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20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
Piano Facile
Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, …
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Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by Scott Camp
This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music. <br> <br> In my experience, every elementary piano student should be given the opportunity to successfully play:<br> Spinning Song (even if you leave out the middle section at first)<br> Minuet in G (page one)<br> Fur Elise (page one)<br> <br> Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection. <br> <br> All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions. <br> <br> "Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.<br> <br> Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening. <br> <br> So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior. <br> <br> If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly. <br> <br> "Practice Makes... "<br> <br> If you said "Perfect" then you've fallen into a sinister trap. <br> <br> "Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career. <br> <br> Here's the process in general:<br> Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?<br> <br> That's something for us professionals to consider.<br> <br> <br> Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!<br> <br> Contents<br> <br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G minor from the Notebook for Anna Magdalena Bach<br> Musette in D from the Notebook for Anna Magdalena Bach<br> Minuet in F Wolfgang Amadeus Mozart<br> Ecossaise in G Ludwig van Beethoven<br> Sonatina in G Ludwig van Beethoven<br> I Allegretto<br> II Romanze<br> Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler<br> I Allegro <br> The Wild Horseman, Op. 68, No. 8 Robert Schumann<br> Fur Elise (Famous Page 1) Ludwig van Beethoven<br> Spinning Song, Op. 14, No. 4 Albert Elmenreich<br> Arabesque, Op. 100, No. 2 Friedrich Burgmüller<br> Ballade, Op. 100, No. 15 Friedrich Burgmüller<br> Solfeggietto Carl Philipp Emanuel Bach<br> Toccatina, Op. 27, No. 12 Dmitri Kabalevsky<br> Fur Elise (Complete) Ludwig van Beethoven<br> Sonatina, Op. 55, No. 1 Friedrich Kuhlau<br> I Allegro <br> Sonatina, Op. 36, No. 3 Muzio Clementi<br> I Spiritoso <br> La Vélocité, Op. 109, No. 10 Friedrich Burgmüller<br> <br> <br> These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering. <br> <br> The hand position notation is used to better communicate what exactly is being demanded of the student. Students’ repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores “playing music on the piano” to primacy and supports “helping a student play music on the piano” as the central activity of the piano lesson. <br> <br> Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.<br> <br> Good luck!<br> Scott Camp<br> scottcampislandpiano@gmail.com
$3.99
3.67 €
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Piano Facile
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Various
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20 Classical Piano Pieces for Elementary Piano Students
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Scott Camp
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 10. Qui rise Tirsi
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.767279 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767279 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 38 pages. Lyons Music Services #3218699. Published by Lyons Music Services (A0.767279). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song, No 10 starts with the line Here Tirsi laughed and wriggled under the two(twin?) stars of the beautiful Clorinda I think you get the picture! We can see plenty of musical laughing and wriggling in the music with dotted rhythms and semiquaver runs. The top two voices are Clorinda (doing a fair amount of wriggling herself) while the bottom two take the part of Tirsi. There are places where all four voices give vent to an exclamation and where, presumably, the two lovers had to stop for breath! The original incorporates a very basic continuo part, which I have shared between the resting voices. As with all things madrigalian, the lyrics are rife with double entendres.
$4.99
4.59 €
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Ensemble de cuivres
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of Madrigals - 10. Qui rise Tirsi
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 06. Una donna fra I' altre
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.767275 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218689. Published by Lyons Music Services (A0.767275). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Here, the song is describing One woman amongst the others, honest and beautiful. Now, there's flattery for you! There is a subtitle to this song Concertato nel clavicembalo - Conducted from the harpsichord. Obviously, this is not possible in this transcription. The continuo part has been incorporated into the rests of all of the parts, without swamping the leading voices. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
5.52 €
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Ensemble de cuivres
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of Madrigals - 06. Una donna fra I' altre
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 02. O Teseo, Teseo mio
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.767271 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767271 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 27 pages. Lyons Music Services #3218677. Published by Lyons Music Services (A0.767271). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The second of these is O Teseo, Teseo mio which translates as O Theseus, my Theseus. The young man is pleading with his lover to tell him that she wants him and he is referred to as Theseus in order to fit in with the common mythology of the time. Just as the women have Arianna, Daphne and Clorinda, so the men have Theseus, Clovis and various other mythological fantasies. As with all things madrigalian, the lyrics are rife with double entendres.
$5.99
5.52 €
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Ensemble de cuivres
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of Madrigals - 02. O Teseo, Teseo mio
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 04. Ahi ch' ei non pur risponde
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.767273 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767273 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3218683. Published by Lyons Music Services (A0.767273). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. The final song from Lamento d'Arianna tanslates as Ah! Who does not even answer! Ah! Who is deaf to my laments (pleas) Another song of a young man being turned down by his lover. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
5.52 €
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Ensemble de cuivres
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of Madrigals - 04. Ahi ch' ei non pur risponde
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Lyons Music Services
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 11. Misero Alceo
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.767281 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767281 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 19 pages. Lyons Music Services #3218703. Published by Lyons Music Services (A0.767281). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. There is another set of 6 forming a substantial scena which Monteverdi labelled Sestina. No 11 is a stand-alone song describing a young man, Alceo, unwilling to leave his lover (Lydia) to go on a long journey. This is much more in the character of a solo song for the tenor, with interjections from the 'chorus'. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$4.99
4.59 €
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Ensemble de cuivres
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of Madrigals - 11. Misero Alceo
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Lyons Music Services
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SheetMusicPlus
All The Things You Are
Piano seul
Piano Solo - Digital Download SKU: A0.1338054 Arranged by Tunescribers. Classical. …
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Piano Solo - Digital Download SKU: A0.1338054 Arranged by Tunescribers. Classical. Score. ArrangeMe #20192. Published by ArrangeMe (A0.1338054).
$9.95
9.16 €
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Piano seul
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Tunescribers
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All The Things You Are
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ArrangeMe
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SheetMusicPlus
All The Things You Are
Piano seul
Piano Solo - Digital Download SKU: A0.1338021 Arranged by Tunescribers. Classical. …
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Piano Solo - Digital Download SKU: A0.1338021 Arranged by Tunescribers. Classical. Score. 2 pages. ArrangeMe #19841. Published by ArrangeMe (A0.1338021).
$7.95
7.32 €
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Piano seul
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Tunescribers
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All The Things You Are
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ArrangeMe
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SheetMusicPlus
The Blue Danube, Op. 314 (for Piano Quintet)
Piano Quintette: piano, 2 violons, alto, violoncelle
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU…
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.945202 Composed by Johann Strauss Jr. Arranged by JP Wogaman II. Romantic Period. Score and parts. 48 pages. JP Wogaman II #6858523. Published by JP Wogaman II (A0.945202). Johann Strauss II (1825-99) is famously known as the the King of the Waltz. He was born in Vienna to the Father of the Waltz, Johann Strauss the elder. Strauss died in Vienna while he was working on a version of Cinderella for ballet. Performance practice of the Viennese Waltz is almost impossible to teach if it's not in the blood because there are some things that you just simply can't notate. Luftpause: air-breakSchleppen: to drag The feel of the lilt is basically anticipating the second beat. If it is slightly overdone, then it becomes a mannerism and a caricature.- Glenn Sales, Music Supervisor of The Washington Ballet.​This arrangement was commissioned by The Washington Ballet and premiered on April 3rd, 2019 in Sidney Harman Hall, Washington D.C. featuring the original choreography of Trey McIntyre.
$50.00
46.04 €
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Piano Quintette: piano, 2 violons, alto, violoncelle
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Johann Strauss Jr
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JP Wogaman II
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The Blue Danube, Op. 314
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JP Wogaman II
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 09. Ohimè il bel viso
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.767278 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767278 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque. Score and parts. 36 pages. Lyons Music Services #3218697. Published by Lyons Music Services (A0.767278). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The ninth song (counting the 6 parts of Sestina as one item) is Ohime il bel viso - Alas! The pretty face sees our young man trying to wheedle an encounter out of his lover. Complaining how much her beauty makes him mad with passion. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$4.99
4.59 €
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Ensemble de cuivres
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of Madrigals - 09. Ohimè il bel viso
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Lyons Music Services
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SheetMusicPlus
Joyful, Joyful, We Adore Thee, Easy Piano Solo
Piano seul
Easy Piano - Level 2 - Digital Download SKU: A0.541568 Composed by Ludwig van Beeth…
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Easy Piano - Level 2 - Digital Download SKU: A0.541568 Composed by Ludwig van Beethoven. Arranged by Cindy Blevins. Praise & Worship,Sacred. Score. 3 pages. Cindy Blevins #3115323. Published by Cindy Blevins (A0.541568). My easy piano arrangements are clean and uncluttered on the page. They are piano solos. They do not include the lyrics or chord symbols. This piece is two pages of music.Keep in mind that easy means different things to different people. When I do easy arrangements, I generally make them less notey and simplify melodies and rhythms where appropriate. Let the music sample be your guide!My website: https://www.blevinsmusic.com
$4.99
4.59 €
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Piano seul
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Ludwig van Beethoven
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Cindy Blevins
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Joyful, Joyful, We Adore Thee, Easy Piano Solo
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Cindy Blevins
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SheetMusicPlus
Fantasia Upon A Cabbage
4 Guitares (Quatuor)
Guitar - Level 3 - Digital Download SKU: A0.1395754 Composed by Derek Hasted. Arran…
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Guitar - Level 3 - Digital Download SKU: A0.1395754 Composed by Derek Hasted. Arranged by Derek Hasted. Baroque,Children,Comedy,Renaissance. 18 pages. Derek Hasted #979126. Published by Derek Hasted (A0.1395754). FANTASIA UPON A CABBAGE - GUITAR QUARTET/large ensembleFor Classical or Acoustic GuitarPerfect for School Music Teachers and for adults with a sense of the ridiculous...Derek Hasted writes This really does need a bit of explanation. Well, more than a bit...As a Guitar Teacher I often have to teach beginners how to read music, and of course the seven names of the musical notes can be made to spell words. Like CABBAGE.This, then, is a little piece of kitchen-based nonsense, cooking up a rather unappetising dish comprising cabbage, egg, beef and a lot, lot more cabbage. Iâ??ve arranged it (if that is the word) to include nods to the renaissance and baroque periods.The scores contain mark-ups to show where a particular player has an item of food in their motif.As well as EGG, youâ??ll find some GEG (thatâ??s scrambled egg) and a BAD EGG (and some sad music). Youâ??ll also find that the recipe includes a helping or two of BEEF.Bach comes in for a special mention, as thereâ??s a fugue-like section where the subject comes in a fifth away from the starting key (which Iâ??ve loosely interpreted as being a recipe in a foreign language) and thereâ??s some stretti (well, just about) at the end, when the fugue subjects overlap a tiny, tiny amount. And we also pay homage to the pedal section of an organ, where the CABBAGE subject comes in down low at half the speed of the original.The final, jazzy, chord at the end contains seven notes that collectively spell CABBAGE.Guitar 4 is supplied in treble and bass clefs - either or both will work in a large ensemble.So there are lots of teaching points, lots of things to ask the audience to listen out for, and a lot of mischief in a compact piece.The musical refrain CABBAGE is not the greatest motif to work with, but on reflection, when you have this much cabbage, itâ??s much better to listen to it than have to eat it...I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$2.99
2.75 €
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4 Guitares (Quatuor)
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Derek Hasted
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Derek Hasted
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Fantasia Upon A Cabbage
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Derek Hasted
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SheetMusicPlus
Greensleeves 2012
Piano seul
Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. …
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Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing
Contains:<br> "Greensleeves 2012"<br> - taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)<br> <br> Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.<br> <br> Note: “Greensleeves 2012” is a revisited and evolved arrangement which like my earlier version, was inspired by – and also pays ‘homage’ to – Liz Story’s brilliant take on this timeless piece.<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album review by: Michael Diamond (http://michaeldiamondmusic.com):<br> <br> Fresh on the heels of his highly acclaimed chart-topping CD, Reconstructed, Isadar gifts us with a sparkling new album of holiday-themed instrumental music for solo piano, entitled “O Christmas.” Given the proximity to his recent release, one might assume that this one was quickly produced, but in reality O Christmas has been 7 years in the making. Various circumstances including other recording projects, a segue into the field of video production, and a cross country move from NYC to the west coast and later back again, created delays with the completion of the album. But as they say, “good things come to those who wait.”<br> One of the most interesting things about this album is the fact that the selections are traditional Christmas songs, yet some were chosen because they are less well known, or “off the beaten path” as Isadar characterizes them. This follows the pattern set by his 1999 Christmas album “In Search For The Meaning Of Christmas,” yet this new CD mines even deeper in its quest for interesting and unusual choices.<br> <br> The album begins with a track called “Good Christian Men.” Steeped in history, the song dates back to 14th century Germany and its Latin title was originally “In Dulci Jubilo” before it was translated into English in the 1800’s. Isadar’s interpretation creates a lively and festive air that makes a perfect portal to the recording. The high-spirited mood continues on the next song, “Teddy Bears Picnic,” which although not technically a Christmas song, has been interwoven by Isadar with “March Of The Toys” to tie it in with the holidays – a clever arrangement of these intriguing melodies. One of the more well-known carols on the album is “O Christmas Tree” and is sure to have listeners humming along with it’s familiar refrain.<br> <br> A track entitled “Still” is an innovative rendition of the classic “Still, Still, Still” which Isadar has put his own spin on, or as he jokingly puts it “jazzed up shamelessly.” No such liberties were taken on the classic “O Come, O Come, Emmanuel,” however. This song provides a showcase for Isadar’s accomplished grand piano work, featuring lush left hand arpeggios creating a strong foundation for his more delicate right hand melodies to dance upon – a powerful and moving combination. Another of the less well known, yet equally inspiring tunes is a Puerto Rican carol entitled “Song Of The Wise Men.” It has been said that: “Christmas is, above all, a children’s holiday, and many hymns are addressed to children, reminding them that the real reason for the sugarplums and Christmas trees is the celebration of the birth of the Christ Child.” This theme is well reflected in Isadar’s choice of “O Come Little Children,” based on a carol from the 1800’s.<br> <br> Among my favorite tracks on the album are the wistful strains of “Greensleeves 2012,” which Isadar interprets with elegance and grandeur and also pays ‘homage’ to Liz Story’s brilliant take on this enduring composition. This is followed by a rendition of “Masters In This Hall,” which can best be described as, well… “masterful.” The song dates back to the sixteenth century, and is another of the less well-known tunes that Isadar has chosen to feature. The album draws to a close with Isadar invoking artistic license on what is perhaps one of the most unique and liberal versions of a classic carol heard here yet. Based on “We Wish You A Merry Christmas,” Isadar characterizes it as “an uninhibited melancholy arrangement.” While I don’t know if “melancholy” is the word I would use to describe it, it does have a pensive quality and is presented more as a nocturne than usual lively carol it is known as. I really liked the interpretation and respect Isadar’s creativity and distinctive rendering of the song.<br> <br> “O Christmas” is an exceptional holiday collection, not only for Isadar’s elegant grand piano artistry, but as well for the interesting and sometimes unexpected repertoire contained within. Like ornaments on a tree, the songs adorn the album, enhancing its beauty with their diversity, individuality, and timelessness. Given the well-deserved accolades and popularity of Isadar’s distinctive piano style, I’m sure that fans will want to include “O Christmas” in their collection and make it a part of their holiday tradition.
$5.99
5.52 €
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Piano seul
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Public Domain, as performed and recorded by Isadar
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Isadar
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Greensleeves 2012
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Mainya Music Publishing
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SheetMusicPlus
Emperor Waltz, Op. 437 (for Piano Quintet)
Piano Quintette: piano, 2 violons, alto, violoncelle
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU…
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.945201 Composed by Johann Strauss Jr. Arranged by JP Wogaman II. Romantic Period. Score and parts. 57 pages. JP Wogaman II #6858521. Published by JP Wogaman II (A0.945201). Johann Strauss II (1825-99) is famously known as the the King of the Waltz. He was born in Vienna to the Father of the Waltz, Johann Strauss the elder. Strauss died in Vienna while he was working on a version of Cinderella for ballet. Performance practice of the Viennese Waltz is almost impossible to teach if it's not in the blood because there are some things that you just simply can't notate. Luftpause: air-breakSchleppen: to drag The feel of the lilt is basically anticipating the second beat. If it is slightly overdone, then it becomes a mannerism and a caricature.- Glenn Sales, Music Supervisor of The Washington Ballet.​This arrangement was commissioned by The Washington Ballet and premiered on April 3rd, 2019 in Sidney Harman Hall, Washington D.C. featuring the original choreography of Trey McIntyre.
$50.00
46.04 €
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Piano Quintette: piano, 2 violons, alto, violoncelle
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Johann Strauss Jr
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JP Wogaman II
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Emperor Waltz, Op. 437
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JP Wogaman II
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SheetMusicPlus
Canzon VIII a 8 - No. 202
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.870402 Composed by Giovanni Gab…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.870402 Composed by Giovanni Gabrieli. Arranged by Randy A. Steinberg. Baroque. Score and parts. 45 pages. Randy A. Steinberg #1989221. Published by Randy A. Steinberg (A0.870402). Giovanni Gabrieli was no mere composer. He was an event. The figure at the nexus of many things all coming together in one grand tide. The greatest church in the greatest city of Europe. Freedom of intellectual thought. A Venetian School of composers at the forefront of musical innovation. The printing press and musical publishing. A Doge (Chief Magistrate or Duke) willing to spend, and spend big, on musical pomp and ceremony. A dearth of wealth and money to fund the grandest celebrations. He was the leading Italian composer and organist in Venice at its greatest heights at the chasm between the end of the Renaissance and the beginning of the Baroque period in music. Presented here is a Canzona published around 1615 for 8 brass divided into 2 choirs. A variety of substitute parts are also included to handle the trombone parts with French horns and tuba. An exciting work that alternates between light chanson melodies and darker themes in a minor key. Add in the variations that occur in 3/4 time that separate each set of themes and you have a piece that delights audiences everywhere.
$8.99
8.28 €
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Ensemble de cuivres
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Giovanni Gabrieli
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Randy A
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Canzon VIII a 8 - No. 202
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Randy A. Steinberg
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SheetMusicPlus
Sarasate - Andalusian Romance, Op. 22, No. 3 - Arrangement for Violin and String Quartet (SCORE AND
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.826920 …
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String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.826920 Composed by P. de Sarasate. Arranged by C. A. Orozco-Diaz. Romantic Period. Score and parts. 30 pages. Amnael Orozco-Diaz #21993. Published by Amnael Orozco-Diaz (A0.826920). Few things are more pleasant than the magic moments brought up by our favourite, ageless, simple showpieces played or listened in the most varied of interpretations. Sarasate knew that, and made sure to leave behind a vast catalogue of these for the rest of the world to enjoy. Gather up your buddies' String Quartet and serenade away with this beautiful romance! Every effort has been put to best capture the intentions, harmonies and colours of the original piano accompaniment into this all-strings version. This item includes a set of parts for the accompaniment. Listen to some nice arrangements with the Weston String QuartetContact us at facebook.com/HouseOfLilithMusic for comments and requests!
$21.99
20.25 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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P
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C
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Sarasate - Andalusian Romance, Op. 22, No. 3 - Arrangement for Violin and String Quartet
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Amnael Orozco-Diaz
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SheetMusicPlus
Arpeggione Sonata by Schubert (mvt 1) - for Viola Duet
2 Altos (duo)
Viola Duet Viola - Level 5 - Digital Download SKU: A0.737338 Composed by Franz Schu…
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Viola Duet Viola - Level 5 - Digital Download SKU: A0.737338 Composed by Franz Schubert. Arranged by K. Wreede. Concert,Romantic Period,Standards. Score. 18 pages. Vlazville Music-Digital #5803233. Published by Vlazville Music-Digital (A0.737338). Are you learning or teaching the Arpeggione Sonata on viola with no pianist in sight? Want to learn better how the piano and viola parts connect and work together? Playing it on a recital? Got a viola buddy you want to practice with? You know how we violists like to do things together. Here's a chance to play the Arpeggione Sonata (movement 1) in a whole new way. Not sure what Schubert would think, but it's really fun and challenging for both parts. I think it honors the intent of the original pretty well, too. Feel free to transfer fingerings and bowings from your own solo part. There are just a few changes in the viola 1 part that flesh out the lines for duet purposes, but you should recognize it. Have fun! .
$9.99
9.2 €
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2 Altos (duo)
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Franz Schubert
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K
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Arpeggione Sonata by Schubert
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Vlazville Music-Digital
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SheetMusicPlus
15 Favourite Hymns for Thanksgiving and Harvest for Oboe and Piano
Hautbois, Piano (duo)
Composed by Various. Arranged by David McKeown. Christian, Holiday, Praise & Worsh…
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Composed by Various. Arranged by David McKeown. Christian, Holiday, Praise & Worship, Sacred. Score and part. 27 pages. David McKeown #6204553. Published by David McKeown
15 Favourite Hymns for Thanksgiving and Harvest for Oboe and Piano is a beautiful collection of well-known traditional Thanksgiving and Harvest hymns, carefully chosen to help you celebrate this special time of year with music. Each hymn is arranged for solo Oboe and Piano. The file contains both the piano score and a separate part for the solo instrument.<br> <br> 15 Favourite Hymns for Thanksgiving and Harvest are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 15 Favourite Hymns for Thanksgiving and Harvest useful for building reading, rhythmic and expressive skills.<br> <br> The hymns are in alphabetical order and are as follows…<br> <br> · All Things Bright and Beautiful, (The 29thMay)<br> <br> · Come Thou Fount of Every Blessing, (Nettleton)<br> <br> · Come, Ye Thankful People Come, (St George’s, Windsor)<br> <br> · Count Your Blessings, (Blessings)<br> <br> · For All the Blessings of the Year, (Oldbridge)<br> <br> · For the Beauty of the Earth, (Dix)<br> <br> · Now Thank We All Our God, (Nun Danket)<br> <br> · O Store Gud, (Trad. Swedish, also used for How Great Thou Art)<br> <br> · Praise God from Whom All Blessings Flow, (Old Hundredth)<br> <br> · Praise My Soul, the King of Heaven, (Laude Anima)<br> <br> · Praise to the Lord, the Almighty, (Lobe den Herren)<br> <br> . Rejoice Today with One Accord, (Ein Feste Burg)<br> <br> · We Gather Together, (Kremser)<br> <br> · We Plough the Fields and Scatter, (Wir Pflügen)<br> <br> · When Morning Gilds the Skies, (Laudes Domini)
$7.60
7 €
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Hautbois, Piano (duo)
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Various
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Worship, Sacred
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15 Favourite Hymns for Thanksgiving and Harvest for Oboe and Piano
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David McKeown
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SheetMusicPlus
15 Favourite Hymns for Thanksgiving and Harvest for Cor Anglais and Piano
Cor anglais, Piano
Composed by Various. Arranged by David McKeown. Christian, Holiday, Praise & Worsh…
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Composed by Various. Arranged by David McKeown. Christian, Holiday, Praise & Worship, Sacred. Score and part. 27 pages. David McKeown #6204539. Published by David McKeown
15 Favourite Hymns for Thanksgiving and Harvest for Cor Anglais and Piano is a beautiful collection of well-known traditional Thanksgiving and Harvest hymns, carefully chosen to help you celebrate this special time of year with music. Each hymn is arranged for solo Cor Anglais (or English Horn) and Piano. The file contains both the piano score and a separate part for the solo instrument.<br> <br> 15 Favourite Hymns for Thanksgiving and Harvest are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 15 Favourite Hymns for Thanksgiving and Harvest useful for building reading, rhythmic and expressive skills.<br> <br> The hymns are in alphabetical order and are as follows…<br> <br> · All Things Bright and Beautiful, (The 29thMay)<br> <br> · Come Thou Fount of Every Blessing, (Nettleton)<br> <br> · Come, Ye Thankful People Come, (St George’s, Windsor)<br> <br> · Count Your Blessings, (Blessings)<br> <br> · For All the Blessings of the Year, (Oldbridge)<br> <br> · For the Beauty of the Earth, (Dix)<br> <br> · Now Thank We All Our God, (Nun Danket)<br> <br> · O Store Gud, (Trad. Swedish, also used for How Great Thou Art)<br> <br> · Praise God from Whom All Blessings Flow, (Old Hundredth)<br> <br> · Praise My Soul, the King of Heaven, (Laude Anima)<br> <br> · Praise to the Lord, the Almighty, (Lobe den Herren)<br> <br> . Rejoice Today with One Accord, (Ein Feste Burg)<br> <br> · We Gather Together, (Kremser)<br> <br> · We Plough the Fields and Scatter, (Wir Pflügen)<br> <br> · When Morning Gilds the Skies, (Laudes Domini)
$7.60
7 €
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Cor anglais, Piano
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Various
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Worship, Sacred
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15 Favourite Hymns for Thanksgiving and Harvest for Cor Anglais and Piano
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David McKeown
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SheetMusicPlus
Prelude in A minor (Lyadov) - (Piano & Solo Instrument) - [Score]
Flûte à Bec
Recorder Solo - Digital Download SKU: A0.739771 Composed by Anatoly Lyadov. Arrange…
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Recorder Solo - Digital Download SKU: A0.739771 Composed by Anatoly Lyadov. Arranged by Philip R Buttall. Romantic Period. Individual part. 3 pages. PRB Music #5827931. Published by PRB Music (A0.739771). A transcription of a piano miniature by Anatoly Lyadov. arranged for a solo instrument plus piano. The original key is B flat minor, which suits the majority of instruments. However, this is a transposed version (down a semitone, to A minor which is more suited, for example, to Strings.The piano scores in B flat minor / A minor are available individually, and you will be able to see which instrumental parts go with which accompaniment. Hopefully to make things clear, I have referred to the original version as 'Prelude in B flat minor', whereas I refer to the present A minor transposition as 'Prelude in A minor'.....
$4.99
4.59 €
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Flûte à Bec
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Anatoly Lyadov
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Philip R Buttall
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Prelude in A minor
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PRB Music
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SheetMusicPlus
European Flavor II (Accordion Solos)
Accordéon
Composed by James Fazio. For Accordion (Keyboard). European. Intermediate. E-book. 52 page…
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Composed by James Fazio. For Accordion (Keyboard). European. Intermediate. E-book. 52 pages. Published by Mel Bay Publications, Inc - Digital Sheet Music
ISBN 9781619112674. This collection of 14 original waltzes, tangos and dances for piano accordion is representative of the many sights and sounds of Europe. The special features of this book are simply the many flavors of each and every song. Each tune has its own story to tell. As you play An 'Old French Town', imagine walking through narrow streets with old buildings and people playing music on the streets. 'Morning in Paris' was in the author's head the morning his family took a boat ride on the Seine River. Similarly, all of the other songs are about places the composer visited and things he and his family did while visiting Europe.
$14.99
13.8 €
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Accordéon
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James Fazio
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European Flavor II
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Mel Bay Publications, Inc - Digital Sheet Music
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SheetMusicPlus
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