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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Music of Romantic
Non classifié
3 560
Piano & claviers
Piano seul
2 967
Piano, Voix
1 327
Piano Facile
1 190
Orgue
242
Instruments en Do
129
1 Piano, 4 mains
120
Piano, Voix et Guitare
104
Piano Trio: piano, violon, violoncelle
99
Accompagnement Piano
75
2 Pianos, 4 mains
56
Piano Quatuor: piano, violon, alto, violoncelle
37
Piano Quintette: piano, 2 violons, alto, violoncelle
15
Clavier
12
1 Piano, 6 mains
12
Accordéon
9
Piano Quatuor: piano, 2 violons, violoncelle
5
Piano grosses notes
4
Ensemble d'Accordéons
4
Orgue, Piano (duo)
4
2 Pianos, 8 mains
2
Instrument seul et Orgue
2
Orgue, Trompette (duo)
2
Orgue et Orchestre
1
2 Accordéons
1
Piano (partie séparée)
1
Clavecin
1
+ 21 instrumentations
Retracter
Guitares
Guitare
274
Guitare notes et tablatures
191
2 Guitares (duo)
74
Ukulele
49
Ligne De Mélodie, (Paroles) et Accords
45
Piano, Guitare (duo)
20
Basse electrique
19
3 Guitares (trio)
14
4 Guitares (Quatuor)
12
Guitare, Violon, Violoncelle (trio)
10
Ensemble de guitares
7
Mandoline
7
Paroles et Accords
4
Dulcimer
3
Ukulele Baryton
3
Guitare (partie séparée)
2
Guitare Pedal Steel
2
Guitare, Flûte, Clarinette
1
2 Ukuleles
1
Banjo
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
261
Chorale 3 parties
132
Chorale 2 parties
64
Chorale TTBB
51
Chorale SSAA
29
Voix duo, Piano
24
Voix Tenor, Piano
24
Chorale Unison
23
Voix Soprano, Piano
18
Voix Baryton, Piano
16
Voix basse, Piano
14
Voix duo
13
Voix haute
13
Voix Alto, Piano
9
Voix moyenne, Piano
6
Chorale
4
Voix, Guitare
3
Voix Tenor
3
Voix seule
3
Voix basse
3
Chorale SSATTB
1
Soli, choeur mixte et accompagnement
1
Chorale SSAATTBB
1
Voix Soprano
1
+ 19 instrumentations
Retracter
Vents
Flûte traversière et Piano
786
Clarinette et Piano
553
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
462
Quatuor de Saxophones: 4 saxophones
454
Hautbois, Piano (duo)
414
Saxophone Alto et Piano
364
Quatuor de Clarinettes: 4 clarinettes
306
Flûte, Hautbois, Clarinette, Basson
305
2 Saxophones (duo)
284
Clarinette
263
Saxophone Tenor et Piano
219
Flûte traversière
218
Saxophone Soprano et Piano
213
Quintette de Saxophone: 5 saxophones
189
2 Flûtes traversières (duo)
176
Quatuor de Flûtes : 4 flûtes
168
Saxophone Alto
162
2 Clarinettes (duo)
134
3 Saxophones (trio)
116
Hautbois (partie séparée)
112
Saxophone Baryton, Piano
95
Cor anglais, Piano
94
Saxophone Tenor
91
Ensemble de Clarinettes
75
2 Hautbois (duo)
74
Ensemble de saxophones
73
Saxophone (partie séparée)
70
Flûte, Clarinette (duo)
66
3 Clarinettes (trio)
66
2 Flûte à bec (duo)
64
Hautbois
62
Ensemble de Flûtes
60
Trio de Flûtes: 3 flûtes
59
Quintette de Clarinettes: 5 clarinettes
56
Clarinette Basse, Piano
51
Flûte et Guitare
46
Flûte à bec Soprano
43
Clarinette, Guitare (duo)
40
Quatuor de Flûtes à bec
37
Hautbois, Basson (duo)
35
Hautbois, Clarinette (duo)
34
Saxophone Soprano
33
Saxophone Baryton
31
Clarinette, Basson (duo)
31
Flûte à bec Alto
28
Flûte à Bec
27
Clarinette, Violon (duo)
26
5 Flûtes à bec
26
Cor Anglais
24
Quintette de Flûte : 5 flûtes
24
Flûte, Hautbois, Clarinette (trio)
23
Flûte, Violon, Piano
23
Flûte, Clarinette et Basson
22
Flûte, Hautbois (duo)
20
2 Flûtes traversières, Piano
20
Flûte, Hautbois, Piano (trio)
19
Flûte, Violoncelle
19
Flûte, Clarinette, Piano (trio)
18
Saxophone, Clarinette (duo)
17
Flûte, Violon
17
Flûte, Hautbois, Basson
17
Hautbois, Clarinette, Basson (trio d'anches)
16
Clarinette, Violoncelle (duo)
15
2 Clarinettes, Piano
15
Hautbois, Violoncelle
14
3 Flûtes à bec (trio)
13
Clarinette, Violoncelle, Piano (trio)
13
Saxophone
10
Piccolo
10
Flûte, Violoncelle, Piano (trio)
9
Flûte à Bec, Piano
9
Piccolo, Piano
9
Hautbois, Flûte
8
Flûte, Alto (duo)
8
Clarinette, Trompette (duo)
8
Flûte, Clarinette, Cor, Basson (Quartet)
8
Clarinette et Alto
8
Flûte, trombone et piano
7
Flûte, Saxophone (duo)
7
Flûte à bec, Guitare (duo)
6
Clarinette, Harpe (duo)
6
Hautbois, Guitare (duo)
6
Flûte à bec Tenor
6
Flûte à bec Alto, Piano
6
Clarinette Basse
6
Flûte, Alto et Piano
6
Flûte, Basson et Piano
5
2 Saxophones, Piano
5
Clarinette, trompette et piano
5
Flûte, Violon, Violoncelle et Piano
5
Flûte, Trompette (duo)
5
Flute (partie séparée)
4
Ensemble De Flûte à bec
4
Flûte, Violon et Violoncelle
4
Hautbois, violon (duo)
4
Instruments en Mib
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Clarinette, Trombone (duo)
3
Ensemble de Hautbois
3
Flûte, Violon, Guitare
3
Saxophone et Harpe
3
Ocarina
3
Clarinette, Basson, Piano (trio)
3
Saxophone et Orgue
3
Hautbois et alto (duo)
3
Saxophone et Piano
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
2 Clarinettes, Basson
3
Hautbois, Harpe
3
Saxophone et Guitare
3
Flûte à bec Soprano, Piano
3
Flûte traversière, Orgue (duo)
3
Flûte et Trio à cordes
2
2 Hautbois et Cor anglais
2
Clarinette, Orgue
2
Flûte, Trombone (duo)
2
Harmonica
2
Ensemble à vent
2
Flûte, Violoncelle, Guitare
2
2 Hautbois, Piano
1
Flute, harpe et violon
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte irlandaise
1
4 Hautbois
1
Flûte, alto et harpe
1
Flûte et Quatuor à Cordes
1
Hautbois, Orgue
1
Clarinette, Alto et Piano (trio)
1
2 Flûtes à bec, Piano
1
Harmonica, Piano
1
Flûte de Pan
1
+ 126 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
427
Trombone et Piano
353
Trompette, Piano
347
Cor et Piano
285
Trompette
251
Quatuor de Cuivres : 2 trompettes, trombone, tuba
211
Cor
183
Tuba et Piano
170
Trombone
162
Tuba
143
Quatuor de cuivres: 4 cors
115
Quatuor de Cuivres: 2 trompettes, Cor, trombone
103
Cor anglais, Piano
94
Euphonium, Piano (duo)
85
2 Trompettes (duo)
80
2 Trombones (duo)
76
2 Cors (duo)
64
Quatuor de cuivres: 4 trombones
56
Ensemble de Trombones
50
Trompette, Trombone (duo)
49
Quatuor de Cuivres
45
Quatuor de cuivres: 4 trompettes
31
Ensemble de Cors
29
Trompette, Cor (duo)
26
Cor Anglais
24
2 Tubas (duo)
23
Ensemble de Trompettes
20
3 Trombones (trio)
18
Tuba et Orgue
16
Trombone, Cor (duo)
15
Euphonium
14
Trombone basse
12
Trombone basse et Piano
12
4 Tubas
11
Trio de Cuivres
10
Cor, Violoncelle (duo)
10
3 Tubas (trio)
10
2 Euphoniums et 2 Tubas
10
Trompette (partie séparée)
9
Trombone (partie séparée)
9
Trompette, Saxophone (duo)
9
3 Cors (trio)
8
3 Trompettes (trio)
8
Trompette, Violoncelle (duo)
8
Cor et Basson (duo)
7
Trompette, Basson (duo)
6
Trompette et Guitare
5
2 Trompettes, Clavier (piano ou orgue)
5
Euphonium, Tuba (duo)
4
Bass Clef Instruments
4
Cor, Tuba (duo)
4
Trompette, Trombone, Piano
4
Trombone, Orgue
4
Cor et Harpe
3
Trombone et orchestre
3
Instruments en Sib
3
Trombone, Tuba (duo)
3
Trompette, Violoncelle et Piano
3
Trompette, Tuba (duo)
2
Cor et Orgue
2
2 Euphoniums (duo)
2
Cornet et orchestre
1
Cor, Violoncelle et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Harpe
1
Trompette, Euphonium (duo)
1
Trompette, Orchestre
1
Tuba (partie séparée)
1
Ensemble de Tubas
1
+ 64 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1 105
Violon et Piano
830
Violoncelle, Piano
574
Alto, Piano
494
Violon
311
Violoncelle
228
Violon, Violoncelle (duo)
194
Alto seul
174
Trio à Cordes: violon, alto, violoncelle
157
2 Violons (duo)
155
Contrebasse, Piano (duo)
134
Contre Basse
121
2 Violoncelles (duo)
117
Harpe
114
Quintette à cordes: 2 violons, alto, violoncelle, basse
98
Violon, Alto (duo)
93
2 Altos (duo)
86
Violon, Guitare (duo)
72
Alto, Violoncelle (duo)
52
4 Violoncelles
47
Alto (partie séparée)
46
Trio à Cordes: 2 violons, violoncelle
45
Violoncelle , Guitare (duo)
43
Trio à cordes: 3 violins
38
2 Harpes (duo)
35
Quatuor à cordes: 4 violons
33
Alto, Guitare (duo)
32
Piano Trio: Violon, Alto, Piano
32
Trio à Cordes: 3 violoncelles
29
Quatuor à cordes : 4 altos
25
2 Contrebasses (duo)
21
Trio à cordes: 3 altos
19
Violon (partie séparée)
18
Violon, Basson (duo)
15
Harpe, Violon (duo)
14
Harpe, Flûte (duo)
13
Alto et Basson
10
Trio à Cordes: 2 violons, alto
7
Flûte, Contrebasse (duo)
6
Violoncelle (partie séparée)
6
Violoncelle, Orchestre
5
Violoncelle, Contrebasse (duo)
5
Ensemble de Violons
5
Violoncelle, Orgue
4
Harpe, Trombone (duo)
4
Contrebasse (partie séparée)
4
Ensemble d'Altos
4
Ensemble de Violoncelles
4
Alto, Orgue
3
4 Contrebasses
3
Violon, Clarinette, Piano (trio)
3
2 Violons, Piano
3
Trio à cordes
3
Violon, Orgue
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Violoncelle (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Harpe, Orchestre
2
2 Violoncelles, Piano
2
Harpe et Piano
1
Alto et Harpe
1
Violon, Violoncelle, Clarinette
1
+ 57 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
406
Orchestre à Cordes
338
Orchestre
252
Ensemble de cuivres
138
Orchestre de chambre
127
Ensemble Jazz
45
Cloches
20
Marimba
16
Xylophone, Piano
14
Fanfare
13
Ensemble de Percussions
13
Xylophone
12
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Quatuor à Vent : 4 instruments à vents
5
Instrumentation Flexible
5
Quintette de Cuivres: autres combinaisons
4
Quintette à Vent
4
Jazz combo
3
Batterie
3
Ensemble d'École
2
Orchestre, Violon
2
Batterie (partie séparée)
1
Vibraphone
1
Percussion (partie séparée)
1
Piano et Orchestre
1
+ 20 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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SOUL - R&B - HIP HOP…
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Music of Romantic
Partitions à imprimer
30 888 partitions trouvées
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9976
10 Easy Romantic Pieces - for Flute and Piano
#
Flûte traversière et Piano
#
DÉBUTANT
#
Classique
#
Anton Rubinstein, Antonin Dv
#
Francesco Leone
#
10 Easy Romantic Pieces - for
#
Glissato Edizioni Musicali
#
SheetMusicPlus
Composed by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaik...
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Composed by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann. Arranged by Francesco Leone. Chamber,Classical,Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820315. Published by Glissato Edizioni Musicali
This collection of 10 easy pieces from the Romantic Period arranged for Flute and Piano is the perfect resource for students of the first courses in music. Not only is it ideal for essay writing and concerts, but it also provides an excellent introduction to the music of the Romantic Period. With pieces from composers such as Beethoven, Schumann, Brahms, Tchaikovsky, Mussorgsky, Rubinstein, Paganini and Dvorak, this collection offers an exciting and accessible way to explore the music of the Romantic Period. The pieces are easy enough for students of the first courses to play, but still provide enough challenge to keep them engaged. With this collection, students will be able to develop their skills and knowledge of the music of the Romantic Period, making it invaluable for any beginner musician.Complete parts for Flute and Piano.
Easy keys and range for Flute
Easy Piano accompaniment
Musical themes taken from the original compositions:
Largo from ?New World Symphony? ? A. Dvorák
Theme from "Le Streghe" - N. Paganini
Melody in F ? A. Rubinstein
Soldier March ? R. Schumann
The Great Gate of Kiev - M. Mussorgsky
Theme from "New World Symphony" (IV mov.) - A. Dvorák
Theme from "Symphony n. 1" (IV mov.) - J. Brahms
Theme from "Symphony n. 5" (II mov.) - L. van Beethoven
Theme from "Symphony n. 7" (II mov.) - L. van Beethoven
Theme from "Swane Lake" - P. I. Tchaikovsky.
$14.99
Music of Romantic
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Music of Romantic
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Schott Music - Digital
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SheetMusicPlus
Flute I/II - SKU: S9.Q2661 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2661. Publ...
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Flute I/II - SKU: S9.Q2661 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2661. Published by Schott Music - Digital (S9.Q2661).
$5.99
Music of Romantic
#
Violon (partie séparée)
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Violin II - SKU: S9.Q22718 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q22718. Pub...
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Violin II - SKU: S9.Q22718 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q22718. Published by Schott Music - Digital (S9.Q22718).
$5.99
Music of Romantic
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Trumpet I/II - SKU: S9.Q2665 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2665. Pu...
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Trumpet I/II - SKU: S9.Q2665 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2665. Published by Schott Music - Digital (S9.Q2665).
$5.99
Music of Romantic
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Clarinet I/II - SKU: S9.Q2663 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2663. P...
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Clarinet I/II - SKU: S9.Q2663 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2663. Published by Schott Music - Digital (S9.Q2663).
$5.99
Music of Romantic
#
Basson (partie séparée)
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Bassoon I/II - SKU: S9.Q2664 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2664. Pu...
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Bassoon I/II - SKU: S9.Q2664 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2664. Published by Schott Music - Digital (S9.Q2664).
$5.99
Music of Romantic
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Music of Romantic
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Schott Music - Digital
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SheetMusicPlus
Horn I/II - SKU: S9.Q10826 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q10826. Pub...
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Horn I/II - SKU: S9.Q10826 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q10826. Published by Schott Music - Digital (S9.Q10826).
$5.99
Music of Romantic
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Violon (partie séparée)
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Music of Romantic
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Schott Music - Digital
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SheetMusicPlus
Violin I - SKU: S9.Q50424 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q50424. Publ...
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Violin I - SKU: S9.Q50424 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q50424. Published by Schott Music - Digital (S9.Q50424).
$5.99
Music of Romantic
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Music of Romantic
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Schott Music - Digital
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SheetMusicPlus
Oboe I/II - SKU: S9.Q2662 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2662. Publi...
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Oboe I/II - SKU: S9.Q2662 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2662. Published by Schott Music - Digital (S9.Q2662).
$5.99
Music of Romantic
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Music of Romantic
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Schott Music - Digital
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SheetMusicPlus
Various options for instrumentation - SKU: S9.Q2660 This edition: score. Orchestra pieces for schools. Downloadable, Score. Schott Music - Digital #Q266...
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Various options for instrumentation - SKU: S9.Q2660 This edition: score. Orchestra pieces for schools. Downloadable, Score. Schott Music - Digital #Q2660. Published by Schott Music - Digital (S9.Q2660).
$21.99
Music of Romantic
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Music of Romantic
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Schott Music - Digital
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SheetMusicPlus
Cello/Double Bass - SKU: S9.Q10814 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q10...
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Cello/Double Bass - SKU: S9.Q10814 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q10814. Published by Schott Music - Digital (S9.Q10814).
$5.99
Music of Romantic
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Alto (partie séparée)
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Music of Romantic
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Schott Music - Digital
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SheetMusicPlus
Viola - SKU: S9.Q22719 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q22719. Publish...
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Viola - SKU: S9.Q22719 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q22719. Published by Schott Music - Digital (S9.Q22719).
$5.99
Ten Romantics for Sax
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Andrew Middleton
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Ten Romantics for Sax
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Forton Music - Digital
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SheetMusicPlus
Asax. Pft. - Intermediate - SKU: F2.FM627 Composed by Andrew Middleton. Romantic pieces for alto saxophone and piano. Score and Part. 49 pages. Forton M...
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Asax. Pft. - Intermediate - SKU: F2.FM627 Composed by Andrew Middleton. Romantic pieces for alto saxophone and piano. Score and Part. 49 pages. Forton Music - Digital #FM627. Published by Forton Music - Digital (F2.FM627). ISBN 9790570485260.From Chopin to Schumann, Ten Romantics for Sax is an exciting collection of pieces for alto sax with piano accompaniment, arranged by Andrew Middleton. All of the pieces are from the Romantic Period (1820 to 1910), exploring the music of both famous and lesser known composers of the time, as well as a range of styles from the period including: lieder, preludes and even music from ballet! Ideal for the intermediate student, each piece has been carefully selected and arranged to help develop good playing techniques as well as introduce the player to a range of styles of music.
$17.95
10 Easy Romantic Pieces for Bb Saxophone and Piano
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Saxophone Tenor et Piano
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DÉBUTANT
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Classique
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Various
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10 Easy Romantic Pieces for Bb
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Glissato Edizioni Musicali
#
SheetMusicPlus
By Various. By Ludwig van Beethoven. Arranged by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Modest Petrovich Mussorgsky, Nicolo Paganini, Pete...
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By Various. By Ludwig van Beethoven. Arranged by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann. Classical,Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820362. Published by Glissato Edizioni Musicali
This is a collection of 10 easy pieces from the Romantic period that have been arranged for either Bb Tenor or Soprano Saxophone and Piano, making it an excellent resource for beginner and intermediate level players. The piano accompaniments are specifically designed to complement the saxophone parts, creating a harmonious and beautiful sound.
Whether you are a student or a beginner saxophonist looking to improve your skills, or an intermediate level player who wants to explore the music of the Romantic period, this collection is a great starting point. It is also useful for essays and performances, as it offers an accessible and enjoyable repertoire that can be performed in various settings.
Easy keys and range for Saxophone
Easy Piano accompaniment
Musical themes taken from the original compositions:
Largo from ?New World Symphony? ? A. Dvorák
Theme from "Le Streghe" - N. Paganini
Melody in F ? A. Rubinstein
Soldier March ? R. Schumann
The Great Gate of Kiev - M. Mussorgsky
Theme from "New World Symphony" (IV mov.) - A. Dvorák
Theme from "Symphony n. 1" (IV mov.) - J. Brahms
Theme from "Symphony n. 5" (II mov.) - L. van Beethoven
Theme from "Symphony n. 7" (II mov.) - L. van Beethoven
Theme from "Swane Lake" - P. I. Tchaikovsky.
$14.99
10 Easy Romantic Pieces - for Oboe and Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Classique
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Various
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Francesco Leone
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10 Easy Romantic Pieces - for
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Glissato Edizioni Musicali
#
SheetMusicPlus
By Various. By Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tch...
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By Various. By Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann. Arranged by Francesco Leone. Chamber,Classical,Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820359. Published by Glissato Edizioni Musicali
This is a collection of 10 easy pieces from the Romantic period that have been arranged for Oboe and Piano. It is a highly valuable resource for students in their first courses, as it provides excellent material for essays and performances. Whether you are looking to improve your skills in playing the oboe or studying the music of the Romantic period, this collection is a great starting point. The included piano accompaniments are designed to complement the oboe parts, creating a beautiful and harmonious sound.
Titles:
1. Largo from ?New World Symphony? ? A. Dvorák
2. Theme from "Le Streghe" - N. Paganini
3. Melody in F ? A. Rubinstein
4. Soldier March ? R. Schumann
5. The Great Gate of Kiev - M. Mussorgsky
6. Theme from "New World Symphony" (IV mov.) - A. Dvorák
7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms
8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven
9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven
10.Theme from "Swane Lake" - P. I. Tchaikovsky.
$14.99
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 12: Cherchez, mes
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 1: Ô songe h
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 5: Si vous m&rsquo
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 3: Le Matin au bor
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 4: Prière a
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
(+)
Voice and piano - Medium - SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
#
INTERMÉDIAIRE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 3: Vous ne voulez
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 2: Barque lé
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 7: Dans un songe en
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 14: Lettres, le se
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-14E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-14E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 10: Le calme de me
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-10E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-10E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
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