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All About That Bass - Bb Clarinet 2
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All About That Bass
2 Clarinettes (duo)
(Clarinet) - Interactive Download SKU: HX.414752 By Meghan Trainor. This edition: I…
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(Clarinet) - Interactive Download SKU: HX.414752 By Meghan Trainor. This edition: Interactive Download. Pop,Rock. Clarinet Duet. 2 pages. Published by Hal Leonard - Digital (HX.414752).
$2.99
2.76 €
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2 Clarinettes (duo)
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Meghan Trainor
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All About That Bass
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Hal Leonard - Digital
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann …
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549231 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468714. Published by jmsgu3 (A0.549231). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.44 €
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Clarinette Basse, Piano
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Johann Sebastian Bach
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James M
#
Bach: Bist du bei mir BWV 508 for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.43 €
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Clarinette Basse, Piano
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Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Go…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.549358 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490039. Published by jmsgu3 (A0.549358). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano, S0.661771. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.44 €
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Clarinette Basse, Piano
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Bach-Gounod
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James M
#
Piano, S0
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Bach-Gounod: Ave Maria for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. B…
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Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.44 €
#
Clarinette Basse, Piano
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Largo from Winter by Vivaldi for Woodwind Quintet (Clarinet in A) - with Piccolo and without French
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956879 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956879 Composed by Antonio Vivaldi. Arranged by Woods Only. Baroque,Christmas,Standards,Wedding,World. 9 pages. Woods Only, Arrangements #6443425. Published by Woods Only, Arrangements (A0.956879). This arrangement was adapted for a wood quintet ensemble, ideal to be performed at weddings and by groups of music beginners, which does not prevent it from being performed by professionals in the area. The piece has approximately 2 minutes and 33 seconds of duration, being in a comfortable time for those performing it, so that there is no difference between this version and the composer's original.The Four Seasons, Italian Le quattro stagioni, group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives a musical expression to a season of the year. Unusually for the time, Vivaldi published the concerti with accompanying poems (possibly written by Vivaldi himself) that elucidated what it was about those seasons that his music was intended to evoke. This movement is illustrated textually in a sonnet with the following description:Standing quietly and contentedly by the fireWhile outside the rain bathes everything;Walk on the ice with slow stepFor fear of falling in the attempt.To feel when going out through the stinging door,Sirocco, Borea, and all the winds at war;That this is winter, but such, that joy door.
$9.99
9.23 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Antonio Vivaldi
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Woods Only
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Largo from Winter by Vivaldi for Woodwind Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Largo from Winter by Vivaldi for Clarinet Quintet - with Strings
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956878 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956878 Composed by Antonio Vivaldi. Arranged by Woods Only. Baroque,Christmas,Standards,Wedding,World. 9 pages. Woods Only, Arrangements #6443423. Published by Woods Only, Arrangements (A0.956878). This arrangement was adapted for a wood quintet ensemble, ideal to be performed at weddings and by groups of music beginners, which does not prevent it from being performed by professionals in the area. The piece has approximately 2 minutes and 33 seconds of duration, being in a comfortable time for those performing it, so that there is no difference between this version and the composer's original.The Four Seasons, Italian Le quattro stagioni, group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives a musical expression to a season of the year. Unusually for the time, Vivaldi published the concerti with accompanying poems (possibly written by Vivaldi himself) that elucidated what it was about those seasons that his music was intended to evoke. This movement is illustrated textually in a sonnet with the following description:Standing quietly and contentedly by the fireWhile outside the rain bathes everything;Walk on the ice with slow stepFor fear of falling in the attempt.To feel when going out through the stinging door,Sirocco, Borea, and all the winds at war;That this is winter, but such, that joy door.
$9.99
9.23 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Antonio Vivaldi
#
Woods Only
#
Largo from Winter by Vivaldi for Clarinet Quintet - with Strings
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Woods Only, Arrangements
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SheetMusicPlus
Largo from Winter by Vivaldi for Woodwind Quintet - with Clarinet in A
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956881 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.956881 Composed by Antonio Vivaldi. Arranged by Woods Only. Baroque,Christmas,Standards,Wedding,World. 9 pages. Woods Only, Arrangements #6443431. Published by Woods Only, Arrangements (A0.956881). This arrangement was adapted for a wood quintet ensemble, ideal to be performed at weddings and by groups of music beginners, which does not prevent it from being performed by professionals in the area. The piece has approximately 2 minutes and 33 seconds of duration, being in a comfortable time for those performing it, so that there is no difference between this version and the composer's original.The Four Seasons, Italian Le quattro stagioni, group of four violin concerti by Italian composer Antonio Vivaldi, each of which gives a musical expression to a season of the year. Unusually for the time, Vivaldi published the concerti with accompanying poems (possibly written by Vivaldi himself) that elucidated what it was about those seasons that his music was intended to evoke. This movement is illustrated textually in a sonnet with the following description:Standing quietly and contentedly by the fireWhile outside the rain bathes everything;Walk on the ice with slow stepFor fear of falling in the attempt.To feel when going out through the stinging door,Sirocco, Borea, and all the winds at war;That this is winter, but such, that joy door.
$9.99
9.23 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Antonio Vivaldi
#
Woods Only
#
Largo from Winter by Vivaldi for Woodwind Quintet - with Clarinet in A
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Woods Only, Arrangements
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SheetMusicPlus
Saint-Saëns: The Swan for Bass Clarinet & Piano
Clarinette Basse
Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Compos…
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Bass Clarinet,Instrumental Solo - Level 3 - Digital Download SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
30.44 €
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Clarinette Basse
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Bass Clarinet & Piano
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jmsgu3
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SheetMusicPlus
The Elixir of Love-clarinet-bass clarinet duet
2 Clarinettes (duo)
Instrumental Duet B-Flat Clarinet,Bass Clarinet,Instrumental Duet - Level 4 - Digital Down…
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Instrumental Duet B-Flat Clarinet,Bass Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.845174 Composed by G Ludovic. Arranged by Phil Beaman. Classical,Opera,Standards,Wedding. Score and parts. 12 pages. Phil Beaman #6328729. Published by Phil Beaman (A0.845174). The Elixir of Love is a comic opera by Donizetti about an elixir to cause two people to fall in love. It turns out that the elixir was fake (just red wine), but it caused the two persons to realize that their love had always been real. My arrangement maintains this joyful, almost comedic, side of love's feelings. Following Ludovic's earlier piano arrangement I treat just three of the opera's many themes. I have altered and enriched some of the simplistic classical chord progressions. There are now numerous markings throughout, particularly in articulation. Each part requires accurate rhythms, and each part has some virtuosic extended patterned runs. The range for each instrument is wide-2 octaves plus a third. This piece is a fun way to show your technical skills in concert or audition/competition. Or useful anyplace that you want joyful melodrama (Donizetti's own description). Also works well for pre-wedding music if you prefer the humorous side of true love instead of the sappy stuff.
$5.99
5.53 €
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2 Clarinettes (duo)
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G Ludovic
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Phil Beaman
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The Elixir of Love-clarinet-bass clarinet duet
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Phil Beaman
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SheetMusicPlus
Fauré: Dolly Suite Op.56 Mvt.2 "Mi-a-ou" - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553784 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Wedding. 11 pages. RayThompsonMusic #4405172. Published by RayThompsonMusic (A0.553784). The Dolly Suite, Op. 56, is a collection of pieces for piano four-hands by Gabriel Fauré. It consists of short pieces written or revised between 1893 and 1896, to mark the birthdays and other events in the life of the daughter of the composer's mistress.An orchestral version of the suite was scored in 1906 by Henri Rabaud, and has, like the original piano duet version, received several recordings. The best-known section of the suite, the Berceuse, has been arranged for several combinations of instruments. In Britain it became famous as the play-out tune to Listen with Mother.The suite, consisting of six short pieces, each with its own title: Berceuse, Mi-a-ou, Le jardin de Dolly, Kitty-valse, Tendresse and Le pas espagnol. The complete suite takes about fifteen minutes to perform.Mi-a-ouAllegro vivo. Mi-a-ou was written for Dolly's second birthday in June 1894. The title does not refer to a pet cat, as has often been supposed, but to Dolly's attempts to pronounce the name of her elder brother Raoul, who later became one of Fauré's favourite pupils.The young Dolly called her brother Messieu Aoul, which Fauré took as the original title for the piece. In his finished manuscript the title is shortened to Miaou (without hyphens).The Fauré scholar Robert Orledge writes that the title Mi-a-ou, like that of the Kitty-valse later in the suite, is the responsibility of Fauré's publisher, Julien Hamelle.[
$4.95
4.57 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Gabriel Faure
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Ray Thompson
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Fauré: Dolly Suite Op.56 Mvt.2 "Mi-a-ou" - wind quintet
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RayThompsonMusic
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SheetMusicPlus
The Elixir of Love-clarinet-bassoon duet
Clarinette, Basson (duo)
Instrumental Duet Bassoon,Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: …
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Instrumental Duet Bassoon,Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.845173 Composed by G Ludovic. Arranged by Phil Beaman. Classical,Concert,Opera,Standards,Wedding. Score and parts. 12 pages. Phil Beaman #6328709. Published by Phil Beaman (A0.845173). The Elixir of Love is a comic opera by Donizetti about an elixir to cause two people to fall in love. It turns out that the elixir was fake (just red wine), but it caused the two persons to realize that their love had always been real. My arrangement maintains this joyful, almost comedic, side of love's feelings. Following Ludovic's earlier piano arrangement I treat just three of the opera's many themes. I have altered and enriched some of the simplistic classical chord progressions. There are now numerous markings throughout, particularly in articulation. Each part requires accurate rhythms, and each part has some virtuosic extended patterned runs. The range for each instrument is wide-2 octaves plus a third. This piece is a fun way to show your technical skills in concert or audition/competition. Or useful anyplace that you want joyful melodrama (Donizetti's own description). Also works well for pre-wedding music if you prefer the humorous side of true love instead of the sappy stuff.
$5.99
5.53 €
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Clarinette, Basson (duo)
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G Ludovic
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Phil Beaman
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The Elixir of Love-clarinet-bassoon duet
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Phil Beaman
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SheetMusicPlus
All About That Bass - Eb Alto Clarinet
Orchestre d'harmonie
Concert band Eb Alto Clarinet - Level 2 - Digital Download SKU: HX.302967 By Meghan…
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Concert band Eb Alto Clarinet - Level 2 - Digital Download SKU: HX.302967 By Meghan Trainor. Arranged by Paul Murtha. Pop. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.302967).
$6.00
5.54 €
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Orchestre d'harmonie
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Meghan Trainor
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Paul Murtha
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All About That Bass - Eb Alto Clarinet
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Hal Leonard - Digital
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano
Basson, Piano (duo)
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549477 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3499857. Published by jmsgu3 (A0.549477). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.43 €
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Basson, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano
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jmsgu3
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SheetMusicPlus
Red Rubber Ball
Quintette de Clarinettes: 5 clarinettes
Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.7…
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.781985 By The Cyrkle. By Bruce Woodley and Paul Simon. Arranged by Aaron Hettinga. 20th Century,Contemporary,Folk,Pop,Rock. 16 pages. Aaron Hettinga #6029401. Published by Aaron Hettinga (A0.781985). This oldie but goodie by Cyrkle and Simon & Garfunkel is presented here in an arrangement for Clarinet Ensemble. All of the parts should be relatively accessible to players of even moderate ability as there are no major range challenges that are taxing to the extremes of any instrument other than a few low notes. The technical challenges may come about if taken at a particularly brisk tempo, but even a slightly slower interpretation will sound great.
$14.99
13.85 €
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Quintette de Clarinettes: 5 clarinettes
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The Cyrkle
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Aaron Hettinga
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Red Rubber Ball
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Aaron Hettinga
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SheetMusicPlus
Clarinet Quintet, opus 155 (2013)
Quintette de Clarinette: Clarinette, Quatuor à Cordes
Clarinet, String Quartet - Advanced Intermediate - Digital Download Composed by Thoma…
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Clarinet, String Quartet - Advanced Intermediate - Digital Download Composed by Thomas Oboe Lee. 21st Century, 20th Century, Romantic Period, Classical Period, Baroque Period. Score. With Allegro III. 28 pages. Published by Thomas Oboe Lee
Program note.<br> Clarinet Quintet, opus 155 is the fourth work I have written for Nancy Braithwaite. The first one was written on the occasion of her sister’s wedding in Vermont. Nancy premiered the solo clarinet piece “Trinca di Chôro” during the wedding ceremony. The second work was “Yo Picasso” (2007) for clarinet, viola, cello and piano. The work was tailor-made for the Arto Ensemble which consisted of two married couples: Oane (piano) and Nancy (clarinet), and Prunella (viola) and Guus (cello). The third work was “Octet in D, opus 144” (2012) scored for clarinet, horn, bassoon, string quartet and double bass. Nancy and her Dutch colleagues premiered the work in a program with the Schubert Octet in Bunnik, a small village west of Utrecht in the Netherlands.Many great composers have tackled the clarinet quintet, most notable Mozart and Brahms.<br> My Quintet is somewhat different in that there are a lot of jazz elements and something new that I have not tackled before: polymeter.<br> <br> Clarinet Quintet, opus 155 is in seven movements.<br> <br> I. Largo<br> II. Allegro<br> III. Interlude 1 … Presto<br> IV. Adagio<br> V. Reprise … a bit faster than before!<br> VI. Interlude 2 … Adagio<br> VII. Allegro con moto<br> <br> The work begins with a clarinet meditation over pianissimo string chords. The music is very static … not unlike the sacred music of Arvo Pärt. This is followed by an allegro that is in 12/8 featuring a pizzicato jazzy bass figure played by the cello. The third movement is my experiment in polymeter. The ostinato pattern is grouped in a metrical scheme of 4, 3, 4 and 5; but the octave melody in the clarinet and first violin unfolds in standard duple meter of 4. The middle fourth movement is an adagio. This is an example of what I love about music, a soaring melody above slow haunting chords. A reprise of the jazzy Interlude 1 comes next, but in a slightly different guise with new elements, both melodically and harmonically.Interlude 2 is reminiscent of the meditative music of the first movement, but again it is quite different in mood and atmosphere.The finale is another experiment in polymeter. At first the metrical scheme is in a pattern of 4, 3, 4, 3, 2, 3 and 2. But eventually the meters get all scrambled up. Have fun trying to count. You’ll get lost! Above the “oom-pah oom-pah” accompaniment, the clarinet soars like a flying bird … diving, hovering, dipping and swooping!!!<br> <br> ENJOY!!!<br> <br> Audio link. Copy and paste the URL link into your browser.<br> <br> https://thomasoboelee.bandcamp.com/album/clarinet-quintet-opus-155-2013<br> <br> Video link: https://youtu.be/2fByM3tEAqc
$9.99
9.23 €
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Quintette de Clarinette: Clarinette, Quatuor à Cordes
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Thomas Oboe Lee
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Clarinet Quintet, opus 155
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Thomas Oboe Lee
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SheetMusicPlus
Va-Moose! - 3 Clarinets and Bass Clarinet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.722404…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.722404 Composed by Anne L Christopherson GRSM ARCM. Concert,Holiday,Jazz,Patriotic. 14 pages. Music-Scores.com #6494843. Published by Music-Scores.com (A0.722404). The story of a moose going about his day-to-day business. He enjoys the morning sun with the rest of the herd, then he goes off at a trot to find that scent. He finally comes back to rejoin the herd and recount his day. This arrangement is for 3 Clarinets and Bass Clarinet.Duration: about 2 minutes, 30 seconds.By Anne L Christopherson GRSM ARCM at www.music-scores.com
$5.95
5.5 €
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Quatuor de Clarinettes: 4 clarinettes
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Anne L Christopherson GRSM ARCM at
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Anne L Christopherson GRSM ARCM
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Va-Moose! - 3 Clarinets and Bass Clarinet
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Music-Scores.com
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SheetMusicPlus
Haydn: Concerto No. 2 in G major (Classical Wind Ensemble)
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.768500 Composed by Franz Jos…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.768500 Composed by Franz Joseph Haydn. Arranged by Roar Kvam. Classical,Concert. 114 pages. KVAMusic Edition #3454071. Published by KVAMusic Edition (A0.768500). About 1785, Haydn received a commission to write a series of concertos for Ferdinand IV, King of Naples and the Twin Sicilies. It was a very curious commission; for these concertos were to be written for a pair of strange instruments, the so-called Lira organizzata. The lira was a favourite instrument of the lazzaroni, the common people of Neaples: the Bourbon King, though often a rough and uncouth monarch, had a deep affection for his people. and for all their peculiar customs, and it is characteristic that his favourite musical instrument should have been that so beloved by his people. In a letter from the King of Neaples there are two points which explain much of the peculiar character of Haydn’s concertos for the King: the first is the restricted tonal range of all the works, C, F and G major are the only principal keys allowed. The second is the range of the lira itself which is about that of an oboe. Bearing these limitations in mind, Haydn did not attempt to write complicated double concertos, but rather ensemble music for two lire, two violins, two violas, cello and two horns, in other words, 9 solo instruments. (This edition: Flute, oboe, two clarinets, two basset horns, bassoon, contrabass and two horns). Moreover, he neatly combined the concerto form with that of the divertimento: there is often no strict division into solo and tutti, but constant intermingling of both. Wonderful music by Haydn, originally written for a mixed ensemble of 2 liras, 2 Horns and strings, but this is a transcription for a classical wind ensemble, a great companion for a concert together with i.e. Mozart’s Gran Partita, since it has almost the same instrumentation.
$33.00
30.49 €
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Franz Joseph Haydn
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Roar Kvam
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Haydn: Concerto No. 2 in G major
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KVAMusic Edition
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SheetMusicPlus
Meghan Trainor: All About That Bass - two clarinets (duets)
2 Clarinettes (duo)
Instantly printable sheet music by Meghan Trainor for two clarinets (duets) of MEDIUM skil…
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Instantly printable sheet music by Meghan Trainor for two clarinets (duets) of MEDIUM skill level. / pop,rock
$4.97
4.59 €
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2 Clarinettes (duo)
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Meghan Trainor
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Virtualsheetmusic
Solage: Fumeux fume for Bass Clarinet Trio
3 Clarinettes (trio)
Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 2 - Digital Download SKU: A0.1271…
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Woodwind Ensemble,Woodwind Trio Bass Clarinet - Level 2 - Digital Download SKU: A0.1271286 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 12 pages. Jmsgu3 #863684. Published by jmsgu3 (A0.1271286). Solage's Fumeux fume is a three-voice rondeau that is considered significant in music history for several reasons:Experimental style: Fumeux fume is an example of Solage's experimental style, which linked text and music together in terms of form or meaning. The piece is known for its extravagantly chromatic sound, which was unusual for the time. It also contains some of the lowest tessitura vocal writing in any music of the period. Cultural significance: Fumeux fume is about a Parisian literary coterie known as the Society of Fumeurs, or 'smokers'. The lyrics describe a smoker who smokes smoke and steeps his thoughts in smoke. The piece is significant because it provides insight into the cultural practices of the time and the role of smoking in society.Musical subtilitas: Fumeux fume is also significant because it demonstrates Solage's musical subtilitas, or subtlety, in his tonal language. The piece is complex and requires careful analysis to fully understand its structure and meaning.Overall, Solage's Fumeux fume is an important piece of music history because of its experimental style, cultural significance, and demonstration of Solage's musical subtilitas.
$24.95
23.05 €
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3 Clarinettes (trio)
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Solage
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James M
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Solage: Fumeux fume for Bass Clarinet Trio
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jmsgu3
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SheetMusicPlus
Wind Quintet - One Rule
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
32.34 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Peter Warlock: Capriol (Suite for String Orchestra) k/a Capriol Suite: 1.Basse-Danse 2.Pavane 3.Tord
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553777 Composed by Peter Warlock. Arranged by Ray Thompson. 20th Century,Concert,Contemporary,Graduation,Standards. Score and parts. 92 pages. RayThompsonMusic #4303953. Published by RayThompsonMusic (A0.553777). The Capriol Suite is a set of dances composed in October 1926 by Peter Warlock, and is considered one of his most popular works. Originally written for piano duet, Warlock later scored it for both string and full orchestras. According to the composer, it was based on tunes in Thoinot Arbeau's Orchésographie, a manual of Renaissance dances. Nevertheless, Warlock's biographer, Cecil Gray, said that if one compares these tunes with what the composer has made of them it will be seen that to all intents and purposes it can be regarded as an original work.The work is dedicated to the Breton Composer Paul Ladmirault.The suite consists of six movements:Basse-Danse, Allegro moderato, D minorPavane, Allegretto, ma un poco lento, G minorTordion, Con moto, G minorBransles, Presto, G minorPieds-en-l'air, Andante tranquillo, G majorMattachins (Sword Dance), Allegro con brio, F majorThe individual movements are very brief; a performance of the suite lasts about 10 minutes.Interesting parts for all players...scored for double wind quintet/ bass.
$19.95
18.43 €
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Peter Warlock
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Ray Thompson
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Peter Warlock: Capriol
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RayThompsonMusic
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SheetMusicPlus
Bring It All Back
Chorale 2 parties
Choral 2-Part Chorus,Choir,Choral - Level 1 - Digital Download SKU: A0.1406980 Comp…
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Choral 2-Part Chorus,Choir,Choral - Level 1 - Digital Download SKU: A0.1406980 Composed by Bradley John Mcintosh, Eliot Kennedy, Hannah Louise Spearritt, Joanne O'meara, Jonathan Lee, Michael David Percy, Paul Gerald Cattermole, Rachel Lauren Stevens, Timothy John Lever, and Tina An Barrett. Arranged by Katherine Burr. 20th Century,Children,Contemporary,Holiday,Pop. 17 pages. Katherine Burr #989708. Published by Katherine Burr (A0.1406980). An excellent song from 1999, about resilience and self-respect, this 2 part choir arrangement is perfect for children’s choirs, assemblies and leaving celebrations. Part A is largely the melody, Part B has harmonies and some of the lead ad lib lines from the original song. The first half chorus is slower and repeats a line before going into the first ‘Bring it all back to you’, as a feature. The accompanying backing track, available from my website, has a hi-hat count in for that line.Teaching tracks, backing tracks and full band parts - Piano/Guitar/Bass/Drums/Violins/Cello/Flute/Alto Saxophone/Clarinet/Trumpet/Trombone - available from my website, by contacting me. Other voicings or instruments available by request. www.katherineburr.com.
$3.00
2.77 €
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Chorale 2 parties
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Bradley John Mcintosh, Eliot Kennedy, Hannah Louise Spearritt, Joanne O'meara, Jonathan Lee, Michael David Percy, Paul Gerald Cattermole, Rachel Lauren Stevens, Timothy John Lever, and Tina An Barrett
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Katherine Burr
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Bring It All Back
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Katherine Burr
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SheetMusicPlus
The Word
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1421929 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Wedding. 13 pages. RayThompsonMusic #1003267. Published by RayThompsonMusic (A0.1421929). The Word is a song by English rock band The Beatles, written by John Lennon and Paul McCartney and recorded with Lennon on lead vocals. It was first released on their 1965 album Rubber Soul.Musically, the song is founded on a driving funk beat, with few chord changes and a simple melody in the key of D major.(The refrain is a 12 bar blues in D. The main chord is D7(♯9), also used in Drive My Car and Taxman.)John Lennon had felt during his youth that love had been the answer, and had written The Word as his first expression of the concept. He had felt that love was an underlying theme of the universe, and that love was fundamental in many things, which had inspired the lyric In the good and bad books that I have read. The song is credited to Lennon-McCartney, however Lennon had stated that it was mainly mine.It had marked the first time the Beatles had written a song about love as a concept, which would become important in the band's later work.Paul McCartney said of this song, John and I would like to do songs with just one note like 'Long Tall Sally'. We get near it in 'The Word'Arranged here for wind quartet, the flute takes verse 1 and is joined in harmony by the clarinet for verse 2.Verse 3 is taken by the oboe, and all 3 top instruments take the melody, and chordal harmony for verse 4  till the end,The bassoon takes the bass guitar riff throughout.The mp3 starts just before the 4th verse.
$14.99
13.85 €
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Flûte, Hautbois, Clarinette, Basson
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The Beatles
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Ray Thompson
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The Word
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RayThompsonMusic
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SheetMusicPlus
Pachelbel: Canon in D for Alto Clarinet & Harp
Instrumental Duet E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - Digital Download S…
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Instrumental Duet E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1098858 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702700. Published by jmsgu3 (A0.1098858). Score: 6 pages. Duration: ca. 2:30 The famous Pachelbel Canon arranged for Alto Clarinet & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95
30.44 €
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Alto Clarinet & Harp
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jmsgu3
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SheetMusicPlus
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