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Vous avez sélectionné:
A Medieval Thing
Partitions à imprimer
54 partitions trouvées
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A Medieval Thing (orchestra)
Orchestre à Cordes
String Orchestra - Level 1 - Digital Download SKU: A0.1025535 Composed by Dario Gin…
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String Orchestra - Level 1 - Digital Download SKU: A0.1025535 Composed by Dario Giner Climent. Classical. Score and parts. 19 pages. DarÃo Giner Climent #4890323. Published by DarÃo Giner Climent (A0.1025535). This work tries to reflect the medieval atmosphere, a small walk through the different environments of that time.
$9.99
9.24 €
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Orchestre à Cordes
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Dario Giner Climent
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A Medieval Thing
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DarÃo Giner Climent
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SheetMusicPlus
A Medieval Thing (Band)
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.1025534 Composed by Dario Giner. …
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Concert Band - Level 1 - Digital Download SKU: A0.1025534 Composed by Dario Giner. Children,Renaissance,World. Score and parts. 32 pages. DarÃo Giner Climent #4885665. Published by DarÃo Giner Climent (A0.1025534). This piece is set in a medieval atmosphere. I will describe the different landscapes around the royal castle.
$15.99
14.78 €
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Orchestre d'harmonie
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Dario Giner
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A Medieval Thing
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DarÃo Giner Climent
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SheetMusicPlus
A Medieval Christmas for Recorders
Small Ensemble Alto Recorder,Soprano Recorder,Tenor Recorder - Level 3 - Digital Download …
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Small Ensemble Alto Recorder,Soprano Recorder,Tenor Recorder - Level 3 - Digital Download SKU: A0.949183 Composed by Anonymous, John Dunstable. Arranged by Ian D. Crew. Christmas,Classical,Concert,Sacred,Standards. Score and parts. 41 pages. Grumpy Mule Music #6457287. Published by Grumpy Mule Music (A0.949183). The polyphony of the Medieval period is like nothing else. By turns raw, intricate, beautiful and bracing, the motets, masses, hymns and carols of the era never cease to astound. Re-imagined for Recorder Quartet, here are four vocal works from the English and French traditions associated with Christmas.
$17.95
16.59 €
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turns raw, intricate, beautiful and bracing, the motets, masses, hymns and carols of the era never cease to astound
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Anonymous, John Dunstable
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Ian D
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A Medieval Christmas for Recorders
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Grumpy Mule Music
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SheetMusicPlus
A Medieval Christmas for Flutes
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Digital Download SKU: A0.949184 Composed…
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Woodwind Ensemble,Woodwind Quartet Flute - Digital Download SKU: A0.949184 Composed by Anonymous, John Dunstable. Arranged by Ian D. Crew. Christmas,Classical,Concert,Sacred,Standards. 36 pages. Grumpy Mule Music #6591405. Published by Grumpy Mule Music (A0.949184). The polyphony of the Medieval period is like nothing else. By turns raw, intricate, beautiful and bracing, the motets, masses, hymns and carols of the era never cease to astound. Re-imagined for Flute Quartet, here are four vocal works from the English and French traditions associated with Christmas.
$17.95
16.59 €
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Quatuor de Flûtes : 4 flûtes
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turns raw, intricate, beautiful and bracing, the motets, masses, hymns and carols of the era never cease to astound
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Anonymous, John Dunstable
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Ian D
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A Medieval Christmas for Flutes
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Grumpy Mule Music
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SheetMusicPlus
Holst: Bring Us In Good Ale (4 Carols for A Capella Choir Op.34 No.4 H.131) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1325401 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Christmas. 9 pages. RayThompsonMusic #913639. Published by RayThompsonMusic (A0.1325401). Bring Us in Good Ale is a medieval English drinking song celebrating good drink and honoring Our Lady. For the medieval man, convivial drinking was a part of life, and drinks were enjoyed with nearly every meal. The English beverage of choice was ale. In Bring us in Good Ale the singers jocularly excuse themselves from mutton, eggs and pudding and instead stand firm in their call for their favorite drink. As they list all the dishes they refuse, the singers indirectly give thanks for the good season that has led to the plenty they are enjoying.Gustav Holst arranged it for unaccompanied choir as one of his 4 carols Op.34.It is quite short.Arranged here for wind quintet.Bring us in good ale, and bring us in good ale;For our Blessed Lady's sake, bring us in good ale.Bring us in no brown bread, for that is made of bran,Nor bring us in no white bread, there therein is no game;But bring us in good ale.Bring us in no beef, for there is many bones,But bring us in good ale, for that goes down at once;And bring us in good ale.Bring us in no bacon, for that is passing fat,But bring us in good ale, and give us enough of that;And bring us in good ale.Bring us in no mutton, for that is often lean,Nor bring us in no tripes, for they be seldom clean.Bring us in no eggys, for there are many shells,But bring us in good ale, and give us nothing else.Bring us in no butter, for there are many hairs;Nor bring us in no pig's flesh, for that will make us bears.Bring us in no puddings, for therein is all God's good;Nor bring us in no venison, for that is not for our blood;But bring us in good ale.Bring us in no capon's flesh, for that is often dear;Nor bring us in no duck's flesh, for they slobber in the mere;But bring us in good ale. Arranged wind quintet
$3.95
3.65 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Gustav Holst
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Ray Thompson
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Holst: Bring Us In Good Ale
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RayThompsonMusic
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SheetMusicPlus
Holst: Of one that is so fair and bright (4 Carols for A Capella Choir Op.34 No.3) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1324334 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Christmas. 10 pages. RayThompsonMusic #912533. Published by RayThompsonMusic (A0.1324334). Arranged wind quintet. A medieval hymn to the blessed Virgin Mary.Of one that is so fair and bright,Velut maris stellaBrighter than the day is light;Parens et puella.I cry to thee to turn to me,Lady, pray thy Son for meTam piaThat I may come to theeMaria.In sorrow, counsel thou art best,Felix fecundata.For all the weary thou art rest,Mater honorata.Beseech him in thy mildest mood,Who for us did shed His bloodIn CruceThat we may come to HimIn luce.Lady, flow’r of ev’rything,Rosa sine spina,Thou bore Jesus Heaven’s King,Gratia Divina,Of all I say thou bore the prizeLady, Queen of ParadiseElecta,Maiden mild, MotherEs effecta.
$9.95
9.2 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Gustav Holst
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Ray Thompson
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Holst: Of one that is so fair and bright
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RayThompsonMusic
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SheetMusicPlus
What Thing Is Love I Pray Thee Tell
Ensemble De Flûte à bec
Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - Digital Download
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Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - Digital Download SKU: A0.1276192 Composed by John Bartlett (1606). Arranged by Cody Sibley. Baroque,Chamber,Early Music,Medieval,Renaissance. Recorder Ensemble. 8 pages. Drachen Music #867932. Published by Drachen Music (A0.1276192). John Bartlett was an English composer during the Renaissance. The compositions in this volume was Bartlet's only publication which he put forth in 1606. The original compositions were written for lute and voice. His style is similar to madrigals and his music was very popular during its time.This arrangement FEATURES full quartet score and INDIVIDUAL PARTS which takes a traditional lute and voice melody and interprets it into a performance quality SATB recorder ensemble arrangement. The title of this piece from the collection is:Â Volume 1:1Song 14:18What Thing Is Love I Pray Thee TellThis piece of music is also available as part of a full collection of 18 pieces, each with score and individual parts. The collection is titled A Book of Ayres for Recorder Quartet.
$3.95
3.65 €
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Ensemble De Flûte à bec
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John Bartlett
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Cody Sibley
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What Thing Is Love I Pray Thee Tell
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Drachen Music
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SheetMusicPlus
La Tierche Estampie Roial (Part of the Medieval Wedding Collection)
Orgue
Organ - Level 1 - Digital Download SKU: A0.914929 Composed by Anonymous. Arranged b…
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Organ - Level 1 - Digital Download SKU: A0.914929 Composed by Anonymous. Arranged by Angela Birkhead-Flight. Classical,Wedding. Score. 4 pages. Angela Birkhead-Flight #6209769. Published by Angela Birkhead-Flight (A0.914929). I arranged this light-hearted dance for organ to be used as the wedding guests are leaving the venue, although it would also make a fun processional for the wedding party. Because it is a lighter, quieter piece, I would recommend pairing it with a louder recessional, and then switching to this piece once the wedding party has processed out and the applause has died down. It would set such a joyful tone as your guests head to the reception. This wedding collection will be great fun for those who are into Bardcore, Renaissance Fairs, Tolkien, Cosplay, and all things Medieval fantasy!
$4.99
4.61 €
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Orgue
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Anonymous
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Angela Birkhead-Flight
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La Tierche Estampie Roial
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Angela Birkhead-Flight
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SheetMusicPlus
Medieval Canon - Phrygian Requiem in the style of "Game of Thrones" (String Quartet)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.515742 By Zene S…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.515742 By Zene Strings. By Eve C. Mailly. Arranged by Eve C. Mailly. Classical,Contemporary,Film/TV,Pop,Renaissance. 8 pages. Zene Strings #4363229. Published by Zene Strings (A0.515742). Medieval Canon - Phrygian Requiem is a melancholy piece, written in the style of music for Game of Thrones. It would be a nice choice when you need something thoughtful and moving -- a quieter selection. This arrangement is for String Quartet, and as with all canons, all parts are equally important.Enjoy! From your friends at Zene Strings!To see our other great arrangements visit: Zene Strings.  Questions or comments?  Email us at Music@ZeneSheetMusic.com.  We're here to help!
$14.99
13.86 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Zene Strings
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Eve C
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Medieval Canon - Phrygian Requiem in the style of "Game of Thrones"
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Zene Strings
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SheetMusicPlus
Strangely, Soothing
Marimba
Marimba Solo - Level 3 - Digital Download SKU: A0.1153144 Composed by Cameron Dunca…
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Marimba Solo - Level 3 - Digital Download SKU: A0.1153144 Composed by Cameron Duncan. Classical,Contest,Festival,Instructional,Jazz,Medieval. Individual part. 3 pages. Cameron Duncan #753390. Published by Cameron Duncan (A0.1153144). Strangely, Soothing focuses on rippled rolls in an unstable, modal setting. The voices meander about atypically, achieving an equal parts mixture of empty movements and functional, directional ones. This piece is part of my collection of marimba solos intended for beginning four-mallet students. This piece is definitely on the more advanced end of beginning, but it functions as a short, more approachable introduction to double/triple-laterals/rippled chords while staying musical, which in my thought process warrants this distinction. Length: ~4' Difficulty: Intermediate Find it on my website for less! cameronduncanmusic.com.
$4.99
4.61 €
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Marimba
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Cameron Duncan
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Strangely, Soothing
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Cameron Duncan
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SheetMusicPlus
Variations on Unto Us Is Born a Son
Instrumental Duet Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.697547
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Instrumental Duet Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.697547 Composed by Sandy McIntire. Christmas,Contemporary,Sacred. Score and parts. 6 pages. Sandy McIntire #4892383. Published by Sandy McIntire (A0.697547). Looking for something different to play for Christmas?Variations on Unto Us Is Born a Son, composed by Sandy McIntire, is based on the medieval Latin carol, Puer Nobis Nascitur. These original variations are for two intermediate violins and piano. They celebrate the birth of the Christ Child and are appropriate for Christmas festivites of all kinds. The moving melody and counterpoint in A minor allows this piece to transcend seasonal music and be included in classical programs and recitals at any time of year. The file includes a separate part for the violins.
$5.99
5.54 €
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Sandy McIntire
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Variations on Unto Us Is Born a Son
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Sandy McIntire
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SheetMusicPlus
Gaudete, Christus est Natus ? brass quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Medieval carol. Arranged by Todd Marchand. Christian, Sacred, Christmas. 19 pa…
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Composed by Medieval carol. Arranged by Todd Marchand. Christian, Sacred, Christmas. 19 pages. Published by Con Spirito Music (S0.179831). - - Christian,Sacred,Christmas - Con Spirito Music
?Gaudete! Christus est natus? is a medieval carol published in the 1582 collection of Finnish and Swedish sacred songs, Piae Cantiones. The carol is a song of praise comprising a two-line refrain, or burden, alternating with four-line verses. The Latin text of the burden, ?Gaudete, gaudete! Christus est natus ex Maria Virgine. Gaudete!? translates as ?Rejoice, rejoice! Christ is born of the Virgin Mary. Rejoice!? Interestingly, Piae Cantiones provides no music for the verses, but a standard tune for the verses appeared in other songbooks of the time. Although verses would typically be sung by a solo voice or unison voices, this arrangement attempts to evoke something of the medieval technique of harmonies in parallel motion on the second, third and fourth verses. ©Copyright2011 Todd Marchand / ConSpiritoMusic.com
$15.00
13.87 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Medieval carol
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Todd Marchand
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Gaudete, Christus est Natus ? brass quintet
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Con Spirito Music
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SheetMusicPlus
Flexiscore No. 2 (Junior Band)
Level 2 - Digital Download SKU: A0.831660 Composed by Chris North. Children,Early M…
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Level 2 - Digital Download SKU: A0.831660 Composed by Chris North. Children,Early Music,Historic,Instructional,Medieval. 104 pages. Danetre Music #5218777. Published by Danetre Music (A0.831660). The Flexiscore Series. Composed by Chris North especially for children. These pieces are fun to play and provide excellent material for your brass or woodwind students. Instrumentation can be mixed and matched to suit the requirements of your ensemble.The music is scored in 4 voices (SATB) with an additional part for percussion, and also a piano / keyboard part, to help things along. Difficulty level - Approx. Grade 2/3. Duration - 6:49.A Medieval Suite - 1. Peasant Dance, 2. Ballad of the Black Knight, 3. Oxen & Cart, 4. March: Forest Green. Recommended distribution of parts.Soprano Line: 1a - Bb Cornet / Bb Trumpet / Bb Clarinet / Bb Sop Sax1b - Eb Soprano Cornet/ Eb Clarinet1c - Flute 1d - Oboe / Glockenspiel / C MelodyAlto Line: 2a - Bb Cornet / Bb Trumpet / Bb Clarinet2b - Eb Horn / Eb Alto Saxophone2c - F Horn2d - C ClarinetTenor Line: 3a - Eb Horn3b - F Horn3c - Bb Baritone / Bb Trombone / Bb Euphonium / Bb Tenor Saxophone 3d - Trombone3e - Bb ClarinetBass Line: 4a - Bb Baritone / Bb Trombone / Bb Euphonium / Bb Bass Clarinet4b - Trombone / Bassoon4c - Eb Baritone Sax5a - Eb Bass5b - Bb Bass5c - Tuba / Bass TromboneDrum Kit: 6a - PercussionKeyboard: 7a - Piano / Keyboard
$24.99
23.1 €
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Chris North
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Cart, 4
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Flexiscore No. 2
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Danetre Music
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SheetMusicPlus
The God Whom Earth and Sea and Sky (Downloadable)
Chorale SATB
SATB choir and keyboard, with optional congregation - Moderately Easy - Digital Download
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SATB choir and keyboard, with optional congregation - Moderately Easy - Digital Download SKU: MQ.50-1152-E Composed by James Chepponis. Advent, Christmas, Feast of the Holy Family, Lessons and Carols. Instrument part. 8 pages. MorningStar Music Publishers - Digital Sheet Music #50-1152-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-1152-E). English.This hymn-anthem tells the astounding story of the God who is revered by all of creation- earth, sea, and sky- choosing Mary to be the mother of the Savior. The mixed meters employed for the 6th-century poetry are anything but jarring, and the middle stanza is set to different music with a medieval feel that accentuates the repetition of the word blest to describe Mary's destiny. A delightful but substantial anthem useful for Marian feasts as well as Christmastide. The keyboard part works well on both organ and piano. Congregational participation is welcome but not required; reprint material is included.
$2.25
2.08 €
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Chorale SATB
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James Chepponis
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reprint material is included
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The God Whom Earth and Sea and Sky
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Julian's Hazelnut for SSAA and B flat clarinet
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrien…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts! Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capo’s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language — Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/Home The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.
$1.99
1.84 €
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Chorale SSAA
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Adrienne Inglis
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Julian's Hazelnut for SSAA and B flat clarinet
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Adrienne Inglis
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SheetMusicPlus
The Valiant Approach!
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1201741 Composed by Daniel M.…
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String Orchestra - Level 4 - Digital Download SKU: A0.1201741 Composed by Daniel M. Classical,Medieval. Score and Parts. 39 pages. Daniel Miller #800359. Published by Daniel Miller (A0.1201741). The Valiant Approach! is an exhilarating piece of sheet music that is sure to get your heart pumping and your adrenaline flowing. From the very first notes, you'll be transported to a world of action and adventure, where anything is possible and nothing is off-limits. The piece is characterized by its soaring melodies, driving rhythms, and bold, heroic themes, all of which combine to create a sense of excitement and energy that is impossible to resist.As you play through The Valiant Approach!, you'll feel the music building in intensity, reaching a crescendo that is both thrilling and powerful. The piece is full of dramatic twists and turns, with unexpected shifts in tempo and mood that keep you on your toes and keep the music fresh and exciting. Whether you're playing this piece alone or with a full orchestra, you'll feel a sense of pride and purpose as you bring its stirring melodies to life.The Valiant Approach! is a piece that demands your full attention and your best effort. But if you're up for the challenge, you'll be rewarded with a musical experience that is truly unforgettable. So grab your instrument, take a deep breath, and get ready to embark on an adventure that will leave you feeling inspired and invigorated. This is The Valiant Approach! – a piece of sheet music that is both engaging and action-packed.
$48.00
44.37 €
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Orchestre à Cordes
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Daniel M
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The Valiant Approach!
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Daniel Miller
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SheetMusicPlus
Solage: Le basile for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
30.46 €
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Quatuor de Clarinettes: 4 clarinettes
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Solage
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James M
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Solage: Le basile for Clarinet Quartet
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jmsgu3
#
SheetMusicPlus
Solage: Le basile for Brass Quartet
Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1266016 Com…
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Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1266016 Composed by Solage, Late 14th Century. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #858750. Published by jmsgu3 (A0.1266016). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
30.46 €
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Solage, Late 14th Century
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James M
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Solage: Le basile for Brass Quartet
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jmsgu3
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SheetMusicPlus
Solage: Le basile for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet Trombone - Level 2 - Digital Download SKU: A0.1266548 Composed by …
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Trombone Quartet Trombone - Level 2 - Digital Download SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.46 €
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Quatuor de cuivres: 4 trombones
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Solage
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James M
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Solage: Le basile for Trombone Quartet
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jmsgu3
#
SheetMusicPlus
Solage: Le basile for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU:…
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - Digital Download SKU: A0.1266468 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859199. Published by jmsgu3 (A0.1266468). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.46 €
#
Quatuor de Flûtes : 4 flûtes
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Solage
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James M
#
Solage: Le basile for Flute Quartet
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jmsgu3
#
SheetMusicPlus
Solage: Le basile for Mixed Woodwind Quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1267846 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1267846 Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Holiday,Medieval. 8 pages. Jmsgu3 #860034. Published by jmsgu3 (A0.1267846). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.46 €
#
Flûte, Hautbois, Clarinette, Basson
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Solage
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James M
#
Solage: Le basile for Mixed Woodwind Quartet
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jmsgu3
#
SheetMusicPlus
Solage: Le basile for Cello Quartet
4 Violoncelles
String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Co…
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String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.1266472 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859203. Published by jmsgu3 (A0.1266472). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.46 €
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4 Violoncelles
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Solage
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James M
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Solage: Le basile for Cello Quartet
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jmsgu3
#
SheetMusicPlus
Solage: Le basile for Double Reed Quartet
Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - Digital Download
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Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - Digital Download SKU: A0.1266448 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Holiday. 8 pages. Jmsgu3 #859185. Published by jmsgu3 (A0.1266448). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.46 €
#
Solage
#
James M
#
Solage: Le basile for Double Reed Quartet
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jmsgu3
#
SheetMusicPlus
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