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A Year Without Rain - Score Only
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Largo from Winter by Vivaldi for Woodwind Quintet (Clarinet in A) - with Piccolo and without French
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956879 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956879 Composed by Antonio Vivaldi. Arranged by Woods Only. Baroque,Christmas,Standards,Wedding,World. 9 pages. Woods Only, Arrangements #6443425. Published by Woods Only, Arrangements (A0.956879). This arrangement was adapted for a wood quintet ensemble, ideal to be performed at weddings and by groups of music beginners, which does not prevent it from being performed by professionals in the area. The piece has approximately 2 minutes and 33 seconds of duration, being in a comfortable time for those performing it, so that there is no difference between this version and the composer's original.The Four Seasons, Italian Le quattro stagioni, group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives a musical expression to a season of the year. Unusually for the time, Vivaldi published the concerti with accompanying poems (possibly written by Vivaldi himself) that elucidated what it was about those seasons that his music was intended to evoke. This movement is illustrated textually in a sonnet with the following description:Standing quietly and contentedly by the fireWhile outside the rain bathes everything;Walk on the ice with slow stepFor fear of falling in the attempt.To feel when going out through the stinging door,Sirocco, Borea, and all the winds at war;That this is winter, but such, that joy door.
$9.99
9.14 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Antonio Vivaldi
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Woods Only
#
Largo from Winter by Vivaldi for Woodwind Quintet
#
Woods Only, Arrangements
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SheetMusicPlus
Largo from Winter by Vivaldi for Brass Quintet - with Euphonium without French Horn
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Euphonium,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.956887 Compose…
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Euphonium,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.956887 Composed by Antonio Vivaldi. Arranged by Woods Only. Baroque,Christmas,Standards,Wedding,World. 9 pages. Woods Only, Arrangements #6446267. Published by Woods Only, Arrangements (A0.956887). This arrangement was adapted for a wood quintet ensemble, ideal to be performed at weddings and by groups of music beginners, which does not prevent it from being performed by professionals in the area. The piece has approximately 2 minutes and 33 seconds of duration, being in a comfortable time for those performing it, so that there is no difference between this version and the composer's original.The Four Seasons, Italian Le quattro stagioni, group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives a musical expression to a season of the year. Unusually for the time, Vivaldi published the concerti with accompanying poems (possibly written by Vivaldi himself) that elucidated what it was about those seasons that his music was intended to evoke. This movement is illustrated textually in a sonnet with the following description:Standing quietly and contentedly by the fireWhile outside the rain bathes everything;Walk on the ice with slow stepFor fear of falling in the attempt.To feel when going out through the stinging door,Sirocco, Borea, and all the winds at war;That this is winter, but such, that joy door.
$9.99
9.14 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Antonio Vivaldi
#
Woods Only
#
Largo from Winter by Vivaldi for Brass Quintet - with Euphonium without French Horn
#
Woods Only, Arrangements
#
SheetMusicPlus
Largo from Winter by Vivaldi for Woodwind Quintet - with English Horn and without French Horn
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Di…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute,Oboe - Level 2 - Digital Download SKU: A0.956882 Composed by Antonio Vivaldi. Arranged by Woods Only. Baroque,Christmas,Standards,Wedding,World. 9 pages. Woods Only, Arrangements #6443439. Published by Woods Only, Arrangements (A0.956882). This arrangement was adapted for a wood quintet ensemble, ideal to be performed at weddings and by groups of music beginners, which does not prevent it from being performed by professionals in the area. The piece has approximately 2 minutes and 33 seconds of duration, being in a comfortable time for those performing it, so that there is no difference between this version and the composer's original.The Four Seasons, Italian Le quattro stagioni, group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives a musical expression to a season of the year. Unusually for the time, Vivaldi published the concerti with accompanying poems (possibly written by Vivaldi himself) that elucidated what it was about those seasons that his music was intended to evoke. This movement is illustrated textually in a sonnet with the following description:Standing quietly and contentedly by the fireWhile outside the rain bathes everything;Walk on the ice with slow stepFor fear of falling in the attempt.To feel when going out through the stinging door,Sirocco, Borea, and all the winds at war;That this is winter, but such, that joy door.
$9.99
9.14 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Antonio Vivaldi
#
Woods Only
#
Largo from Winter by Vivaldi for Woodwind Quintet - with English Horn and without French Horn
#
Woods Only, Arrangements
#
SheetMusicPlus
Largo from Winter by Vivaldi for Woodwind Quintet - with Piccolo and without French Horn
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956875 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956875 Composed by Antonio Vivaldi. Arranged by Woods Only. Baroque,Christmas,Standards,Wedding,World. 9 pages. Woods Only, Arrangements #6443413. Published by Woods Only, Arrangements (A0.956875). This arrangement was adapted for a wood quintet ensemble, ideal to be performed at weddings and by groups of music beginners, which does not prevent it from being performed by professionals in the area. The piece has approximately 2 minutes and 33 seconds of duration, being in a comfortable time for those performing it, so that there is no difference between this version and the composer's original.The Four Seasons, Italian Le quattro stagioni, group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives a musical expression to a season of the year. Unusually for the time, Vivaldi published the concerti with accompanying poems (possibly written by Vivaldi himself) that elucidated what it was about those seasons that his music was intended to evoke. This movement is illustrated textually in a sonnet with the following description:Standing quietly and contentedly by the fireWhile outside the rain bathes everything;Walk on the ice with slow stepFor fear of falling in the attempt.To feel when going out through the stinging door,Sirocco, Borea, and all the winds at war;That this is winter, but such, that joy door.
$9.99
9.14 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Antonio Vivaldi
#
Woods Only
#
Largo from Winter by Vivaldi for Woodwind Quintet - with Piccolo and without French Horn
#
Woods Only, Arrangements
#
SheetMusicPlus
Preludio
Guitare
Guitar - easy to intermediate - Digital Download SKU: S9.Q46314 130 Easy Concert…
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Guitar - easy to intermediate - Digital Download SKU: S9.Q46314 130 Easy Concert Pieces from 6 Centuries for Guitar (easy). This edition: Sheet music. Guitar - classical music - original pieces. Guitarissimo. 130 leichte Vortragsstücke aus 6 Jahrhunderten für Gitarre. Downloadable. Schott Music - Digital #Q46314. Published by Schott Music - Digital (S9.Q46314). Preludio contains 130 easy attractive performance pieces from six centuries, thus offering the most important pieces for beginners' guitar lessons in one comprehensive volume. The repertoire is ideal for first performances at music schools, as pieces for competitions and examinations or just as a 'treasure trove' for teachers, pupils, students, and guitar lovers. The selected pieces can be played in the second to fourth year of guitar lessons. They are divided chronologically into five chapters and arranged progressively according to their level of difficulty. Each chapter refers to another epoch: Renaissance – Baroque – Classical period – Romanticism and early 20th century – modern, pop and world music. The result is a tune book which can already be used during or immediately after studying any guitar method. Most pieces can be played in the 1st and 2nd positions, without requiring any barré fingering or ties and slurs. The somewhat more difficult pieces that require small and large barré fingering as well as position playing are placed at the end of each chapter. The majority of the pieces are original works, and the editors have refrained from making any radical simplifications. Only a few difficult passages have alternatively been made easier to play such that the level of difficulty within a piece does not vary too much.
$21.99
20.12 €
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Guitare
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Preludio
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Schott Music - Digital
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SheetMusicPlus
Throwing The Dice
Piano seul
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Neo- Classical, Activities and Games, Recital, New Age. Sheet Music Single. 9 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "Throwing The Dice"<br> - taken from the Isadar solo piano collections, "Active Imagination / Reconstructed" (also available on SMP) <br> <br> Sounds like: Liz Story's ("Things With Wings"), Philip Aaberg, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Note: A slightly different version of this composition is also heard on the Isadar album, "Reconstructed" (Produced by Will Ackerman)<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> I love this CD! It constantly amazes me how many outstanding composer/pianists there are out there - especially in relation to the few who are highly (commercially) successful within this broad genre. I would say that Active Imagination definitely belongs near the top of the heap. Isadar’s style is original, and his pianism is excellent. He lists his inspirations as Liz Story, Keith Jarrett, and Bill Evans, and I can hear traces of all three in his playing, but find his composing and playing styles to be uniquely his own.<br> <br> The first three tracks are lively and upbeat (“Active Imagination”, “Throwing the Dice”, and “Where the Wild Things Are”) with an easy, jazzy, improvised feel. The meter changes are fascinating, and the bluesy beat on “Wild Things” is infectious.<br> <br> From there, the mood seems to gradually darken and become more introspective. “Waiting” is a beautiful, flowing mood piece full of questions and a lovely melody line. Isadar’s cover of Liz Story’s “Wedding Rain” is wonderful - this is a piece I often work on with my advanced students, and everything about Isadar’s interpretation of the piece seems right without being a carbon-copy of Liz’s recording.<br> <br> “Feu Follet (the ‘spook’ light’)” has a nice, easy flow with a strong sense of mystery; it also has an unusual rhythm that lightens the mood and adds a bounce. “Uncertainty” is cooler and more aloof, but gorgeous in its flowing introspection - that it ends with a major chord, feels like the soul-searching has had positive results. “Love Chaconne” is the closing track, and is the longest and most abstract piece on the CD. The left hand plays a repeated pattern while the right hand goes off in several different directions (one of the primary characteristics of a “chaconne”). Beautiful in its simplicity, this is the only track that seems to contain an element of pain and sorrow, but never dissolves into melodrama.<br> <br> Active Imagination is excellent from start to finish and I highly recommend it to anyone who likes solo piano with substance and complexity, but is still accessible, melodic, and rhythmic. Bravo amundo!<br> <br> Active Imagination Sheet Music Collection is the companion songbook to Isadar’s 1999 CD release, Active Imagination. The CD was one of my favorites for the year when I reviewed it for the print version of “Wind and Wire” magazine, so I was really looking forward to the sheet music! Transcribed note-for-note by David Shenton of ShentonMusic.com (I proofed about half of the book, so I can attest to how accurate it is!), it is up to you to make the music sound as close to the CD as you want or to interpret the music and make your own statements with it.<br> <br> One thing that really stands out about this collection is how much FUN it is to play. The rhythms are interesting and catchy, and the mood in several of the songs is playful and upbeat. This is especially true with the title song, “Throwing the Dice,” “Where the Wild Things Are,” and “Feu Follet (the ‘spook’ light).” “Waiting,” “Love Chaconne,” and “Uncertainty” are slower, more introspective, and a bit moody, making this a sheet music collection that contains a variety of moods and styles. The only piece missing from the book is Liz Story’s “Wedding Rain,” but the sheet music for that song is available in some of Ms. Story’s own collections.<br> <br> Early-advanced players should have no trouble with this music. The timing on some of the songs is a little bit tricky, but if you count it as you are learning it, it will fall into place.<br> <br> If you haven’t heard the CD, check it out, too! This book is available here from SMP, isadar.com and amazon.com. Highly recommended!<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.comContains:<br> "Throwing The Dice"<br> - taken from the Isadar solo piano collections, "Active Imagination / Reconstructed" (also available on SMP) <br> <br> Sounds like: Liz Story's ("Things With Wings"), Philip Aaberg, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Note: A slightly different version of this composition is also heard on the Isadar album, "Reconstructed" (Produced by Will Ackerman)<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> I love this CD! It constantly amazes me how many outstanding composer/pianists there are out there - especially in relation to the few who are highly (commercially) successful within this broad genre. I would say that Active Imagination definitely belongs near the top of the heap. Isadar’s style is original, and his pianism is excellent. He lists his inspirations as Liz Story, Keith Jarrett, and Bill Evans, and I can hear traces of all three in his playing, but find his composing and playing styles to be uniquely his own.<br> <br> The first three tracks are lively and upbeat (“Active Imagination”, “Throwing the Dice”, and “Where the Wild Things Are”) with an easy, jazzy, improvised feel. The meter changes are fascinating, and the bluesy beat on “Wild Things” is infectious.<br> <br> From there, the mood seems to gradually darken and become more introspective. “Waiting” is a beautiful, flowing mood piece full of questions and a lovely melody line. Isadar’s cover of Liz Story’s “Wedding Rain” is wonderful - this is a piece I often work on with my advanced students, and everything about Isadar’s interpretation of the piece seems right without being a carbon-copy of Liz’s recording.<br> <br> “Feu Follet (the ‘spook’ light’)” has a nice, easy flow with a strong sense of mystery; it also has an unusual rhythm that lightens the mood and adds a bounce. “Uncertainty” is cooler and more aloof, but gorgeous in its flowing introspection - that it ends with a major chord, feels like the soul-searching has had positive results. “Love Chaconne” is the closing track, and is the longest and most abstract piece on the CD. The left hand plays a repeated pattern while the right hand goes off in several different directions (one of the primary characteristics of a “chaconne”). Beautiful in its simplicity, this is the only track that seems to contain an element of pain and sorrow, but never dissolves into melodrama.<br> <br> Active Imagination is excellent from start to finish and I highly recommend it to anyone who likes solo piano with substance and complexity, but is still accessible, melodic, and rhythmic. Bravo amundo!<br> <br> Active Imagination Sheet Music Collection is the companion songbook to Isadar’s 1999 CD release, Active Imagination. The CD was one of my favorites for the year when I reviewed it for the print version of “Wind and Wire” magazine, so I was really looking forward to the sheet music! Transcribed note-for-note by David Shenton of ShentonMusic.com (I proofed about half of the book, so I can attest to how accurate it is!), it is up to you to make the music sound as close to the CD as you want or to interpret the music and make your own statements with it.<br> <br> One thing that really stands out about this collection is how much FUN it is to play. The rhythms are interesting and catchy, and the mood in several of the songs is playful and upbeat. This is especially true with the title song, “Throwing the Dice,” “Where the Wild Things Are,” and “Feu Follet (the ‘spook’ light).” “Waiting,” “Love Chaconne,” and “Uncertainty” are slower, more introspective, and a bit moody, making this a sheet music collection that contains a variety of moods and styles. The only piece missing from the book is Liz Story’s “Wedding Rain,” but the sheet music for that song is available in some of Ms. Story’s own collections.<br> <br> Early-advanced players should have no trouble with this music. The timing on some of the songs is a little bit tricky, but if you count it as you are learning it, it will fall into place.<br> <br> If you haven’t heard the CD, check it out, too! This book is available here from SMP, isadar.com and amazon.com. Highly recommended!<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.48 €
#
Piano seul
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Isadar
#
Throwing The Dice
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Mainya Music Publishing
#
SheetMusicPlus
Waiting
Piano seul
Piano Solo - Early Intermediate - Digital Download Composed by Isadar. Contemporary…
(+)
Piano Solo - Early Intermediate - Digital Download Composed by Isadar. Contemporary Classical, Neo- Classical, Spiritual, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "Waiting"<br> - taken from the Isadar solo piano collections, "Active Imagination / Reconstructed" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Note: A slightly different version of this composition is also heard on the Isadar album, "Reconstructed" (Produced by Will Ackerman)<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> I love this CD! It constantly amazes me how many outstanding composer/pianists there are out there - especially in relation to the few who are highly (commercially) successful within this broad genre. I would say that Active Imagination definitely belongs near the top of the heap. Isadar’s style is original, and his pianism is excellent. He lists his inspirations as Liz Story, Keith Jarrett, and Bill Evans, and I can hear traces of all three in his playing, but find his composing and playing styles to be uniquely his own.<br> <br> The first three tracks are lively and upbeat (“Active Imagination”, “Throwing the Dice”, and “Where the Wild Things Are”) with an easy, jazzy, improvised feel. The meter changes are fascinating, and the bluesy beat on “Wild Things” is infectious.<br> <br> From there, the mood seems to gradually darken and become more introspective. “Waiting” is a beautiful, flowing mood piece full of questions and a lovely melody line. Isadar’s cover of Liz Story’s “Wedding Rain” is wonderful - this is a piece I often work on with my advanced students, and everything about Isadar’s interpretation of the piece seems right without being a carbon-copy of Liz’s recording.<br> <br> “Feu Follet (the ‘spook’ light’)” has a nice, easy flow with a strong sense of mystery; it also has an unusual rhythm that lightens the mood and adds a bounce. “Uncertainty” is cooler and more aloof, but gorgeous in its flowing introspection - that it ends with a major chord, feels like the soul-searching has had positive results. “Love Chaconne” is the closing track, and is the longest and most abstract piece on the CD. The left hand plays a repeated pattern while the right hand goes off in several different directions (one of the primary characteristics of a “chaconne”). Beautiful in its simplicity, this is the only track that seems to contain an element of pain and sorrow, but never dissolves into melodrama.<br> <br> Active Imagination is excellent from start to finish and I highly recommend it to anyone who likes solo piano with substance and complexity, but is still accessible, melodic, and rhythmic. Bravo amundo!<br> <br> Active Imagination Sheet Music Collection is the companion songbook to Isadar’s 1999 CD release, Active Imagination. The CD was one of my favorites for the year when I reviewed it for the print version of “Wind and Wire” magazine, so I was really looking forward to the sheet music! Transcribed note-for-note by David Shenton of ShentonMusic.com (I proofed about half of the book, so I can attest to how accurate it is!), it is up to you to make the music sound as close to the CD as you want or to interpret the music and make your own statements with it.<br> <br> One thing that really stands out about this collection is how much FUN it is to play. The rhythms are interesting and catchy, and the mood in several of the songs is playful and upbeat. This is especially true with the title song, “Throwing the Dice,” “Where the Wild Things Are,” and “Feu Follet (the ‘spook’ light).” “Waiting,” “Love Chaconne,” and “Uncertainty” are slower, more introspective, and a bit moody, making this a sheet music collection that contains a variety of moods and styles. The only piece missing from the book is Liz Story’s “Wedding Rain,” but the sheet music for that song is available in some of Ms. Story’s own collections.<br> <br> Early-advanced players should have no trouble with this music. The timing on some of the songs is a little bit tricky, but if you count it as you are learning it, it will fall into place.<br> <br> If you haven’t heard the CD, check it out, too! This book is available here from SMP, isadar.com and amazon.com. Highly recommended!<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.comContains:<br> "Waiting"<br> - taken from the Isadar solo piano collections, "Active Imagination / Reconstructed" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Note: A slightly different version of this composition is also heard on the Isadar album, "Reconstructed" (Produced by Will Ackerman)<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> I love this CD! It constantly amazes me how many outstanding composer/pianists there are out there - especially in relation to the few who are highly (commercially) successful within this broad genre. I would say that Active Imagination definitely belongs near the top of the heap. Isadar’s style is original, and his pianism is excellent. He lists his inspirations as Liz Story, Keith Jarrett, and Bill Evans, and I can hear traces of all three in his playing, but find his composing and playing styles to be uniquely his own.<br> <br> The first three tracks are lively and upbeat (“Active Imagination”, “Throwing the Dice”, and “Where the Wild Things Are”) with an easy, jazzy, improvised feel. The meter changes are fascinating, and the bluesy beat on “Wild Things” is infectious.<br> <br> From there, the mood seems to gradually darken and become more introspective. “Waiting” is a beautiful, flowing mood piece full of questions and a lovely melody line. Isadar’s cover of Liz Story’s “Wedding Rain” is wonderful - this is a piece I often work on with my advanced students, and everything about Isadar’s interpretation of the piece seems right without being a carbon-copy of Liz’s recording.<br> <br> “Feu Follet (the ‘spook’ light’)” has a nice, easy flow with a strong sense of mystery; it also has an unusual rhythm that lightens the mood and adds a bounce. “Uncertainty” is cooler and more aloof, but gorgeous in its flowing introspection - that it ends with a major chord, feels like the soul-searching has had positive results. “Love Chaconne” is the closing track, and is the longest and most abstract piece on the CD. The left hand plays a repeated pattern while the right hand goes off in several different directions (one of the primary characteristics of a “chaconne”). Beautiful in its simplicity, this is the only track that seems to contain an element of pain and sorrow, but never dissolves into melodrama.<br> <br> Active Imagination is excellent from start to finish and I highly recommend it to anyone who likes solo piano with substance and complexity, but is still accessible, melodic, and rhythmic. Bravo amundo!<br> <br> Active Imagination Sheet Music Collection is the companion songbook to Isadar’s 1999 CD release, Active Imagination. The CD was one of my favorites for the year when I reviewed it for the print version of “Wind and Wire” magazine, so I was really looking forward to the sheet music! Transcribed note-for-note by David Shenton of ShentonMusic.com (I proofed about half of the book, so I can attest to how accurate it is!), it is up to you to make the music sound as close to the CD as you want or to interpret the music and make your own statements with it.<br> <br> One thing that really stands out about this collection is how much FUN it is to play. The rhythms are interesting and catchy, and the mood in several of the songs is playful and upbeat. This is especially true with the title song, “Throwing the Dice,” “Where the Wild Things Are,” and “Feu Follet (the ‘spook’ light).” “Waiting,” “Love Chaconne,” and “Uncertainty” are slower, more introspective, and a bit moody, making this a sheet music collection that contains a variety of moods and styles. The only piece missing from the book is Liz Story’s “Wedding Rain,” but the sheet music for that song is available in some of Ms. Story’s own collections.<br> <br> Early-advanced players should have no trouble with this music. The timing on some of the songs is a little bit tricky, but if you count it as you are learning it, it will fall into place.<br> <br> If you haven’t heard the CD, check it out, too! This book is available here from SMP, isadar.com and amazon.com. Highly recommended!<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$6.99
6.39 €
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Piano seul
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Isadar
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Waiting
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Mainya Music Publishing
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SheetMusicPlus
Romanza and Scherzo for solo Bass Trombone and Piano
Trombone basse et Piano
Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed b…
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Piano Accompaniment, Bass Trombone and Piano - Advanced - Digital Download Composed by Pierce, Alan. 21st Century, Romantic Period, Contemporary Classical, Post-Romantic. Solo Part. 31 pages. Published by Cherry Classics Music
My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.<br> <br> I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.<br> <br> During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,<br> <br> Andre Watts, and many others.<br> <br> Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild. <br> <br> Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)My first season with the Oregon Symphony was 1962-1963. I was so excited when I was told that I was accepted into the Portland Symphony (now Oregon Symphony), I danced and jumped up and down. I can still see myself. Its was like winning the Powerball. I was only 17 years old. What is equally amazing is that 45 years later I retired from a career that very few people can ever experience. I was bass trombonist my first year in the Oregon Symphony and was principal trombonist my third year. I also traveled with the New York Metropolitan Opera National company for 84 weeks as principal trombonist and was bass trombonist of the Portland Opera for 18 years. I played in the Peter Britt Orchestra for two seasons and also in the Anchorage, AK. music festival. I was a scholarship winner to Tanglewood in Lenox, Mass. and the National Music Camp in Interlochen, Michigan. I was privileged to perform with Leopold Stowkowski and Erik Leinsdorf. None of this would have been possible without my early training with the Portland, Youth Philharmonic under the leadership of maestro Jacob Avshalomov.<br> <br> I have met many famous people and have played the world's greatest music. The Oregon Symphony music directors and conductors have been magnificent and have each brought many special talents to the orchestra. I remember special concerts featuring Jack Benny, Danny Kaye, Isaac Stern, Leonard Rose, and many others.<br> <br> During my time in the Oregon Symphony I developed a hobby of making batons for some of the conductors who visited our orchestra. Most recently, I made batons for Itzhak Perlman, James DePreist, Carlos Kalmar, Riccardo Mutti, Murry Sidlin, Hannu Lintu, Karel Mark Chichon,<br> <br> Andre Watts, and many others.<br> <br> Since establishing the Alan Pierce Piano Service in 1976, I have tuned pianos for the Oregon Symphony, Andre Watts, Lawrence Leighton Smith, James DePreist, Murry Sidlin, Norman Leyden as well as for many churches, schools and prominent piano teachers. Most recently I tuned the piano in the home of world famous Janet Guggenheim. One of my most special memories was an all expense paid trip to Scottsdale, Arizona to tune the piano of a prominent surgeon. While in Arizona, I had the chance to spend time with the late James DePreist who had a home in the area. For two summers, I also served as piano technician for the Sunriver Music Festival I am currently the president of the Reno chapter of the Piano Technicians Guild. <br> <br> Most recently I got to meet Geoge Curran, bass trombonist of the New York Philharmonic. My wife and I traveled two times to hear him perform my Romanza and Scherzo for bass trombone and piano. What a thrill to hear a world famous trombonist perform my music. I am very honored that George Curran recorded my music on his latest CD. (Vital Signs)
$22.50
20.58 €
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Trombone basse et Piano
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Pierce, Alan
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Romanza and Scherzo for solo Bass Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
En Face Du Miroir (Facing The Mirror)
Piano seul
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.comContains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.48 €
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Piano seul
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Unusual Studies
Guitare
Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method…
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Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method, Etudes and Exercises, Repertoire, Classroom. Solo Part. 45 pages. Published by Oleg Boyko
There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That’s why the art of playing classical guitar is not standing still.<br> <br> During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn’t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it’s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties.<br> That is how the collection «Unusual Studies» appeared.<br> What is their «singularity»?<br> The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.<br> When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).<br> - learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.<br> - active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.<br> - using the high positions of the guitar’s fingerboard with open strings without excessive physical effort .<br> - rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.<br> <br> I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure. There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That’s why the art of playing classical guitar is not standing still.<br> <br> During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn’t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it’s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties.<br> That is how the collection «Unusual Studies» appeared.<br> What is their «singularity»?<br> The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.<br> When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).<br> - learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.<br> - active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.<br> - using the high positions of the guitar’s fingerboard with open strings without excessive physical effort .<br> - rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.<br> <br> I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure.
$15.00
13.72 €
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Guitare
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Oleg Boyko
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Unusual Studies
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Oleg Boyko
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SheetMusicPlus
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