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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Traditional, Medieval
Non classifié
161
Piano & claviers
Piano seul
66
Piano Facile
48
Instruments en Do
25
Piano, Voix
4
Piano, Voix et Guitare
4
Accompagnement Piano
2
Orgue
2
Piano Trio: piano, violon, violoncelle
2
Accordéon
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 5 instrumentations
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Guitares
Guitare
18
Guitare notes et tablatures
13
Ukulele
12
Ligne De Mélodie, (Paroles) et Accords
6
Paroles et Accords
5
2 Guitares (duo)
2
+ 1 instrumentations
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Voix
Chorale SATB
23
Chorale 3 parties
18
Chorale TTBB
6
Chorale SSAA
6
Chorale 2 parties
4
Chorale Unison
2
Chorale SSATB
1
Voix duo, Piano
1
+ 3 instrumentations
Retracter
Vents
2 Saxophones (duo)
26
Ensemble De Flûte à bec
18
Clarinette et Piano
17
Hautbois, Piano (duo)
17
Flûte traversière et Piano
17
Clarinette
15
Quatuor de Saxophones: 4 saxophones
14
Saxophone Alto et Piano
14
Saxophone Tenor et Piano
13
Saxophone (partie séparée)
13
Flûte traversière
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Flûte, Hautbois, Clarinette, Basson
13
2 Flûtes traversières (duo)
13
Saxophone Alto
13
2 Clarinettes (duo)
12
Quintette de Saxophone: 5 saxophones
11
Saxophone Soprano et Piano
10
Saxophone Tenor
9
Saxophone Baryton, Piano
9
Flûte, Clarinette (duo)
8
2 Hautbois (duo)
7
Hautbois
7
Hautbois (partie séparée)
6
Clarinette, Basson (duo)
5
Hautbois, Basson (duo)
5
Flûte, Hautbois (duo)
4
Cor anglais, Piano
3
Ensemble de Flûtes
3
Hautbois, Clarinette (duo)
3
Cor Anglais
3
Clarinette, Violon (duo)
3
Hautbois, Violoncelle
3
2 Flûte à bec (duo)
3
Saxophone Baryton
2
Flûte, Hautbois, Piano (trio)
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois, Basson et Piano
2
Clarinette, Violoncelle (duo)
2
Saxophone Soprano
2
Saxophone et Harpe
2
Flûte, Violoncelle
2
3 Saxophones (trio)
2
Quatuor de Clarinettes: 4 clarinettes
2
Ensemble de Clarinettes
1
Hautbois et alto (duo)
1
Clarinette, Trombone (duo)
1
Clarinette, Contrebasse (duo)
1
Clarinette, Tuba
1
3 Clarinettes (trio)
1
Flûte, Violon
1
Flûte à bec Soprano
1
Clarinette, Harpe (duo)
1
2 Hautbois, Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois, Harpe
1
Clarinette et Alto
1
Flûte, Alto (duo)
1
5 Flûtes à bec
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Clarinettes, Piano
1
Quatuor de Flûtes à bec
1
Trio de Flûtes: 3 flûtes
1
+ 58 instrumentations
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Cuivres
Quatuor de cuivres: 4 trombones
26
Trompette
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Tuba et Piano
18
Trombone et Piano
18
Cor
17
Trompette, Piano
17
Trombone
16
Cor et Piano
14
Tuba
13
Trompette, Trombone (duo)
10
2 Trompettes (duo)
10
2 Trombones (duo)
9
2 Cors (duo)
7
Quatuor de Cuivres
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
2 Tubas (duo)
5
Cor anglais, Piano
3
Cor Anglais
3
Cor, Tuba (duo)
2
Trompette, Tuba (duo)
2
Trombone, Cor (duo)
2
Trompette, Cor (duo)
2
Trompette, Harpe
1
Cor et Harpe
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
+ 21 instrumentations
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Cordes
Harpe
28
Violon et Piano
27
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violoncelle, Piano
23
Alto, Piano
22
Violon
19
Violoncelle
18
Contre Basse
16
Alto seul
16
Contrebasse, Piano (duo)
16
2 Violoncelles (duo)
13
2 Violons (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
2 Altos (duo)
9
Violon, Alto (duo)
8
Violon, Violoncelle (duo)
7
Alto, Violoncelle (duo)
7
Trio à Cordes: violon, alto, violoncelle
5
2 Contrebasses (duo)
5
Alto (partie séparée)
3
Violoncelle, Contrebasse (duo)
2
Violon, Basson (duo)
2
2 Harpes (duo)
2
Trio à cordes: 3 violins
2
2 Altos, Piano
1
Trio à cordes
1
2 Violoncelles, Piano
1
Harpe, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
Flûte, Contrebasse (duo)
1
Violon, Tuba (duo)
1
Alto et Basson
1
Trio à Cordes: 3 violoncelles
1
Alto et Harpe
1
Harpe, Flûte (duo)
1
Harpe, Violon (duo)
1
+ 31 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
10
Orchestre à Cordes
5
Orchestre
5
Ensemble de Percussions
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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UKULELE
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VIOLONCELLE
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Traditional, Medieval
Quatuor de Clarinettes: 4 clarinettes
Partitions à imprimer
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My Dancing Day for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Noël
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traditional English
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John Gibson
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My Dancing Day for Clarinet Qu
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JB Linear
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SheetMusicPlus
Composed by traditional English. Arranged by John Gibson. Christmas. Score, Set of Parts. 16 pages. Published by JB Linear (S0.84981). - Score,Set of Parts - Ch...
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Composed by traditional English. Arranged by John Gibson. Christmas. Score, Set of Parts. 16 pages. Published by JB Linear (S0.84981). - Score,Set of Parts - Christmas - JB Linear
Tomorrow Shall Be My Dancing Day is a traditional English Christmas carol. It had its beginning in the medieval mystery plays. This setting by John Gibson is a piece to make your audience smile. It was the number five carol judged by a distinguished panel for the BBC Music Magazine of the greatest Christmas carols ever. Set by for four clarinets. The sheet music includes score and parts. 2015 Holiday Contest music.
$12.95
Solage: Le basile for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Solage
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James M
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Solage: Le basile for Clarinet
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jmsgu3
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,C...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
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