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All About That Bass - Bb Clarinet 1
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.
$15.00
13.85 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Go…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.43 €
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Clarinette Basse, Piano
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. B…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.43 €
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Clarinette Basse, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Saint-Saëns: The Swan for Bass Clarinet & Piano
Clarinette Basse
Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Compos…
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Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.43 €
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Clarinette Basse
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
Deck The Halls - Score Only
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.1099653 By …
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Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download SKU: A0.1099653 By Kyle Gray Young. By Traditional Welsh Christmas Carol. Arranged by Kyle Gray Young. Chamber,Christmas,Holiday,Traditional. 1 pages. Kyle Gray Young #703531. Published by Kyle Gray Young (A0.1099653). Something went wrong during the arranging process for this holiday classic. Instead of D major, I accidentally arranged it in D minor. Oops. I'm sorry about that. I fixed it and put the correct one in D major for sale elsewhere in my store. You shouldn't buy this one if you're looking for a good arrangement of Deck The Halls. Complete score is only one page.
$1.99
1.84 €
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Flûte, Hautbois, Clarinette, Basson
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Kyle Gray Young
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Kyle Gray Young
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Deck The Halls - Score Only
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Kyle Gray Young
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SheetMusicPlus
W L Larsen - Wind Quintet No. 1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.993724 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.993724 Composed by W L Larsen. 20th Century. 49 pages. W L Larsen #4581107. Published by W L Larsen (A0.993724). This wind quintet is in three movements. It has a playfulness to it that is most engaging. Suitable for advanced junior high or high school/college groups. The PDF includes the score and all parts and takes about 10 minutes to perform. If you have questions or need more information, please send email to: wlarsencomposer@outlook.com.
$6.99
6.46 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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W L Larsen
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W L Larsen - Wind Quintet No. 1
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W L Larsen
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SheetMusicPlus
Clarinet Quintet, opus 155 (2013)
Quintette de Clarinette: Clarinette, Quatuor à Cordes
Clarinet, String Quartet - Advanced Intermediate - Digital Download Composed by Thoma…
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Clarinet, String Quartet - Advanced Intermediate - Digital Download Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical Period, Baroque Period. Score. With Allegro III. 28 pages. Published by Thomas Oboe Lee
Program note.<br> Clarinet Quintet, opus 155 is the fourth work I have written for Nancy Braithwaite. The first one was written on the occasion of her sister’s wedding in Vermont. Nancy premiered the solo clarinet piece “Trinca di Chôro” during the wedding ceremony. The second work was “Yo Picasso” (2007) for clarinet, viola, cello and piano. The work was tailor-made for the Arto Ensemble which consisted of two married couples: Oane (piano) and Nancy (clarinet), and Prunella (viola) and Guus (cello). The third work was “Octet in D, opus 144” (2012) scored for clarinet, horn, bassoon, string quartet and double bass. Nancy and her Dutch colleagues premiered the work in a program with the Schubert Octet in Bunnik, a small village west of Utrecht in the Netherlands.Many great composers have tackled the clarinet quintet, most notable Mozart and Brahms.<br> My Quintet is somewhat different in that there are a lot of jazz elements and something new that I have not tackled before: polymeter.<br> <br> Clarinet Quintet, opus 155 is in seven movements.<br> <br> I. Largo<br> II. Allegro<br> III. Interlude 1 … Presto<br> IV. Adagio<br> V. Reprise … a bit faster than before!<br> VI. Interlude 2 … Adagio<br> VII. Allegro con moto<br> <br> The work begins with a clarinet meditation over pianissimo string chords. The music is very static … not unlike the sacred music of Arvo Pärt. This is followed by an allegro that is in 12/8 featuring a pizzicato jazzy bass figure played by the cello. The third movement is my experiment in polymeter. The ostinato pattern is grouped in a metrical scheme of 4, 3, 4 and 5; but the octave melody in the clarinet and first violin unfolds in standard duple meter of 4. The middle fourth movement is an adagio. This is an example of what I love about music, a soaring melody above slow haunting chords. A reprise of the jazzy Interlude 1 comes next, but in a slightly different guise with new elements, both melodically and harmonically.Interlude 2 is reminiscent of the meditative music of the first movement, but again it is quite different in mood and atmosphere.The finale is another experiment in polymeter. At first the metrical scheme is in a pattern of 4, 3, 4, 3, 2, 3 and 2. But eventually the meters get all scrambled up. Have fun trying to count. You’ll get lost! Above the “oom-pah oom-pah” accompaniment, the clarinet soars like a flying bird … diving, hovering, dipping and swooping!!!<br> <br> ENJOY!!!<br> <br> Audio link. Copy and paste the URL link into your browser.<br> <br> https://thomasoboelee.bandcamp.com/album/clarinet-quintet-opus-155-2013<br> <br> Video link: https://youtu.be/2fByM3tEAqc
$9.99
9.23 €
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Quintette de Clarinette: Clarinette, Quatuor à Cordes
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Thomas Oboe Lee
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Clarinet Quintet, opus 155
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Thomas Oboe Lee
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SheetMusicPlus
Elegy for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.72…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.723517 Composed by Steve Winstead. Contemporary,Folk,Patriotic. 33 pages. Sigma Squared Music #2928381. Published by Sigma Squared Music (A0.723517). Elegy is a sad and beautifully lyrical piece that was written in the aftermath of the terrorist attacks on the United States on September 11th 2001. It is dedicated to the victims of the attacks their families and everyone worldwide who experienced suffering and loss that day.Notes about instrumentation:All ten parts are required. Larger ensembles can double up, but no parts can be omitted. Instrumentation is scored as follows:(1) E-flat sopranino clarinet(6) B-flat clarinet(1) E-flat alto clarinet(1) B-flat bass clarinet(1) B-flat contrabass clarinet​An alternate B-flat clarinet is provided as a substitute for the E-flat sopranino, and an alternate bass clarinet part is provided as a substitute for the alto.The contrabass part is mandatory; no substitution is acceptable.
$29.99
27.7 €
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Ensemble de Clarinettes
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Steve Winstead
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no substitution is acceptable
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Elegy for Clarinet Choir
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Sigma Squared Music
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SheetMusicPlus
Peter Warlock: Capriol (Suite for String Orchestra) k/a Capriol Suite: 1.Basse-Danse 2.Pavane 3.Tord
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553777 Composed by Peter Warlock. Arranged by Ray Thompson. 20th Century,Concert,Contemporary,Graduation,Standards. Score and parts. 92 pages. RayThompsonMusic #4303953. Published by RayThompsonMusic (A0.553777). The Capriol Suite is a set of dances composed in October 1926 by Peter Warlock, and is considered one of his most popular works. Originally written for piano duet, Warlock later scored it for both string and full orchestras. According to the composer, it was based on tunes in Thoinot Arbeau's Orchésographie, a manual of Renaissance dances. Nevertheless, Warlock's biographer, Cecil Gray, said that if one compares these tunes with what the composer has made of them it will be seen that to all intents and purposes it can be regarded as an original work.The work is dedicated to the Breton Composer Paul Ladmirault.The suite consists of six movements:Basse-Danse, Allegro moderato, D minorPavane, Allegretto, ma un poco lento, G minorTordion, Con moto, G minorBransles, Presto, G minorPieds-en-l'air, Andante tranquillo, G majorMattachins (Sword Dance), Allegro con brio, F majorThe individual movements are very brief; a performance of the suite lasts about 10 minutes.Interesting parts for all players...scored for double wind quintet/ bass.
$19.95
18.42 €
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Peter Warlock
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Ray Thompson
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Peter Warlock: Capriol
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RayThompsonMusic
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SheetMusicPlus
The Word
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1421929 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Wedding. 13 pages. RayThompsonMusic #1003267. Published by RayThompsonMusic (A0.1421929). The Word is a song by English rock band The Beatles, written by John Lennon and Paul McCartney and recorded with Lennon on lead vocals. It was first released on their 1965 album Rubber Soul.Musically, the song is founded on a driving funk beat, with few chord changes and a simple melody in the key of D major.(The refrain is a 12 bar blues in D. The main chord is D7(♯9), also used in Drive My Car and Taxman.)John Lennon had felt during his youth that love had been the answer, and had written The Word as his first expression of the concept. He had felt that love was an underlying theme of the universe, and that love was fundamental in many things, which had inspired the lyric In the good and bad books that I have read. The song is credited to Lennon-McCartney, however Lennon had stated that it was mainly mine.It had marked the first time the Beatles had written a song about love as a concept, which would become important in the band's later work.Paul McCartney said of this song, John and I would like to do songs with just one note like 'Long Tall Sally'. We get near it in 'The Word'Arranged here for wind quartet, the flute takes verse 1 and is joined in harmony by the clarinet for verse 2.Verse 3 is taken by the oboe, and all 3 top instruments take the melody, and chordal harmony for verse 4  till the end,The bassoon takes the bass guitar riff throughout.The mp3 starts just before the 4th verse.
$14.99
13.84 €
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Flûte, Hautbois, Clarinette, Basson
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The Beatles
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Ray Thompson
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The Word
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RayThompsonMusic
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SheetMusicPlus
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Score) - Score Only
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1463453 Composed by Franz Liszt. …
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Concert Band - Level 5 - Digital Download SKU: A0.1463453 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 42 pages. Michael Barrera #1042149. Published by Michael Barrera (A0.1463453). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-scoreTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$29.99
27.7 €
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Orchestre d'harmonie
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Franz Liszt
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Michael Barrera
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Der Tanz in der Dorfschenke | Mephisto Waltz No. 1
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Michael Barrera
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SheetMusicPlus
Der Tanz in der Dorfschenke | Mephisto Waltz No. 1 (Set of Parts)
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1463454 Composed by Franz Liszt. …
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Concert Band - Level 5 - Digital Download SKU: A0.1463454 Composed by Franz Liszt. Arranged by Michael Barrera. 19th Century,Classical,Romantic Period. 251 pages. Michael Barrera #1042150. Published by Michael Barrera (A0.1463454). Https://www.michaelbarreraflute.com/shop/p/mephisto-waltz1-band-partsTwo Episodes from Lenau’s Faust | Mephisto Waltz No. 1Program NotesFranz Liszt’s first Mephisto Waltz is a programmatic work based on an episode from Nikolaus Lenau’s 1836 verse drama Faust. The program note that appears in the original printed score is noted here:There is a wedding feast in progress in the village inn, with music, dancing, carousing. Mephistopheles and Faust pass by, and Mephistopheles induces Faust to enter and take part in the festivities. Mephistopheles snatches the fiddle from the hands of a lethargic fiddler and draws from it indescribably seductive and intoxicating strains. The amorous Faust whirls about with a full-blooded village beauty in a wild dance; they waltz in mad abandon out of the room, into the open, away into the woods. The sounds of the fiddle grow softer and softer, and the nightingale warbled his love-laden song. Mephisto Waltz No. 1 is paired with a work preceding it, Midnight Procession (Der Nächtliche Zug), however this piece is not as widely performed. Liszt later transcribed the waltz into a piano duet and a virtuosic solo piano work. Each of these versions were written around the same time, roughly 1859-62. The orchestral version also has an alternate ending, which is softer and fades away. This arrangement features both endings. This work was then followed by three more Mephisto Waltzes. No. 2 was also written as both an orchestral and piano work, while Nos. 3 and 4 were for piano only. Of the four, the first is the most popular, although the third is also praised as highly musically. InstrumentationWritten for Wind Ensemble of any size (Number indicates how many parts - some parts include divisi)1 Piccolo (doubles Flute 3) 2 Flutes2 Oboes2 Bassoons1 Clarinet (E flat)3 Clarinets (B flat)1 Bass Clarinet (B flat)1 Contrabass Clarinet (B flat)2 Alto Saxophones1 Tenor Saxophone1 Baritone Saxophone3 Trumpets (B flat)4 Horns (F)2 Trombones1 Bass Trombone1 Euphonium1 Tuba1 String BassTimpaniMarimbaCymbalTriangle.
$79.99
73.87 €
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Orchestre d'harmonie
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Franz Liszt
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Michael Barrera
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Der Tanz in der Dorfschenke | Mephisto Waltz No. 1
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Michael Barrera
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SheetMusicPlus
Peer Gynt Suite No. 1 - I. Morning Mood
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Contra Alto Clar…
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Contra Alto Clarinet,Flute,Oboe,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1371363 Composed by Edvard Grieg. Arranged by Andrew Jacobi. Classical. 46 pages. Andrew Jacobi #955580. Published by Andrew Jacobi (A0.1371363). Peer Gynt Suite No. 1 is a four-movement work pulled from Edvard Greig’s incidental music to Henrik Ibsen’s 1867 play also titled Peer Gynt.  The original music was composed in 1875 with select movements from the play being pulled into its own suite and published in 1888.  The opening movement to Suite No. 1originated in the prelude to Act IV of the play where it depicted the rising sun.Edvard Grieg was a Norwegian composer and pianist and was considered one of the leading composers from the Romantic Era. His integration of Norwegian folk music into his music helped to develop a national identity for Norway and much of his music remains as standard repertoire today.About the Arrangement:This arrangement of Morning Mood is written for a full woodwind choir, but features a few possible substitutions.  Both oboe parts may be substituted as need to fill in voices.  Oboe 1 features a substitute part for either soprano saxophone or clarinet and is necessary to perform the piece without significant holes.  It is preferred that soprano sax be used in order to get the change in timbre, but clarinet can be effectively used.  The oboe 2 part can be substituted for alto saxophone.  All of the important bassoon parts are doubled in other parts and this arrangement can be played without a bassoon.List of partsFlute 1Flute 2Oboe 1 (Soprano Sax or Clarinet)Oboe 2 (Alto Sax)Bassoon 1Bassoon 2Clarinet 1Clarinet 2Clarinet 3Bass ClarinetContra Alto/Bass ClarinetAlto Sax 1Alto Sax 2Tenor SaxBari Sax.
$30.00
27.71 €
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Edvard Grieg
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Andrew Jacobi
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Peer Gynt Suite No. 1 - I. Morning Mood
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Andrew Jacobi
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SheetMusicPlus
All About That Bass for Bass Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
By Meghan Trainor. Arranged by Erin Miesner. Score, Set of Parts. 16 pages. Published by E…
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By Meghan Trainor. Arranged by Erin Miesner. Score, Set of Parts. 16 pages. Published by Erin Miesner (H0.224611-262313). - Score,Set of Parts - - Erin Miesner
A fun take on the chart-topping hit, this piece is certainly All About That Bass (Clarinet). Suitable for ensembles of all ages, it's perfect for high-schoolers and beyond. Parts include Bass Clarinet in B-Flat 1, Bass Clarinet in B-Flat 2, Bass Clarinet in B-Flat 3 and Bass Clarinet in B-Flat 4. For more information and other arrangements, visit ehmpublishing.com
$15.95
14.73 €
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Quatuor de Clarinettes: 4 clarinettes
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Meghan Trainor
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Erin Miesner
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All About That Bass for Bass Clarinet Quartet
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Erin Miesner
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SheetMusicPlus
All About That Bass
Clarinette
This edition: Interactive Download. Pop; Rock. Clasol. 1 pages. Published by Hal Leonard -…
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This edition: Interactive Download. Pop; Rock. Clasol. 1 pages. Published by Hal Leonard - Digital Sheet Music (HX.372552). - clasol - Pop; Rock - Hal Leonard - Digital Sheet Music
$2.99
2.76 €
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Clarinette
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Rock
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All About That Bass
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
I Write The Songs
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549345 By Barry Manilow. B…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549345 By Barry Manilow. By Bruce Johnston. Arranged by James M. Guthrie, ASCAP. Contemporary,Rock. Score and part. 8 pages. Jmsgu3 #3486713. Published by jmsgu3 (A0.549345). Duration: ca. 3:00, score: 5 pages, solo part: 1 page, piano part: 2 pages.Very famous song suitable for church, recital or nightclub. I Write the Songs is a popular song written by Bruce Johnston in 1975 and made famous by Barry Manilow. Manilow's version reached number one on the Billboard Hot 100 chart in January 1976[2] after spending two weeks atop the Billboard adult contemporary chart in December 1975.[3] It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977.[3] Billboard ranked it as the No. 13 song of 1976.[4]The original version was recorded by The Captain & Tennille, who worked with Johnston in the early 1970s with The Beach Boys. It appears on their 1975 album, Love Will Keep Us Together. The first release of I Write the Songs as a single was by then teen-idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Bruce Johnston. Cassidy's version reached #11 on the UK Singles Chart in August of that year.[5]Johnston has stated that, for him, the I in the song is God,[2] and that songs come from the spirit of creativity in all of us. He has said that the song is not about his Beach Boys bandmate Brian Wilson.[6]Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Wikipedia
$39.95
36.9 €
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Clarinette Basse, Piano
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Barry Manilow
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James M
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I Write The Songs
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jmsgu3
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SheetMusicPlus
All About That Bass - Clarinet Duet by Meghan Trainor - Instrumental Duet
Performed by: Meghan Trainor: All About That Bass - Clarinet Duet Digital Sheetmusic plus …
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Performed by: Meghan Trainor: All About That Bass - Clarinet Duet Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Duet, instruments: Clarinet 1;Clarinet 2; 2 pages -- Instrumental Pop~~Pop~~R & B~~Pop Rock~~Retro Soul
$5.79
5.35 €
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Meghan Trainor
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Clarinet Duet by Meghan Trainor
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Musicnotes
Solage: Le basile for Mixed Woodwind Quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1267846 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1267846 Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Holiday,Medieval. 8 pages. Jmsgu3 #860034. Published by jmsgu3 (A0.1267846). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.43 €
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Flûte, Hautbois, Clarinette, Basson
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Solage
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James M
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Solage: Le basile for Mixed Woodwind Quartet
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jmsgu3
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SheetMusicPlus
The Glastry Pearl. Tone Poem Elegy For My Mum.
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
184.71 €
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Orchestre
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Geraldine
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The Glastry Pearl. Tone Poem Elegy For My Mum.
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Geraldine
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SheetMusicPlus
I Love Lucy
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - Digital Download SKU: A0.734618 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. 11 pages. Chicory Music #6674191. Published by Chicory Music (A0.734618). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for Woodwind Quartet plus Optional Acoustic Bass and Drum Set parts remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99
12 €
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Flûte, Hautbois, Clarinette, Basson
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Eliot Daniel
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Dennis Ruello
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I Love Lucy
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Chicory Music
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SheetMusicPlus
"Six Short Stories" - for Woodwind Quintet (1996)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.97…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.976045 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 32 pages. Lior Navok Music #4727437. Published by Lior Navok Music (A0.976045). SIX SHORT STORIES FOR WOODWIND QUINTET (1996)INSTRUMENTATION: Flute / Piccolo; Oboe; Clarinet; Bassoon; HornDURATION: 12 Minutes. PROGRAM NOTES: The composer writes about his work: The woodwind quintet is one of my favorite mediums: the individual personality of each musical instrument on one hand, and the homogeneity that can skilfully be achieved on the other hand, stimulated my imagination for a long time. The titles of the movements represent my own plot thoughts and associations behind each story: The First is a meeting of five friends willing to play together while one of them is being considerably late. The second is my association to a native ceremonial dance. The third, reminds me of a light breeze on a lazy summer night, while sitting on front of the porch. The fourth describes a person gazing at the fire flames, controlled like a marionette by the wind. The fifth is a sinking / floating memory, and last, a discussion about how a fugue should sound. Nevertheless, this is only my view of the music. I would like to invite the listeners to find their own association, and create their individual stories.MOVEMENTS: 1. The Meeting2. Native Dance3. Air4. Fire Dance5. Longing (Sinking and Floating Memory)6. 1+1=11 (Introduction and Fughetta)INFO: Item: Full ScoreEdition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok MusicPages: 32 Paper Size:DIN A4 / Letter
$16.00
14.78 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Lior Navok
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Oboe
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"Six Short Stories" - for Woodwind Quintet
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Lior Navok Music
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SheetMusicPlus
"Six Short Stories" - for Woodwind Quintet (1996) [Set of Parts]
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.97…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.976044 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 75 pages. Lior Navok Music #4727435. Published by Lior Navok Music (A0.976044). SIX SHORT STORIES FOR WOODWIND QUINTET (1996)INSTRUMENTATION: Flute / Piccolo; Oboe; Clarinet; Bassoon; HornDURATION: 12 Minutes. PROGRAM NOTES: The composer writes about his work: The woodwind quintet is one of my favorite mediums: the individual personality of each musical instrument on one hand, and the homogeneity that can skilfully be achieved on the other hand, stimulated my imagination for a long time. The titles of the movements represent my own plot thoughts and associations behind each story: The First is a meeting of five friends willing to play together while one of them is being considerably late. The second is my association to a native ceremonial dance. The third, reminds me of a light breeze on a lazy summer night, while sitting on front of the porch. The fourth describes a person gazing at the fire flames, controlled like a marionette by the wind. The fifth is a sinking / floating memory, and last, a discussion about how a fugue should sound. Nevertheless, this is only my view of the music. I would like to invite the listeners to find their own association, and create their individual stories.MOVEMENTS: 1. The Meeting2. Native Dance3. Air4. Fire Dance5. Longing (Sinking and Floating Memory)6. 1+1=11 (Introduction and Fughetta)INFO: Item: Set of PartsEdition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok MusicPages:75 Paper Size:DIN A4 / Letter
$18.00
16.62 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Lior Navok
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Oboe
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"Six Short Stories" - for Woodwind Quintet
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Lior Navok Music
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SheetMusicPlus
Stay
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.585851 By Lisa Loeb and Nine Stories. By Lisa Loeb. Arranged by Jeff Tincher. Contemporary. 17 pages. Jeff Tincher #6460913. Published by Jeff Tincher (A0.585851). Here is one of the best ballads from the 90's. In the original key from their Tails LP, this song is about two lovers that argue, but they still want to stay together. This song is being used in an insurance company ad. This song also went to number 1 on Billboard's Hot 100 before Lisa was signed to a record label. Duration = 3:00. Visit my website: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
12 €
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Flûte, Hautbois, Clarinette, Basson
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Lisa Loeb and Nine Stories
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Jeff Tincher
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Stay
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Jeff Tincher
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SheetMusicPlus
Bare Branches
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.877927 Comp…
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Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.877927 Composed by Rebecca Bogardus. Contemporary,Instructional,Standards. 16 pages. Lillwy Publishing #4276973. Published by Lillwy Publishing (A0.877927). Bare Branches allows your very newest students to shine with a haunting minor melody. It begins with a unison statement of the theme by the first two parts, allowing beginners to learn to phrase musically by listening to and then playing with more experienced players. The easiest part then continues with the melody while parts one and two harmonize and embellish it. Trio with split first part. (Minimum four players)If your student has mastered the following, they can attempt the part:Flute 1: Flute 101 Lesson 23, Blocki Book 2 Unit 2Flute 2: Flute 101 Lesson 13, Blocki page 72Flute 3: Flute 101 Lesson 4, Blocki Page 54About Ensembles by the Book:Beginners will have a blast with these ensemble arrangements leveled to correlate with popular flute method books! Each part is correlated with a specific lesson in the Flute 101 series and Blocki Flute Method.*Please note that these arrangements correlate with method books meant for private lessons, which typically begin with the notes B, A, and G, rather than band methods, which start students less beginner-friendly flute notes.
$4.99
4.61 €
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Flûte, Hautbois, Clarinette, Basson
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Rebecca Bogardus
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Bare Branches
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Lillwy Publishing
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SheetMusicPlus
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