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15 partitions trouvées
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1
Masters In This Hall (Nowell, Sing We Clear)
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Piano seul
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AVANCÉ
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Noël
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Public Domain, as performed
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Isadar
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Masters In This Hall
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Advanced - Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, C...
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Piano Solo - Advanced - Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing (BMI)
Contains:
"Masters In This Hall"
- taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)
Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
$5.99
The Masters of the Pianos
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Piano seul
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AVANCÉ
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Classique
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Ludwig van Beethoven
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The Masters of the Pianos
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Schott Music - Digital
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SheetMusicPlus
Piano - advanced - SKU: S9.Q5476 Composed by Ludwig van Beethoven. This edition: Sheet music. The Masters of the Piano. Downloadable. Op Band 4b. Schott...
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Piano - advanced - SKU: S9.Q5476 Composed by Ludwig van Beethoven. This edition: Sheet music. The Masters of the Piano. Downloadable. Op Band 4b. Schott Music - Digital #Q5476. Published by Schott Music - Digital (S9.Q5476).
$15.99
RETRO STUDY No. 1 "Tributes to Forgotten Masters" [Theodore Salome] for String Orchestra
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Orchestre à Cordes
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AVANCÉ
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Classique
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Theodore Salome
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Paul Ferington
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RETRO STUDY No. 1 "Tribut
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Paul K Ferington
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.982360 Composed by Theodore Salome. Arranged by Paul Ferington. Romantic Period. Score and parts. 14 pages. Paul K ...
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String Orchestra - Level 5 - SKU: A0.982360 Composed by Theodore Salome. Arranged by Paul Ferington. Romantic Period. Score and parts. 14 pages. Paul K Ferington #6453923. Published by Paul K Ferington (A0.982360). RETRO STUDY No. 1 (3:30) from Music of Forgotten Masters collection featuring the music of Theodore Salome, transcribed for String Orchestra...recommended for advanced string players interested in playing works unjustly neglected since the composer's death. .
$6.95
Masters of Russian Composition: Alexander Borodin and Anatoly Lyadov
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Rovshan Mamedkuliev
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Rovshan Mamedkuliev
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Masters of Russian Composition
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (classical) - Advanced - SKU: M0.30072EB Composed by Rovshan Mamedkuliev. Arranged by Rovshan Mamedkuliev. Solos/Studies, World. European. E-book...
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Guitar (classical) - Advanced - SKU: M0.30072EB Composed by Rovshan Mamedkuliev. Arranged by Rovshan Mamedkuliev. Solos/Studies, World. European. E-book. Mel Bay Publications - Digital Sheet Music #30072EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30072EB). ISBN 9781619114654. 8.75x11.75 inches.This collection contains arrangements by one of the leading guitarists of the new generation, Rovshan Mamedkuliev. Rovshan invites guitar lovers to explore Russian music of the 19th century. Alexander Borodin (1833 - 1887), member of the famous Mighty Handful, wrote his Petite Suite for the piano. The four pieces presented in this collection barely utilize any of the piano's idiomatic techniques. Though unfamiliar to the guitar until the present day, the selected miniatures are wonderfully suited to its technical and timbral capabilities, especially Serenade. Thanks to the clearly defined genre of Nocturne, the vivid imagery of Reverie and the folk colour and bell-like melodiousness of In the Cloister, the four pieces, rich in quality and substance, will be a valuable contribution to the guitar repertoire. Anatoly Lyadov (1855 - 1914) used to joke that he could not stand more than five continuous minutes of music. The genius of musical miniature created his compositions to be laconic and refined in form, simple yet elegant. Lyadov's contemporaries called his pieces tiny pearls of finest finishing and compared the composer himself to a jeweler. His three preludes from op.36, op.39, and op.40, will become a fulfilling experience for the guitarist as the music explores the rich palette of the mysterious Russian soul, ranging from stormy aspirations to dreamlike, elegiac moods - expressed by the composer in but a few sounds.
$14.99
Incognito for Solo Piano
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Piano seul
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AVANCÉ
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Contemporain
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Wikus van der Hoven
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Incognito for Solo Piano
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Van Masters
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1030440 Composed by Wikus van der Hoven. Contemporary. Score. 14 pages. Van Masters #6303899. Published by Van Masters (A...
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Piano Solo - Level 5 - SKU: A0.1030440 Composed by Wikus van der Hoven. Contemporary. Score. 14 pages. Van Masters #6303899. Published by Van Masters (A0.1030440). Contemporary classical work for solo piano. Difficulty: 9/10
$5.99
Sonata in C minor Op. 111 Final Sonata NEW SETTING !
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Piano seul
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AVANCÉ
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Beethoven, L
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Michael Bomier
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Sonata in C minor Op. 111 Fina
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862673 Composed by Beethoven, L. van. Arranged by Michael Bomier. Classical,Concert,Romantic Period,Standards. Score. 46 ...
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Piano Solo - Level 5 - SKU: A0.862673 Composed by Beethoven, L. van. Arranged by Michael Bomier. Classical,Concert,Romantic Period,Standards. Score. 46 pages. Michael Butkus-Bomier #3684169. Published by Michael Butkus-Bomier (A0.862673). GateWay Editions was established to bring Europe's great piano music to players with average-size hands and technique. This piece, which, in the company of Islamey, Gaspard, the Etudes-Tableaux of Rachmaninoff and various Liszt pieces, is at the pinnacle of both interpretive and technical challenges, is now brought into MUCH clearer focus with our new edition. Since the piece is practically a sacred text, no notes have been changed. Period. What HAS been changed is the presentation, especially in the 2nd movement, which is also our audio sample here. The small note-values, the radical time signatures, the measures that often take up an ENTIRE line of commercially-printed music, and the decided lack of cautionary accidentals: all these elements have been pre-decoded, essentially. No more using a hand-lens to see if that mark is a slur or a tie, or both! No more straining to see what note is held over, while the new one strikes. Our setting here, which you can see in the sample, often takes each BEAT, and puts a barline there, along with a common time signature, 3/4, 6/8, 4/4, etc. No smaller fractions, and no vast forest of dots and flags. All the 2nd movement rhythms have been arithmetically expanded, while maintaining their relationships. All the ornamentation, with its hidden melody, has been written out.So, while this piece has not been made any easier to play, it HAS been made vastly easier to read. One might claim that it is now readable at all, whilst the original cannot be deciphered at sight without great mental and visual effort. Please, print this double-sided for best results, as the repeats are either on a single page, or are on facing pages in our formatting. Single-sided gives you that same control, if you wish. Enjoy the masterwork of the Master of Masters! MBB
$19.95
Carols Classique
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Piano seul
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AVANCÉ
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Musique Sacrée
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David Angerman
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Carols Classique
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Piano - Advanced - SKU: LX.70-2364L 10 Festive Arrangements in the Styles of the Masters. Arranged by David Angerman. Sacred, Christmas. Church P...
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Piano - Advanced - SKU: LX.70-2364L 10 Festive Arrangements in the Styles of the Masters. Arranged by David Angerman. Sacred, Christmas. Church Piano. 52 pages. Lorenz Publishing - Digital Sheet Music #e70/2364L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-2364L). Veteran church musician and composer David Angerman has a vast knowledge and love of the classical repertoire. In this collection, he takes ten Christmas carols and arranges them in the styles of the masters. In particular, David's arrangements reference the styles of Bach, Brahms, Beethoven, Chopin, Debussy, and Mozart. These selections might take a little extra practice time, but they are worth it!
$22.95
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Jazz Nocturne
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Piano seul
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AVANCÉ
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Dana Suesse
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Zellev
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Jazz Nocturne
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1414692 Composed by Dana Suesse. Arranged by Zellev. 20th Century,Blues,Broadway,Film/TV,Jazz,Musical/Show. Score. 5 page...
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Piano Solo - Level 5 - SKU: A0.1414692 Composed by Dana Suesse. Arranged by Zellev. 20th Century,Blues,Broadway,Film/TV,Jazz,Musical/Show. Score. 5 pages. Zellev Music #996473. Published by Zellev Music (A0.1414692). Key Signature: Eâ™ majorTime Signature: 4/4Tempo: Moderato misteriosoDifficulty: AdvancedDana Suesse (1911-1987) was an American Composer. She was born in Kansas, Missouri but moved with her mom to New York when she was 15.While in New York, Suesse studied piano under Alexander Siloti, Franz Liszt's last surviving pupil. She studied composition under Rubin Goldmark, one of George Gershwin's teachers, and spent three years studying with Nadia Boulanger after World War II. In 1931, bandleader Paul Whiteman (following Gershwin's Rhapsody in Blue) commissioned her to write Concerto in Three Rhythms.On December 11, 1974, Suesse and her husband produced a symphony concert at Carnegie Hall, devoted exclusively to her compositions. (In the 1990s, Robert Stern produced a CD of the concert using masters from Voice Of America.) On July 31, 1975, the Newport Music Festival (Rhode Island) presented four of her works in their concert series. A year after the Carnegie Hall concert, Suesse and her husband moved to the U.S. Virgin Islands.After her husband's death in 1981, Suesse moved back to New York, the city where she had spent her most creative years. She took two apartments in the Gramercy Park Hotel and continued to write plays and songs for the theatre. Just before her death from a stroke on October 16, 1987, she was writing a new musical, putting the finishing touches on Mr. Sycamore, which had been optioned for off-Broadway, and was looking for a New York home for a straight play, Nemesis.
$8.00
Two Songs for Solo Trumpet
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Trompette
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AVANCÉ
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Blues
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Jazz
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Alan Matheson
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Two Songs for Solo Trumpet
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Gordon Cherry
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1047904 Composed by Alan Matheson. Blues,Jazz. Individual part. 5 pages. Gordon Cherry #652349. Published by Gordon Che...
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Trumpet Solo - Level 5 - SKU: A0.1047904 Composed by Alan Matheson. Blues,Jazz. Individual part. 5 pages. Gordon Cherry #652349. Published by Gordon Cherry (A0.1047904). Two Songs for Solo Trumpet by Alan Matheson are tributes to great jazz artists who are inspirations to him; Bix Beiderbecke and Woody Shaw. Here is a summary of the composer's own words about these two outstanding movements: The first song For Bix Beiderbecke is a blues-based, elegiac salute to one of the first lyrical jazz brass players who also created a unique musical language in his short life by combining his love of jazz (especially that of Louis Armstrong) with his interest in the music of the Impressionists such as Debussy and Ravel. The second song For Woody Shaw pays a tribute to one of the masters of modern-jazz playing. In his compositions and improvisations, Shaw was very fond of using large intervals (such as minor and major 7ths) along with melodic lines based on the perfect 4th. I have included this sound in the melodic lines of this movement along with some hybrid scales to reflect Woody Shaw's harmonic adventurousness. These two songs total about 5 minutes in length and are appropriate for advanced performers.
$17.50
Praeludium and Allegro
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Alto, Piano
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AVANCÉ
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Fritz Kreisler
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Giuseppe Pascucci
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Praeludium and Allegro
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Schott Music - Digital
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SheetMusicPlus
Viola and piano - advanced - SKU: S9.Q6997 In Style of Gaetano Pugnani. Composed by Fritz Kreisler. Arranged by Giuseppe Pascucci. This edition: ...
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Viola and piano - advanced - SKU: S9.Q6997 In Style of Gaetano Pugnani. Composed by Fritz Kreisler. Arranged by Giuseppe Pascucci. This edition: Sheet music. Viola Library. Downloadable. Schott Music - Digital #Q6997. Published by Schott Music - Digital (S9.Q6997). Fritz Kreisler made a name for himself not only as great violin virtuoso, but also as a composer. Many of his character pieces referred to as 'Classical Manuscripts', such as his old Viennese dance tunes 'Liebesleid - Liebesfreud - Schön Rosmarin', 'Tambourin Chinois' or 'Caprice Viennois', have never been forgotten. One of his compositions, supposedly written by old masters, later turned out to be a work written by Kreisler himself, as for example 'Praeludium und Allegro im Stile von Gaetano Pugnani', a performance piece which is now also available as an arrangement for viola and piano.
$9.99
The Master of Pianos
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Piano seul
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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The Master of Pianos
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Schott Music - Digital
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SheetMusicPlus
Piano - advanced - SKU: S9.Q5475 11 Favourite Pieces. Composed by Wolfgang Amadeus Mozart. This edition: Sheet music. The Masters of the Piano. D...
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Piano - advanced - SKU: S9.Q5475 11 Favourite Pieces. Composed by Wolfgang Amadeus Mozart. This edition: Sheet music. The Masters of the Piano. Downloadable. Op Band 4a. Schott Music - Digital #Q5475. Published by Schott Music - Digital (S9.Q5475).
$15.99
Concert Favourites
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Cor et Piano
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AVANCÉ
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Michael Hoeltzel
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Concert Favourites
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Schott Music - Digital
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SheetMusicPlus
Horn in F and piano - advanced to difficult - SKU: S9.Q21664 The Finest Concert and Encore Pieces. Arranged by Michael Hoeltzel. This edition: Sh...
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Horn in F and piano - advanced to difficult - SKU: S9.Q21664 The Finest Concert and Encore Pieces. Arranged by Michael Hoeltzel. This edition: Sheet music. French horn - concerto - encore pieces. Concert Favourites. Downloadable. Schott Music - Digital #Q21664. Published by Schott Music - Digital (S9.Q21664). Charming melodies in a carefully selected compilation of mostly well-known classical pieces, songs or arias of great masters which can be, as independent encore or concert pieces, a valuable addition to programmes of different genres.
$19.99
Sonata in F major
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Unknown Master of the 18th Cen
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Sonata in F major
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Schott Music - Digital
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SheetMusicPlus
Treble recorder (flute, oboe, violin) and basso continuo; cello (viola da gamba) ad libitum - advanced - SKU: S9.Q5282 Unknown masters of the 18th Ce...
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Treble recorder (flute, oboe, violin) and basso continuo; cello (viola da gamba) ad libitum - advanced - SKU: S9.Q5282 Unknown masters of the 18th Century. Composed by Unknown Master of the 18th Century. This edition: Sheet music. Original Music for Recorder. Downloadable. Schott Music - Digital #Q5282. Published by Schott Music - Digital (S9.Q5282). Key: F major.
$17.99
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