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Vous avez sélectionné:
Agnus Dei from the Mass for choir and orchestra
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Agnus Dei from the Mass for choir and orchestra (mp3)
Violon
Alto Voice,Bass Voice,Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Soprano v…
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Alto Voice,Bass Voice,Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Soprano voice,Tenor Voice,Trombone,Trumpet,Tuba,Viola,Violin - Digital Download SKU: A0.1059360 Composed by David Warin Solomons. 20th Century,Christian,Sacred,Spiritual. Full Performance. Duration 172. David Warin Solomons #2845783. Published by David Warin Solomons (A0.1059360). This is the final movement of my Mass for choir and orchestra.
$2.50
2.27 €
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Violon
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David Warin Solomons
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Agnus Dei from the Mass for choir and orchestra
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David Warin Solomons
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SheetMusicPlus
Agnus Dei from the Mass for choir and orchestra
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.579174 Composed by David W…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.579174 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred,Spiritual. Octavo. 27 pages. David Warin Solomons #2845781. Published by David Warin Solomons (A0.579174). This is the final movement of my Mass for choir and orchestra.
$4.50
4.09 €
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Chorale SATB
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David Warin Solomons
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Agnus Dei from the Mass for choir and orchestra
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David Warin Solomons
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SheetMusicPlus
AGNUS DEI from Grand Mass in E-flat major
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1401848 Compos…
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Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1401848 Composed by Amy Marcy Beach. Arranged by Steven Paxton. 19th Century,Classical,Easter,Romantic Period. 20 pages. Creative Spirit #985039. Published by Creative Spirit (A0.1401848). The Agnus Dei is the final movement of Amy Beach‘s monumental Grand Mass in E-Flat Major, completed when Beach was 25 and first performed in 1892 by the Handel and Haydn Society orchestra of Boston. That group had never before performed a work by a woman. The critical acclaim which followed this milestone performance led to her being recognized as one of America’s foremost composers, and the 1890 publication of the vocal score was the first published major choral/orchestral work by an American woman.This edition omits the lengthy harp passages from the original and also shortens the introduction somewhat. If performed with orchestral accompaniment, full score and parts are available from Creative Spirit.DURATION: 10 minutes.
$2.25
2.04 €
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Chorale SATB
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Amy Marcy Beach
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Steven Paxton
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AGNUS DEI from Grand Mass in E-flat major
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Creative Spirit
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SheetMusicPlus
Mass in G Major - Domine Deus - Alto´s Aria - Fullscore and parts
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1292861 Composed by Carlos Se…
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String Orchestra - Level 3 - Digital Download SKU: A0.1292861 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Early Music,Easter,Sacred. Score and Parts. 8 pages. Hélder Bento #883458. Published by Hélder Bento (A0.1292861). Domine Deus - Aria for Alto from Mass in G Major, Carlos Seixas - Fullscore and partsCarlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major. This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.
$5.00
4.54 €
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Orchestre à Cordes
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Carlos Seixas
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Hélder Bento
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Mass in G Major - Domine Deus - Alto´s Aria - Fullscore and parts
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Hélder Bento
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SheetMusicPlus
Mass in G Major - Laudamus Te - Fullscore and parts
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1290728 Composed by Carlos Se…
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String Orchestra - Level 3 - Digital Download SKU: A0.1290728 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Latin,Religious,Sacred. Score and Parts. 8 pages. Hélder Bento #881433. Published by Hélder Bento (A0.1290728). Laudamus te - Aria for Soprano from Mass in G Major, Carlos Seixas - Fullscore and partsCarlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major. This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.
$5.00
4.54 €
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Orchestre à Cordes
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Carlos Seixas
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Hélder Bento
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Mass in G Major - Laudamus Te - Fullscore and parts
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Hélder Bento
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
79.91 €
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Chorale SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Agnus Dei (All Saints Millennium Celebration Mass)
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.982636 Composed by Michael Dryver, C…
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Choral Choir (SATB) - Digital Download SKU: A0.982636 Composed by Michael Dryver, Composer. Contemporary. Octavo. 6 pages. Contemporary Choral Series #4803275. Published by Contemporary Choral Series (A0.982636). This extended work, All Saints Celebration Mass, (no-denominational musical production) was performed at the Vatican for Pope John Paul's Communion service May 1, 2006 by Detroit's Winan Performing Arts High School Concert Choir and Orchestra. Also performed by The Iowa Western College Concert Choir and Omaha Symphonic Orchestra in October of 2012 from the Holland Performing Arts Theater for the Poor Claire Sister's Capital Event. .
$2.50
2.27 €
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Chorale SATB
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Michael Dryver, Composer
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Agnus Dei
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Contemporary Choral Series
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SheetMusicPlus
Mass in G Major - Qui sedes - Duet for Soprano and Alto from Mass in G Major - Fullscore and Parts
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1485456 Composed by Carlos S…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1485456 Composed by Carlos Seixas. Arranged by Hélder Bento. Baroque,Christmas,Early Music,Religious,Sacred. 7 pages. Hélder Bento #1062513. Published by Hélder Bento (A0.1485456). Qui sedes - Duet for Soprano and Alto from Mass in G Major - Fullscore and PartsCarlos Seixas (1704-1742) was a Portuguese composer and organist who had close contact with the avant-garde European music of his time. Despite never leaving Portugal, Seixas collaborated with Domenico Scarlatti, who was the chapel master of the Portuguese court. Seixas is considered the most important Portuguese baroque composer of keyboard music. Although none of his original works survived, he is credited with composing approximately 700 toccatas. Of these, only ninety-five survived in authenticated sources, along with other instrumental pieces and ten complete vocal works, including the Mass in G major. This mass is written for four soloists (soprano, alto, tenor, and bass), choir, and strings. It is divided into five parts: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. In addition to the choral sections, this piece also includes four arias, one for each soloist, two duets for soprano and alto, and a trio for soprano, alto, and tenor.
$7.00
6.36 €
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Carlos Seixas
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Hélder Bento
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Mass in G Major - Qui sedes - Duet for Soprano and Alto from Mass in G Major - Fullscore and Parts
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Hélder Bento
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SheetMusicPlus
Agnus Dei for flute choir
Flûte traversière
Flute Solo - Level 3 - Digital Download SKU: A0.580033 Composed by David Warin Solo…
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Flute Solo - Level 3 - Digital Download SKU: A0.580033 Composed by David Warin Solomons. 20th Century,Christian,Contemporary. Individual part. 19 pages. David Warin Solomons #3519193. Published by David Warin Solomons (A0.580033). After writing my mass for choir and orchestra, which is also available on this site and which was beautifully performed a few years ago by Budapest Scoring, I decided to arrange a version of the Agnus Dei from it for flute choir. It is a short but restful piece.
$10.00
9.08 €
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Flûte traversière
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David Warin Solomons
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Agnus Dei for flute choir
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David Warin Solomons
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SheetMusicPlus
Missa Millennia in Honor of St. Francis (SATB)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
9.08 €
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Chorale SATB
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Curtis Hanson
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Missa Millennia in Honor of St. Francis
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Curtis Hanson
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SheetMusicPlus
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