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1258
PIANO & CLAVIERS
Piano seul
639
Piano Facile
109
Piano, Voix
88
Piano, Voix et Guitare
78
Orgue
65
Piano (partie séparée)
41
Instruments en Do
12
1 Piano, 4 mains
12
Accompagnement Piano
10
Piano Trio: piano, violon, violoncelle
7
Clavier
3
2 Pianos, 4 mains
3
Accordéon
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
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Ukulele
326
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268
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189
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88
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76
Basse electrique
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7
Banjo
6
Piano, Guitare (duo)
5
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2
Ensemble de guitares
2
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2
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VOIX
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154
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16
Voix duo, Piano
10
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3
Voix seule
3
Voix haute
2
Voix Tenor
2
Chorale
1
Chorale SSAATTBB
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Voix duo
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VENTS
Flûte à bec Soprano
217
Saxophone (partie séparée)
205
Harmonica
192
Flûte à bec Alto
183
2 Saxophones (duo)
116
Quatuor de Saxophones: 4 saxophones
107
Clarinette
84
Flûte, Hautbois, Clarinette, Basson
74
2 Clarinettes (duo)
60
Flûte traversière et Piano
57
Saxophone, Clarinette (duo)
57
Saxophone Alto et Piano
43
Clarinette, Violon (duo)
41
2 Flûtes traversières (duo)
41
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Clarinette, Trompette (duo)
34
Clarinette et Piano
33
Flûte à bec Alto, Piano
31
Hautbois, Piano (duo)
29
Quatuor de Clarinettes: 4 clarinettes
28
Flûte traversière
26
Saxophone Tenor et Piano
25
Flûte, Clarinette (duo)
24
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24
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22
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21
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21
Clarinette et Alto
21
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20
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20
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19
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19
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19
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17
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16
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16
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15
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13
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10
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9
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8
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7
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7
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6
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5
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5
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5
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5
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5
Flûte, Violon et Violoncelle
4
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2
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2
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2
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2
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1
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174
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61
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56
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40
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35
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29
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28
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25
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23
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23
Quatuor de Cuivres
23
Trompette, Trombone (duo)
22
Trompette
19
Cor et Piano
16
Tuba et Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trio de Cuivres
6
Trombone
5
Cor anglais, Piano
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Euphonium, Piano (duo)
5
Ensemble de Trombones
5
Quatuor de cuivres: 4 trombones
3
Quatuor de cuivres: 4 cors
3
3 Trombones (trio)
3
2 Cors (duo)
3
Cor
3
Tuba
2
Trompette, Violoncelle et Piano
2
Cor et Harpe
2
Quatuor de cuivres: 4 trompettes
2
Trombone, Orgue
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2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
2 Cors Anglais Et Pianoforte
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Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Orgue
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Trombone basse
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
235
Violon et Piano
137
Violon
55
Contrebasse (partie séparée)
49
2 Violons (duo)
33
Violoncelle, Piano
33
Alto, Piano
32
Violon, Violoncelle (duo)
31
2 Violoncelles (duo)
28
2 Altos (duo)
24
Violon, Alto (duo)
24
Harpe
19
Violon (partie séparée)
13
Violoncelle (partie séparée)
8
Trio à Cordes: 2 violons, violoncelle
8
Violoncelle
7
Alto seul
7
Trio à Cordes: violon, alto, violoncelle
7
Alto (partie séparée)
6
Violoncelle, Contrebasse (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Quatuor à cordes: 4 violons
3
Harpe et mandoline
3
Alto, Violoncelle (duo)
3
Contre Basse
3
Trio à cordes: 3 violins
2
2 Harpes (duo)
2
Harpe, Violon (duo)
2
Harpe, Violoncelle (duo)
2
Alto et Harpe
2
4 Violoncelles
2
Contrebasse, Piano (duo)
2
Ensemble de Violons
1
Violoncelle, Orgue
1
2 Contrebasses (duo)
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Autoharp
1
Ensemble de Violoncelles
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Ensemble d'Altos
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Alto, Orgue
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Violoncelle, Orchestre
1
Violon, Orgue
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Violon, Clarinette, Piano (trio)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
278
Ensemble Jazz
92
Orchestre à Cordes
88
Ensemble de cuivres
51
Orchestre
46
Batterie (partie séparée)
41
Cloches
33
Orchestre de chambre
14
Jazz combo
14
Ensemble de Percussions
10
Batterie
9
Percussion (partie séparée)
3
Marimba
2
Fanfare
1
Xylophone, Piano
1
2 Xylophones
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Piano et Orchestre
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Orchestre, Violon
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AUTRES
Vous avez sélectionné:
In Tempo Music
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Beethoven: Piano Sonata No.4 in Eb Op.7 Mvt.I Allegro - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553225 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 26 pages. RayThompsonMusic #19997. Published by RayThompsonMusic (A0.553225). I have set the tempo at 92 rather than 126. It still sounds lively enough. Written for natural horn in Eb. I have omitted the semiquaver passages 32 in total, as they didn't sit well for the instrumentation. There is no loss in the musicality of the movement.
$9.95
9.31 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Piano Sonata No.4 in Eb Op.7 Mvt.I Allegro - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Wind Quintet - Summer in Bloom
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767557 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767557 Composed by Mike Lyons. Concert,Contemporary. 39 pages. Lyons Music Services #5968167. Published by Lyons Music Services (A0.767557). This is a brand new, original piece for wind quintet.I decided that I wanted to create a musical description of summer under lockdown, spending time in the garden (although there are no bird sounds) in the NorthWest of England. The weather here is usually very changeable (it's why we talk about it so much) so, of course, I included a thunderstorm in the middle!The piece opens with a gentle walk in the garden, (bassoon) the beautiful flowers swaying in the slight breeze (clarinet and horn). The oboe melody that enters in bar two expresses my thoughts of delight at the beautiful scene. The melody is passed around the ensemble, there's a duet with the flute and then the bassoon takes charge, with the horn taking over the walking bassline.At letter C there's an abrupt change of scene as I notice the bees busily flitting from flower to flower, pollenating and collecting nectar. The instruments play flutter-tongue to imitate an annoyed buzz every now and again as bees from different hives chance upon the same flower, but all remains peacefully business-like.At Letter D, we have a slight slowing of tempo as some butterflies flit from place to place, aimlessly taking off and landing fluttering for a short while in the sunshine. This section is as carefree as possible and should just amble along. The tempo can be pulled about quite a bit.At Letter F, there's a huge, sudden thunderstorm, jagged lightning and rolling thunder as a downpour drenches the garden. Just as suddenly as it started, the storm ends and rain reduces to a thin drizzle. Out comes the sun and we continue through the garden into the distance.
$30.00
28.07 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Mike Lyons
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Wind Quintet - Summer in Bloom
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Lyons Music Services
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SheetMusicPlus
5 Classical Wedding Music for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956899 Composed by Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner. Arranged by Woods Only. Christian,Film/TV,Romantic Period,Wedding,World. 62 pages. Woods Only, Arrangements #6476473. Published by Woods Only, Arrangements (A0.956899). This collection brings the most well-known and appropriate music for wedding ceremonies, arranged for woodwind quintet, where you can find music from beginner to professional levels of performance. They can be performed not only specifically in marriage ceremonies, but also in serenades, concerts, recitals and others. I. Ave Maria, Charles Gonoud/BACH The piece is composed of a melody by French Romantic composer Charles Gounod specially designed to overlap with Prelude No. Although published in instrumental versions and equipped for various texts during Gounod's lifetime, the claim that he never actually wrote it seems to be literally true. The version of Bach's prelude used by Gounod has the addition of a bar found only in the manuscript of Christian Friedrich Gottlieb Schwencke and the printed edition of Nikolaus Simrock which was based on it, but not in the other Bach manuscripts or the printed work of the scholar Bischoff or G. II. Dance of the Sugar Plum Fairy, Tchaikovsky The Dance of the Sugar Plum Fairy is a dance for a ballerina. Tchaikovsky introduced the celesta to Russian music lovers on 19 March 1892 when the Nutcracker Suite was performed for the Russian Musical Society in St. Petersburg. It is heard in other parts of Act 2 of The Nutcracker besides the Sugar Plum Fairy's dance. The Dance of the Sugar Plum Fairy is one of the ballet's best known musical numbers. The complete Nutcracker has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of The Nutcracker. III. Salut d'amour, Elgar It was not published by Schott & Co., a German publisher, with offices in Mainz, London, Paris and Brussels, until a year later, and the first editions were for violin and piano, piano solo, cello and piano, and for small orchestra. As a violin-and-piano piece Salut d'Amour had been recorded for The Gramophone & Typewriter Ltd (predecessor to The Gramophone Company) as early as 1901 by Jacques Jacobs, leader/director of the Trocadero Restaurant orchestra. IV. Nuptial March, Wagner It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as Here Comes the Bride or Wedding March, but wedding march refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's Wedding March. Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera. V. Wedding March, Mendelssohn Felix Mendelssohn's Wedding March in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music. The first known instance of Mendelssohn's Wedding March being used at a wedding was when Dorothy Carew wed Tom Daniel at St Peter's Church, Tiverton, England, on 2 June 1847 when it was performed by organist Samuel Reay. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain.
$59.99
56.13 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Charles Gonoud, Edward Elgar, Felix Bartholdy Mendelssohn, Peter Ilyich Tchaikovsky, and Richard Wagner
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Woods Only
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Co
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5 Classical Wedding Music for Woodwind Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Beethoven: Symphony No.8 in F Op.93 Mvt.II Allegretto - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1088119 Composed by Ludwig van Beethoven. Arranged by Ray Thompson. Classical. 12 pages. RayThompsonMusic #692364. Published by RayThompsonMusic (A0.1088119). Arranged wind quintet. Horn Part in Bb basso ( same as Beethoven's )(alt Hn in F part provided) The Symphony No. 8 in F major, Op. 93 is a symphony in four movements composed by Ludwig van Beethoven in 1812. Beethoven fondly referred to it as my little Symphony in F, distinguishing it from his Sixth Symphony, a longer work also in F.[1] The Eighth Symphony is generally light-hearted, though not lightweight, and in many places cheerfully loud, with many accented notes. Various passages in the symphony are heard by some listeners to be musical jokes. As with various other Beethoven works such as the Opus 27 piano sonatas and the later Ninth Symphony, the symphony deviates from Classical tradition in making the last movement the weightiest of the four. This is my arrangement of the 2nd mvt. There is a widespread belief that this movement is an affectionate parody of the metronome, which had only recently been invented (or more accurately, merely improved) by Beethoven's friend, Johann Maelzel. Specifically the belief was that the movement was based on a canon called Ta ta ta... Lieber Maelzel, WoO 162, said to have been improvised at a dinner party in Maelzel's honor in 1812. However, there is no evidence corroborating this story and it is likely that WoO 162 was not written by Beethoven but was constructed after-the-fact by Anton Schindler. A more likely inspiration was the similar rhythmic parody of Joseph Haydn's Clock Symphony. The metronome-like parody starts at the very beginning of the movement with even staccato chords in 16th-notes (semiquavers). This basic 16th-note rhythm continues fairly steadily through the piece. The tempo is unusually fast for a symphonic slow movement. Richard Wagner has argued that the third movement was intended as the slow movement of this symphony and that the second should be played as a scherzo.
$14.95
13.99 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Symphony No.8 in F Op.93 Mvt.II Allegretto - wind quintet
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RayThompsonMusic
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SheetMusicPlus
MOZART: SERENADE IN F MAJOR FOR WOODWIND QUINTETK K.158
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1293386 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1293386 Composed by W.A. Mozart (1757 - 1791). Arranged by Pat Spence. Chamber,Classical,Instructional,Wedding. 50 pages. Piper Publications #883916. Published by Piper Publications (A0.1293386). This quintet is an arrangement of the third of a set of six string quartets known as the Milan Quartets. Composed between 1772 & 1773 and strongly influenced by Joseph Haydn's quartets, all the quartets in the set show Mozart's development of his own artistic style. The three movements, Allegro, Andante, poco Allegretto and Tempo di Minuetto are well contrasted and are well suited to the arrangement for wind instruments. The fifteen minute performance time makes this work suitable for a variety of performance venues. The musical interest is equally distributed between the 5 players.
$20.00
18.71 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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W
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Pat Spence
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MOZART: SERENADE IN F MAJOR FOR WOODWIND QUINTETK K.158
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Piper Publications
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SheetMusicPlus
Minuet In G minor (with piano and chords)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Di…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Digital Download SKU: A0.1183595 Composed by Christian Petzold. Arranged by Alex Nunes Rodrigues. Classical. 8 pages. Alex Rodrigues #783276. Published by Alex Rodrigues (A0.1183595). The Minuet in G minor, BWV Anh. 115 is a piece of classical music attributed to Christian Pezold. It is a solo keyboard piece that is part of the Anhalt-Köthen manuscript. The minuet was a popular dance form in the Baroque era, and many composers, including J.S. Bach, wrote minuets for keyboard and other instruments. Minuets were often used in suite compositions and are characterized by their moderate tempo and elegant, graceful melody. The Minuet in G minor, BWV Anh. 115 is a beautiful example of the minuet form and a must-have for any classical music enthusiast or performer.
$1.99
1.86 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Christian Petzold
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Alex Nunes Rodrigues
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Minuet In G minor
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Alex Rodrigues
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SheetMusicPlus
Minuet In G minor
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Di…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Digital Download SKU: A0.1183598 Composed by Christian Petzold. Arranged by Alex Nunes Rodrigues. Classical. 8 pages. Alex Rodrigues #783279. Published by Alex Rodrigues (A0.1183598). The Minuet in G minor, BWV Anh. 115 is a piece of classical music attributed to Christian Pezold. It is a solo keyboard piece that is part of the Anhalt-Köthen manuscript. The minuet was a popular dance form in the Baroque era, and many composers, including J.S. Bach, wrote minuets for keyboard and other instruments. Minuets were often used in suite compositions and are characterized by their moderate tempo and elegant, graceful melody. The Minuet in G minor, BWV Anh. 115 is a beautiful example of the minuet form and a must-have for any classical music enthusiast or performer.
$1.99
1.86 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Christian Petzold
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Alex Nunes Rodrigues
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Minuet In G minor
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Alex Rodrigues
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SheetMusicPlus
Minuet In G minor (with piano)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Di…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Digital Download SKU: A0.1183596 Composed by Christian Petzold. Arranged by Alex Nunes Rodrigues. Classical. 8 pages. Alex Rodrigues #783277. Published by Alex Rodrigues (A0.1183596). The Minuet in G minor, BWV Anh. 115 is a piece of classical music attributed to Christian Pezold. It is a solo keyboard piece that is part of the Anhalt-Köthen manuscript. The minuet was a popular dance form in the Baroque era, and many composers, including J.S. Bach, wrote minuets for keyboard and other instruments. Minuets were often used in suite compositions and are characterized by their moderate tempo and elegant, graceful melody. The Minuet in G minor, BWV Anh. 115 is a beautiful example of the minuet form and a must-have for any classical music enthusiast or performer.
$1.99
1.86 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Christian Petzold
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Alex Nunes Rodrigues
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Minuet In G minor
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Alex Rodrigues
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SheetMusicPlus
Minuet In G minor (with chords)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Di…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Digital Download SKU: A0.1183597 Composed by Christian Petzold. Arranged by Alex Nunes Rodrigues. Christmas. 8 pages. Alex Rodrigues #783278. Published by Alex Rodrigues (A0.1183597). The Minuet in G minor, BWV Anh. 115 is a piece of classical music attributed to Christian Pezold. It is a solo keyboard piece that is part of the Anhalt-Köthen manuscript. The minuet was a popular dance form in the Baroque era, and many composers, including J.S. Bach, wrote minuets for keyboard and other instruments. Minuets were often used in suite compositions and are characterized by their moderate tempo and elegant, graceful melody. The Minuet in G minor, BWV Anh. 115 is a beautiful example of the minuet form and a must-have for any classical music enthusiast or performer.
$1.99
1.86 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Christian Petzold
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Alex Nunes Rodrigues
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Minuet In G minor
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Alex Rodrigues
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SheetMusicPlus
Bartók: Fifteen Hungarian Peasant Songs, Sz.71 (Nos. 7 - 14) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Horn in F - Advanced Intermediate - Digital Download…
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Flute, Oboe, Clarinet, Bassoon, Horn in F - Advanced Intermediate - Digital Download Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Modern, Folk, European, Recital. Score, Set of Parts. 25 pages. Published by RayThompsonMusic
Fifteen Hungarian Peasant Songs, Sz. 71, BB 79 is a collection of short folk melodies arranged for piano by Hungarian composer Béla Bartók. It was composed between 1914 and 1918. In 1933, Bartók adapted and orchestrated parts of the piece as Hungarian Peasant Songs, Sz. 100, BB 107, commonly known by its Hungarian name, Magyar parasztdalok([ˈmɒɟɒr ˈpɒrɒstˌdɒlok]).<br> My arrangement for standard wind quintet is based on the piano music.<br> <br> The collection consists of fifteen movements, some of which are grouped together. A typical performance lasts 13–15 minutes. The movements in my arrangement are as follows:(7-14)<br> <br> Old Dance Tunes<br> 7.Allegro<br> 8 Allegretto<br> 9 Allegretto<br> 10 L'istesso tempo<br> 11 Assai moderato<br> 12 Allegretto<br> 13 Poco più vivo – Allegretto Allegro<br> 14 Allegro
$14.95
13.99 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bela Bartok (1881-1945)
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Ray Thompson
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Bartók: Fifteen Hungarian Peasant Songs, Sz.71
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RayThompsonMusic
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SheetMusicPlus
Due Miniature
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind quintet - Digital Download SKU: IZ.CMS141 Composed by Daniel Elder. Score …
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Woodwind quintet - Digital Download SKU: IZ.CMS141 Composed by Daniel Elder. Score and Parts. 49 pages. Imagine Music - Digital #CMS141. Published by Imagine Music - Digital (IZ.CMS141). 9 x 12 in inches.Composer's Notes Due Miniature follows two aesthetic ideas, depicted by the name of each movement. Capriccio may be thought of whimsically, as a fantasy, while Ballata can be treated as a dance. Additionally these two ideas may constantly interact as each movement contains traces of the other. As this music is not programmatic in nature, no specific imagery must necessarily be sought after, but rather the material can be woven as the performers see fit within the tempo and dynamic guidelines. Sensitivity should be paid to the note-value relationships present within many tempo changes, as well as hemioli and other perceived metric shifts. Finally, performers are encouraged to explore the full range of textural colors present as this will accentuate the development of these ideas.
$20.00
18.71 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Daniel Elder
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Due Miniature
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Imagine Music - Digital
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SheetMusicPlus
Only A Sinner
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Quintet - Grade 3 - Digital Download SKU: DX.130511 Composed by James M Gr…
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Woodwind Quintet - Grade 3 - Digital Download SKU: DX.130511 Composed by James M Gray. Arranged by Dana F. Everson. Sacred instrumental music. Sheet Music. Traditional. Score and parts. 12 pages. David E. Smith - Digital Sheet Music #130511. Published by David E. Smith - Digital Sheet Music (DX.130511). A woodwind quartet for Flute, oboe, and two clarinets with optional parts for flute and alto sax. Plus a set of fifth parts for bassoon or bass clarinet can allow for the piece being a quintet. The first statement is in the clarinets where it leads into a full ensemble passing the lines amongst the parts. A delightful little segue leads to a modulation where the tune is in the lower lines alternated with flourishes in the flutes. This Alternating texture carries on for some time. Then the tempo picks up for a vibrant exclamation where the theme is once again bantered about where it makes one final boast and concludes.
$10.00
9.36 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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James M Gray
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Dana F
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Only A Sinner
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Still Life
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Hn.2Ctpt.tbn.tba wind quintet - Digital Download SKU: S9.Q20913 For brass quinte…
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Hn.2Ctpt.tbn.tba wind quintet - Digital Download SKU: S9.Q20913 For brass quintet. Composed by Joe Duddell. This edition: score and parts. Downloadable, Score and parts. Duration 9 minutes. Schott Music - Digital #Q20913. Published by Schott Music - Digital (S9.Q20913). The title Still Life, whilst being a term borrowed from painting, refers to the two temporal states of the piece, status and motion, which are juxtaposed and superimposed throughout. The static sections often lead into choral-like music, one of the references to Bach in the piece, which was commissioned by the Harper Ensemble for the 250 th anniversary of his death. The other principle reference comes in the trumpet’s opening figures which relate to material found in one of Bach’s harpsichord concertos. Joe Duddell.
$23.99
22.45 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Joe Duddell
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Still Life
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Schott Music - Digital
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SheetMusicPlus
Wedding March by Richard Wagner WWV 75 for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Quintet - Easy/Beginner - Digital Download Composed by Richard Wagner (181…
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Woodwind Quintet - Easy/Beginner - Digital Download Composed by Richard Wagner (1813-1883). Romantic Period, Repertoire, European, Valentine's Day, Wedding. Score, Set of Parts. 8 pages. Published by KrahenfuBlieder
The well-known Wedding Entrance March in a version for wood quintet, easy and respecting the essence of the original work, can be played freely inside churches or anywhere in marriage ceremonies. Ideal for music beginners or professional teachers, it can also be performed in academic or graduation recitals.<br> <br> It is a bridal march played at the entrance of many Western wedding ceremonies. In English-speaking countries, it is generally known as "Here Comes the Bride" or "Wedding March", but "wedding march" refers to any piece in march tempo accompanying the entrance or exit of the bride, notably Felix Mendelssohn's "Wedding March". Wagner's piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. Unlike the current tradition of it being played at the beginning of the ceremony, the work is performed after the wedding of Lohengrin and Elsa in the opera.
$8.99
8.41 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Richard Wagner (1813-1883)
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Wedding March by Richard Wagner WWV 75 for Woodwind Quintet
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KrahenfuBlieder
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SheetMusicPlus
I Had Much Grief
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.88…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.889444 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. Score and parts. 12 pages. Luis Anjos Teixeira #5297057. Published by Luis Anjos Teixeira (A0.889444). I Had Much Grief, Cantata BWV 21. „Ich hatte viel Bekümmernis, BWV 21. „Sinfonia This work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as „e per ogni tempo „and for all times, indicating that due to its general theme, the cantata is suited for any occasion. With its distinctive gesture of descent and the plaintive lines of the oboe and violin, the Sinfonia, held in dark minor, sets a tone of pain that is characteristic of the cantata. With its emotional depth and formal wealth, the cantata I had much grief is almost a solitaire in Bach's church music. Performed in Weimar in 1714 and later rearranged several times, it is also suitable as a compositional business card due to its high standards and its shape, which is representative of various types of sentences, and could therefore be related to Bach's application. Bach performed the cantata on 17 June 1714, as his fourth work in a series of monthly cantatas for the Weimar court which came with his promotion to concert master. The Work was transposed to D minor during the Köthen years, and used in November 1720 for a performance in Hamburg to apply for the position as organist at St. Jacobi. As Thomaskantor in Leipzig, Bach performed the cantata again on his third Sunday in office on 13 June 1723. For this performance, he also changed the instrumentation, adding „for example four trombones to double the voices in the fifth stanza of the hymn. This version was used in several revivals during Bach's lifetime and is mostly performed today. From the plaintive sinfonia to the arias and duets touching in their pain and charm to the speaking rhythmic psalm and chorus choirs, a development arc spans that transforms suffering and grief into consolation and trust and culminates in an apotheosis reminiscent of Handel of the victorious lamb, Hardly ever has Bach put the process of a relentless self-questioning and spiritual healing as convincingly as here. This arrangement of the sinfonia is intended for modern instruments. The original score was translated into modern music literature standards thus simplifying the approach and helping to understand the legacy of baroque music in our modern times. A few embellishments and interpretation symbols where added thus mostly shortening the length of some notes. Some „fortes and „pianos are also included. The arrangement is absolutely faithful to Bach`s versions, not adding or omitting any notes from the original sources. P.S.- The score was written on Finale. The sound file was produced with samplers from Garritan, merely as an audio support for the presentation of the score. Thank you very much for taking your time to read this text and to listen to the file. I hope you enjoy the music. Musically Yours, „e per ogni tempo „and for all times Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzeneggerschen, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All The Love and Compassion. Luis Anjos Teixeira Timeless Life, Love Forever
$7.94
7.43 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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I Had Much Grief
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Quintet《木管五é‡å¥ã€‹
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.961996 C…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.961996 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 47 pages. SpringAutumnmusic #2341877. Published by SpringAutumnmusic (A0.961996). 《木管五é‡å¥ã€‹2002年（賴德和撰寫） 本曲是2002年馬水é¾æ•™æŽˆç‰¹åœ°ç‚ºæ¬¡å婚禮ç¾å ´æ¼”出所èœå¯«ã€‚ 這一首活潑愉悅的曲å概分為五段：第一主題五è²éŸ³éšŽå¾µèª¿å¼ï¼Œä¸»æ—‹å¾‹å‡ºç¾åœ¨é•·ç¬›è²éƒ¨ã€‚這個主題轉到五度上的調，先後輪æµå‡ºç¾åœ¨é›™ç°§ç®¡ã€è±Žç¬›åŠå·´æ¾ç®¡ã€‚由法國號å¹å¥å‘å—æ—的「婚禮之æŒã€æ˜¯å½¢æˆå°æ¯”çš„æ…¢æ¿ç¬¬äºŒä¸»é¡Œã€‚接著活潑愉悅的第一主題å†ç¾ï¼Œèª¿æ€§è½‰åˆ°é™D音徵調å¼ï¼Œå‡ºç¾åœ¨é›™ç°§ç®¡è²éƒ¨ï¼ŒæŽ¥è‘—在豎笛è²éƒ¨åŠ 以變å¥ã€‚ç¬¬ä¸‰ä¸»é¡Œé€Ÿåº¦åŠ å¿«ï¼Œå‡ºç¾åœ¨å·´æ¾è²éƒ¨çš„主旋律是泰雅æ—的「å£ç°§å°æŒã€ã€‚這是一首男女é’年一é¢å¹å¥å–®ç°§å£ç´ï¼Œä¸€é¢æ¼”唱情æŒçš„舞曲。這個熱情的舞曲先後在雙簧管和豎笛è²éƒ¨åŠ 以變å¥ä¹‹å¾ŒçµæŸç¬¬ä¸‰ä¸»é¡Œã€‚最後第一主題å†ç¾ï¼Œå †ç–Šå‡ºé«˜æ½®å¼çš„å°¾è²ã€‚ 值得é‡è¦–的是，父親é€çµ¦å…’åçš„çµå©šç¦®ç‰©ï¼Œé‚„費盡巧æ€ç²¾æŒ‘ç´°é¸äº†å…©é¦–原ä½æ°‘跟愛情çµå©šæœ‰é—œçš„音樂，æ®ç‘出一闕別緻的婚禮迴旋曲。 ※本曲於2002年首演於å°åŒ—亞都飯店，演å¥å®¶ç‚ºé•·ç¬›é»ƒé¦¥èŒ—ã€é›™ç°§ç®¡æ´ªåƒæ™ºã€å–®ç°§ç®¡é»ƒè²žè¯ã€ä½ŽéŸ³ç®¡éƒæ€¡èŠ¬ã€æ³•åœ‹è™Ÿé»ƒç¾©æ•¦ã€‚ 《Woodwind Quintet》（2002） The piece was composed for the wedding ceremony of the composer’s second son. This pleasant and lively composition is divided into five parts, a small rondo form. The first theme is in Zi-pentatonic mode, mainly play by flute. The main theme is later transposed a fifth higher and orchestrated between the oboe, clarinet and bassoon parts. The second theme is in a slower, more sentimental mood. It builds up as a contrast section to the first theme. French horn plays the traditional Wedding Song of the Puyuma tribe and dominates in this section. In the third part of this composition, the melodic line returns to the first theme, transformed to D-flat Zi-pentatonic mode. The oboe plays the main theme and later the clarinet plays the variations of this melodic line. The fourth section brings out the third theme of this piece: a traditional Atayal tribe’s Jew Harp Song melody that plays by the bassoon. This passionate, fast-tempo dancing theme is then composed into several variations and plays by oboe and clarinet. In the last section of the composition, the first theme returns again. Building up and reaches the climax then leads to the final of the piece. Professor Ma selected two aboriginal tribal songs, related to weddings and love, and quoted them in this piece and presented as a wedding gift for his beloved son. This father-son relationship and love, and also this unique composition, made that wedding ceremony a memorable event for the guests. This piece was premiered in 2002 at The Landis Taipei Hotel by Fu-Ming Huang (Flute), Chien-Chih Hung (Oboe), Jen-Hwa Huang (Clarinet), Yi-Fen Kuo (Bassoon) and Yih-Duen Huang (Horn).
$15.99
14.96 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ma Shui Long 馬水é¾
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Woodwind Quintet《木管五é‡å¥ã€‹
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SpringAutumnmusic
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SheetMusicPlus
Ommateum for woodwind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.1035270 Composed by B…
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Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.1035270 Composed by Burton Goldstein. Contemporary. 21 pages. Burton Goldstein Music #5001061. Published by Burton Goldstein Music (A0.1035270). Tempo Changes in This PieceIf you are familiar with metric modulation, you probably can skip this note.Elliot Carter started using metric modulations in the 1940s, so what I have done is nothing new.Once you get the hang of it, it should be easier to get to the new tempo than having to just know what a metronome marking is supposed to sound like. Also you can get the true feel of the tempo changes.The tempi in this piece are related to each other so that in a sense, the tempo never changes.For ex., in m.22, count 8th notes and switch to 6/8. The tempo does not change in the sense that a quarter still equals 120, even if you are counting 8ths (at 240 bpm)If you were going to stay in 6/8 for a while, you could start to count 1 (2 3) 4 (5 6) thus counting dotted 8ths. If the 'beat' you are counting is dotted 8ths, you are therefore counting dotted quarter notes at 80 bpm.In that case you could also say the tempo is 'the same' as quarter note = 120 because 8th notes are the same speed.I confess m 64 is not so easy. After counting two bars in 3/8, count the next bar in 16th notes. While this is uncomfortably fast, it will make it possible to go into the 7/16 section at the perfect tempo. After counting to 7 a few bars, you may find it possible and convenient to count 4 + 3, emphasizing 1 (2 3 4 ) 5 (6 7).When you get to the next metric modulation, you can just emphasize the 1 and divide the bar into 7 equal parts.m 79 is different from the previous meter changes because the previous bar of 7/16 equals the duration of the new bar. So if you can count the 7/16 bars, after a while, in 1, you can count the new bars in 1 for a while. Then count it as indicated. So if the piece is too fast to play as is, just pick a different starting tempo. All the tempi in the piece should therefore automatically scale down. If there's any changes in notation I can make which will help you perform the piece, please let me know!
$14.99
14.03 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Burton Goldstein
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Ommateum for woodwind quintet
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Burton Goldstein Music
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SheetMusicPlus
Serenade for Winds No. 1, Op. 16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 5 - Digital Download SKU: A0.878298 Composed by Sean A. Brown. Contemporary. 60 pages. SeanBrownMusic #556037. Published by SeanBrownMusic (A0.878298). This is a single-movement work for 13 winds. The piece has 3 contrasting sections: A march in a moderate tempo, an allegro, and an adagio, with a recurring march at the end. Instrumentation: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 1 contrabassoon, 4 horns. Published by SeanBrownMusic, SeanBrownMusic.Weebly.com. Contact seanbrownmusic86@gmail.com for any questions or comments.
$23.00
21.52 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Sean A
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Serenade for Winds No. 1, Op. 16
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SeanBrownMusic
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SheetMusicPlus
Silent Night (Bb) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Clar, 1 Hrn, 1 Bassoon)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813981 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635887. Published by Regis Bookshar (A0.813981). Woodwind Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
4.68 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Egomia, for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.886684 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.886684 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 37 pages. Panagiotis Theodossiou #3213759. Published by Panagiotis Theodossiou (A0.886684). Egomia, Concert Monologues, for Wind Quintet (2009)Ι. Stasis I, Lento, come un recitativo II. Stasis II, L ‘istesso tempo, molto ritmicoIII. Stasis III, Passacaglia Ritmica, L ‘istesso tempo, grave A work of free serialism, composed on the ritual of the Egomia, a very famous litany of the Eastern Orthodox Church which takes place on Holly Friday. It consist of 3 parts, 3 Stasis, according to the traditional ritual. The unaccompanied monologues of the 1st Stasis lead to the virtuosic dialogues of the 2nd and to the general fortissimo tutti of the 3d. The work has a version with narration on the prototype text of the traditional ritual. It was written on November 2009 for the Q innegal Wind Quintet which gave the premier at the German Evangelic Church in Athens next year and is dedicated to composer’s stepmother, Eleni, who died after the completion of the work. The 3d part has also a dedication to Olivier Messiaen, on the musical style of whom there are intentional references. https://www.youtube.com/watch?v=4BNVUEHBdhg
$20.00
18.71 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Panagiotis Theodossiou
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Egomia, for Woodwind Quintet
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Panagiotis Theodossiou
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SheetMusicPlus
The Village March (by Ferris Tozer, arr. for Wind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1236003 Composed by Ferris Tozer (1858-1943). Arranged by Andrew Lamb. 19th Century,Chamber. 37 pages. Andrew Lamb #831509. Published by Andrew Lamb (A0.1236003). This arrangement introduces the captivating Wind Quintet adaptation of Ferris Tozer's piece entitled The Village March.Immerse yourself in the lively and spirited melodies as they come to life through the unique blend of flute, oboe, clarinet, bassoon, and French horn. The Village March resonates with joyful energy, making it an ideal choice for various occasions and events.With meticulous attention to detail, this Wind Quintet arrangement captures the essence of Tozer's original composition while tailoring it specifically for this ensemble. Each instrument contributes its distinct voice, resulting in a harmonious interplay that showcases the ensemble's versatility and musicality.The Village March exudes an infectious enthusiasm, perfectly suited for a wide range of performances, including concerts, recitals, and special events. Its spirited tempo and playful melodies will engage both performers and audiences, leaving them captivated and uplifted.Whether you're a professional wind quintet or an amateur ensemble, this arrangement of The Village March offers an exhilarating and rewarding musical experience. Embrace the dynamic interplay of the wind instruments as they bring this delightful piece to life, filling the air with a sense of joy and celebration.Unleash the vibrant and spirited essence of The Village March with this Wind Quintet arrangement, and let the music ignite the atmosphere of any performance or gathering with its irresistible charm and infectious rhythm.
$8.00
7.49 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Ferris Tozer
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Andrew Lamb
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The Village March
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Andrew Lamb
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SheetMusicPlus
Debussy: Four Piano Preludes from Bk.1 - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553198 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Holiday,Standards,Wedding. 26 pages. RayThompsonMusic #7959. Published by RayThompsonMusic (A0.553198). 4 Piano Preludes from Bk.1:  II. Voiles, VI. Des pas sur la neige,  VIII.La fille aux cheveux de lin, XII. Minstrels: arr.wind quintet.  Voiles is a composition by Claude Debussy for solo piano from 1909. It is the second piece in a set of twelve préludes published in 1910. The title of the piece may be translated to English as either veils or sails; both meanings can be connected to the musical structure. Except for some mild, localized chromaticism and a short pentatonic passage, the entire piece uses the whole tone scale. I have taken some liberties with the arpeggios in the 2nd half of the piece and also ignored the grace notes. For something different, try this piece. (Treat the tempo as 4/8 rather than 2/4 i.e. count it in 4. Well worth the challenge! VI. Des pas sur la neige (Footprints in the snow): very atmospheric wintry feel! VIII.La fille aux cheveux de lin (The Girl with the flaxen hair)One of Debussy’s most popular and well known pieces: ideal for that quiet wedding moment.  XII. Minstrels: almost a ragtime feel.
$14.95
13.99 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Claude Debussy
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Ray Thompson
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Debussy: Four Piano Preludes from Bk.1 - wind quintet
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RayThompsonMusic
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SheetMusicPlus
Bartók: Fifteen Hungarian Peasant Songs, Sz.71 (Nos. 1 - 6) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553984 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Contemporary,Folk,Multicultural,World. 22 pages. RayThompsonMusic #6426207. Published by RayThompsonMusic (A0.553984). Fifteen Hungarian Peasant Songs, Sz. 71, BB 79 is a collection of short folk melodies arranged for piano by Hungarian composer Béla Bartók. It was composed between 1914 and 1918. In 1933, Bartók adapted and orchestrated parts of the piece as Hungarian Peasant Songs, Sz. 100, BB 107, commonly known by its Hungarian name, Magyar parasztdalok([ˈmɒɟɒr ˈpɒrɒstˌdɒlok]).My arrangement for standard wind quintet is based on the piano music.The collection consists of fifteen movements, some of which are grouped together. A typical performance lasts 13–15 minutes. The movements in my arrangement are as follows:Four Old TunesRubatoAndante – Poco sostenuto – Più andante (Tempo I) – Poco sostenuto – Più andantePoco rubato – SostenutoAndanteScherzo. Andante – Sostenuto, poco rubato – Tempo IScherzoBallad (Theme with Variations)
$14.95
13.99 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Bela Bartok
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Ray Thompson
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Bartók: Fifteen Hungarian Peasant Songs, Sz.71
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RayThompsonMusic
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SheetMusicPlus
Wind Quintet - One Rule
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
32.75 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
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