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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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Another Part Of Me
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116
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17
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8
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7
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3
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2
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1
Clavecin
1
1 Piano, 4 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 4 instrumentations
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Guitare
5
Paroles et Accords
2
Guitare notes et tablatures
2
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2
Basse electrique
1
Guitare, Orchestre
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
+ 3 instrumentations
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Voix
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20
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10
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5
Chorale
2
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1
Chorale Unison
1
+ 1 instrumentations
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Vents
Saxophone, Clarinette (duo)
13
2 Saxophones (duo)
11
Clarinette, Violon (duo)
10
Hautbois, Piano (duo)
9
Clarinette et Piano
8
Flûte traversière et Piano
6
Cor anglais, Piano
6
Saxophone Alto et Piano
5
Clarinette et Alto
5
Flûte, Clarinette (duo)
5
Clarinette, Trompette (duo)
4
Saxophone Soprano et Piano
4
Saxophone Tenor et Piano
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Quatuor de Saxophones: 4 saxophones
4
Saxophone Baryton, Piano
4
Flûte, Trompette (duo)
3
Hautbois, Basson (duo)
3
Hautbois, Clarinette (duo)
3
2 Hautbois (duo)
2
2 Clarinettes (duo)
2
Flûte, Violon
2
Flûte, Saxophone (duo)
2
Saxophone (partie séparée)
2
Flûte, Alto (duo)
2
Hautbois, Flûte
2
Flûte à bec Alto, Piano
1
Flûte traversière
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte et Guitare
1
Flûte, Violoncelle
1
2 Flûtes traversières (duo)
1
Clarinette
1
2 Saxophones, Piano
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Hautbois, Clarinette, Basson
1
Quatuor de Flûtes à bec
1
Flûte à bec Soprano
1
Flûte à bec Soprano, Piano
1
Trio de Flûtes: 3 flûtes
1
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Trombone et Piano
9
Trompette, Saxophone (duo)
6
Cor anglais, Piano
6
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5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor et Piano
4
Trompette, Trombone (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 trombones
2
Trompette (partie séparée)
1
Quatuor de Cuivres
1
Euphonium, Piano (duo)
1
Trompette
1
Trombone (partie séparée)
1
+ 10 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon et Piano
7
Violoncelle, Piano
6
Trio à cordes: 3 violins
5
Violon, Alto (duo)
4
Violon, Violoncelle (duo)
4
Trio à Cordes: violon, alto, violoncelle
3
Alto, Piano
3
2 Violoncelles (duo)
2
Violoncelle
2
2 Altos (duo)
2
2 Violons (duo)
2
Harpe
1
Alto et Harpe
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contrebasse (partie séparée)
1
+ 11 instrumentations
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Ensemble Jazz
73
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23
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22
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15
Orchestre de chambre
13
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13
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8
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6
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2
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1
Marimba
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
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EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
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Vous avez sélectionné:
Another Part Of Me
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Partitions à imprimer
4 partitions trouvées
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Absolution and Exultation for wind nonet (version 2 with bassoon part)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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David Warin Solomons
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Absolution and Exultation for
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.576520 Composed by David Warin Solomons. 20th Century,Christian,Contemporary. Score ...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.576520 Composed by David Warin Solomons. 20th Century,Christian,Contemporary. Score and parts. 36 pages. David Warin Solomons #31783. Published by David Warin Solomons (A0.576520). Absolution and Exultation is based on the Ave Maria and Psalm 98 sections of my Manchester Magnificat (also available on this site). I have created three versions for wind nonet in various combinations of instruments: each with 2 flutes, 2 oboes, 2 clarinets then either : 2 Frenchs horns and Bass Clarinet (version 1) or 2 French horns and Bassoon (version 2) or 1 French horn 1 Cor Anglais and Bassoon (version 3) If a wind nonet would like another combination please contact me on dwsolo@gmail.com The sound sample is an electronic preview. The pdf file contains score and parts.
$16.00
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
La Serenissima (2013) for ten wind instruments
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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La Serenissima
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869288 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869288 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431451. Published by Thomas Oboe Lee (A0.869288). Instrumentation: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 horns in F, 2 bassoons Program note.Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music. Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo … III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99
La Serenissima (2013) for ten wind instruments
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
La Serenissima
#
Thomas Oboe Lee
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869301 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.869301 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Largo … III. 48 pages. Thomas Oboe Lee #431227. Published by Thomas Oboe Lee (A0.869301). Program note. Nancy Braithwaite, for whom I have written many works - all of them featuring her instrument the clarinet - told me that she was a member of a wind group based on Richard Strauss’ Serenade in E-flat Major, opus 7, for thirteen instruments: two flutes, two oboes, two clarinets, four horns, two bassoons, and contrabassoon. I said to Nancy, I should write a piece for that group. She said that was a good idea. I soon discovered that the name of the group is La Rondine, or the swallow. I then remembered that Puccini wrote an opera called La Rondine. So I told Nancy that I might do a little research on the Puccini opera and come up with a piece inspired by thematic snippets I found in the opera. Well, I did not find Puccini’s music that conducive to a transformation into TOL music.Around the same time, I stumbled upon a 27-CD box set of nine operas by the Venetian composer Antonio Vivaldi. As I was listening to these obscure operas by Vivaldi it dawned on me that I was very attracted to what I was hearing, and it was seeping into my musical thinking in the most natural way imaginable. Very quickly I was hearing things for this work I planned to write for Nancy’s group, and the music just moved along quite smoothly from one movement into another. At the same time I began reading about Vivaldi and his life as a priest, violinist, teacher, impresario, and composer in the city of Venice and other cities nearby. What a fascinating life he led!!! I also discovered in my reading that the city of Venice at that time was called La Serenissima Repubblica di Venezia. So, instead of a serenade for ten instruments, my work for two flutes, two oboes, two clarinets, two horns and two bassoons, is called La Serenissima as an homage to Antonio Vivaldi and that glorious city of Venice. La Serenissima is in six movements. I. Introduction, allegro … II. Largo …III. Presto … IV. Allegretto … V. Adagio … VI. Molto Allegro … TRIO Enjoy!!!! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/la-serenissima-2013Video link: https://youtu.be/wc9FVAejUww
$9.99
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Another Part Of Me
