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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
traditional notation
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669
Piano & claviers
Piano Facile
558
Piano seul
152
Piano, Voix
82
Instruments en Do
54
Accordéon
20
Accompagnement Piano
20
Piano, Voix et Guitare
15
1 Piano, 4 mains
3
Orgue
2
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
1
+ 6 instrumentations
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Guitares
Guitare notes et tablatures
545
Guitare
264
Mandoline
190
Ukulele
82
2 Guitares (duo)
46
Dulcimer
18
Basse electrique
14
Ukulele Baryton
5
Piano, Guitare (duo)
4
Banjo
4
3 Guitares (trio)
3
Mandoline, Piano (duo)
3
Ligne De Mélodie, (Paroles) et Accords
2
Paroles et Accords
2
Ensemble de guitares
2
Dobro
1
2 Ukuleles
1
Cithare
1
+ 13 instrumentations
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Voix
Chorale 3 parties
11
Chorale SATB
10
Chorale 2 parties
9
Chorale Unison
2
Voix Alto, Piano
1
Vents
Ocarina
225
Flûte à bec Soprano
165
Harmonica
149
Flûte à bec Alto
141
Flûte traversière
43
Flûte à bec Alto, Piano
30
Quatuor de Saxophones: 4 saxophones
29
Hautbois (partie séparée)
16
Clarinette
15
Flûte, Hautbois, Clarinette, Basson
14
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
2 Saxophones (duo)
11
Quintette de Saxophone: 5 saxophones
11
Flûte traversière et Piano
9
Flûte et Guitare
6
Saxophone Alto et Piano
5
Flûte à Bec
5
Clarinette, Basson (duo)
5
Clarinette et Piano
5
Hautbois, Violoncelle
5
Saxophone Alto
5
Saxophone Tenor
4
Flûte, Clarinette (duo)
4
Saxophone Tenor et Piano
4
Flûte, Violoncelle
3
Clarinette, Violoncelle (duo)
3
Hautbois, Piano (duo)
3
Hautbois, Basson (duo)
3
2 Flûtes traversières (duo)
3
Trio de Flûtes: 3 flûtes
2
Saxophone Soprano
2
2 Hautbois (duo)
2
Flûte, Hautbois, Basson
2
2 Saxophones, Piano
2
2 Flûte à bec (duo)
2
Hautbois
2
Flûte irlandaise
2
Flûte, Hautbois, Clarinette (trio)
2
3 Clarinettes (trio)
2
Saxophone Baryton
2
Quatuor de Clarinettes: 4 clarinettes
1
2 Flûtes à bec, Piano
1
Flûte, Clarinette, Piano (trio)
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Baryton, Piano
1
Saxophone Soprano et Piano
1
Flûte, Hautbois, Piano (trio)
1
3 Saxophones (trio)
1
Flûte, Basson et Piano
1
Clarinette, Basson, Piano (trio)
1
Hautbois, Basson et Piano
1
3 Hautbois
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Hautbois (duo)
1
+ 49 instrumentations
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Cuivres
Trombone
16
Trompette
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Trompette, Violoncelle (duo)
3
2 Trombones (duo)
3
2 Trompettes (duo)
3
Cor
3
Trompette, Basson (duo)
3
Cor et Piano
3
Cor, Violoncelle (duo)
2
2 Euphoniums et 2 Tubas
2
Trombone et Piano
2
Trompette, Piano
2
Tuba et Piano
1
Quatuor de Cuivres
1
Trompette, Trombone (duo)
1
Trio de Cuivres
1
Tuba
1
3 Cors (trio)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
+ 16 instrumentations
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Cordes
Violon
22
Quatuor à cordes: 2 violons, alto, violoncelle
21
Violoncelle
21
Contre Basse
21
Alto seul
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
16
Violon et Piano
8
Harpe
5
Violon, Basson (duo)
5
Violon, Guitare (duo)
5
Violoncelle, Piano
4
Violon, Violoncelle (duo)
3
Contrebasse, Piano (duo)
3
Harpe et mandoline
3
2 Violoncelles (duo)
2
Trio à Cordes: 3 violoncelles
2
Trio à Cordes: violon, alto, violoncelle
2
Alto et Basson
2
Trio à cordes: 3 violins
2
Trio à cordes: 3 altos
2
Alto, Violoncelle (duo)
2
Alto, Piano
2
Violon, Violoncelle, Clarinette
1
Trio à Cordes: 2 violons, violoncelle
1
Violon, Alto (duo)
1
Harpe, Violon, Violoncelle
1
2 Violoncelles, Piano
1
+ 22 instrumentations
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Orchestre & Percussions
Ensemble de Percussions
11
Orchestre à Cordes
5
Orchestre d'harmonie
4
Orchestre de chambre
3
Cloches
2
Ensemble de cuivres
2
Percussion
2
Batterie
1
Jazz combo
1
Ensemble Jazz
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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1 partition trouvée
Solage: Le basile for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE
#
Solage
#
James M
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Solage: Le basile for Clarinet
#
jmsgu3
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,C...
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
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traditional notation
