violoncelle (duo)
24
3 Trombones (trio)
24
4 Tubas
22
Bass Clef Instruments
18
Tuba et Orgue
17
3 Trompettes (trio)
16
Trompette, Basson (duo)
15
Trompette, Violoncelle (duo)
13
Trompette, violon (duo)
13
Instruments en Sib
12
Cor Anglais
12
Trombone basse et Piano
11
Trombone, Tuba (duo)
10
Trombone, Orgue
10
Trombone basse
10
Trompette, Tuba (duo)
10
3 Cors (trio)
10
Cor anglais, Guitare (duo)
9
Trombone, violoncelle (duo)
9
Cor et Basson (duo)
9
2 Trompettes, Clavier (piano ou orgue)
8
Trombone, Cor (duo)
8
3 Tubas (trio)
7
Instruments en Fa
7
Trompette et Guitare
6
Euphonium, Tuba (duo)
6
Cor et Harpe
5
Trompette, Trombone, Piano
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
4
Clarinette, Cor (duo)
4
Trombone, Violon (duo)
4
2 Cors Anglais Et Pianoforte
3
Cor, Tuba (duo)
3
2 Cors, Piano
3
3 Euphoniums
3
Cor et Orgue
2
Trombone, Alto (duo)
2
Cor, Violoncelle et Piano
1
Cornet et orchestre
1
Trompette, Harpe
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
Trompette, Orchestre
1
Tuba ou Euphonium ou Saxhorn
1
Trompette, Euphonium (duo)
1
Cor, Trompette, Trombone (trio)
1
+ 78 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3 093
Violon et Piano
1 426
Violon
1 083
Violoncelle, Piano
968
Alto, Piano
911
Violon, Violoncelle (duo)
782
Violoncelle
733
Trio à Cordes: violon, alto, violoncelle
635
Harpe
507
2 Violons (duo)
459
Alto seul
453
Quintette à cordes: 2 violons, alto, violoncelle, basse
379
2 Violoncelles (duo)
353
Violon, Alto (duo)
305
Contrebasse, Piano (duo)
263
Violon (partie séparée)
256
Contre Basse
248
2 Altos (duo)
246
Contrebasse (partie séparée)
234
Trio à Cordes: 2 violons, violoncelle
233
Alto (partie séparée)
194
2 Harpes (duo)
142
Piano Trio: Violon, Alto, Piano
129
Alto, Violoncelle (duo)
114
4 Violoncelles
86
Trio à cordes: 3 violins
81
Violoncelle (partie séparée)
58
2 Contrebasses (duo)
57
Trio à Cordes: 3 violoncelles
55
Violon, Basson (duo)
53
Quatuor à cordes: 4 violons
51
Violon, Guitare (duo)
43
Violoncelle, Contrebasse (duo)
34
Ensemble de Violons
32
Alto et Basson
31
Trio à cordes: 3 altos
31
Ensemble d'Altos
28
Violoncelle , Guitare (duo)
27
Harpe, Flûte (duo)
23
Harpe, Violon (duo)
22
Quintette à cordes: 2 violons, 2 altos, violoncelle
21
Quatuor à cordes : 4 altos
21
Harpe, Voix
18
Trio à Cordes: 2 violons, alto
18
Violon, Clarinette, Piano (trio)
17
Harpe, Violoncelle (duo)
15
Alto, Guitare (duo)
12
Quintette à cordes : 2 violons, alto et 2 violoncelles
11
Alto et Harpe
11
Violoncelle, Orgue
9
Flûte, Contrebasse (duo)
8
2 Violons, Piano
8
Harpe, Trombone (duo)
5
Harpe, Violon, Violoncelle
5
4 Contrebasses
5
Ensemble de Violoncelles
5
Harpe et Piano
4
3 Harpes
4
Violon, Tuba (duo)
3
Violoncelle, Orchestre
3
Violoncelle, Basse continue
3
4 Harpes
3
Violon, Orgue
2
Violon, Trompette et Piano
2
Trio à cordes
2
Harpe et mandoline
2
2 Violoncelles, Piano
2
Autoharp
2
5 Harpes
2
Harpe et Orgue
1
Alto et orchestre
1
Violon, Violoncelle, Clarinette
1
+ 67 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
7 497
Orchestre à Cordes
1 695
Orchestre
1 241
Ensemble Jazz
1 184
Fanfare
876
Ensemble de cuivres
687
Cloches
534
Orchestre de chambre
421
Jazz combo
254
Batterie
215
Ensemble de Percussions
193
Batterie (partie séparée)
137
Percussion (partie séparée)
128
Marimba
31
Vibraphone
24
Xylophone, Piano
23
Percussion
12
Xylophone
11
Timbales (partie séparée)
10
Big band
8
2 Xylophones
8
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Orchestre, Violon
6
Ensemble d'École
5
Quintette de Cuivres: autres combinaisons
4
Piano et Orchestre
4
Quintette à Vent
3
Vibraphone et Marimba
3
Instrumentation Flexible
3
Cajon
2
Caisse Claire
2
2 Marimbas
1
Xylophone ou Marimba ou Vibraphone
1
Bongos
1
Timbales
1
Marimba et Orgue
1
Marimba, Piano (duo)
1
Vibraphone (partie séparée)
1
Conga
1
Bodhran
1
2 Percussions
1
+ 36 instrumentations
Retracter
Autres
Formation musicale - Solfège
9
Théorie de la musique
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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526
Running Up That Hill
#
Quatuor de Clarinettes: 4 clarinettes
#
FACILE
#
Film/TV
#
Kate Bush
#
Sean Sullivan
#
Running Up That Hill
#
Sean Sullivan
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.1209065 By Kate Bush. By Kate Bush. Arranged by Sean Sullivan. Film/TV,Pop. 16 page...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.1209065 By Kate Bush. By Kate Bush. Arranged by Sean Sullivan. Film/TV,Pop. 16 pages. Sean Sullivan #807177. Published by Sean Sullivan (A0.1209065). As the lead single from her album, The Hounds of Love (1985), Running Up That Hill by the British singer Kate Bush is featured in the hit Netflix series Stranger Things. In this arrangement, the ensemble takes on the role of the Hawkins family as they face the difficulties of coming to terms with the death of their daughter. The arrangement is delicate and emotional, perfectly capturing the essence of the song. Your clarinet quartet will deliver an emotional performance that's perfect for fans of the show and your audience will feel like they're right in Hawkins, Indiana as you listen to this arrangement! This arrangement is written for 3 Bb Clarinets and Bass Clarinet.
$12.99
That's A Plenty by Lew Pollack for Clarinet Quartet in Schools
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Lew Pollack
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Joseph Judge
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That's A Plenty by Lew Pollack
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School Ensemble Music
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1362697 Composed by Lew Pollack. Arranged by Joseph Judge. Chamber,Jazz. 15 pages. ...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1362697 Composed by Lew Pollack. Arranged by Joseph Judge. Chamber,Jazz. 15 pages. School Ensemble Music #947085. Published by School Ensemble Music (A0.1362697). That's A Plenty, Lew Pollack, 3:40, for clarinet quartet. Clarinet, Clarinet, Clarinet, Bass Clarinet. This early dixie jazz song was arranged to be easy to play: range limited, rests provided, melodies marked, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Also available for other quartets: Brass, Saxophone, String, Woodwind. Please submit feedback at SchoolEnsemble.com.
$8.99
The Song That Goes Like This
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Contemporain
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Eric Idle and John Du Prez
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Dan Milverton
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The Song That Goes Like This
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Dan Milverton
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.1016222 Composed by Eric Idle and John Du Prez. Arranged by Dan Milverton. Contemporary....
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.1016222 Composed by Eric Idle and John Du Prez. Arranged by Dan Milverton. Contemporary. 19 pages. Dan Milverton #5322087. Published by Dan Milverton (A0.1016222). Clarinet Quartet- 4x Bb clarinet (optional Bass Clarinet Substitute included). IntermediateAn early/ intermediate arrangement for clarinet quartet with the option of adding a bass clarinet for the bottom part.This arrangement of Spamalot's 'The Song That Goes Like This' utilises the range the clarinet in the two duetting parts. The underneath parts have the challenge of maintaining the energy and legato quaver passages. This arrangement has worked well in school ensembles with players ranging from grade 3-5. It's a fun song with multiple key changes taking the players through a number of tricky key signatures.
$14.99
I Want It That Way
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Backstreet Boys
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Kayleigh Huelin
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I Want It That Way
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Kayleigh Huelin
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1182877 By The Backstreet Boys. By Andreas Carlsson and Max Martin. Arranged by Kayleigh Huelin. ...
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Clarinet Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1182877 By The Backstreet Boys. By Andreas Carlsson and Max Martin. Arranged by Kayleigh Huelin. Pop,Rock. 8 pages. Kayleigh Huelin #782626. Published by Kayleigh Huelin (A0.1182877). This piece is almost guaranteed to be a singalong hit with an audience! Perfect for weddings and parties and other informal events, the Backstreet Boys' I Want It That Way is a cornerstone of nineties boyband pop and will be a welcome addition to your repertoire!Like this? Why not check out my website for more arrangements: www.khuelinmusic.co.uk.
$19.99
They Can't Take That Away From Me
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Frank Sinatra
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Kenneth Abeling
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They Can't Take That Away From
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1306219 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Kenneth Abeling. Film/...
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Clarinet Quartet,Woodwind Ensemble - Level 4 - SKU: A0.1306219 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Kenneth Abeling. Film/TV,Jazz. 14 pages. LINCOLN MUSIC PUBLICATIONS #895611. Published by LINCOLN MUSIC PUBLICATIONS (A0.1306219). They Can’t Take That Away from Me, music by George Gershwin and lyrics by Ira Gershwin arranged for Clarinet Quartet. This is an intermediate to advanced intermediate level arrangement of the Academy Award nominated song introduced by Fred Astaire in the 1937 film Shall We Dance. It has been featured in several other Broadway musicals, films and covered by numerous recording artists as well. The playing time is approximately 3:30. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$14.99
That's A Plenty (clarinet quartet arrangement)
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
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Contemporain
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Lew Pollack
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James Pybus
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That's A Plenty
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James Pybus
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SheetMusicPlus
SSAB or SSSB Clarinet Quartet - Advanced - By Lew Pollack. Arranged by James Pybus. Score, Set of Parts. 27 pages. Published by James Pybus...
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SSAB or SSSB Clarinet Quartet - Advanced - By Lew Pollack. Arranged by James Pybus. Score, Set of Parts. 27 pages. Published by James Pybus
That's a Plenty is originally a 1914 ragtime piano composition by Lew Pollack. Lyrics by Ray Gilbert (born 1912) were added decades later. The composition started out as a rag but is nowadays played as a part of the Dixieland jazz repertoire. The song has been recorded by numerous artists and is considered a jazz standard. This arrangement of That?s A Plenty may be performed by either SSAB or SSSB Clarinet Quartet. Duration is 2:22. Contact me at james.pybus@rogers.com.
$20.00
"It Don't Mean A Thing" If It Ain't Got That Swing (Duke Ellington) Clarinet Quartet (B.Cl.) arr. Adrian Wagner
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Quatuor de Clarinettes: 4 clarinettes
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Jazz
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Duke Ellington
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"It Don't Mean A Thing" If It
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Adrian Wagner
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SheetMusicPlus
By Duke Ellington. Arranged by Adrian Wagner. Score, Set of Parts. 18 pages. Published by Published by Adrian Wagner...
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By Duke Ellington. Arranged by Adrian Wagner. Score, Set of Parts. 18 pages. Published by Published by Adrian Wagner
$22.95
That Crazy Thing - Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Hasper
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That Crazy Thing - Clarinet Qu
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Joseph Hasper
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.734894 Composed by Joseph Hasper. 20th Century,Contemporary,Jazz. 26 pages. Joseph Haspe...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.734894 Composed by Joseph Hasper. 20th Century,Contemporary,Jazz. 26 pages. Joseph Hasper #4738177. Published by Joseph Hasper (A0.734894). Up-tempo jazz madness in a modern bebop style for clarinet quartet (Eb clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Bass Clarinet) This may be the most difficult piece you'll play all year--but well worth the effort.Includes a full score and set of parts. 25 pages, 5'00 duration.
$16.99
Variations on Blessed be that maid Mary for 4 clarinets
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Traditional
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David Warin Solomons
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Variations on Blessed be that
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David Warin Solomons
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SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.580747 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Christian,Christmas,Contemporary. Indiv...
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Clarinet Solo - Level 3 - SKU: A0.580747 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Christian,Christmas,Contemporary. Individual part. 14 pages. David Warin Solomons #6064909. Published by David Warin Solomons (A0.580747). Variations based on a traditional English tune
$9.00
They Can't Take That Away From Me
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Jazz
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Frank Sinatra
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Kayleigh Huelin
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They Can't Take That Away From
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Kayleigh Huelin
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1226174 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Kayleigh...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1226174 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by Kayleigh Huelin. Jazz,Standards. 8 pages. Kayleigh Huelin #822202. Published by Kayleigh Huelin (A0.1226174). George and Ira Gershwin's classic tune from Shall We Dance, made famous by Frank Sinatra, Ella Fitzgerald and many others, this new arrangement is fun to play and will bring a bit of Hollywood sparkle to your setlist!Arranged for clarinet quartet.Like this? Why not check out my website for more arrangements: www.khuelinmusic.co.uk.
$19.99
You've Lost That Loving Feeling
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Pop musique
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Geoffrey A Chung and Lorna Ben
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Carl Raven
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You've Lost That Loving Feelin
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PopWind.co.uk
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1324258 Composed by Geoffrey A Chung and Lorna Bennett. Arranged by Carl Raven. Pop...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1324258 Composed by Geoffrey A Chung and Lorna Bennett. Arranged by Carl Raven. Pop. 13 pages. PopWind.co.uk #912455. Published by PopWind.co.uk (A0.1324258). An arrangement of this great tune for 4 clarinets, 3 Bb and one bass.For videos, recordings and more arrangements go tohttp://www.popwind.co.uk.
$12.99
Somebody That I Used To Know (Clarinet Quartet - harder version)
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Rock
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Gotye Featuring Kimbra
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Matt Amy
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Somebody That I Used To Know
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Matt Amy Music
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SheetMusicPlus
Clarinet Quartet - Intermediate - Digital Download By Gotye Featuring Kimbra. Arranged by Matt Amy. Individual Part, Lead Sheet, Score, Set of Parts,...
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Clarinet Quartet - Intermediate - Digital Download By Gotye Featuring Kimbra. Arranged by Matt Amy. Individual Part, Lead Sheet, Score, Set of Parts, Sheet Music Single. 16 pages. Published by Matt Amy Music
$15.00
Somebody That I Used To Know (Clarinet Quartet - easy version)
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Quatuor de Clarinettes: 4 clarinettes
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DÉBUTANT
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Rock
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Gotye Featuring Kimbra
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Matt Amy
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Somebody That I Used To Know
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Matt Amy Music
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SheetMusicPlus
Clarinet Quartet - Easy/Beginner - Digital Download By Gotye Featuring Kimbra. Arranged by Matt Amy. Individual Part, Lead Sheet, Score, Set of Parts...
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Clarinet Quartet - Easy/Beginner - Digital Download By Gotye Featuring Kimbra. Arranged by Matt Amy. Individual Part, Lead Sheet, Score, Set of Parts, Sheet Music Single. 16 pages. Published by Matt Amy Music
$15.00
A String Of Pearls
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Jazz
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Jerry Gray
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Diego Marani
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A String Of Pearls
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.528463 Composed by Jerry Gray. Arranged by Diego Marani. 20th Century,Contemporary,Instr...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.528463 Composed by Jerry Gray. Arranged by Diego Marani. 20th Century,Contemporary,Instructional,Jazz,Standards. 21 pages. Diego Marani #6026267. Published by Diego Marani (A0.528463). A String of Pearls is a 1941 song composed by Jerry Gray with lyrics by Eddie DeLange. It was notably recorded by Glenn Miller and His Orchestra on RCA Bluebirdthat November, becoming a #1 hit. The song is a big band and jazz standard.This arrangement for clarinet quartet (Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet) reflects faithfully the original and includes also the transcriptions of famous solos of saxes (Babe Russin, Tex Beneke) and trumpet (Bobby Hackett).It is suitable for classroom, repertoire and recital.
$19.99
When Christmas Comes To Town
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Noël
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Alan Silvestri and Glen Ballar
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Lisa Ochoco
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When Christmas Comes To Town
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.559960 Composed by Alan Silvestri and Glen Ballard. Arranged by Lisa Ochoco. Broadway,Ch...
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Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.559960 Composed by Alan Silvestri and Glen Ballard. Arranged by Lisa Ochoco. Broadway,Christmas,Contemporary,Film/TV,Musical/Show. 13 pages. Lisa L Ochoco #5984305. Published by Lisa L Ochoco (A0.559960). This song comes from the movie, The Polar Express. In the film, Billy starts singing that all of the joys that he's heard that happens at Christmas time, he's never experienced. Nevertheless, he's still hoping that Santa's on his way on Christmas Eve, and that Once lost will all be found; that's all I want when Christmas comes to town.
$15.00
Intermezzo from "Cavalleria rusticana" (Mascagni) - Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Opera
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Classique
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavaller
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RBMusic
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Clas...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 15 pages. RBMusic #913462. Published by RBMusic (A0.1325229). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for clarinet in E-flat and alto clarinet in E-flat. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
The Far North Land: Passages for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Greg Bartholomew
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The Far North Land: Passages f
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Burke & Bagley
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.787240 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Folk. 16 pages. B...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.787240 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Folk. 16 pages. Burke & Bagley #48429. Published by Burke & Bagley (A0.787240). Parts for Eb Clarinet, 2 Bb Clarinets and Bass Clarinet in Bb, with alternate 3d Bb Clarinet part in lieu of Eb Clarinet. My father enjoyed singing, particularly when the family went on road trips. One of our favorite songs that he sang was 'The Far North Land.' Several years ago, my sister recorded our father singing this song for use on the soundtrack of one of her movies. I later transcribed the song from that recording and used it as the foundation for this piece. My aunts told me they recalled my father singing this song when he was a boy growing up in Minnesota, and that they referred to it as 'Fletch's song.' It was only while working on this piece that I discovered that Duncan, Clear Water and Bear Skin are actual lakes in the border lakes region where Minnesota meets Canada. The tune is also known in the U.K. as The Road to the Isles. The arrangement for string quartet was premiered by the OdeonQuartet at Seattle's Town Hall on October 21, 2003. The arrangement for clarinet quartet was made in 2013 for the Livas Quartet. The arrangment for string orchestra is available from Imagine Music Publishing.
$14.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Sli...
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Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
#
Methodes
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
#
SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ri...
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Clarinet Solo - Level 3 - SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852647. Published by jmsgu3 (A0.1259372). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Clarinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: Le Messe de Nostre Dame for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Guillame de Machaut, 1300-1377
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James M
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Machaut: Le Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by Jam...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853210. Published by jmsgu3 (A0.1260025). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Calrinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Solage: Le basile for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Solage
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James M
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Solage: Le basile for Clarinet
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jmsgu3
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,C...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
El Grillo for clarinet quartet (mp3)
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Renaissance
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Budapest Scoring Clarinet Ense
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David Warin Solomons
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El Grillo for clarinet quartet
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David Warin Solomons
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SheetMusicPlus
B-Flat Bass Clarinet,B-Flat Clarinet - Level 4 - SKU: A0.1330458 By Budapest Scoring Clarinet Ensemble. By Josquin des Prez. Arranged by David Warin Sol...
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B-Flat Bass Clarinet,B-Flat Clarinet - Level 4 - SKU: A0.1330458 By Budapest Scoring Clarinet Ensemble. By Josquin des Prez. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 115. David Warin Solomons #918326. Published by David Warin Solomons (A0.1330458). There is a theory that El grillo refers to Carlo Frillo, a singer who worked for the same patron as Josquin, Cardinal Galeazzo Sforza, and that it was intended to remind the prelate that his musicians’ salaries were overdue. The Sforzas were apparently notoriously mean to their employees, in spite of (or possibly because of) the fact that one of them was happy to pay a large sum of money for a parrot that could recite the Creed. Certainly the words of this little piece, with their reference to the cricket who sings for love, seem to have a good deal more impact in this sardonic light. Although the piece is similar in form to many other frottole, it is really quite unlike most such works, especially the way the repeated notes are used for comic effect.  In this instrumental arrangement I have add several decorations and divisions, to illustrate the words behind it, and also just for fun.El grillo è buon cantoreche tiene lungo verso.Dalle beve grillo canta.Ma non fa come gli altri uccelli,come li han cantato un pocovan' de fatto in altro loco,  sempre el grillo sta pur saldoQuando la maggior è l' caldoalhor canta sol per amore.[suggested English paraphrase]The cricket is a good singerand he sings for a long timeGive him a drink so he can go on singingBut he doesn't do what the other birds doWho after singing a littleJust go elsewhere.  The cricket is always steadfastWhen the weather is hottest,   then he sings just for lovePerformed by The Budapest Scoring Clarinet Ensemble.
$5.00
A Convict's Life
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Fiona Alice Hickie
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Fiona Alice Hickie
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A Convict's Life
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Fiona Alice Hickie
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1451822 By Fiona Alice Hickie. By Fiona Alice Hickie, Francis MacNamara. Arranged by Fio...
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Clarinet Quartet,Woodwind Ensemble Clarinet - Level 4 - SKU: A0.1451822 By Fiona Alice Hickie. By Fiona Alice Hickie, Francis MacNamara. Arranged by Fiona Alice Hickie. Celtic,Chamber,Folk,Irish. 94 pages. Fiona Alice Hickie #1031123. Published by Fiona Alice Hickie (A0.1451822). A work with narration, song and music about an Irish born, Australian convict poet. His iconic song, Moreton Bay is still used today. This piece includes a narration, dialogue between him and a judge and Martin Cash. Apart from the song Moreton Bay it also includes some of his poems, Seizure of the Cyprus Brig in Recherche Bay, That Day I Will Be Free, For the Company Underground, that have been set to music, as well as a couple of thematic pieces to tell his incredible story or hardship and pure stubbornness. It is arranged for clarinet quartet and male vocal, who plays the role of Frank. The judge and Martin can be narrated by a member of the group. Note: The music is longer than the video. Not all repeats are in the video. Drowsy Maggie For the Company Underground 0:38 Botany Bay: 1:26 That Day I Will Be Free 2:48 Danny Boy 5:00 Moreton Bay 7:22 Seizure of the Cyprus Brig 9:18 Storm Bay Shanty 11:19 That Day I Will Be Free 14:12.
$29.99
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