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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Carolina Rag
Non classifié
4
Piano & claviers
Piano seul
6
Orgue
2
Piano, Voix
1
Guitares
Voix
Chorale SATB
1
Voix haute
1
Vents
Saxophone et Orgue
2
Cuivres
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2
Harpe
1
Orchestre & Percussions
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
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Vous avez sélectionné:
Carolina Rag
Partitions à imprimer
20 partitions trouvées
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The Charleston Rag
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Piano seul
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AVANCÉ
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Amy J
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Amy J
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The Charleston Rag
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Amy J. Snyder
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SheetMusicPlus
Piano and Keyboard - Level 5 - SKU: A0.1104980 By Amy J. Snyder. By Amy J. Snyder. Arranged by Amy J. Snyder. Ragtime. Full Performance. Duration 242. A...
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Piano and Keyboard - Level 5 - SKU: A0.1104980 By Amy J. Snyder. By Amy J. Snyder. Arranged by Amy J. Snyder. Ragtime. Full Performance. Duration 242. Amy J. Snyder #708223. Published by Amy J. Snyder (A0.1104980). This is a catchy ragtime piece I composed in honor of a favorite vacation spot of ours, Charleston, South Carolina. Full of Charleston's history and style, this piece captures the ambiance of the early 1900's.
$2.25
Carolina Fox Trot, - duet: instrument in Eb or Bb, and instrument in Bb
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Will Vodery
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Paul Burnell
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Carolina Fox Trot, - duet: ins
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Paul Burnell
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SheetMusicPlus
Small Ensemble Alto Saxophone,Bass Clarinet,E-Flat Clarinet,Euphonium,Horn,Tenor Saxophone - Level 3 - SKU: A0.835904 Composed by Will Vodery. Arranged ...
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Small Ensemble Alto Saxophone,Bass Clarinet,E-Flat Clarinet,Euphonium,Horn,Tenor Saxophone - Level 3 - SKU: A0.835904 Composed by Will Vodery. Arranged by Paul Burnell. 20th Century,Ragtime. Score and parts. 11 pages. Paul Burnell #6702435. Published by Paul Burnell (A0.835904). Carolina Fox Trot by Will Vodery, arranged by Paul Burnell for duet - instrument in Eb or Bb, and instrument in BbDownload comprises both score and parts.Duration 3:00 Part 1 in Eb (Alto Clarinet, Alto Saxophone, Tenor Horn) or Bb (Tenor Saxophone etc.)Part 2 in Bb (Bass Clarinet, Tenor Saxophone, Euphonium)The arrangement may be suitable for other instruments with the same transpositions.Score shows parts transposed with Part 1 shown in EbPlay cue-sized notes in brackets where main notes are out of range or inconvenient.The final section of Vodery's original piano score includes instructions to 'clap hands' and 'knock on piano with knuckles'. This arrangement includes similar instructions for the same bars, indicated by x noteheads. Players may choose a percussive effect such as key clicks, tapping the body of the instrument, stamping feet etc.The final four bars of this arrangement are an extension of the previous bars and may be omitted.'Carolina Fox Trot' was recorded by the Victor Military Band on 13 October 1914 with the Victor recording label ledgers noting: 34 bars per minute, equivalent to 68 bpm. A recording by the Pathé Dance Orchestra in late 1914-early 1915 appears to be at a faster tempo - reflected in this arrangement. Programme note:'Carolina Fox Trot' was written by US composer and arranger Will H. Vodery and published as a piano piece in 1914, with a sub-title 'New One Step', and with a front cover description: New Society Dance - Originated by Billy Kent & Jeanette Warner - America's Classiest Dancers. It is possible that the title of the piece was intended to be just 'Carolina', with 'Fox Trot' being a descriptive subtitle. The Fox Trot emerged as a new popular dance in 1914, and was initially danced to ragtime music.Will Vodery is perhaps best known for the vocal and choral arrangements that he created for the original Broadway stage production of the classic musical 'Show Boat' (1927).
$1.99
Carolina Fox Trot, - instruments in four parts
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Will Vodery
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Paul Burnell
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Carolina Fox Trot, - instrumen
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.835903 Composed by Will Vodery. Arranged by Paul Burnell. 20th Century,Ragtime. Score and parts. 37 pages. Paul Burne...
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Small Ensemble - Level 4 - SKU: A0.835903 Composed by Will Vodery. Arranged by Paul Burnell. 20th Century,Ragtime. Score and parts. 37 pages. Paul Burnell #6702433. Published by Paul Burnell (A0.835903). Carolina Fox Trot by Will Vodery, arranged by Paul Burnell for instruments in four parts.Download comprises both score and partsDuration 3:00 Score in C The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played or doubled an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.Play cue-sized notes in brackets where main notes are out of range or inconvenient.The final section of Vodery's original piano score includes instructions to 'clap hands' and 'knock on piano with knuckles'. This arrangement includes similar instructions for the same bars, indicated by x noteheads.The final four bars of this arrangement are not in the original composition and may be omitted.'Carolina Fox Trot' was recorded by the Victor Military Band on 13 October 1914 with the Victor recording label ledgers noting: 34 bars per minute, equivalent to 68 bpm. A recording by the Pathé Dance Orchestra in late 1914-early 1915 appears to be at a faster tempo - reflected in this arrangement. Programme note:'Carolina Fox Trot' was written by US composer and arranger Will H. Vodery and published as a piano piece in 1914, with a sub-title 'New One Step', and with a front cover description: New Society Dance - Originated by Billy Kent & Jeanette Warner - America's Classiest Dancers. It is possible that the title of the piece was intended to be just 'Carolina', with 'Fox Trot' being a descriptive subtitle. The Fox Trot emerged as a new popular dance in 1914, and was initially danced to ragtime music.Will Vodery is perhaps best known for the vocal and choral arrangements that he created for the original Broadway stage production of the classic musical 'Show Boat' (1927).
$3.99
El Bambuco Opus 14 por Manuel María Párraga Paredes
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Piano seul
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AVANCÉ
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Manuel MarÃa Párraga Par
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Juan Carlos Cortés A
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El Bambuco Opus 14 por Manuel
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.958714 Composed by Manuel MarÃa Párraga Paredes. Arranged by Juan Carlos Cortés A. Concert,Romantic Period,Stand...
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Piano Solo - Level 5 - SKU: A0.958714 Composed by Manuel MarÃa Párraga Paredes. Arranged by Juan Carlos Cortés A. Concert,Romantic Period,Standards,Traditional,World. Score. 5 pages. Juan Carlos Cortés Aguirre #6115697. Published by Juan Carlos Cortés Aguirre (A0.958714). Transcripción, Adaptación y Edición Musical por:JUAN CARLOS CORTÉS A.Basado en la obra original del compositor Neogranadino Manuel MarÃa Párraga Paredes, nacido supuestamente en Venezuela en 1826 y fallecido en 1895 en la República de Colombia. Varias veces viajó a Europa, donde empezó a estudiar música y adquirió cierta formación pianÃstica. Radicado en Columbia (Carolina del Sur) Estados Unidos de América entre 1852 y 1855, donde ejerció la actividad musical como profesor de piano en un internado femenino de dicha ciudad. En 1856, Párraga fundó la Sociedad Unión Musical con algunos de sus colegas, con el fin de impulsar la vida musical bogotana. En la presente Transcripción y Edición de la partitura se cambio en compás original de 3/8 a 3/4 y las tonalidades de Sol sostenido menor y La bemol mayor se transportaron medio tono abajo, quedando en Sol menor y Sol mayor. Modernizando asà su escritura musical y su tonalidad más práctica para la interpretación instrumental.
$7.99
Carolina Rag
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Contemporain
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Violinsky
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James Shrader
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Carolina Rag
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James Shrader
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SheetMusicPlus
Choral Choir - Level 3 - SKU: A0.1013156 Composed by Violinsky (1911). Arranged by James Shrader. Contemporary. Octavo. 16 pages. James Shrader #6873163...
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Choral Choir - Level 3 - SKU: A0.1013156 Composed by Violinsky (1911). Arranged by James Shrader. Contemporary. Octavo. 16 pages. James Shrader #6873163. Published by James Shrader (A0.1013156).
$1.99
A Stroll in the Park
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Amy J
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Amy J
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A Stroll in the Park
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Amy J. Snyder
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1354154 By Amy J. Snyder. By Amy J. Snyder. Arranged by Amy J. Snyder. 20th Century,Ragtime. Score. 6 pages. Amy J. Snyde...
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Piano Solo - Level 4 - SKU: A0.1354154 By Amy J. Snyder. By Amy J. Snyder. Arranged by Amy J. Snyder. 20th Century,Ragtime. Score. 6 pages. Amy J. Snyder #938855. Published by Amy J. Snyder (A0.1354154). This fun, rag-time piano solo is reminiscent of early 1900 America. The style is typical of Laurel and Hardy or Charlie Chaplin movies. Arranged for advanced intermediate piano solo, in the key of G Major, with helpful fingering added. Written by Amy J. Snyder; if you enjoy this style, check out Amy's other compositions such as The Charleston Rag, Biking With My Baby, The Meowing Meanderer, Buster's Walk, The Union Pacific Railroad Rag, The Sandpiper Rag, The Sun Still Sets on the Mississippi River, and The South Carolina Blues. Also arrangements such as Yankee Doodle Dandy, You're a Grand Old Flag, This Land Is Your Land, This Is My Country, The Stars and Stripes Forever, and The Washington Post. Visit Amy at https://www.facebook.com/amyjsnyder7
$4.99
I Wonder As I Wander
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Folklorique/Traditionel
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John Jacob Niles
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Donald A
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I Wonder As I Wander
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Donald A Mills
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SheetMusicPlus
String Ensemble,String Quintet - Level 5 - SKU: A0.928964 Composed by John Jacob Niles. Arranged by Donald A. Mills. Folk. Score and parts. 7 pages. Don...
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String Ensemble,String Quintet - Level 5 - SKU: A0.928964 Composed by John Jacob Niles. Arranged by Donald A. Mills. Folk. Score and parts. 7 pages. Donald A Mills #3400179. Published by Donald A Mills (A0.928964). 2017 CHAMBER MUSIC CONTEST ENTRYI Wonder as I Wander is a Christian folk hymn, typically performed as a Christmas carol, written by American folklorist and singer John Jacob Niles. The hymn has its origins in a song fragment collected by Niles on July 16, 1933.While in the town of Murphy in Appalachian North Carolina, Niles attended a fundraising meeting held by evangelicals who had been ordered out of town by the police. In his unpublished autobiography, he wrote of hearing the song:A girl had stepped out to the edge of the little platform attached to the automobile. She began to sing. Her clothes were unbelievably dirty and ragged, and she too was unwashed. Her ash-blond hair hung down in long skeins.... But, best of all, she was beautiful, and in her untutored way, she could sing. She smiled as she sang, smiled rather sadly, and sang only a single line of a song.The girl, named Annie Morgan, repeated the fragment seven times in exchange for a quarter per performance, and Niles left with three lines of verse, a garbled fragment of melodic material-and a magnificent idea. (In various accounts of this story, Niles hears between one and three lines of the song.) Based on this fragment, Niles composed the version of I Wonder as I Wander that is known today, extending the melody to four lines and the lyrics to three stanzas. His composition was completed on October 4, 1933. Niles first performed the song on December 19, 1933, at the John C. Campbell Folk School in Brasstown, North Carolina. It was originally published in Songs of the Hill Folk in 1934.This arrangement of I Wonder As I Wander is a five-part string ensemble, revised 12.12.17. It was arranged specifically for the 2017 Chamber Music Contest on www.SheetMusicPlus.com. Used by permission.
$12.99
I Wonder As I Wander
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Rock
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John Jacob Niles
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Joel Jacklich (ASCAP)
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Wilbur Watkin Lewis
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I Wonder As I Wander
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Joel Jacklich
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1312368 Composed by John Jacob Niles. Arranged by Joel Jacklich (ASCAP). Chamber,Ch...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1312368 Composed by John Jacob Niles. Arranged by Joel Jacklich (ASCAP). Chamber,Christmas,Folk,Holiday,Traditional. 11 pages. Joel Jacklich #901221. Published by Joel Jacklich (A0.1312368). I Wonder as I Wander by John Jacob Niles is here arranged by Joel Jacklich (ASCAP) for voice and string quartet.à Wonder as I Wander nis a Christian folk hymn, typically performed as a Christmas carol, written by American folklorist and singer John Jacob Niles. The hymn has its origins in a song fragment collected by Niles on July 16, 1933.[1][2][3][4][5]While in the town of Murphy in Appalachian North Carolina, Niles attended a fundraising meeting held by evangelicals who had been ordered out of town by the police.[1][5] In his unpublished autobiography, he wrote of hearing the song:A girl had stepped out to the edge of the little platform attached to the automobile. She began to sing. Her clothes were unbelievable dirty and ragged, and she, too, was unwashed. Her ash-blond hair hung down in long skeins. ... But, best of all, she was beautiful, and in her untutored way, she could sing. She smiled as she sang, smiled rather sadly, and sang only a single line of a song.[2]The girl, named Annie Morgan, repeated the fragment seven times in exchange for a quarter per performance, and Niles left with three lines of verse, a garbled fragment of melodic material—and a magnificent idea.[2][5] (In various accounts of this story, Niles hears between one and three lines of the song.[2][4][5][6]) Based on this fragment, Niles composed the version of I Wonder as I Wander that is known today, extending the melody to four lines and the lyrics to three stanzas.[2][3][5] His composition was completed on October 4, 1933.[2] Niles first performed the song on December 19, 1933, at the John C. Campbell Folk School in Brasstown, North Carolina.[2][6] It was originally published in Songs of the Hill Folk in 1934.[4][6]References1. Bradley, Ian. The Penguin Book of Carols. Penguin (1999), p148. ISBN 0-14-027526-6.2. Pen, Ron. I Wonder as I Wander. A Kentucky Christmas (George Ella Lyon, editor). University Press of Kentucky (2003), p200–201. ISBN 0-8131-2279-1.3. Studwell, William E. The Christmas Carol Reader. Haworth Press (1995), p111. ISBN 1-56024-974-9.4. Emmons, Shirlee & Wilbur Watkin Lewis. Researching the Song: A Lexicon. Oxford University Press (2006), p242. ISBN 0-19-515202-6.5. Niles, John Jacob. I Wonder as I Wander. Archived 2006-03-25 at the Wayback Machine John-Jacob-Niles.com.6. Stulken, Marilyn K. With One Voice: Reference Companion. Augsburg Fortress (2000), p25. ISBN 0-8066-3843-5.Program Notes from Wikipedia.
$12.99
Carolina Shout - Solo piano
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Piano seul
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James P
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Bradley Sowash
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Carolina Shout - Solo piano
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Bradley Sowash Music
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SheetMusicPlus
Composed by James P. Johnson. Arranged by Bradley Sowash. Jazz, Ragtime. Individual Part. 8 pages. Published by Bradley Sowash Music (S0.336839). - Individual P...
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Composed by James P. Johnson. Arranged by Bradley Sowash. Jazz, Ragtime. Individual Part. 8 pages. Published by Bradley Sowash Music (S0.336839). - Individual Part - Jazz,Ragtime - Bradley Sowash Music
$6.99
Squall at Kilkee Bay, piano solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Amy J
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Written by Amy J
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Squall at Kilkee Bay, piano so
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Amy J. Snyder
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.733625 Composed by Amy J. Snyder. Celtic,Concert,Folk,Holiday,World. Score. 7 pages. Amy J. Snyder #6320153. Published by...
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Piano Solo - Level 4 - SKU: A0.733625 Composed by Amy J. Snyder. Celtic,Concert,Folk,Holiday,World. Score. 7 pages. Amy J. Snyder #6320153. Published by Amy J. Snyder (A0.733625). Squall at Kilkee Bay is a lively, advanced intermediate piano solo, with a Celtic flavor. This arrangement has several keychanges, and helpful fingering. It's a great show-piece for recitals or just for fun. The title refers to an historic event, the shipwreck of the Edmond, in 1850 in Kilkee Bay, Ireland. The Edmond was battered by a fierce storm and pushed into the Bay, crashing against the rocks. A man by the name of Richard Russel was occupying a house on the bay. He was trying to secure his rattling bedroom window, when he spotted the distressed ship. He call the coastguard and then went down to the ship to try to help people to safety. He and 3 coastguards, James McCarthy, Timothy Hannigan, and Patrick Shannon rescued 100 passengers, men, women and children. Many others were not as fortunate. The 3 coastguards received silver medals for their heroic efforts. It's quite a story! Here is the link if you'd like to read it: http://www.clarelibrary.ie/.../wreck_of_edmond_kilkee.htm Written by Amy J. Snyder, copyright 2015 (original title White Water Rafting. Other compositions from Amy include The Charleston Rag, Shadow Valley, The South Carolina Blues, The Union Pacific Railroad Rag, The Sun Still Sets on the Mississippi River, Le Renard Dans La Neige (The Fox in the Snow), and more. Visit Amy at www.facebook.com/amyjsnyder7.
$4.25
Periwinkle
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Alicia Willard
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Periwinkle
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Alicia Santee-Davis
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1027761 Composed by Alicia Willard. 20th Century,Blues,Contemporary. 34 pages. Alicia Santee-Davis #2923157. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1027761 Composed by Alicia Willard. 20th Century,Blues,Contemporary. 34 pages. Alicia Santee-Davis #2923157. Published by Alicia Santee-Davis (A0.1027761). Periwinkle is a song cycle that was originally composed for mezzo-soprano and piano, but has been arranged for soprano and piano; it is a collection of character pieces using original poetry by Alicia Willard. High High Shoes is an upbeat, rhythmically active piece that illustrates the exhilaration and anxiety in reaching for one’s desires. Wings is a hauntingly slow array of uneasy dissonances, using only one line of text that is chopped into fragments and slowly arranged into a comprehensible statement. Boulders on Our Shoulders has a lilting jazz feel, including several piano solos that incorporate many aspects of the blues. Follow the Borrowers is much more introspective, with the music vividly conveying what the text colorfully provides in such lines as I’ll caress the tongue shapes. The title of the cycle is taken from a line of poetry in which the periwinkle dirt in the sky is introduced, providing one of many colors that are portrayed in the pieces. Periwinkle was written in 2009 and premiered at the University of North Carolina School of the Arts by Stephanie McAllister, mezzo-soprano, and the composer at the piano. After its recomposition, the soprano edition was premiered in Fairbanks, Alaska in 2016 by Amy Ingram, soprano, with the composer at the piano.
$16.95
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
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Saxophone et Orgue
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AVANCÉ
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Contemporain
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Judith Cloud
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What Would Nina Simone Say? Fo
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Judith Cloud
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages...
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
$15.00
I Wonder As I Wander
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Piano, Voix
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FACILE
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Musique Sacrée
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John Jacob Niles
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Jan Powell
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I Wonder As I Wander
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Jan Powell
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1101449 Composed by John Jacob Niles. Arranged by Jan Powell. Christian,Christmas,Holiday,Praise & Worship,Religio...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1101449 Composed by John Jacob Niles. Arranged by Jan Powell. Christian,Christmas,Holiday,Praise & Worship,Religious. Score. 6 pages. Jan Powell #704831. Published by Jan Powell (A0.1101449). A new arrangement of the classic Appalachian carol written by John Jacob Niles after hearing Annie Morgan sing a repeated fragment of a melody and lyric in Murphy, North Carolina in the early 1930's. The whole heartbreaking story can be found on Wikipedia.
$5.00
I Wonder As I Wander
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Musique Sacrée
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John Jacob Niles
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Clive Lane
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I Wonder As I Wander
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Clive Lane
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1353672 Composed by John Jacob Niles. Arranged by Clive Lane. Christian,Christmas,F...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1353672 Composed by John Jacob Niles. Arranged by Clive Lane. Christian,Christmas,Folk,Praise & Worship. 12 pages. Clive Lane #938420. Published by Clive Lane (A0.1353672). I Wonder As I Wander began as a song fragment collected by John Jacob Niles in Appalachian North Carolina in 1933. Niles extended and harmonised it. It is often sung as a carol at Xmas.I have arranged it here for a solo voice (soprano or tenor) and string quartet.Score and parts.
$12.99
Ready America
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Chorale SATB
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INTERMÉDIAIRE
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Michael Barnett
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Carrie Wickens
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Ready America
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Carrie Wickens
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.784225 Composed by Michael Barnett. Arranged by Carrie Wickens. Christian,Gospel,Holiday,Patriotic,Sacred. Octav...
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Choral Choir (SATB) - Level 3 - SKU: A0.784225 Composed by Michael Barnett. Arranged by Carrie Wickens. Christian,Gospel,Holiday,Patriotic,Sacred. Octavo. 8 pages. Carrie Wickens #2591125. Published by Carrie Wickens (A0.784225). Encourage Christians to seek revival for America with this choral arrangement. Ready America was written for an upcoming evangelistic patriotic service in a rural North Carolina church. https://www.youtube.com/watch?v=ceaR83gm3vw
$1.99
David Hurd: Sonata for Alto Saxophone and Organ
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Saxophone et Orgue
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AVANCÉ
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David Hurd
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David Hurd: Sonata for Alto Sa
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 5 - SKU: A0.534347 Composed by David Hurd. Concert,Contemporary,Standards. Score and pa...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Organ - Level 5 - SKU: A0.534347 Composed by David Hurd. Concert,Contemporary,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3364727. Published by Musik Fabrik Music Publishing (A0.534347). In three movements: 1. Fantasia 2. Aria 3. FugueDavid Hurd was born in Brooklyn, New York, on 27 January 1950. Prior to his under-graduate studies at Oberlin College, he attended both the High School of Music and Art and the Juilliard School. Upon graduation from Oberlin in 1971 (Mus.B.), he was appointed Assistant Organist of Trinity Parish in lower Manhattan where he served under the direction of Larry King. He was appointed to the faculty of Duke University in 1972 concurrent with graduate studies at the University of North Carolina, Chapel Hill. In 1973 he returned to New York as Organist and Music Director at the Chapel of the Intercession, a position he retained until 1978 when he was named Composer in Residence for a season. In 1976 he was appointed to the faculty of The General Theological Seminary in New York City where he is presently Professor of Church Music and Organist. In addition, has served as Director of Music at All Saints Church, New York City, from 1985 to 1997 and is currently Director of Music at The Church of the Holy Apostles. In 1977 he was awarded first prizes both in organ playing and in improvisation at the International Congress of Organists. He has concertized throughout North America since that time under the representation of Phillip Truckenbrod. He has performed both at National and Regional Conventions of the American Guild of Organists. In 1981 he was invited to perform at the Internationaal Orgelfestival Haarlem, meeting in Gouda, the Netherlands, during which he received the diploma for improvisation of the Stichting Internationaal Orgelconcours. His principal organ teachers were Bronson Ragan, Garth Peacock, and Arthur Poister. In 2009, Dr. Hurd was named the 15th Distinguished Composer of the American Organ Guild. Other composers who have received this award include Virgil Thomson, Ned Rorem, Daniel Pinkham, Conrad Susa, William Bolcom and Dominick Argento. Dr. Hurd will be honored at a special concert during the 2010 AGO convention which will feature a newly commissioned work. He has received many commissions for choral, organ, and instrumental works, and has composed much liturgical music. Among his published works are organ pieces, choral works and many original hymn settings. His liturgical compositions and arrangements are also found in several major hymnals. He served on the Standing Commission on Church Music of the Episcopal Church from 1976 to 1985. He has been a visiting lecturer at the Yale Institute of Sacred Music and a visiting professor at the Yale School of Music. In 1987 he was awarded the degree of Doctor of Music, honoris causa, by the Berkeley Divinity School at Yale. The following year he received two honorary degrees; the Doctor of Sacred Music from The Church Divinity School of the Pacific, Berkeley, California, and the Doctor of Humane Letters from Seabury-Western Theological Seminary, Evanston, Illinois.
$25.95
David Hurd: Variations for organ
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Orgue
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AVANCÉ
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David Hurd
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David Hurd: Variations for org
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534348 Composed by David Hurd. 20th Century,Concert,Standards. Score. 18 pages. Musik Fabrik Music Publishing #3364729. Publis...
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Organ - Level 5 - SKU: A0.534348 Composed by David Hurd. 20th Century,Concert,Standards. Score. 18 pages. Musik Fabrik Music Publishing #3364729. Published by Musik Fabrik Music Publishing (A0.534348). David Hurd was born in Brooklyn, New York, on 27 January 1950. Prior to his under-graduate studies at Oberlin College, he attended both the High School of Music and Art and the Juilliard School. Upon graduation from Oberlin in 1971 (Mus.B.), he was appointed Assistant Organist of Trinity Parish in lower Manhattan where he served under the direction of Larry King. He was appointed to the faculty of Duke University in 1972 concurrent with graduate studies at the University of North Carolina, Chapel Hill. In 1973 he returned to New York as Organist and Music Director at the Chapel of the Intercession, a position he retained until 1978 when he was named Composer in Residence for a season. In 1976 he was appointed to the faculty of The General Theological Seminary in New York City where he is presently Professor of Church Music and Organist. In addition, has served as Director of Music at All Saints Church, New York City, from 1985 to 1997 and is currently Director of Music at The Church of the Holy Apostles. In 1977 he was awarded first prizes both in organ playing and in improvisation at the International Congress of Organists. He has concertized throughout North America since that time under the representation of Phillip Truckenbrod. He has performed both at National and Regional Conventions of the American Guild of Organists. In 1981 he was invited to perform at the Internationaal Orgelfestival Haarlem, meeting in Gouda, the Netherlands, during which he received the diploma for improvisation of the Stichting Internationaal Orgelconcours. His principal organ teachers were Bronson Ragan, Garth Peacock, and Arthur Poister. In 2009, Dr. Hurd was named the 15th Distinguished Composer of the American Organ Guild. Other composers who have received this award include Virgil Thomson, Ned Rorem, Daniel Pinkham, Conrad Susa, William Bolcom and Dominick Argento. Dr. Hurd will be honored at a special concert during the 2010 AGO convention which will feature a newly commissioned work. He has received many commissions for choral, organ, and instrumental works, and has composed much liturgical music. Among his published works are organ pieces, choral works and many original hymn settings. His liturgical compositions and arrangements are also found in several major hymnals. He served on the Standing Commission on Church Music of the Episcopal Church from 1976 to 1985. He has been a visiting lecturer at the Yale Institute of Sacred Music and a visiting professor at the Yale School of Music. In 1987 he was awarded the degree of Doctor of Music, honoris causa, by the Berkeley Divinity School at Yale. The following year he received two honorary degrees; the Doctor of Sacred Music from The Church Divinity School of the Pacific, Berkeley, California, and the Doctor of Humane Letters from Seabury-Western Theological Seminary, Evanston, Illinois.
$11.95
David Hurd: Arioso and Finale for organ
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Orgue
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AVANCÉ
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David Hurd
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David Hurd: Arioso and Finale
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534346 Composed by David Hurd. 20th Century,Concert,Sacred,Standards. Score. 16 pages. Musik Fabrik Music Publishing #3364725....
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Organ - Level 5 - SKU: A0.534346 Composed by David Hurd. 20th Century,Concert,Sacred,Standards. Score. 16 pages. Musik Fabrik Music Publishing #3364725. Published by Musik Fabrik Music Publishing (A0.534346). David Hurd was born in Brooklyn, New York, on 27 January 1950. Prior to his under-graduate studies at Oberlin College, he attended both the High School of Music and Art and the Juilliard School. Upon graduation from Oberlin in 1971 (Mus.B.), he was appointed Assistant Organist of Trinity Parish in lower Manhattan where he served under the direction of Larry King. He was appointed to the faculty of Duke University in 1972 concurrent with graduate studies at the University of North Carolina, Chapel Hill. In 1973 he returned to New York as Organist and Music Director at the Chapel of the Intercession, a position he retained until 1978 when he was named Composer in Residence for a season. In 1976 he was appointed to the faculty of The General Theological Seminary in New York City where he is presently Professor of Church Music and Organist. In addition, has served as Director of Music at All Saints Church, New York City, from 1985 to 1997 and is currently Director of Music at The Church of the Holy Apostles. In 1977 he was awarded first prizes both in organ playing and in improvisation at the International Congress of Organists. He has concertized throughout North America since that time under the representation of Phillip Truckenbrod. He has performed both at National and Regional Conventions of the American Guild of Organists. In 1981 he was invited to perform at the Internationaal Orgelfestival Haarlem, meeting in Gouda, the Netherlands, during which he received the diploma for improvisation of the Stichting Internationaal Orgelconcours. His principal organ teachers were Bronson Ragan, Garth Peacock, and Arthur Poister. In 2009, Dr. Hurd was named the 15th Distinguished Composer of the American Organ Guild. Other composers who have received this award include Virgil Thomson, Ned Rorem, Daniel Pinkham, Conrad Susa, William Bolcom and Dominick Argento. Dr. Hurd will be honored at a special concert during the 2010 AGO convention which will feature a newly commissioned work. He has received many commissions for choral, organ, and instrumental works, and has composed much liturgical music. Among his published works are organ pieces, choral works and many original hymn settings. His liturgical compositions and arrangements are also found in several major hymnals. He served on the Standing Commission on Church Music of the Episcopal Church from 1976 to 1985. He has been a visiting lecturer at the Yale Institute of Sacred Music and a visiting professor at the Yale School of Music. In 1987 he was awarded the degree of Doctor of Music, honoris causa, by the Berkeley Divinity School at Yale. The following year he received two honorary degrees; the Doctor of Sacred Music from The Church Divinity School of the Pacific, Berkeley, California, and the Doctor of Humane Letters from Seabury-Western Theological Seminary, Evanston, Illinois.
$11.95
We Don't Talk About Bruno
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Harpe
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Carolina Gaitan, Mauro Castill
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Maurice Draughn
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We Don't Talk About Bruno
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DtM Publications
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SheetMusicPlus
Lever Harp - SKU: A0.1353605 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Maurice Draughn. Children,Film/TV,La...
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Lever Harp - SKU: A0.1353605 By Carolina Gaitan, Mauro Castillo, Adassa, Rhenzy. By Lin-Manuel Miranda. Arranged by Maurice Draughn. Children,Film/TV,Latin,Pop. 59 pages. DtM Publications #938350. Published by DtM Publications (A0.1353605). This arrangement of We Don't Talk about Bruno is accessible for harp ensembles of all levels. Within the arrangement is a standalone arragnement for an advanced level harp quartet (parts 1A-4A). The remaining parts for intermediate level trio (1B-3B) and beginner level trio (1C-3C) expands the arrangement for a robust (10+) harp ensemble experience that is inclusive of all skill sets. The arrangment also utilizes special effects on the harp to capture the narrative from the original song.
$30.00
Carolina Shout by James P. Johnson - Piano Solo
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Piano seul
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James P. Johnson
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Carolina Shout
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Musicnotes
Performed by: James P. Johnson: Carolina Shout Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instru...
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Performed by: James P. Johnson: Carolina Shout Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 8 pages -- Ragtime~~Stride~~Piano Jazz
$5.50
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Carolina Rag
