English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
676
Partitions
Numériques
8 930
Librairie
Musicale
3 618
Matériel
de Musique
1 545
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
791
PIANO & CLAVIERS
Piano Facile
710
Piano seul
464
1 Piano, 4 mains
67
Piano, Voix
57
Piano, Voix et Guitare
55
Instruments en Do
51
Orgue
26
Accompagnement Piano
15
Piano Trio: piano, violon, violoncelle
8
2 Pianos, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Orgue, Piano (duo)
4
1 Piano, 6 mains
3
Accordéon
2
Piano (partie séparée)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Ensemble d'Accordéons
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
689
Ukulele
221
Piano, Guitare (duo)
112
Guitare
73
Ligne De Mélodie, (Paroles) et Accords
38
Guitare (partie séparée)
24
Basse electrique
5
4 Guitares (Quatuor)
5
Dulcimer
3
Mandoline
3
Paroles et Accords
3
2 Guitares (duo)
3
3 Guitares (trio)
2
Ensemble de guitares
2
Banjo
1
Ukulele Baryton
1
Instrumentations suivantes
Retracter
VOIX
Chorale 2 parties
118
Chorale SATB
68
Chorale 3 parties
25
Chorale Unison
11
Chorale TTBB
11
Chorale SSAA
7
Voix duo, Piano
3
Voix duo
2
Pack Instrumental pour Chorale
1
Voix moyenne, Piano
1
Voix Baryton, Piano
1
Chorale SSAATTBB
1
Voix Tenor, Piano
1
Instrumentations suivantes
Retracter
VENTS
Hautbois, Piano (duo)
225
Clarinette et Piano
190
Flûte traversière et Piano
182
Saxophone Alto et Piano
137
Saxophone Tenor et Piano
134
Saxophone (partie séparée)
75
Flûte traversière
66
Clarinette
52
Hautbois (partie séparée)
44
Saxophone Tenor
37
2 Saxophones (duo)
35
Saxophone Alto
33
Quatuor de Clarinettes: 4 clarinettes
29
2 Flûtes traversières (duo)
28
Flûte, Hautbois, Clarinette, Basson
28
Quatuor de Saxophones: 4 saxophones
26
Quatuor de Flûtes : 4 flûtes
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
21
Clarinette (partie séparée)
18
Hautbois, Basson (duo)
16
Ensemble de Flûtes
13
2 Clarinettes (duo)
12
Ensemble de Clarinettes
12
Ensemble de saxophones
12
Flute (partie séparée)
11
Flûte, Trombone (duo)
10
Cor Anglais
8
Saxophone Baryton, Piano
8
Quintette de Clarinettes: 5 clarinettes
8
2 Flûte à bec (duo)
8
3 Clarinettes (trio)
8
Saxophone Soprano et Piano
8
Trio de Flûtes: 3 flûtes
8
Flûte à Bec
8
Flûte à bec Soprano
7
Quintette de Saxophone: 5 saxophones
6
Flûte, Clarinette et Basson
6
Hautbois, Violoncelle
6
Hautbois
6
Flûte, Hautbois, Basson
5
Flûte, Clarinette (duo)
5
Flûte, Violoncelle
5
Clarinette, Violoncelle (duo)
5
2 Hautbois (duo)
4
Flûte, Alto (duo)
4
Clarinette et Alto
4
Hautbois et alto (duo)
4
Flûte à bec Tenor
4
Harmonica
3
Clarinette, Violon (duo)
3
Hautbois, Clarinette (duo)
3
Cor anglais, Piano
3
Flûte, Violon
3
Ocarina
3
Clarinette Basse, Piano
3
Clarinette, Basson (duo)
3
Flûte, Hautbois, Clarinette (trio)
2
3 Saxophones (trio)
2
Hautbois, violon (duo)
2
Flûte, Hautbois (duo)
2
Saxophone Baryton
2
Quintette de Flûte : 5 flûtes
2
Flûte et Guitare
1
Cornemuse
1
Saxophone Soprano
1
Quatuor de Flûtes à bec
1
Flûte, Violon, Violoncelle et Piano
1
3 Flûtes à bec (trio)
1
Flûte, Violon et Violoncelle
1
Flûte à bec Alto, Piano
1
Clarinette Basse
1
Flûte, Clarinette, Piano (trio)
1
2 Flûtes traversières, Piano
1
Piccolo, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte et Quatuor à Cordes
1
Saxophone
1
Instrumentations suivantes
Retracter
CUIVRES
Trombone et Piano
152
Trompette
123
Trompette, Piano
88
Trompette (partie séparée)
55
Trombone
49
Trombone (partie séparée)
45
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Cor
27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Tuba
17
Cor (partie séparée)
14
Cor et Piano
13
Quatuor de cuivres: 4 trombones
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Tuba (partie séparée)
9
Cor Anglais
8
2 Trombones (duo)
8
2 Trompettes (duo)
7
3 Trombones (trio)
7
Euphonium
6
Euphonium, Piano (duo)
6
Tuba et Piano
6
2 Tubas (duo)
5
Tuba et Orgue
4
2 Cors (duo)
4
Trompette, Trombone (duo)
4
Quatuor de Cuivres
3
Cor anglais, Piano
3
Trompette, Violoncelle (duo)
3
Trombone basse
2
Cor et Basson (duo)
2
Ensemble de Trombones
2
Ensemble de Trompettes
2
Trombone basse et Piano
1
2 Euphoniums et 2 Tubas
1
Euphonium, Tuba (duo)
1
Trompette, violon (duo)
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 cors
1
Trompette, Basson (duo)
1
Cor, Violoncelle (duo)
1
Instrumentations suivantes
Retracter
CORDES
Alto, Piano
185
Violoncelle, Piano
178
Violon et Piano
178
Quatuor à cordes: 2 violons, alto, violoncelle
99
Violon
82
Violoncelle
73
Violon (partie séparée)
40
Alto seul
40
Harpe
38
2 Violons (duo)
19
Alto (partie séparée)
18
2 Violoncelles (duo)
18
Contre Basse
18
Violon, Violoncelle (duo)
16
Contrebasse (partie séparée)
14
Trio à Cordes: violon, alto, violoncelle
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
2 Harpes (duo)
9
Violon, Alto (duo)
9
Contrebasse, Piano (duo)
7
Violoncelle (partie séparée)
7
2 Altos (duo)
7
2 Contrebasses (duo)
6
Alto, Violoncelle (duo)
5
Violon, Basson (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Violon, Guitare (duo)
3
4 Violoncelles
2
Quatuor à cordes: 4 violons
2
Trio à Cordes: 3 violoncelles
2
Alto et Basson
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à cordes: 3 violins
2
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle, Contrebasse (duo)
1
Harpe, Violon, Violoncelle
1
2 Violoncelles, Piano
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Ensemble de Violoncelles
1
Harpe, Flûte (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1161
Fanfare
172
Orchestre à Cordes
148
Ensemble Jazz
50
Orchestre
26
Cloches
21
Ensemble de cuivres
19
Orchestre de chambre
16
Batterie (partie séparée)
3
Vibraphone
2
Jazz combo
2
Timbales (partie séparée)
2
Timbales
1
Batterie
1
Marimba
1
Xylophone
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
The Sound of Music - Percussion 1
Partitions à imprimer
8 930 partitions trouvées
<
1
26
51
....
8926
News of Great Joy! (Digital Delivery)
1 Piano, 4 mains
Piano 4-hand - Moderately Advanced - Digital Download SKU: LX.70-1943L Captivati…
(+)
Piano 4-hand - Moderately Advanced - Digital Download SKU: LX.70-1943L Captivating Carols for Piano Four-hands. Arranged by Molly Ijames. Sacred, Christmas. Church Piano. 44 pages. Lorenz Publishing - Digital Sheet Music #e70/1943L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-1943L). ISBN 9780787713539.Nothing sparkles like the sound of four hands at one piano, and Molly Ijames brings that sparkle to the Advent and Christmas hymns in her collection News of Great Joy! Suitable for church services and Christmas concerts, these dynamic settings will delight listeners of all ages.
Song List: As With Gladness, Men Of Old Come, Thou Long-Expected Jesus He Is Born, The Divine Christ Child O Come, O Come Emmanuel On Christmas Night Silent Night, Holy Night
Song List
: As With Gladness, Men Of Old Come, Thou Long-Expected Jesus He Is Born, The Divine Christ Child O Come, O Come Emmanuel On Christmas Night Silent Night, Holy Night
$22.95
20.98 €
#
1 Piano, 4 mains
#
Molly Ijames
#
News of Great Joy!
#
Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
The Sound Of Silence
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.809406 By Simon And Garfunkel. By P…
(+)
Piano Solo - Level 1 - Digital Download SKU: A0.809406 By Simon And Garfunkel. By Paul Simon. Arranged by Academia Unimusica. Pop,Rock. Score. 1 pages. Unimusic Academy (Academia Unimusica) #6251769. Published by Unimusic Academy (Academia Unimusica) (A0.809406). The Sound of Silence, originally The Sounds of Silence, is a song by the American music duo Simon & Garfunkel. The song was written by Paul Simon over several months in 1963 and 1964. A studio audition led to the duo signing a record deal with Columbia Records, and the original 'acoustic' version of the song was recorded in March 1964 at Columbia Studios in New York City and included on their debut album, Wednesday Morning, 3 A.M.. Released on October 19, 1964,[2] the album was a commercial failure and led to the duo disbanding; Simon returned to England, and Art Garfunkel to his studies at Columbia University. In 1965, the song began to attract airplay at radio stations in Boston, Massachusetts, and throughout Florida. The growing airplay led Tom Wilson, the song's producer, to remix the track, overdubbing electric instruments and drums. This remixed version was released as a single in September 1965. Simon & Garfunkel were not informed of the song's remix until after its release. The song hit No. 1 on the Billboard Hot 100 for the week ending January 1, 1966, leading the duo to reunite and hastily record their second album, which Columbia titled Sounds of Silence in an attempt to capitalize on the song's success. The remixed single version of the song was included on this follow-up album. It was featured in the 1967 film The Graduate and was included on the film's soundtrack album. It was additionally released on the Mrs. Robinson 'EP' in 1968, along with three other songs from the film: Mrs. Robinson, April Come She Will and Scarborough Fair/Canticle. The song was a top-ten hit in multiple countries worldwide, among them Australia, Austria, West Germany, Japan and the Netherlands. Generally considered a classic folk rock song, the song was added to the National Recording Registry in the Library of Congress for being culturally, historically, or aesthetically important in 2012, along with the rest of the Sounds of Silence album. Originally titled The Sounds of Silence on the album Wednesday Morning, 3 A.M., the song was shortened for later compilations, beginning with the 1972 compilation album Simon and Garfunkel's Greatest Hits.[3]
$8.00
7.31 €
#
Piano seul
#
Simon And Garfunkel
#
Academia Unimusica
#
Garfunkel
#
The Sound Of Silence
#
Unimusic Academy
#
SheetMusicPlus
My Favorite Things (Intermediate 1 Piano, 4 Hands Duet) from the musical "The Sound of Music"
1 Piano, 4 mains
By Rodgers & Hammerstein. Arranged by Sharon Wilson. Score, Set of Parts. 13 pages…
(+)
By Rodgers & Hammerstein. Arranged by Sharon Wilson. Score, Set of Parts. 13 pages. Published by Sharon Wilson
$6.99
6.39 €
#
1 Piano, 4 mains
#
Rodgers & Hammerstein
#
Sharon Wilson
#
Hammerstein
#
My Favorite Things
#
Sharon Wilson
#
SheetMusicPlus
No other people
3(3.afl).2.ca.2.bcl.3-4.3.3.1-str orchestra - Digital Download SKU: S9.Q41782 Fo…
(+)
3(3.afl).2.ca.2.bcl.3-4.3.3.1-str orchestra - Digital Download SKU: S9.Q41782 For orchestra. Composed by Gerald Barry. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 12 minutes. Schott Music - Digital #Q41782. Published by Schott Music - Digital (S9.Q41782). The title, No other people., is taken from Raymond Roussel's New Impressions of Africa, a fifty-nine page poem which took him fifteen years to write - a length of time mainly caused by his tortuous compositional methods.In Roussel, sentences are broken down in maze-like ways, often producing others which relate to the sound of the original.I'm not aware of any direct, illustrative connection between the music of No other people. and Roussel's book. But I was very struck by the everydayness of Zo's drawings.There is something poignant in his not knowing what he was illustrating. Like the drawings of a blind person. Their banality takes on a mysteriousness by being placed by Roussel in his book, seeming to illustrate bizarre events unknown to Zo.They are impersonal, the people in them unaware that they lead another life in a poem of which they know nothing.Something of this is in the music.Gerald Barry, 2009.
$16.99
15.53 €
#
Gerald Barry
#
No other people
#
Schott Music - Digital
#
SheetMusicPlus
The Dove
Quatuor à cordes: 2 violons, alto, violoncelle
Tenor and string quartet - Digital Download SKU: S9.Q6385 Auf Texte aus der Bibe…
(+)
Tenor and string quartet - Digital Download SKU: S9.Q6385 Auf Texte aus der Bibel. Composed by Naji Hakim. This edition: score and parts. Downloadable, Score and parts. Duration 7 minutes. Schott Music - Digital #Q6385. Published by Schott Music - Digital (S9.Q6385). German • English.This piece shows my hope to have our churches not only in peace but also in full communion. Naji Hakim Die Taube (The Dove) was commissioned by â€Kirchenmusik bei St. Anna Augsburg†to celebrate the 450th anniversary of the Augsburger Religionsfrieden (Religious peace of Augsburg). It is based on three biblical verses related to peace : Gen. 8/11, Luk. 1/79, Joh. 14/27. The music is through composed and develops the character of the verses with contrasted string textures, putting in relief the expressive vocal line, declamation of light and happiness. The work exists in three versions : 1. for Tenor and string quartet, 2. for Tenor and string orchestra, 3. for Tenor and organ. First performance : by Robert Sellier, Tenor, Capella St. Anna Streichquartett, St. Anna Augsburg, Festkonzert zum Hohen Friedensfest, 8 August 2005. Gen.8/11 : â€And the dove came in to him in the evening; and, lo, in her mouth was an olive leaf pluckt off. †Luk. 1/79 : â€To give light to them that sit in darkness and in the shadow of death, to guide our feet into the way of peace. †Joh.14/27 : â€Peace I leave with you, my peace I give unto you. †...to guide our feet into the way of peace. (Luke 1,79) Words and music bind people together to form fellowships which guide us into the way of peace. Singing or playing together combine bodies and souls, so that our rhythm and breathing becomes one - a sense of belonging to one another is created which instils the very nature of peace. So it is that by becoming an integral part of the music, our feet are guided 'into the way of peace'. In Luke chapter 1, both Maria and Zechariah are carried away, body and soul, in hymns of thanksgiving. They let God´s melody resound in their bodies. Ignatius, one of the Early Fathers of the Church, might have drawn his inspiration from them when he wrote to the Christians of Ephesus around the year 100, Let God´s melody resound in you. The melody of our life is a single voice within God´s great melody; an everlasting celestial melody, in which we join together as integral parts - with time, we are gradually shown which chords we are given to touch and which chords to form with one another. God´s inextinguishable melody has an infinite galaxy of variations. As you would know, a variation is rooted but limitless. At our christening, God gives us a variation - an inextinguishable variation because of his promise, I am with you always, even to the end of the age. (Matthew 28, 20). Deeply rooted as we are, God leads us through. He calls us to Life out of His Eternity, He lets his melody reverberate in us and finally calls us back, when we die, to His everlasting future. Let God´s melody resound in you and guide your feet into the way of peace. Pastor Hanne Margrethe Tougaard.
$22.99
21.02 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Naji Hakim
#
The Dove
#
Schott Music - Digital
#
SheetMusicPlus
I Have Confidence (from The Sound Of Music) (arr. Naoko Ikeda)
1 Piano, 4 mains
Arranged by Naoko Ikeda. This edition: scorch. Broadway, Film/TV, Musical/Show. Score.…
(+)
Arranged by Naoko Ikeda. This edition: scorch. Broadway, Film/TV, Musical/Show. Score. 4 pages. Duration 180. Hal Leonard #358450. Published by Hal Leonard
$4.99
4.56 €
#
1 Piano, 4 mains
#
Naoko Ikeda
#
I Have Confidence
#
Hal Leonard
#
SheetMusicPlus
Do-Re-Mi (from The Sound Of Music) (arr. Phillip Keveren)
1 Piano, 4 mains
Composed by Rodgers & Hammerstein. Arranged by Phillip Keveren. This edition: In…
(+)
Composed by Rodgers & Hammerstein. Arranged by Phillip Keveren. This edition: Interactive Download,scorch. Broadway, Children, Musical/Show. Score. 5 pages. Duration 165. Hal Leonard #198450. Published by Hal Leonard
$4.99
4.56 €
#
1 Piano, 4 mains
#
Rodgers & Hammerstein
#
Phillip Keveren
#
Hammerstein
#
Do-Re-Mi
#
Hal Leonard
#
SheetMusicPlus
My Favorite Things (from The Sound Of Music)
1 Piano, 4 mains
Digital Download SKU: HX.445728 Broadway,Musical/Show. Piano Duet. 12 pages. Publis…
(+)
Digital Download SKU: HX.445728 Broadway,Musical/Show. Piano Duet. 12 pages. Published by Hal Leonard - Digital (HX.445728).
$4.99
4.56 €
#
1 Piano, 4 mains
#
My Favorite Things
#
Hal Leonard - Digital
#
SheetMusicPlus
Edelweiss (from The Sound Of Music)
1 Piano, 4 mains
Digital Download SKU: HX.445727 Broadway,Musical/Show. Piano Duet. 8 pages. Publish…
(+)
Digital Download SKU: HX.445727 Broadway,Musical/Show. Piano Duet. 8 pages. Published by Hal Leonard - Digital (HX.445727).
$4.99
4.56 €
#
1 Piano, 4 mains
#
Edelweiss
#
Hal Leonard - Digital
#
SheetMusicPlus
The Sound Of Music (arr. Carolyn Miller)
1 Piano, 4 mains
Arranged by Carolyn Miller. This edition: scorch. Children,Musical/Show. Score. 4 pa…
(+)
Arranged by Carolyn Miller. This edition: scorch. Children,Musical/Show. Score. 4 pages. Hal Leonard - Digital #767700. Published by Hal Leonard - Digital
$4.99
4.56 €
#
1 Piano, 4 mains
#
Carolyn Miller
#
The Sound Of Music
#
Hal Leonard - Digital
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.61 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
En Face Du Miroir (Facing The Mirror)
Piano seul
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
(+)
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.comContains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.48 €
#
Piano seul
#
Isadar
#
En Face Du Miroir
#
Mainya Music Publishing
#
SheetMusicPlus
Guitar Compendium
Guitare
Technique / improvisation / musicianship / theory. This edition: method. Instrumenta…
(+)
Technique / improvisation / musicianship / theory. This edition: method. Instrumentalunterricht, Gitarre, Theorie. The Praxis System. Downloadable. Op. Vol. 1. Advance Music #Q54672. Published by Advance Music
English.<br> <br> Style &. Craft - Troubleshooting 1 - The Fingerboard Map: Chords. The Guide To Twentieth-Century Guitar: Praxis is the first instructional book of its kind. It takes a strikingly new and refreshing approach to learning guitar, and it is carefully designed to guarantee efficient practice with rewarding results. Establish Your Own Musical Direction: Whether your playing falls under one of the more traditional conventional styles, or whether you're a composer and arranger or exploring new musical regions and establishing your own musical direction or personal fusion of musical ideas and influences, Praxis has what you need. Unlock The Musician Within: The name of the system (Praxis comes from the Greek word meaning practice and to do) accurately reflects its general orientation. Play it first, getting sound and satisfaction out of the guitar immediately, and musical understanding will naturally follow. Praxis lets you choose the precise subject you want and immediately provides relevant musical examples. And these examples are presented in such a way that the principle behind the example is always clear, thus allowing you to apply it directly to your music. One Step Beyond - Originators Vs. Imitators: Traditional guitar books try to teach you to play someone else's music. That approach tends to produce imitators rather than originators and real musicianship skills are picked up slowly and almost by accident. Praxis takes you directly to being able to play anything that you want ... someone else's music, your own music, and everything in between. Praxis takes you one step beyond. Efficient Learning: Guitar instruction books are traditionally written in a progressive fashion. Book 1 first, then Book 2, etc. However, the selection and sequencing of material is usually determined by the book rather than the reader, and the familiar result is that, while the book progresses, the student doesn't. Again, Praxis reverses this. You don't have to start with Book 1, there is no Book 1! You go where your interests lie. Just begin work on any one subject in any volume that attracts you. Integrated Study Programs - 239 Compact &. Powerful Units: Because Praxis is a modular system, it can be reassembled into many different combinations. These different combinations of units can answer both varying curricular needs as well as individual interests. Directly stated, there are countless guitar books housed within Praxis, either three, or ten, orEnglish.<br> <br> Style &. Craft - Troubleshooting 1 - The Fingerboard Map: Chords. The Guide To Twentieth-Century Guitar: Praxis is the first instructional book of its kind. It takes a strikingly new and refreshing approach to learning guitar, and it is carefully designed to guarantee efficient practice with rewarding results. Establish Your Own Musical Direction: Whether your playing falls under one of the more traditional conventional styles, or whether you're a composer and arranger or exploring new musical regions and establishing your own musical direction or personal fusion of musical ideas and influences, Praxis has what you need. Unlock The Musician Within: The name of the system (Praxis comes from the Greek word meaning practice and to do) accurately reflects its general orientation. Play it first, getting sound and satisfaction out of the guitar immediately, and musical understanding will naturally follow. Praxis lets you choose the precise subject you want and immediately provides relevant musical examples. And these examples are presented in such a way that the principle behind the example is always clear, thus allowing you to apply it directly to your music. One Step Beyond - Originators Vs. Imitators: Traditional guitar books try to teach you to play someone else's music. That approach tends to produce imitators rather than originators and real musicianship skills are picked up slowly and almost by accident. Praxis takes you directly to being able to play anything that you want ... someone else's music, your own music, and everything in between. Praxis takes you one step beyond. Efficient Learning: Guitar instruction books are traditionally written in a progressive fashion. Book 1 first, then Book 2, etc. However, the selection and sequencing of material is usually determined by the book rather than the reader, and the familiar result is that, while the book progresses, the student doesn't. Again, Praxis reverses this. You don't have to start with Book 1, there is no Book 1! You go where your interests lie. Just begin work on any one subject in any volume that attracts you. Integrated Study Programs - 239 Compact &. Powerful Units: Because Praxis is a modular system, it can be reassembled into many different combinations. These different combinations of units can answer both varying curricular needs as well as individual interests. Directly stated, there are countless guitar books housed within Praxis, either three, or ten, or
$23.99
21.93 €
#
Guitare
#
Guitar Compendium
#
Advance Music
#
SheetMusicPlus
Edelweiss (Piano Duet / 5 Finger Easy and Teacher Parts / Piano 4 Hands with Lyrics)
1 Piano, 4 mains
By Rodgers and Hammerstein. Arranged by Ylan Chu. Score, Sheet Music Single. 2 pages. …
(+)
By Rodgers and Hammerstein. Arranged by Ylan Chu. Score, Sheet Music Single. 2 pages. Published by Ylan Chu
This is a warm and reflective arrangement of Edelweiss from the Sound of Music. This version is written for piano four hands which can be performed as a piano duet or duo. The Piano 1 part can also be played with only one hand since it is one note at a time.<br> <br> Ideal as a pedagogical piece.<br> <br> For Piano 1: Five-finger positions with no chords, played one note at a time, and almost no hand position movement. All fingers are written in to easily follow. Includes lyrics to sing along while playing.<br> <br> For Piano 2: For teacher or Early intermediate student.<br> <br> Easy for beginner students to listen and follow along with a teacher or duet partner. Great way to introduce students to the key of B-flat major.<br> <br> Length: Approx. 1:10This is a warm and reflective arrangement of Edelweiss from the Sound of Music. This version is written for piano four hands which can be performed as a piano duet or duo. The Piano 1 part can also be played with only one hand since it is one note at a time.<br> <br> Ideal as a pedagogical piece.<br> <br> For Piano 1: Five-finger positions with no chords, played one note at a time, and almost no hand position movement. All fingers are written in to easily follow. Includes lyrics to sing along while playing.<br> <br> For Piano 2: For teacher or Early intermediate student.<br> <br> Easy for beginner students to listen and follow along with a teacher or duet partner. Great way to introduce students to the key of B-flat major.<br> <br> Length: Approx. 1:10
$5.99
5.48 €
#
1 Piano, 4 mains
#
Rodgers and Hammerstein
#
Ylan Chu
#
Edelweiss
#
Ylan Chu
#
SheetMusicPlus
Enjoy the Recorder
Flûte à bec Soprano
Treble recorder - Digital Download A comprehensive method for group, individual and s…
(+)
Treble recorder - Digital Download A comprehensive method for group, individual and self tuition. This edition: student's book. Downloadable. Op. Vol. 1. Schott Music - Digital #Q52142. Published by Schott Music - Digital
The best way to learn any instrument is to have lessons from a good, experienced teacher. Although, happily, the number of such teachers is constantly growing, the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves.<br> This series of books sets out to help learners of all ages in all three situations. Experienced teachers, who may choose to disregard much of the text as personal demonstration is always clearer than the written word, will find exercises and fine tunes a-plenty to support their own method at each stage. The less experienced willbenefit from many valuable teaching hints culled from long experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation.<br> Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books, taking plenty of time to assimilate each point before moving on. For them, without the personal model provided by a live teacher, it is vitally important to listen as often as possible to fine players, in person or on record, so that they have in their mind's ear a clear notion of the kind of sound they would like to produce.<br> But however they start, I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle, delightful and sociable of instruments. (Brian Bonsor)<br> <br> &ldquo....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken&ldquo. (Oliver James, Contact Magazine)<br> <br> These two tutors, with accompanying teacher's books, are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation.The best way to learn any instrument is to have lessons from a good, experienced teacher. Although, happily, the number of such teachers is constantly growing, the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves.<br> This series of books sets out to help learners of all ages in all three situations. Experienced teachers, who may choose to disregard much of the text as personal demonstration is always clearer than the written word, will find exercises and fine tunes a-plenty to support their own method at each stage. The less experienced willbenefit from many valuable teaching hints culled from long experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation.<br> Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books, taking plenty of time to assimilate each point before moving on. For them, without the personal model provided by a live teacher, it is vitally important to listen as often as possible to fine players, in person or on record, so that they have in their mind's ear a clear notion of the kind of sound they would like to produce.<br> But however they start, I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle, delightful and sociable of instruments. (Brian Bonsor)<br> <br> &ldquo....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken&ldquo. (Oliver James, Contact Magazine)<br> <br> These two tutors, with accompanying teacher's books, are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation.
$15.99
14.62 €
#
Flûte à bec Soprano
#
Enjoy the Recorder
#
Schott Music - Digital
#
SheetMusicPlus
The Lonely Goatherd from the Sound of Music (for flute choir)
Ensemble de Flûtes
Flute, Woodwind Choir or Ensemble, Flute Choir (Piccolo, Flute 1, 2, and 3, Alto, Ba…
(+)
Flute, Woodwind Choir or Ensemble, Flute Choir (Piccolo, Flute 1, 2, and 3, Alto, Bass, and Contrabass) - Advanced Intermediate - Digital Download By Rodgers & Hammerstein. Arranged by Ralph Raymond Hays. Score, Set of Parts. 20 pages. Published by Ralph Raymond Hays
This spritely and delightful tune from Rodger's and Hammerstein's beloved THE SOUND OF MUSIC is masterfully and lovingly adapted for flute choir by an arranger who once portrayed Friedrich von Trapp in a theatrical production. This spritely and delightful tune from Rodger's and Hammerstein's beloved THE SOUND OF MUSIC is masterfully and lovingly adapted for flute choir by an arranger who once portrayed Friedrich von Trapp in a theatrical production.
$12.99
11.88 €
#
Ensemble de Flûtes
#
Rodgers & Hammerstein
#
Ralph Raymond Hays
#
Hammerstein
#
The Lonely Goatherd from the Sound of Music
#
Ralph Raymond Hays
#
SheetMusicPlus
Moonlight Sound Design (Downloadable)
3 or 4 soprano soli, SSAA choir (choir divisi), and piano - Medium - Digital Download S…
(+)
3 or 4 soprano soli, SSAA choir (choir divisi), and piano - Medium - Digital Download SKU: MQ.1.3564-E Composed by Raimonds Tiguls. 14 pages. Duration 4 minutes, 10 seconds. Galaxy Music Corporation - Digital #1.3564-E. Published by Galaxy Music Corporation - Digital (MQ.1.3564-E). English.The SATB version of Moonlight Sound Design was commissioned and premiered by the youth choir KamÄ“r conducted by MÄris Sirmais in Riga, Latvia in 2012. In the USA, it was performed by the Wartburg Choir conducted by Lee Nelson at the 2017 National Convention of the American Choral Directors Association in Minneapolis, Minnesota. Moonlight Sound Design is dedicated to my father who died by way of an accident. The title of the piece is inspired by the fact that the studio I have is in my father’s country house in an attic room, and the night moon shines directly into it.Moonlight Sound Design is here arranged for 3 or 4 Soprano Soli, SSAA Chorus and piano accompaniment. It can also be accompanied by Hang* (available as a free download, and adaptable to other instruments such as Guitar or Vibraphone). The piece should not sound sad, but rather ethereal. It is more about longing than sadness. To create a more ethereal mood, the soloists may be staggered throughout the audience, if possible. This will also provide more dimension to the sound. The Alto section should sing the pitches in bars 5–23 and bars 38–56 with a “didgeridoo†effect.*The Hang (pronunced haÅ‹ in German) is a musical instrument created by Felix Rohner and Sabina Schärer in Bern, Switzerland. Its name comes from the Bernese-German word for “hand.†The instrument is constructed from two half-shells of deep-drawn, nitrided steel sheets glued together at the rim, leaving the inside hollow, and creating a distinct “UFO†shape. The top (“Dingâ€) side has a center “note†hammered into it, and seven “tone fields†hammered around the center. -Raimonds TigulsDuration: 4:10.
$2.85
2.61 €
#
Raimonds Tiguls
#
Moonlight Sound Design
#
Galaxy Music Corporation - Digital
#
SheetMusicPlus
Enjoy the Recorder
Flûte à bec Alto, Piano
Treble recorder and piano - Digital Download SKU: S9.Q54256 Eine umfassende Schu…
(+)
Treble recorder and piano - Digital Download SKU: S9.Q54256 Eine umfassende Schule für Gruppen-, Einzel- und Selbstunterricht. This edition: teacher's book. Downloadable, Teacher's edition. Op. Vol. 1. Schott Music - Digital #Q54256. Published by Schott Music - Digital (S9.Q54256). English.The best way to learn any instrument is to have lessons from a good, experienced teacher. Although, happily, the number of such teachers is constantly growing, the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers, who may choose to disregard much of the text as personal demonstration is always clearer than the written word, will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled from long experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books, taking plenty of time to assimilate each point before moving on. For them, without the personal model provided by a live teacher, it is vitally important to listen as often as possible to fine players, in person or on record, so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start, I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle, delightful and sociable of instruments. (Brian Bonsor) “...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken“ (Oliver James, Contact Magazine) These two tutors, with accompanying teacher's books, are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation.
$23.99
21.93 €
#
Flûte à bec Alto, Piano
#
Enjoy the Recorder
#
Schott Music - Digital
#
SheetMusicPlus
Hark, the Glad Sound!
1 Piano, 4 mains
Piano 4-hand - Moderately Advanced - Digital Download SKU: LX.70-1984L Favorite …
(+)
Piano 4-hand - Moderately Advanced - Digital Download SKU: LX.70-1984L Favorite Carols in Brilliant Four-Hand Piano Settings. Arranged by Terry Osman. Sacred, Christmas. Church Piano. 52 pages. Lorenz Publishing - Digital Sheet Music #e70/1984L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-1984L). ISBN 9780787732356.These inventive and challenging four-hand arrangements are ideal for Christmas programs and recitals. Terry Osman used the full range of the keyboard to craft these exciting settings of familiar carols.
Song List: Epiphany Medley Hark, The Glad Sound! It Came Upon the Midnight Clear Lo, How a Rose E'er Blooming Masters in this Hall Pat-a-Pan
Song List
: Epiphany Medley Hark, The Glad Sound! It Came Upon the Midnight Clear Lo, How a Rose E'er Blooming Masters in this Hall Pat-a-Pan
$22.95
20.98 €
#
1 Piano, 4 mains
#
Terry Osman
#
Hark, the Glad Sound!
#
Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
Rodgers and Hammerstein,arr. Nikki Iles : Climb Ev'ry Mountain (from The Sound of Music) (ABRSM Violin Exams from 2024, Grade 2, B:1)
Violon
Téléchargez la partition Violon Climb Ev'ry Mountain (from The Sound of…
(+)
Téléchargez la partition Violon Climb Ev'ry Mountain (from The Sound of Music) (ABRSM Violin Exams from 2024, Grade 2, B:1) de arr. Nikki Iles. Partition pour Violon avec piano d‘accompagnement -- Musique de film,Exercices (améliore
4.99 €
#
Violon
#
Rodgers and Hammerstein,arr. N
#
Climb Ev'ry Mountain
#
Tomplay
Maria from "The Sound of Music" (for flute choir)
Ensemble de Flûtes
Flute Choir (Piccolo, Flute 1, 2, and 3, Alto, Bass, and Contrabass) - Intermediate - D…
(+)
Flute Choir (Piccolo, Flute 1, 2, and 3, Alto, Bass, and Contrabass) - Intermediate - Digital Download By Rodgers and Hammerstein. Arranged by Ralph Raymond Hays. Score, Set of Parts. 11 pages. Published by Ralph Raymond Hays
This lively and enchanting work -- lovingly crafted by an arranger who once played Friedrich von Trapp in a theatrical production -- can stand alone or can be combined with Prof. Hays' other arrangements to create a SOUND OF MUSIC SUITE. All members of the ensemble are featured in this arrangement which includes both the introductory and wedding versions of the endearing tune.This lively and enchanting work -- lovingly crafted by an arranger who once played Friedrich von Trapp in a theatrical production -- can stand alone or can be combined with Prof. Hays' other arrangements to create a SOUND OF MUSIC SUITE. All members of the ensemble are featured in this arrangement which includes both the introductory and wedding versions of the endearing tune.
$12.99
11.88 €
#
Ensemble de Flûtes
#
Rodgers and Hammerstein
#
Ralph Raymond Hays
#
Maria from "The Sound of Music"
#
Ralph Raymond Hays
#
SheetMusicPlus
Edelweiss - The Sound of Music - Elementary Violin Duo
2 Violons (duo)
String Duet, Violin 1, Violin 2 - Easy/Beginner - Digital Download By Richard Rodgers…
(+)
String Duet, Violin 1, Violin 2 - Easy/Beginner - Digital Download By Richard Rodgers. Arranged by Violinotech. Score, Set of Parts. 7 pages. Published by Violinotech
This is an arrangement of Edelweiss from The Sound of Music movie soundtrack, for two violins.<br> The rhythm has been simplified to make it easier to play for elementary level violonists.<br> It is suitable for schools, students and amateur violinists.<br> <br> Elementary Level<br> - simple key signature (C Major)<br> - 1st position<br> - simple rhythms<br> - suggested bowings<br> <br> <br> Nicolas is a concert performer and has been teaching violin for over 25 years.<br> He created Violinotech to make available the scores, arrangements and other resources he uses daily in his lessons.<br> Visit Nicolas's website at www.violinotech.comThis is an arrangement of Edelweiss from The Sound of Music movie soundtrack, for two violins.<br> The rhythm has been simplified to make it easier to play for elementary level violonists.<br> It is suitable for schools, students and amateur violinists.<br> <br> Elementary Level<br> - simple key signature (C Major)<br> - 1st position<br> - simple rhythms<br> - suggested bowings<br> <br> <br> Nicolas is a concert performer and has been teaching violin for over 25 years.<br> He created Violinotech to make available the scores, arrangements and other resources he uses daily in his lessons.<br> Visit Nicolas's website at www.violinotech.com
$7.99
7.3 €
#
2 Violons (duo)
#
Richard Rodgers
#
Edelweiss - The Sound of Music - Elementary Violin Duo
#
Violinotech
#
SheetMusicPlus
Moonlight Sound Design (Downloadable)
3 or 4 soprano voice soli, SATB choir (choir divisi), and piano - Moderately Easy - Digita…
(+)
3 or 4 soprano voice soli, SATB choir (choir divisi), and piano - Moderately Easy - Digital Download SKU: MQ.1.3502-E Composed by Raimonds Tiguls. Advanced/Collegiate; Lee Nelson Choral Series. Secular, Memorial, 21st Century, Creation/Nature. Octavo. 15 pages. Duration 4 minutes, 10 seconds. Galaxy Music Corporation - Digital #1.3502-E. Published by Galaxy Music Corporation - Digital (MQ.1.3502-E). UPC: 600313135026. English.Moonlight Sound Design was commissioned and premiered by the youth choir KamÄ“r conducted by MÄris Sirmais in Riga, Latvia in 2012. In USA, it was performed by the Wartburg Choir conducted by Lee Nelson at the 2017 National Convention of the American Choral Directors Association in Minneapolis, Minnesota. Moonlight Sound Design is dedicated to my father who died by way of an accident. The title of the piece is inspired by the fact that the studio I have is in my father’s country house in an attic room, and the night moon shines directly into it.Moonlight Sound Design is composed for 3 or 4 Soprano Soli, SATB Chorus and Hang* but can be performed with Piano or Guitar accompaniment as well. The piece should not sound sad, but rather ethereal. It is more about longing than sadness. To create a more ethereal mood, the soloists may be staggered throughout the audience, if possible. This will also provide more dimension to the sound. The Bass section should sing the octave E-flat in bars 5–23 and bars 38–56 with a “didgeridoo†effect.*The Hang (pronunced haÅ‹ in German) is a musical instrument created by Felix Rohner and Sabina Schärer in Bern, Switzerland. Its name comes from the Bernese-German word for “hand.†The instrument is constructed from two half-shells of deep-drawn, nitrided steel sheets glued together at the rim, leaving the inside hollow, and creating a distinct “UFO†shape. The top (“Dingâ€) side has a center “note†hammered into it, and seven “tone fields†hammered around the center. -Raimonds TigulsDuration: 4:10.
$2.85
2.61 €
#
Raimonds Tiguls
#
Lee Nelson Choral Series
#
Moonlight Sound Design
#
Galaxy Music Corporation - Digital
#
SheetMusicPlus
Best of Piano Duets 2
1 Piano, 4 mains
20 Classical Arrangements. Arranged by Hans-Guenter Heumann. Piano - four hands - co…
(+)
20 Classical Arrangements. Arranged by Hans-Guenter Heumann. Piano - four hands - collection - original works - arrangements. Best of Classics. Downloadable. Schott Music - Digital #Q560931. Published by Schott Music - Digital
German * English.<br> <br> In the successful Best of Piano Classics series, two more collections of original works and arrangements are published, now for piano four hands, for double the joy of playing the instrument: Best of Piano Duets 1 contains 20 original duets, including the popular Waltz and Hungarian Dance No. 5 by Brahms or the Military March by Schubert. Best of Piano Duets 2 contains 20 arrangements for discerning lovers of classical masterpieces, including the famous Canon by Pachelbel, "Das klinget so herrlich" from Mozart's Magic Flute or Morning Mood by Grieg. Completed with fingerings, tempo suggestions and pedal indications and published in a modern and reader-friendly layout, these great-sounding original pieces and arrangements, selected for advanced players, are recommended not only for lessons but also for any amateur musician who loves to play the pianoGerman * English.<br> <br> In the successful Best of Piano Classics series, two more collections of original works and arrangements are published, now for piano four hands, for double the joy of playing the instrument: Best of Piano Duets 1 contains 20 original duets, including the popular Waltz and Hungarian Dance No. 5 by Brahms or the Military March by Schubert. Best of Piano Duets 2 contains 20 arrangements for discerning lovers of classical masterpieces, including the famous Canon by Pachelbel, "Das klinget so herrlich" from Mozart's Magic Flute or Morning Mood by Grieg. Completed with fingerings, tempo suggestions and pedal indications and published in a modern and reader-friendly layout, these great-sounding original pieces and arrangements, selected for advanced players, are recommended not only for lessons but also for any amateur musician who loves to play the piano
$15.99
14.62 €
#
1 Piano, 4 mains
#
Hans-Guenter Heumann
#
Best of Piano Duets 2
#
Schott Music - Digital
#
SheetMusicPlus
Best of Piano Duets
1 Piano, 4 mains
20 Original Pieces. Piano - four hands - collection - original works - arrangements. …
(+)
20 Original Pieces. Piano - four hands - collection - original works - arrangements. Best of Classics. Downloadable. Schott Music - Digital #Q560930. Published by Schott Music - Digital
German * English.<br> <br> In the successful Best of Piano Classics series, two more collections of original works and arrangements are published, now for piano four hands, for double the joy of playing the instrument: Best of Piano Duets 1 contains 20 original duets, including the popular Waltz and Hungarian Dance No. 5 by Brahms or the Military March by Schubert. Best of Piano Duets 2 contains 20 arrangements for discerning lovers of classical masterpieces, including the famous Canon by Pachelbel, "Das klinget so herrlich" from Mozart's Magic Flute or Morning Mood by Grieg. Completed with fingerings, tempo suggestions and pedal indications and published in a modern and reader-friendly layout, these great-sounding original pieces and arrangements, selected for advanced players, are recommended not only for lessons but also for any amateur musician who loves to play the piano.German * English.<br> <br> In the successful Best of Piano Classics series, two more collections of original works and arrangements are published, now for piano four hands, for double the joy of playing the instrument: Best of Piano Duets 1 contains 20 original duets, including the popular Waltz and Hungarian Dance No. 5 by Brahms or the Military March by Schubert. Best of Piano Duets 2 contains 20 arrangements for discerning lovers of classical masterpieces, including the famous Canon by Pachelbel, "Das klinget so herrlich" from Mozart's Magic Flute or Morning Mood by Grieg. Completed with fingerings, tempo suggestions and pedal indications and published in a modern and reader-friendly layout, these great-sounding original pieces and arrangements, selected for advanced players, are recommended not only for lessons but also for any amateur musician who loves to play the piano.
$15.99
14.62 €
#
1 Piano, 4 mains
#
Best of Piano Duets
#
Schott Music - Digital
#
SheetMusicPlus
<
1
26
51
....
8926
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
