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ACCORDEON
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861
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407
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Piano, Voix
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1 Piano, 4 mains
49
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40
Piano Trio: piano, violon, violoncelle
33
Orgue
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23
2 Pianos, 4 mains
17
Piano (partie séparée)
3
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3
Piano Quatuor: piano, violon, alto, violoncelle
2
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2
2 Pianos, 8 mains
2
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Guitare
53
Guitare notes et tablatures
39
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6
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5
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4
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4
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2
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VOIX
Chorale SATB
163
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69
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40
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25
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25
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17
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14
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9
Voix duo
5
Chorale
2
Voix moyenne, Piano
2
Voix basse, Piano
2
Voix Tenor
2
Voix haute
1
Chorale SSAATTBB
1
Voix Soprano, Orchestre
1
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VENTS
2 Saxophones (duo)
70
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
64
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47
Flûte traversière et Piano
42
2 Flûtes traversières (duo)
40
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39
Flûte, Hautbois, Clarinette, Basson
36
2 Clarinettes (duo)
35
Quintette de Saxophone: 5 saxophones
34
Hautbois, Piano (duo)
33
Saxophone Alto et Piano
25
Clarinette
25
Saxophone, Clarinette (duo)
24
Clarinette et Piano
23
Flûte traversière
21
Flûte, Clarinette (duo)
17
3 Saxophones (trio)
17
Saxophone (partie séparée)
16
2 Hautbois (duo)
15
Hautbois, Clarinette (duo)
13
Quintette de Clarinettes: 5 clarinettes
12
Clarinette, Violon (duo)
12
Saxophone Tenor et Piano
11
Hautbois, Flûte
11
Clarinette, Trompette (duo)
10
Ensemble de Clarinettes
10
Hautbois (partie séparée)
10
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10
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9
Clarinette et Alto
8
Flûte et Guitare
8
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8
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7
Flûte, Trompette (duo)
7
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7
Cor anglais, Piano
7
Saxophone Alto
7
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7
Saxophone Soprano et Piano
6
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6
Saxophone Baryton, Piano
6
Ensemble de Flûtes
6
3 Clarinettes (trio)
5
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5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Clarinette et Basson
5
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5
3 Flûtes à bec (trio)
5
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4
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4
Flûte, Alto (duo)
4
Flûte à bec Alto
4
Flûte, Hautbois, Clarinette (trio)
3
Flûte à Bec
3
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3
Clarinette Basse, Piano
3
Hautbois, Guitare (duo)
3
2 Clarinettes, Piano
2
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2
Flûte, Violoncelle, Piano (trio)
2
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2
Clarinette, Harpe (duo)
2
Flûte, Hautbois, Piano (trio)
1
Ensemble de Hautbois
1
5 Flûtes à bec
1
Cor Anglais
1
Hautbois, Harpe
1
Flûte, Violoncelle
1
Flûte à bec Soprano
1
Hautbois, Violoncelle
1
Flute (partie séparée)
1
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1
Clarinette, Violoncelle (duo)
1
Flûte à bec Tenor
1
Saxophone
1
Clarinette (partie séparée)
1
Flûte, Violon et Violoncelle
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
118
Quatuor de Cuivres : 2 trompettes, trombone, tuba
44
Trompette
26
Trombone et Piano
22
2 Trompettes (duo)
21
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19
2 Trombones (duo)
17
Trompette, Piano
16
Trompette, Saxophone (duo)
14
Trombone (partie séparée)
11
Cor
10
Quatuor de Cuivres
10
2 Cors (duo)
9
Ensemble de Trombones
8
Cor et Piano
8
Trompette (partie séparée)
8
Tuba
7
Euphonium, Piano (duo)
7
Cor anglais, Piano
7
Trombone
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Ensemble de Trompettes
6
Quatuor de cuivres: 4 cors
4
Quatuor de cuivres: 4 trombones
3
3 Trombones (trio)
3
Ensemble de Cors
3
Trio de Cuivres
3
Tuba et Piano
3
4 Tubas
3
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums et 2 Tubas
2
2 Tubas (duo)
2
3 Trompettes (trio)
1
Tuba (partie séparée)
1
3 Tubas (trio)
1
Cor Anglais
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
Trombone basse et Piano
1
Cor (partie séparée)
1
Euphonium
1
Trombone, Cor (duo)
1
Tuba et Orgue
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
262
Violon, Violoncelle (duo)
177
Violon
162
Trio à Cordes: violon, alto, violoncelle
153
Violon et Piano
67
Violoncelle, Piano
38
Alto, Piano
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
2 Violons (duo)
27
Violon, Alto (duo)
24
2 Violoncelles (duo)
22
2 Altos (duo)
20
Harpe
16
Violoncelle (partie séparée)
14
Alto seul
12
Alto, Violoncelle (duo)
10
Contre Basse
9
Violoncelle
9
Trio à Cordes: 2 violons, violoncelle
7
Alto (partie séparée)
6
Violon (partie séparée)
5
4 Violoncelles
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à Cordes: 3 violoncelles
3
Piano Trio: Violon, Alto, Piano
3
Contrebasse (partie séparée)
3
Quatuor à cordes: 4 violons
3
Quatuor à cordes : 4 altos
3
Ensemble de Violons
3
Harpe, Flûte (duo)
2
Trio à cordes: 3 violins
2
Harpe, Violon (duo)
2
Trio à cordes: 3 altos
2
Contrebasse, Piano (duo)
2
Harpe, Trombone (duo)
1
Violon, Clarinette, Piano (trio)
1
Ensemble d'Altos
1
Violoncelle, Basse continue
1
Violon, Guitare (duo)
1
2 Altos, Piano
1
Violon, Violoncelle, Clarinette
1
2 Violons, Piano
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Contrebasse (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
161
Orchestre d'harmonie
156
Orchestre
72
Ensemble de cuivres
68
Cloches
43
Orchestre de chambre
30
Ensemble Jazz
27
Fanfare
19
Jazz combo
13
Ensemble de Percussions
12
Batterie
3
Batterie (partie séparée)
3
Marimba
1
Percussion
1
Orchestre, Violon
1
Piano et Orchestre
1
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AUTRES
Vous avez sélectionné:
A Second Time
Partitions à imprimer
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Not A Second Time
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1378323 By The Beat…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1378323 By The Beatles. By John Lennon and Paul McCartney. Arranged by Gareth Treseder. 20th Century,A Cappella,Barbershop,Pop,Rock. 11 pages. Gareth Treseder #962946. Published by Gareth Treseder (A0.1378323). This TTBB arrangement of Not A Second Time, attributed to John Lennon and Paul McCartney, shares the melody amongst the voices within the harmonically rich setting suitable for a barbershop quartet or lower voices.
$2.50
2.33 €
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Chorale TTBB
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The Beatles
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Gareth Treseder
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Not A Second Time
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Gareth Treseder
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SheetMusicPlus
A Second Time (Hebrews 9.27-28 WEB)
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.950767 Composed by Chris Mon…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.950767 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score. 2 pages. Christopher M. Monteiro #3378835. Published by Christopher M. Monteiro (A0.950767). Inasmuch as it is appointed for men to die once, and after this, judgment, so Christ also, having been offered once to bear the sins of many, will appear a second time, without sin, to those who are eagerly waiting for him for salvation. This canon in D♠Major for Piano and Voice has been fashioned to help you internalize God’s Word. The range of the melody is from D♠above Middle C to the 2nd D♠above Middle C. For electronic keyboard, a right-hand cello and left-hand double bass setting is recommended.
$2.99
2.79 €
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Piano, Voix
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Chris Monteiro
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A Second Time
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Christopher M. Monteiro
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SheetMusicPlus
A Swingin' Safari
Ensemble de Percussions
Percussion Ensemble - Digital Download SKU: A0.984904 By Billy Vaughn. By Bert Kaem…
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Percussion Ensemble - Digital Download SKU: A0.984904 By Billy Vaughn. By Bert Kaempfert. Arranged by JohnBeale. Contemporary. Score and parts. 68 pages. John Beale #6442233. Published by John Beale (A0.984904). For over 40 years I have arranged music for my school's musicians to come together and perform in school concerts. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. Not a difficult piece and very repetitive and catchy. I have arranged this piece for a school orchestra made up of pupils of grades 1-3. I suggest a solo for the first 4 bars (I did with a recorder). At F there is a ‘jazz’ style solo. Choose your instrument. Once I did with a recorder. A second time with a trumpet. Beware you won’t get the tune out of your head!!
$49.99
46.59 €
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Ensemble de Percussions
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Billy Vaughn
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JohnBeale
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A Swingin' Safari
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John Beale
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SheetMusicPlus
Z 88.1 for Flute, Harp, Percussion a Voce
Small Ensemble Flute,Harp,Percussion,Vibraphone - Level 5 - Interactive Download SKU: A…
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Small Ensemble Flute,Harp,Percussion,Vibraphone - Level 5 - Interactive Download SKU: A0.688062 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Children,Classical,Film/TV. Score and parts. Duration 82. Father Ambrose Press #2JMT10bJ57zzliEQg6Lexf. Published by Father Ambrose Press (A0.688062). Key: C major.A brief, declamatory confection, composed a second time, upon re-consideration of the forces involved, for small chamber ensemble...
$18.00
16.78 €
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Celebrity Chamber Players
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Z 88.1 for Flute, Harp, Percussion a Voce
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Father Ambrose Press
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SheetMusicPlus
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.41 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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English Folk Song by way of American Appalachians
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F
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I Gave My Love a Cherry
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Sweetwater Brass Press
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SheetMusicPlus
One Second to the Future - Guitar Orchestra
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaill…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
69.9 €
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Brent C Robitaille
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One Second to the Future - Guitar Orchestra
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Brent C Robitaille
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SheetMusicPlus
One Moment In Time
Small Ensemble Bass Voice,Cello,Double Bass,Piano,Viola,Violin - Level 3 - Digital Downloa…
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Small Ensemble Bass Voice,Cello,Double Bass,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.985238 By Whitney Houston. By Albert Hammond and John Bettis. Arranged by Tom Rundle-Wood. Contemporary,Pop. Score and parts. 28 pages. Tom Rundle-Wood #5354783. Published by Tom Rundle-Wood (A0.985238). One Moment in Time A classic timeless track that will get everybody in the audience channelling their inner Whitney!A great piece to show case the middle of the ensemble with the melody in the second violins for a change, allowing your firsts to show off their ensemble skills. With split first and second violin parts and 2 viola and 2 cello parts with bass and piano - would need to played by a 10 piece ensemble as a minimum - but obviously we're all friends here, so more the merrier!!Enjoy!
$14.99
13.97 €
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Whitney Houston
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Tom Rundle-Wood
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One Moment In Time
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Tom Rundle-Wood
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SheetMusicPlus
Cat & Mouse Rag - Ragtime - Piano Duet For 4 Hands
1 Piano, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.961564
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.961564 Composed by Olly Wedgwood. Concert,Ragtime,Standards. Score and parts. 5 pages. OllysPianoSheets #5712083. Published by OllysPianoSheets (A0.961564). Cat & Mouse Rag is a playful ragtime duet for primo players at about the Grade 3 standard. With classic ragtime syncopation in the primo part against a 'stride' style in the secondo, this duet is sure to be a popular addition to any recital programme.For the introduction, the primo (perhaps the mouse?) starts things off with a bright opening statement that is answered by the secondo player (the cat?), and then the chase begins!During the opening theme, the primo has an opportunity to tease the cat with a cheeky staccato 'interjection'. Just before this high note is an acciaccatura grace note, which should be played as quickly as possible beforehand.The middle section then modulates to G minor for a variation on the theme, after which a rallentando culminates to a brief pause in the game. There is a break (a caesura) after the pause, so try to leave a good couple of seconds of suspense before launching back into the original theme a tempo.Keep and eye out for staccato and tenuto notes, which will help to communicate the playful feel of the piece.The duet ends with a call-and-response between the primo and secondo, then a crescendo to the ending hits - with a cheeky acciaccatura grace note from the mouse, of course :).
$4.95
4.61 €
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1 Piano, 4 mains
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Olly Wedgwood
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Mouse Rag
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Cat & Mouse Rag - Ragtime - Piano Duet For 4 Hands
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OllysPianoSheets
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SheetMusicPlus
A Dream Is A Wish Your Heart Makes
Chorale 3 parties
Choral Choir (3-Part) - Level 2 - Digital Download SKU: A0.1217996 By Linda Ronstad…
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Choral Choir (3-Part) - Level 2 - Digital Download SKU: A0.1217996 By Linda Ronstadt. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Stewart J Wallace. Broadway,Film/TV,Musical/Show,Romantic Period,Standards. Octavo. 16 pages. Stewart J Wallace #814519. Published by Stewart J Wallace (A0.1217996). The melody of this song written for the Disney film Cinderella (1950) was inspired by Liszt's Transcendental Study No. 9. It's a wistful, tender melody which matches the sentiment of the words, and in the film Cinderalla encourages her animal friends to never stop dreaming or believing in a brighter future. Other Disney songs also echo this sentiment, such as When You Wish Upon A Star from Pinnochio, which was released a decade earlier. This arrangement is in 3-parts with a simple piano accompaniment. It should be sung smoothly and with sustain, and the men can enjoy taking the tune the second time through. The ending should be dramatic and bold. There are two layout versions - one with the piano accompaniment, and the other with just the vocal parts.
$1.99
1.85 €
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Chorale 3 parties
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Linda Ronstadt
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Stewart J Wallace
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A Dream Is A Wish Your Heart Makes
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Stewart J Wallace
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.52 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Red Rag, a jazz piece for String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.116…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1161513 Composed by David McKeown. Contemporary,Instructional,Jazz,Ragtime. Score and parts. 9 pages. David McKeown #761868. Published by David McKeown (A0.1161513). Red Rag is a fun and original piece written in a Ragtime style by David McKeown for String trio. The pdf file contains the score, separate parts for Violin, Viola and Cello, and also alternative parts for a second Violin and Viola. There are chord symbols on the score for additional accompaniment on piano, bass or guitar. Red Rag is suitable for players at an intermediate level and above. The key and range are accessible and there are some simple syncopated rhythms and accidentals. With a playing-time of around two minutes, Red Rag is a perfect upbeat addition to any performance program, formal or informal. Click on the YouTube link to see and hear the clarinet version of this arrangement. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.58 €
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Trio à Cordes: violon, alto, violoncelle
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David McKeown
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Red Rag, a jazz piece for String Trio
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David McKeown
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SheetMusicPlus
I've Gotta Get A Message To You
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00
15.84 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To You
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Peet du Toit
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SheetMusicPlus
A Day, A Life
Marimba,Vibraphone - Level 3 - Interactive Download SKU: A0.1370954 Composed by Dav…
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Marimba,Vibraphone - Level 3 - Interactive Download SKU: A0.1370954 Composed by David Oosse. This edition: Interactive Download. Classical,Contest. 27 pages. Duration 240. David Oosse #3MpBogApEJXo2CjHcFlSBt. Published by David Oosse (A0.1370954). Key: F major.A Day, A Life is a percussion quartet commissioned by Shawnee Mission High School, KS. This piece has three larger sections, marked by fermatas in between, with each representing its own idea about life, but the composition as a whole has its own story. The first section is to represent they joy of a new life, and is to remind us that an abundance new life enters this world every day. The second reminds us that life comes not without dark times, confusion, disagreement, and struggle, sometimes within a life, sometimes within a day. However, these can be resolved, overcome, and when we do, we are free to enjoy the joys.
$8.99
8.38 €
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David Oosse
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A Day, A Life
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David Oosse
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SheetMusicPlus
Henryk Wieniawski : Kujawiak en la mineur (seconde mazurka)
Violon
Téléchargez la partition Violon Kujawiak en la mineur (seconde mazurka) de W…
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Téléchargez la partition Violon Kujawiak en la mineur (seconde mazurka) de Wieniawski. Partition pour Duo (Violon-Piano) -- Classique
5.99 €
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Violon
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Henryk Wieniawski
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Kujawiak en la mineur
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Tomplay
Henryk Wieniawski : Kujawiak en la mineur (seconde mazurka)
Piano seul
Téléchargez la partition Piano Kujawiak en la mineur (seconde mazurka) de Wi…
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Téléchargez la partition Piano Kujawiak en la mineur (seconde mazurka) de Wieniawski. Partition pour Duo -- Classique
5.99 €
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Piano seul
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Henryk Wieniawski
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Kujawiak en la mineur
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Tomplay
The Second Time Around from HIGH TIME
Instruments en Do
C Instrument - Digital Download SKU: A0.808218 Composed by James Van Heusen and Sam…
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C Instrument - Digital Download SKU: A0.808218 Composed by James Van Heusen and Sammy Cahn. Arranged by Mark W. Huxhold. Contemporary. Lead Sheet / Fake Book. 4 pages. Mark Wayne Music, LLC #3523855. Published by Mark Wayne Music, LLC (A0.808218). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
$4.99
4.65 €
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Instruments en Do
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James Van Heusen and Sammy Cahn
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Mark W
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The Second Time Around from HIGH TIME
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Mark Wayne Music, LLC
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SheetMusicPlus
Second Time Around (Lyrical Solo)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1414364 Composed by Jennifer Eklund…
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Piano Solo - Level 3 - Digital Download SKU: A0.1414364 Composed by Jennifer Eklund. Contemporary,New Age. Score. 7 pages. Jennifer Eklund #996166. Published by Jennifer Eklund (A0.1414364). Second Time Around is a lyrical, intermediate level piano solo for pianists of all ages. Music composed by Jennifer Eklund and part of the Dreamweaver songbook.
$3.99
3.72 €
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Piano seul
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Jennifer Eklund
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Second Time Around
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Jennifer Eklund
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SheetMusicPlus
The Second Time Around
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.500177 Composed by James Van Heus…
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C Instrument - Level 4 - Digital Download SKU: A0.500177 Composed by James Van Heusen and Sammy Cahn. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113359. Published by John Fries (A0.500177). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The song The Second Time Around was written by Sammy Cahn and Jimmy Van Heusen and was first released by Bing Crosby with Pete King and His Orchestra in 1960. It was covered by Sheila Guthrie, Mieko Hirota, Union of Sound, Emmet Cohen and other artists.
$3.99
3.72 €
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Instruments en Do
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James Van Heusen and Sammy Cahn
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John Fries
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The Second Time Around
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John Fries
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SheetMusicPlus
The Second Time Around
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1196752 By 101 String…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1196752 By 101 Strings. By James Van Heusen and Sammy Cahn. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #795914. Published by John Fries (A0.1196752). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The song The Second Time Around was written by Sammy Cahn and Jimmy Van Heusen and was first released by Bing Crosby with Pete King and His Orchestra in 1960. It was covered by Sheila Guthrie, Mieko Hirota, Union of Sound, Emmet Cohen and other artists.
$4.99
4.65 €
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Piano, Voix et Guitare
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101 Strings
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John Fries
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The Second Time Around
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John Fries
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SheetMusicPlus
Russian Air with Twenty Variations for Cello Solo with a Second Cello, Op. 32
2 Violoncelles (duo)
Cello Duet Cello - Level 5 - Digital Download SKU: A0.1156756 Composed by Johann Ju…
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Cello Duet Cello - Level 5 - Digital Download SKU: A0.1156756 Composed by Johann Justus Friedrich Dotzauer. Arranged by Michele Galvagno. 19th Century,Chamber,Instructional,Romantic Period,Traditional. Score. 44 pages. Artistic Score Engraving di Galvagno Michele #757087. Published by Artistic Score Engraving di Galvagno Michele (A0.1156756). The Russian Air with Twenty Variations for Cello Solo, accompanied by a Second Cello, Op. 32, by J. J. F. Dotzauer (1783—1860), was composed and published around 1815. It is one of the many set of variations written upon the theme “Їхав козак за Дунай†(“The Cossack rode beyond the Danubeâ€) during the second decade of the XIX century, others including those by Beethoven and Hummel. Despite the title, the theme is of Ukrainian origin but, at the time of its diffusion in Europe, under a German disguise, the region that is now Ukraine was part of the Russian Empire. The language of the text makes its origin unmistakable today. After a fascinating slow Introduction, the theme comes and is followed by twenty variations, most of which requiring great virtuosity. This is a concert piece, lasting anywhere between 14 and 24 minutes according to whether repeats will be played or not. An outstanding variety of techniques is employed, making this a true challenge for even the most gifted players. This edition is based on the oldest surviving source, the first edition by Friedrich Hofmeister. It corrects the most glaring mistakes, and adds notes where ambiguity arises. This edition is dedicated to Yuriy Leonovich.
$22.50
20.97 €
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2 Violoncelles (duo)
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Johann Justus Friedrich Dotzauer
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Michele Galvagno
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Russian Air with Twenty Variations for Cello Solo with a Second Cello, Op. 32
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Time For Livin'
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1372326 By The Asso…
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Choral Choir,Choral (TTBB) - Level 4 - Digital Download SKU: A0.1372326 By The Association. By Donald Addrisi and Richard Addrisi. Arranged by Larry Wright. A Cappella,Barbershop. 4 pages. Larry Wright #956623. Published by Larry Wright (A0.1372326). A MEN'S 4-part high, a cappella, energy barbershop arrangement of this great tune recorded by the 60's Britsh rock group called The Association. It's a fun, but challenging piece.Check out the audio demos (FREE i minute sample... as well as $2 full-length demo.IMPORTANT NOTE: By FIRST purchasing the combo of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant, vocal learning trax, but also be able to purchase the sheet music from the SMP website store for their lowest $1.89/$1.99 per-copy price,.... NOT the currently posted much higher $14.25 per-copy price. PLUS, you also get to select a second COMBO of your choice from my website store for FREE!!!! Of course, you'll still need to pay SMP (or the publisher who controls the song licensing) the song per-copy fees for your second COMBO.NOTE: if the SMP per-copy price is anything more than $1.99, DON'T PAY IT!!!! Email me <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a minimum 10-copy purchase to combat cheating. Sorry quartets!Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the EXCELLENT part-predominant vocal learning trax.
$1.99
1.85 €
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Chorale TTBB
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The Association
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Larry Wright
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for assistance
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Time For Livin'
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Larry Wright
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SheetMusicPlus
By The Time I Get To Phoenix
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.853701 By Glen Camp…
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.853701 By Glen Campbell. By Jimmy Webb. Arranged by Larry Wright. A Cappella,Barbershop. 3 pages. Larry Wright #4412159. Published by Larry Wright (A0.853701). A WOMEN'S 4-part, a cappella, solo feature (for Lead or Bari) barbershop arrangement of the wonderful Jimmy Webb story song (ballad) recorded and made a popular hit by Glenn Campbell; sung by many others; not contestable. IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant vocal learning trax, but also be able to purchase the sheet music from the SMP website store for their lowest $1.89/$1.99 per-copy price,... NOT the currently posted much higher $14.25 per-copy price. PLUS, you'll also get to select a second Arrmt/Trax COMBO of your choice from my website store and get it FREE!!!! Of course, you'll still need to pay the per-copy fees to the publisher who controls the song licensing of your second song selection. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT part-predominant vocal Learning Trax <www.larrywrightmusic.com>.
$15.00
13.98 €
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Chorale SSAA
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Glen Campbell
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Larry Wright
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sung by many others
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By The Time I Get To Phoenix
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Larry Wright
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SheetMusicPlus
Away In A Manger (for string quartet)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1110413 Composed by Traditional Christmas Song. Arranged by Bernardo Pereira. Children,Christmas,Holiday,Standards,Traditional. 7 pages. Bernardo Pereira #712737. Published by Bernardo Pereira (A0.1110413). This arrangement is an easy-intermediate level score for string quartet of the traditional Christmas song “Away In A Mangerâ€. The song is a standard for children and family play during this festive holiday. The arrangement features the melody in the first violin. The second violin and viola play notes that fill the harmony and the cello plays a bass line. In the second time, the second violin and viola play slight variations in the accompaniment. Each phrase also features contrasts in dynamics, alternating between mezzo-forte and piano. Individual parts are attached to the end of the file.
$3.99
3.72 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Traditional Christmas Song
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Bernardo Pereira
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Away In A Manger
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Bernardo Pereira
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SheetMusicPlus
Time To Say Goodbye
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1394205
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1394205 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori, Frank Peterson, and Lucio Quarantotto. Arranged by C Strommen, U Bye & A Fernie, orchestrated by Peet du Toit. Classical,Pop. 11 pages. Peet du Toit #977678. Published by Peet du Toit (A0.1394205). Con te partirò (With You I Shall Depart) is an Italian song written by Francesco Sartori (music) and Lucio Quarantotto (lyrics). It was first performed by Andrea Bocelli at the 1995 Sanremo Music Festival and recorded on his album of the same year, Bocelli. The single was first released as an A-side single with Vivere in 1995, topping the charts, first in France, where it became one of the best-selling singles of all-time, and then in Belgium, breaking the all-time record sales there.A second version of the song, sung partly in English, released in 1996 as Time to Say Goodbye, paired Bocelli with British soprano Sarah Brightman, and achieved even greater success, topping charts all across Europe, including Germany, where it became the biggest-selling single in history. Brightman and Bocelli produced a version with Brightman singing in German and Bocelli in Italian, with this version being available on the CD Time to Say Goodbye. That version alone has now sold more than 12 million copies worldwide, making it one of the best-selling singles of all time.I hope this cover thereof for a Brass Quintet is pleasing to the players and their audience.
$22.00
20.51 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Andrea Bocelli & Sarah Brightman
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Time To Say Goodbye
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Peet du Toit
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SheetMusicPlus
A Child’s Garden of Jazz for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 5 - Digital Download SKU: A0.792338 Composed by Wolking, Hen…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cherry #4804655. Published by Gordon Cherry (A0.792338). As an adult I occasionally try to remember and or capture child-like experiences-maybe not so much the actual event, but the emotive atmosphere left from impressions long ago embedded in the psyche.Each movement of this work is based on spontaneous and uncalculated musical imagery of dreams and childhood reflections. I have deliberately avoided the professional composer’s bag of developmental tricks and worked for a more free flow of simple melodic ideas: they go wherever they want.Movement IInspired by the feelings I had growing up on Merritt Island Florida with my older sister Barbara. This music was a gift to her on the occasion of her 2004 marriage in Flemington New Jersey. It was originally scored for a brass quartet with which I performed. I have written three other brass quintets, and when I started thinking about this one (my fourth) this seemed like a logical choice for a first movement.Movement IIBased on a tune that came to me in a dream. It is dedicated to my wife Lois (we also married in 2004) and has a formal title of Wake Up To A Melody. I originally scored it for jazz band-more specifically for the excellent Salt Lake Alternative Jazz Orchestra, and it has recently been recorded by that group. I like the simplicity of this melody, and felt it would make a natural second movement for this brass quintet.Movement IIIThe third and most difficult movement is Tangoragrondo. It is literally a rondo with a turn-of-the century (19th-20th) ragtime melody/gallop occupying the A theme followed by a Tango (inspired by trips to Santiago Chile) for the B theme. The return to the rag (A theme) is then followed by a fantasy development (C area) with a return to to the rag (A theme) followed by a coda that recalls material from the first movement. The form is quite simple- ABACA-Coda.The material was originally developed as a movement for my double concerto Letting Midnight Out On Bail written for the Duehlmeier-Gritton piano duo and orchestra. It was recorded by the Warsaw Philharmonic and has been released on CD. A second version for two pianos has also been recorded and released by the Duehlmeier-Gritton piano duo. This orchestration for brass quintet will be the final resting place for this chaotic rondo.
$27.50
25.63 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Wolking, Henryenry
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A Child’s Garden of Jazz for Brass Quintet
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Gordon Cherry
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SheetMusicPlus
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