This is a collection of 2 preludes written by Johann Sebastian Bach, arranged for the 22-string lever harp with range from A below the small C (C3) to A above the treble staff (A2-A5)

It includes:

- The well-known Prelude in C from Johann Sebastian Bach's "Das wohltemperierte Klavier" is arranged especially for the 22-string travel harp. It contains lever changes. This arrangement includes a version with lever notations (diamond note method) and fingering suggestions. Charles Gounod used this prelude to compose his beautiful Ave Maria melody.

- The soothing Prelude in G from Johann Sebastian Bach's Suite No. 1 for Cello is arranged for the 22-string harp. It contains lever changes. These lever changes are indicated by diamond notes.


Both pieces are wonderful to play on several emotional occasions, including weddings

The popular Latin prayer Ave Maria, originally published as Méditation sur le Premier Prélude de Piano de S. Bach by the French Romantic composer Charles Gounod is arranged here for pedal harp. The piece consists of a melody that he superimposed over an only very slightly changed version of the Prelude No. 1 in C major, BWV 846, from J. S. Bach's The Well-Tempered Clavier. Both a version with annotated fingering and pedals and a blank version are included. The piece consists of 3 pages.

This arrangement features the controversial "Schwencke measure" (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.

Ave Maria
Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach?s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert?s version, have become essential items at weddings, masses, and funerals.

The well-known soothing Prelude in C from Johann Sebastian Bach's "Das wohltemperierte Klavier" is arranged especially for the 22-string travel harp. It contains lever changes. This arrangement includes a version with lever notations (diamond note method) and fingering suggestions. The range is from A below the small C (C3) to A above the treble staff (A2-A5).

The arrangement remains true to the original, but includes the "Schwencke measure" = m. 23 and some necessary octaviations to accommodate the smaller 22-string travel harp. Charles Gounod used this version to compose his beautiful Ave Maria melody. .

The well-known soothing Prelude in C from Johann Sebastian Bach's "Das wohltemperierte Klavier" is arranged for the Pedal harp. It contains pedal changes. This arrangement includes a version with pedal notations and fingering suggestions and another blank version. This piece is perfect to play on several occasions, including weddings.

The arrangement remains true to the original, but includes the "Schwencke measure" = m. 23. Charles Gounod used this version to compose his beautiful Ave Maria melody.

The well-known soothing Prelude in G from Johann Sebastian Bach's Suite No. 1 for Cello is arranged for the 22-string harp, with range from A below the small C (C3) to A above the treble staff (A2-A5) It contains lever changes. These lever changes are indicated by diamond notes. This piece is perfect to play on several emotional occasions, including weddings.

The well-known soothing Prelude in C from Johann Sebastian Bach's "Das wohltemperierte Klavier" is arranged for the lever harp. This piece forms the basis of the Ave Maria written by Charles Gounod. It contains lever changes.

The arrangement includes a version with lever changes (diamond notation) and fingering suggestions and another blank version. This piece is perfect to play on several occasions, including weddings.

The French Romantic composer Charles Gounod added a beautiful melody to the Prelude in C by Baroque master Johann Sebastian Bach, to create this beloved and inspiring Ave Maria.

This pedal harp solo arranged by Stephanie Bennett (ASCAP) has been meticulously notated with fingerings, as well as tempo and dynamics markings.

Great for any classical-music setting, & for any Christian occasion (weddings, funerals, christenings, Christmas, etc.)

If you print it out on paper, remember that the ODD numbered pages go on your LEFT and the EVEN numbered pages go on your right. Laid out this way, there will be only one easy page turn (from page 3 to page 4).

If you take the repeat, it?s about 4 minutes long. If you skip the repeat (go directly to 2nd ending), it?s about 2 minutes & 15 seconds.

Arranged by Corinna Wong. 10 songs for 12 string harp range from F4 - C6, in which 6 songs needs no lever. Also suitable for 15 string harp or bigger harps. Beginning to advanced levels. Songs are in C major, F major, B flat major and E flat major. Please read Corinna's Note on the cover page before playing. Designs are kept in the basic for easy printing, to save ink and the environment. Black and white colour only. Total 27 pages. Pdf format.

Barcarolle by Jacques Offenbach
Blue Danube Waltz by Johann Strauss
English Dance by James Hook
La Donna E Mobile by Guiseppi Verdi
Rondo: "Le Garcon Volage" by Robert Bochsa
Solvejg's Song by Edvard Grieg
Sonatina in C Op.35 No.1 by Muzio Clementi
The Baby Chicks
Theme of Sonata No.11 by Wolfgang Mozart
Wiegenlied D.498 by Franz Schubert.

Jesu, Joy of Man's Desiring by J.S. Bach for 12 string harp

https://youtu.be/K4Oz0dkzkyo