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Don't Let The Old Man In
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The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Don't Let The Old Man In
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1388238 By Toby Keith. By Toby Keit…
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Piano Solo - Level 2 - Digital Download SKU: A0.1388238 By Toby Keith. By Toby Keith. Arranged by Jen Smith Lanthier. 21st Century,Country,Film/TV,Pop,Singer/Songwriter. Score. 3 pages. Ocean Tails Music #971869. Published by Ocean Tails Music (A0.1388238). Don’t Let The Old Man In by Toby Keith is a hit country song from Keith's 2019 compilation album Greatest Hits: The Show Dog Years. The song also appears in the 2018 film The Mule, directed by Clint Eastwood. The song was re-released after Keith performed it at the 2023 People’s Choice Country Awards. This arrangement of the simple but moving guitar ballad is written for Elementary (Levels 3-4) Piano Solo. It is written in the original key and features a slow habanera rhythm in the left hand which gives the arrangement a gentle, almost lullaby-like feel. The right hand follows Keith’s vocal melody and includes some lower ledger lines and a few triplets. This piece is perfect for elementary students who are fans of Toby Keith, country ballads and introspective songs. Guitar chords included.
$4.99
4.49 €
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Piano seul
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Toby Keith
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Jen Smith Lanthier
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Don't Let The Old Man In
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Ocean Tails Music
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SheetMusicPlus
Don't Let The Old Man In
Guitar,Voice - Level 2 - Digital Download SKU: A0.1396768 By Toby Keith. By Toby Ke…
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Guitar,Voice - Level 2 - Digital Download SKU: A0.1396768 By Toby Keith. By Toby Keith. Arranged by Belén Castillo López. 21st Century,Multicultural,World. Guitar Tab with Voice. 6 pages. Belén Castillo López #980110. Published by Belén Castillo López (A0.1396768). Arreglo de partitura con tablatura para guitarra de Don´t let the old man in - Toby Keith.
$5.45
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Toby Keith
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Belén Castillo López
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Don't Let The Old Man In
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Belén Castillo López
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SheetMusicPlus
Don't Let The Old Man In
Instruments en Do
C Instrument - Level 3 - Digital Download SKU: A0.1382859 By Toby Keith. By Toby Ke…
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C Instrument - Level 3 - Digital Download SKU: A0.1382859 By Toby Keith. By Toby Keith. Arranged by David M Fagnant. Country. Lead Sheet / Fake Book. 2 pages. David M Fagnant #967286. Published by David M Fagnant (A0.1382859). Fakebook style chord chart to help quickly learn and play popular songs. Lyric sheet included which follows the song arrangement. Distinctive intro's, lines and endings written, where appropriate, which help to identify and perform the song.
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Instruments en Do
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Toby Keith
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David M Fagnant
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Don't Let The Old Man In
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David M Fagnant
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
Banjo
Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk.…
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Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Music #31054MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31054MEB). ISBN 9781513477107. 8.75X11.75 inches.The island of Cape Breton & its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland & Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablatureOver 40 musical examples & exercisesInstruction on basic and advanced techniquesFingering diagrams & detailed fingering suggestionsA systematic approach to playing up-the-neckA thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammerGuides on how to approach playing various kinds of fiddle tunesA framework for understanding the modes encountered in fiddle musicHistorical notes on the tunes and musical traditionsBiographical information on source fiddlers169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails & Frolics, Island Boy, and Northern Banjo.
Song List: Andy Renwick's Ferret Angus Campbell Archie Menzies The Banks Hornpipe Bear River Jig Bee's Wing Hornpipe, The Belfast hornpipe, The Belfast Jig Big John McNeil Bonaparte Crossing The Alps Bonniest Lass in a' the World, The Bonny Lass of Fisherrow, The Bonny Lea Rig, The Brae Reel, The Braes of Auchtertyre, The Brenda Stubbert's Reel Caber Feidh Cape Breton Wedding Reel, The Captain Campbell Carleton County Breakdown Carnie's Canter Chaisson Reel, The Cheticamp Reel, The Chorus Jig Come Under My Plaidie Compliments To Buddy Macmaster Cutting Ferns Darlin' Don't You Meddle Me Delphine's Reel Democratic Rage, The Devil In The Kitchen Dillon Brown Dinkie's Reel Don't Be Teasing Dr Keith, Aberdeen Dragger's Reel, The Drunken piper, The Dublin Porter Duke of Gordon's Birthday, The Durang's Hornpipe East Neuk of Bear River, The Emil Gaudet's Reel Farmer's Daughter, The Farmer's Reel, The Fay's Hornpipe Fermoy Lasses Fig For A Kiss Fisher's Hornpipe (F Setting) Fred Wilson's Hornpipe Glencoe March Green Meadow Reel Haggis, The Hector's Fancy Hector's New Dance Hall High Level Hornpipe, The Homeward Bound Honeymoon, The Inverness Jig Irishman's Heart To The Ladies Iron Man, The Island Boy Jack Webster's Reel Jackson's Jig Jenny Dang The Weaver JEROME'S FAREWELL TO GIBRALTAR Jerry Holland's Jig Joe Kearney's Reel Joe MacInnis' March Kenmure's On & Awa', Willie Killiecrankie Koehler's Hornpipe Lad O'beirne's Reel Lasses of Glenaladale, The Levantine's Barrel Light & Airy Little Donald In The Pigpen Little Jack's Reel Londonderry Hornpipe Lord Gordon Lord MacDonald's Reel Macdonald's March Reel Mackinnon's Rant Marchioness of Tullibardine, The Marie ? Pierre Marquis of Huntly, The Meeting of Waters, The Miller o' Drone, The Miller's Reel Miramichi Fire, The Miss Barker's Hornpipe Miss Georgina Campbell Miss Gordon Miss Lyall Strathspey Miss Maxwell Mr. Murray Munlochy Bridge Munster Lass, The North Side of the Grampians, The Northside Tune Orange & Blue, The Ottawa Valley Reel Paddy On The Turnpike Pigeon On The Gatepost Plains of Boyle, The Poppy Leaf, ThePride of the Ball Prince Edward Island Wedding Reel Princess Reel River Bend Jig Robert Cormack, Aberdeen Robert Stubbert Rock Valley Jig Rose in the Garden, The Rose of Tennessee, The Rothiemurchus Rant, The Royal Circus Jig Shandon Bells Shores of Lough Gowna, The Silver & Gold Sleepy Maggie Souris Breakwater Southern Melody St Anne's Reel -Original Version St Anne's Reel -Prince County Version St Kilda Wedding Stack Of Barley Stella's Trip To Kamloops Stool of Repentance, The Teviot Bridge Trip To Windsor West Point Jig When I Go Out the Door Where the North River Flows Whiskey Jig Wilfred's Fiddle You Married My Daughter, & Yet
$24.99
22.51 €
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Banjo
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Intermediate
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Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Don't Let The Old Man In
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Interactive Download SKU: HX.1381096 By Toby Keith. This…
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Guitar,Piano,Vocal,Voice - Interactive Download SKU: HX.1381096 By Toby Keith. This edition: Interactive Download,scorch. Country. Score. 5 pages. Hal Leonard - Digital #309935. Published by Hal Leonard - Digital (HX.1381096).
$4.99
4.49 €
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Piano, Voix et Guitare
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Toby Keith
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Don't Let The Old Man In
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Hal Leonard - Digital
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SheetMusicPlus
The William Bay Collection - Flatpicking Guitar Solo Anthology #2
Guitare notes et tablatures
Guitar - Intermediate - Digital Download SKU: M0.WBM77MEB Folk. Ebook and online au…
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Guitar - Intermediate - Digital Download SKU: M0.WBM77MEB Folk. Ebook and online audio. 297 pages. Mel Bay Publications - Digital Sheet Music #WBM77MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.WBM77MEB). ISBN 9781513477916. 8.75X11.75 inches.A comprehensive collection of 146 guitar solos in notation and tablature. The solos include beautiful airs and ballads from America and the British Isles, Celtic favorites, and early music pieces. Also included are many original guitar solos written by the author. Each solo is recorded, and the book includes access to online recordings.
Song List: Adoro Devote (th Century Plainsong) Allegro (Anon) Alman (Robert Johnson) An dro An Drochshaol (The Hard Times) An Italian Rant (John Playford) Andante (Anon) Aura Lee Ballade (Anon) Bear Dance (Anon) Beautiful Dreamer Believe Me If All Those Endearing Charms Black is the Color of My True Love's Hair Black Sunday Blessed Reunion Branle Double (Michael Praetorius) Cailin Deas Crúite na mBó (Pretty Girl Milking Her Cow) Call The Ewes Canarios (Gaspar Sanz) Carolan's Dream Carolan's Fancy Chanter's Tune Chestnut (John Playford) Childgrove (John Playford) Clancy's Wake Come With Me, My Giselle (Adam De La Halle) Coming Home Cooley's Reel Courting is a Pleasure Darling Nellie Gray Dont vient cela (Susato/Danserye ) Dowland's Ghost (W Bay) Down by the Sally Gardens Drowsie Maggie Endless Horizon Fair Flower Of Northumberland Fields Of Culloden Flint Hills Fortune My Foe (Anon) Gavotte (Michael Praetorius) Golden Fields Greensleeves (Anon) Greyfriars Bobby Grimstock (John Playford) Guardeme Las Vacas (Luis De Narvaez) Guilderoy Hard Times, Come Again No More Harvest Festival Hills Of Ireland I Dream of Jeanie With the Light Brown Hair I Went To Visit The Roses In The Pines Irish Prayer Jock O'Hazeldean John Anderson, My Jo Johnny Has Gone For a Soldier Just A-Wearyin' For You Just Before The Battle, Mother Kean O'Hara (First Air) Kemp's Jig (John Playford) La Folias (Gaspar Sanz) Lady Laiton's Almain (John Dowland) Land of Rest Londonderry Air Lorena Macdonald, Lord Of The Isles MacPherson's Farewell Mara's Theme Master Shardlake (W Bay) Meadowlark Meramec Echoes Mighty Lak' A Rose Moderato (Anon) My Irish Home My Lagan Love My Spirited Love Mystic Valley Ned Of The Hill New Day O Esca Viatorum (Louis Bourgeois) On The Cold Ground (John Playford) Once I Had A Sweetheart Ozark Memories Packington's Pound (Anon) Paper Of Pins Parson's Farewell (John Playford) Pastourelle (th Century French) Pigeon On The Fence Prairie Sunrise Prairie Sunset Pretty Peggy - O Quiet Summer Night Rainfall Remembrance Rose Of Sharon Saltarello (Vincenzo Galilei) Saturday Night Waltz Scarborough Fair Shady Grove She Moved Through The Fair Sheebeg and Sheemor Shenandoah Si pour t'aymer (Anon) Southwind Waltz Spagnoletta (Michael Praetorius) St Martin's (John Playford) Star of the County Down State Fair Storm Coming Summer Plans Sunflower Waltz The Bonny Light Horseman The Boys Of Ballisodare The Brave Lad The Church on the Prairie The Connachtman's Rambles The Flowers Of Sweet Erin The Green The Fragrance of Fall The Galway Shawl The Highlander The Highwayman's Reel The Lark In Clear Air The Lilting Banshee The Lonesome Dove The Long Road The Lost Child The Marsh of Rhuddlan The Mist Covered Mountain (Jig) The Mist Covered Mountains Of Home (Ballad) The Old Country The Old Homestead The Parting Glass The Rambling Pitchfork The Shearing's Not For You The Water Is Wide The Yearling TO a Wild Rose To Drive The Cold Winter Away (John Playford) Trail Of Tears Treasure Of My Heart Tutte Venite Armati (Anon) Village Meeting House Volte (W Bay) Wild Mountain Thyme Wilson's Wilde (Anon) Winfield Waltz
$29.99
27.01 €
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Guitare notes et tablatures
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The William Bay Collection - Flatpicking Guitar Solo Anthology #2
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
Trompette
Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arra…
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Trumpet - Level 3 - Digital Download SKU: A0.978843 By Keith Terrett. By Anon. Arranged by Keith Terrett. Baroque,Classical,Instructional,Traditional,Wedding. 6 pages. Keith Terrett #584509. Published by Keith Terrett (A0.978843). A Fanfare for three Bb Trumpets & Timpani. This was arranged from an old melody of unknown origin, for Eb Cavalry Trumpets and Kettledrums of the Queen’s Royal Irish Hussars Band, a former Northern Irish Regiment within the British Army; whose Colonel in Chief was HRH The Duke of Edinburgh. Winston Churchill was a young officer in the regiment, before the amalgamation of the 4th & 8th Hussars, to form the ’Queen’s Royal Irish Hussars’’. All cavalry regiments of the line, have a team of Cavalry Trumpets, who under the ’Trumpet Major’, play at 11am each day outside regimental headquarters, for the Regiment. Traditionally the fanfare ’stables’ would be played first; followed by another fanfare of the ’’Trumpet Major’s’’ choice. In cavalry regiments there is often a drum horse, on which the two timpani are positioned and played. An example would be the Queen’s Own Hussars, who for many years had a fine old drum horse, trained not to panic when the kettledrums were being played fortissimo! During the day, one trumpeter is on duty, and plays various trumpet calls throughout the day to signal important happenings in the regiment’s daily schedule of events. For example, Reveille is at 0630, Mess call at 0700, Mess call 1230, Guard mount 1800, Officers dress for dinner 2000, finishing with last post at 2200! There are also trumpet calls for fire, war and mucking out the horses! One morning when I was on trumpet duty in Germany at the tender age of 18, I woke up late, and just managed to play the ’’Reveille’’ trumpet call out of my bedroom window, in an effort not to be ’charged’ for missing a call! The equivalent in the Infantry would be the bugle, which is also used as a method of signaling to the regiment. This fanfare works well for three Bb trumpets and timpani. Eb cavalry trumpets are often written in the key of C, and harmonically there is no third on chord V due to the harmonics of the instrument, and the fact that they have no valves; giving a bare sounding chord. The trills in the first part are lip trills, on Bb trumpet, simply play a lip trill using the valves 1 & 3. The most famous Eb cavalry trumpeters in the British Army, are undoubtedly the trumpeters of the household cavalry, who perform in spectacular golden uniforms, complete with riding hats, at the state opening of parliament. Don’t forget Eb cavalry trumpeters are musicians from the band,(they could be clarinettists),assigned to trumpet for two to three years, not so good for your embouchure!! So when you hear a mis-pitched note in future, you know that the trumpeter could be a bassoonist, doing his or her very best.
$5.00
4.5 €
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Trompette
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Keith Terrett
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Keith Terrett
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Old Cavalry Fanfare for 3 Bb Trumpets & Kettledrums
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Keith Terrett
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SheetMusicPlus
Feu follet
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1281191 Composed by Wanda Landowska…
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Piano Solo - Level 5 - Digital Download SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages. Zellev Music #872533. Published by Zellev Music (A0.1281191). Key Signature: Fâ?¯ minorTime Signature: 3/4Tempo: Allegro vivace (143)Difficulty: AdvancedWanda Landowska (July 5, 1879 - August 16, 1959) was a Polish harpsichordist and composer who led the revival of the popularity of the harpsichord in the early 1900s. She was one of the earliest advocates and scholars on historically informed performance practices, and she made the first-ever recording of J.S. Bach's Goldberg Variations on the harpsichord.Landowska was born in Warsaw in 1879 and started playing the piano when she was four years old. As a child, she studied with Jan KleczyÅ?ski and then Aleksander Michalowski. Kleczynski noticed in her lessons that she had an affinity for older Baroque music, and he didn't want to impose his sensibilities onto the already apparent musical prodigy. Consequently, her mother decided that Kleczynski was too lenient of a teacher and sent her to study with the stricter Michalowski, who was a Chopin specialist. When she was 16 years old, Landowska moved to Berlin to study composition with Heinrich Urban, but was discouraged by the rigid curriculum. However, while in Berlin she composed songs and orchestral works, and she met her future husband, Henry Lew. In 1900, the young couple moved to Paris and got married. There she became associated with the Schola Cantorum, and was introduced to Vincent D'Indy, Albert Schweitzer, and other prominent performers and musicologists of the era.Throughout the next ten years, Landowska toured Europe and Russia, and dedicated herself to researching the authentic performance practices of older music. Her husband assisted her in this research, and they often utilized libraries that they encountered while touring. She concluded that it's more appropriate to play Baroque keyboard music on the harpsichord rather than on the piano. By 1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music. She also started teaching harpsichord classes in 1913 at the Hochschule für Musik in Berlin.Ten years later, Landowska made her debut in the United States, performing with the Philadelphia Orchestra conducted by Stokowski. Also in 1923, she performed in the world premiere of Manuel de Falla's El retablo de maese Pedro, where she met Francis Poulenc and asked him to write a harpsichord concerto for her. She also commissioned a concerto from Falla in 1925, which would prove to be a modern masterpiece. In 1929, Landowska performed the premiere of Poulenc's Concert champêtre in Paris. By this time, she had settled in a town north of Paris, and was teaching from her school L'Ã?cole de Musique Ancienne, which she established in 1925. She offered private and group courses and an annual summer concert series that was very popular. Landowska taught and performed in this capacity until 1940, when she had to abandon the school, her extensive library, and her home because of World War II. With the assistance of her student Denise Restout, she escaped to Portugal and then sailed to the United States, and eventually settled in Lakeville, Connecticut. She continued to perform and teach in the U.S., and at the age of 70 she recorded the complete Well-Tempered Clavier, which was highly acclaimed. Landowska was 80 years old when she passed away in Lakeville in 1959.
$3.79
3.41 €
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Piano seul
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1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music
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Wanda Landowska
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Zellev
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Feu follet
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Zellev Music
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SheetMusicPlus
Toccata for Double Bass and Piano (2012, rev. 2020) Newly revised version for double bass tuned in
Contre Basse
Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed b…
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Double Bass,String Bass Solo - Level 5 - Digital Download SKU: A0.869156 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 44 pages. Thomas Oboe Lee #31067. Published by Thomas Oboe Lee (A0.869156). I received an email from Joel Quarrington in 2011 with a request to buy a score and a set of parts to Hylidae … The Tree Frogs (1991) for violin, double bass and piano. He said he would like to perform the work at the next International Society of Bassists convention in Rochester, New York. I told him That is great. But it’s such an old work. Why don’t I write something new for you? He said, How much would a commission cost? I said, Let me write the piece first and if you like it, we can talk about a fee then. I began work on Toccata for Double Bass and Piano in late August and completed it on October 15. I sent Joel the music as a PDF and MIDI file via email. He wrote back, The piece looks really terrific and I have enjoyed listening to it as well, thanks for the midi file. I couldn’t be happier! Toccata is in three movements, fast-slow-fast, with internal ABA ternary forms in the first and last movements - also fast-slow-fast. Moderato … Trio … A tempo. Adagio. Allegro … Trio … Reprise! The first movement begins with a driving dotted-note motif in the double bass accompanied by an insistent sixteenth-note bass-line in the piano left hand and a soaring quarter-note melody in the piano right hand. A Trio follows which features a lyric melody in the double bass … molto cantabile! The double bass returns this time stealing the sixteenth-note bass-line motif from the piano left hand. The double bass pushes the music forward relentlessly and ferociously … holding no prisoners! To add counterpoint to this madness, the piano comes back with the quarter-note melody but in octaves this time. The left hand joins the melee occasionally to push the music forward until it reaches its climax at the conclusion. The second movement, Adagio, is a slow waltz. The mournful tune is delivered by the double bass at first, then it’s passed on to the piano, and it goes back and forth between the two. The third movement is a 6/8 romp, very syncopated and jazzy. The music goes back and forth between the double bass and piano, not unlike when the musicians in a jazz combo trade four’s among each other. An adagio Trio follows. The tune is in the double bass: long descending lines over a languid piano accompaniment. To complete the ABA format, the music from the beginning of this movement returns as a reprise. ENJOY!!! Commissioned by Joel Quarrington for a premiere performance at the 2013 International Society of Bassists Convention at Eastman School of Music in Rochester, New York.
$9.99
9 €
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Contre Basse
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Thomas Oboe Lee
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I told him That is great
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Toccata for Double Bass and Piano
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Thomas Oboe Lee
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SheetMusicPlus
8 Swinging Xmas Carols for Mallet Percussion & Piano
Xylophone, Piano
Piano,Xylophone - Level 3 - Digital Download SKU: A0.1315259 By Keith Terrett. By V…
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Piano,Xylophone - Level 3 - Digital Download SKU: A0.1315259 By Keith Terrett. By Various. Arranged by Keith Terrett. 19th Century,20th Century,Christian,Christmas,Praise & Worship. 28 pages. Keith Terrett #904005. Published by Keith Terrett (A0.1315259). An exciting arrangement of eight popular swinging xmas carols arranged for Vibraphone, Marimba or Xylophone & Piano in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.
$15.99
14.4 €
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Xylophone, Piano
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Keith Terrett
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Keith Terrett
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8 Swinging Xmas Carols for Mallet Percussion & Piano
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Keith Terrett
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SheetMusicPlus
I Let a Song Go Out of My Heart
Piano, Voix
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015646 Composed by Duke Elling…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015646 Composed by Duke Ellington, Henry Nemo, Irving Mills, and John Redmond. Standards. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015646. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015646). ISBN 9780739094860. UPC: 038081456881.This massive songbook is packed with sheet music for 75 of the most memorable standards for all occasions! Dozens of gems from the golden years of 20th Century pop and jazz are joined by traditional melodies in this collection of essential songs that belong in every musician's repertoire. Titles: Ain't Misbehavin' * All of Me * America the Beautiful * At Last * The Best Is Yet to Come * Blue Moon * Butterfly * Chattanooga Choo Choo * Dance Little Bird (a.k.a. The Chicken Dance) * Danny Boy (Londonderry Air) * Deep Purple * Don't Get Around Much Anymore * Don't Sit Under the Apple Tree * Dream a Little Dream of Me * Elmer's Tune * Fly Me to the Moon * Havah Nagilah * Heart * Hernando's Hideaway * Hey There! * Hi-Lili, Hi-Lo * Hit the Road Jack * I Don't Know Why (I Just Do) * I Let a Song Go out of My Heart * I Put a Spell on You * I Wanna Be Loved by You * I'm a Little Mixed Up * I'm Gonna Sit Right Down and Write Myself a Letter * I'm in the Mood for Love * Laura * Leaving on a Jet Plane * The Lion Sleeps Tonight * Love Is a Many Splendored Thing * Love Story (Where Do I Begin) * Misty * Mood Indigo * Moonlight Serenade * My Man * Theme from New York, New York * On the Atchison, Topeka, and the Santa Fe * Orange Colored Sky * Over the Rainbow * The Pink Panther * Reach for Tomorrow * Rock Around the Clock * The Shadow of Your Smile * Singin' in the Rain * Smoke Rings * Somewhere My Love * Stairway to the Stars * Star Dust * Star Eyes * Stars Fell on Alabama * Straighten Up and Fly Right * Swinging on a Star * Take Five * Take the A Train * Taking a Chance on Love * That's Amore * There Will Never Be Another You * This Masquerade * Those Were the Days * Tie a Yellow Ribbon 'Round the Ole Oak Tree * The Trolley Song * The Twelfth of Never * We Just Couldn't Say Goodbye * What a Wonderful World * Whatever Lola Wants * When the Saints Go Marching In * Who's Sorry Now? * Yesterday When I Was Young * You Don't Have to Say You Love Me * You Made Me Love You * You Steppe.
$3.99
3.59 €
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Piano, Voix
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Duke Ellington, Henry Nemo, Irving Mills, and John Redmond
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I Let a Song Go Out of My Heart
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Somewhere My Love (Lara's Theme)
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015637 Somewhere My Love - …
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015637 Somewhere My Love - (Lara's Theme). Composed by Maurice Jarre. Standards. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015637. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015637). ISBN 9780739094860. UPC: 038081456881. Paul Francis Webster.This massive songbook is packed with sheet music for 75 of the most memorable standards for all occasions! Dozens of gems from the golden years of 20th Century pop and jazz are joined by traditional melodies in this collection of essential songs that belong in every musician's repertoire. Titles: Ain't Misbehavin' * All of Me * America the Beautiful * At Last * The Best Is Yet to Come * Blue Moon * Butterfly * Chattanooga Choo Choo * Dance Little Bird (a.k.a. The Chicken Dance) * Danny Boy (Londonderry Air) * Deep Purple * Don't Get Around Much Anymore * Don't Sit Under the Apple Tree * Dream a Little Dream of Me * Elmer's Tune * Fly Me to the Moon * Havah Nagilah * Heart * Hernando's Hideaway * Hey There! * Hi-Lili, Hi-Lo * Hit the Road Jack * I Don't Know Why (I Just Do) * I Let a Song Go out of My Heart * I Put a Spell on You * I Wanna Be Loved by You * I'm a Little Mixed Up * I'm Gonna Sit Right Down and Write Myself a Letter * I'm in the Mood for Love * Laura * Leaving on a Jet Plane * The Lion Sleeps Tonight * Love Is a Many Splendored Thing * Love Story (Where Do I Begin) * Misty * Mood Indigo * Moonlight Serenade * My Man * Theme from New York, New York * On the Atchison, Topeka, and the Santa Fe * Orange Colored Sky * Over the Rainbow * The Pink Panther * Reach for Tomorrow * Rock Around the Clock * The Shadow of Your Smile * Singin' in the Rain * Smoke Rings * Somewhere My Love * Stairway to the Stars * Star Dust * Star Eyes * Stars Fell on Alabama * Straighten Up and Fly Right * Swinging on a Star * Take Five * Take the A Train * Taking a Chance on Love * That's Amore * There Will Never Be Another You * This Masquerade * Those Were the Days * Tie a Yellow Ribbon 'Round the Ole Oak Tree * The Trolley Song * The Twelfth of Never * We Just Couldn't Say Goodbye * What a Wonderful World * Whatever Lola Wants * When the Saints Go Marching In * Who's Sorry Now? * Yesterday When I Was Young * You Don't Have to Say You Love Me * You Made Me Love You * You Steppe.
$3.99
3.59 €
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Piano, Voix et Guitare
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Maurice Jarre
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Somewhere My Love
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Ensemble de Tubas
Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Mil…
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Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.<br> <br> The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.<br> <br> In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.<br> <br> The recording was also issued as a V-Disc, No. 39A, in November 1943.<br> <br> The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".<br> <br> The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".<br> <br> "Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.<br> <br> A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.<br> <br> "Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.<br> <br> Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).<br> <br> "Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.<br> <br> Wartime release:<br> <br> The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99
11.7 €
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Ensemble de Tubas
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Quintet
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Music for all Occasions
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SheetMusicPlus
Hey There
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015636 Composed by Jerry Ross …
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015636 Composed by Jerry Ross and Richard Adler. Musical. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015636. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015636). ISBN 9780739094860. UPC: 038081456881.This massive songbook is packed with sheet music for 75 of the most memorable standards for all occasions! Dozens of gems from the golden years of 20th Century pop and jazz are joined by traditional melodies in this collection of essential songs that belong in every musician's repertoire. Titles: Ain't Misbehavin' * All of Me * America the Beautiful * At Last * The Best Is Yet to Come * Blue Moon * Butterfly * Chattanooga Choo Choo * Dance Little Bird (a.k.a. The Chicken Dance) * Danny Boy (Londonderry Air) * Deep Purple * Don't Get Around Much Anymore * Don't Sit Under the Apple Tree * Dream a Little Dream of Me * Elmer's Tune * Fly Me to the Moon * Havah Nagilah * Heart * Hernando's Hideaway * Hey There! * Hi-Lili, Hi-Lo * Hit the Road Jack * I Don't Know Why (I Just Do) * I Let a Song Go out of My Heart * I Put a Spell on You * I Wanna Be Loved by You * I'm a Little Mixed Up * I'm Gonna Sit Right Down and Write Myself a Letter * I'm in the Mood for Love * Laura * Leaving on a Jet Plane * The Lion Sleeps Tonight * Love Is a Many Splendored Thing * Love Story (Where Do I Begin) * Misty * Mood Indigo * Moonlight Serenade * My Man * Theme from New York, New York * On the Atchison, Topeka, and the Santa Fe * Orange Colored Sky * Over the Rainbow * The Pink Panther * Reach for Tomorrow * Rock Around the Clock * The Shadow of Your Smile * Singin' in the Rain * Smoke Rings * Somewhere My Love * Stairway to the Stars * Star Dust * Star Eyes * Stars Fell on Alabama * Straighten Up and Fly Right * Swinging on a Star * Take Five * Take the A Train * Taking a Chance on Love * That's Amore * There Will Never Be Another You * This Masquerade * Those Were the Days * Tie a Yellow Ribbon 'Round the Ole Oak Tree * The Trolley Song * The Twelfth of Never * We Just Couldn't Say Goodbye * What a Wonderful World * Whatever Lola Wants * When the Saints Go Marching In * Who's Sorry Now? * Yesterday When I Was Young * You Don't Have to Say You Love Me * You Made Me Love You * You Steppe.
$3.99
3.59 €
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Piano, Voix et Guitare
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Jerry Ross and Richard Adler
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Hey There
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
J.S. Bach: Goldberg Variations, BWV 988: Var. 15 (as played by Víkingur Ólafsson) for piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1370523 By Johann Sebastian Bach an…
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Piano Solo - Level 4 - Digital Download SKU: A0.1370523 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional. Score. 4 pages. Flavio Regis Cunha #954867. Published by Flavio Regis Cunha (A0.1370523). J.S. Bach: Goldberg Variations, BWV 988: Var. 15 (as played by VÃkingur Ólafsson) for pianoAdvanced Intermediate. Format: Concert, 9 x 12 inches. 3 pages. PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.🎹 Unlock the Soul of Bach's Masterpiece! 🎶Calling all piano enthusiasts and maestros alike! 🌟 Immerse yourself in the timeless beauty of J.S. Bach's Goldberg Variations, BWV 988: Var. 15, as played by the virtuoso VÃkingur Ólafsson. 🎵✨ Why You'll Love This Sheet Music:1ï¸âƒ£ **Masterful Interpretation:** VÃkingur Ólafsson's emotive rendition captured on sheet music for your piano pleasure.2ï¸âƒ£ **Precision in Every Note:** Meticulously transcribed to ensure an authentic and enriching musical experience.3ï¸âƒ£ **Express Your Artistry:** Whether you're a seasoned pianist or a budding artist, this sheet music lets you express your musical soul.🌈 Unleash Your Passion for Music:Transform your playing into a breathtaking journey. Feel the resonance of each note as you bring Bach's genius to life on your piano. 🚀🎠Limited-Time Offer:Order now and receive exclusive access to a video tutorial by VÃkingur Ólafsson himself, offering insights into the nuances of this captivating variation.👉 Don't miss out on this opportunity to elevate your musicality! Order your sheet music now and let the Goldberg Variations become a masterpiece under your fingertips. 🎹✨🌟 Elevate your artistry – Bach's Goldberg Variations, BWV 988: Var. 15 awaits you! 🌟Celebrated for his visionary interpretations of J.S. Bach, VÃkingur Ólafsson, one of the greatest pianists and musical minds of today, now embraces Bach’s monumental Goldberg Variations. Ólafsson devotes his entire next season to touring the work globally across six continents, while October 2023 marks the anticipated album release on Deutsche Grammophon. “I have dreamed of recording this work for 25 years,†says the Icelandic pianist. The album follows Ólafsson’s hugely successful DG recording of works by the composer, Johann Sebastian Bach (2018), which won BBC Music magazine’s Album of the Year, Opus Klassik’s Solo Recital award, numerous other recording of the year accolades and led to him being named Gramophone magazine’s Artist of the Year. Now Ólafsson brings his unique musical vision, and an affecting, meticulous recorded sound to Bach’s masterpiece. It marks the first time Ólafsson records a complete work and he begins with one of the most demanding in the piano repertoire. Ólafsson dedicates his 2023-24 season to a Goldberg Variations world tour, performing the work across six continents throughout the year. He brings Bach’s masterpiece to major concert halls including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Philharmonie Berlin, Harpa Concert Hall, Sydney Opera House, LA’s Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, KKL Luzern, Alte Oper Frankfurt, Mupa Budapest and Teatro Colón, to name a few. “The Goldberg Variations contain some of the most virtuosic keyboard music ever written, some of the most astonishingly brilliant uses of counterpoint in the repertoire and countless instances of exalted poetry, abstract contemplation and deep pathos – all within immaculately shaped structures of formal perfection. In 30 variations, built on the humble harmonic framework of a simple, graceful aria, Bach turns limited material into boundless variety like no one before or since. He is the greatest keyboard virtuoso of his time.†comments VÃkingur Ólafsson.
$6.99
6.3 €
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Piano seul
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Johann Sebastian Bach and VÃkingur Ólafsson
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Flavio Regis Cunha
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J.S. Bach: Goldberg Variations, BWV 988: Var. 15
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Flavio Regis Cunha
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SheetMusicPlus
Take the "A" Train
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015639 Composed by Billy Stray…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015639 Composed by Billy Strayhorn. Standards. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015639. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015639). ISBN 9780739094860. UPC: 038081456881.This massive songbook is packed with sheet music for 75 of the most memorable standards for all occasions! Dozens of gems from the golden years of 20th Century pop and jazz are joined by traditional melodies in this collection of essential songs that belong in every musician's repertoire. Titles: Ain't Misbehavin' * All of Me * America the Beautiful * At Last * The Best Is Yet to Come * Blue Moon * Butterfly * Chattanooga Choo Choo * Dance Little Bird (a.k.a. The Chicken Dance) * Danny Boy (Londonderry Air) * Deep Purple * Don't Get Around Much Anymore * Don't Sit Under the Apple Tree * Dream a Little Dream of Me * Elmer's Tune * Fly Me to the Moon * Havah Nagilah * Heart * Hernando's Hideaway * Hey There! * Hi-Lili, Hi-Lo * Hit the Road Jack * I Don't Know Why (I Just Do) * I Let a Song Go out of My Heart * I Put a Spell on You * I Wanna Be Loved by You * I'm a Little Mixed Up * I'm Gonna Sit Right Down and Write Myself a Letter * I'm in the Mood for Love * Laura * Leaving on a Jet Plane * The Lion Sleeps Tonight * Love Is a Many Splendored Thing * Love Story (Where Do I Begin) * Misty * Mood Indigo * Moonlight Serenade * My Man * Theme from New York, New York * On the Atchison, Topeka, and the Santa Fe * Orange Colored Sky * Over the Rainbow * The Pink Panther * Reach for Tomorrow * Rock Around the Clock * The Shadow of Your Smile * Singin' in the Rain * Smoke Rings * Somewhere My Love * Stairway to the Stars * Star Dust * Star Eyes * Stars Fell on Alabama * Straighten Up and Fly Right * Swinging on a Star * Take Five * Take the A Train * Taking a Chance on Love * That's Amore * There Will Never Be Another You * This Masquerade * Those Were the Days * Tie a Yellow Ribbon 'Round the Ole Oak Tree * The Trolley Song * The Twelfth of Never * We Just Couldn't Say Goodbye * What a Wonderful World * Whatever Lola Wants * When the Saints Go Marching In * Who's Sorry Now? * Yesterday When I Was Young * You Don't Have to Say You Love Me * You Made Me Love You * You Steppe.
$3.99
3.59 €
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Piano, Voix et Guitare
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Billy Strayhorn
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Take the "A" Train
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
This Old Man – Traditional [VERY EASY]
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1402664 By Children Songs and Tradi…
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Easy Piano - Level 1 - Digital Download SKU: A0.1402664 By Children Songs and Traditional. By Children Songs and Traditional. Arranged by Darek. Children,Folk,Multicultural,Traditional,World. Score. 2 pages. Darek #985888. Published by Darek (A0.1402664). This Old Man – Traditional [VERY EASY]Simplified Children Song “This Old Man†for Piano and Keyboard in Very Easy Arrangement for Beginners. Each note has video tutorial on the Music Lessons by Darek YouTube channel.This Sheet Music is Very Simple Arrangements for Beginners for Instruments such as Piano, Grand Piano and Keyboard! Very Easy Sheet Music for Children will be perfect for people who are just starting to learn to play instruments. Each song comes with a thematic picture to color.Included: Letter Notes, Lyrics, Chords, Fingering, simple YouTube video tutorial and pictures for coloring for each song.This Sheet Music is perfect for preschoolers and older children, as well as for adults or parents who want to play for their children, who have already started their adventure with learning to play the piano or keyboard. Musical development is an important element of growing up for every young music enthusiast. What better way to love music than by playing it yourself? This Sheet Music includes lyrics to the song, allowing young pianists to sing along while they play, making their practice sessions even more engaging. For those who don't know musical notation, Letter Notes are added to this Sheet Music, which will help young musicians read sheet music faster. In addition, the chords and fingering markings are provided, guiding beginners in mastering the piece and developing proper technique.Piano | Keyboard | Children Song | Digital Sheet Music | Very Easy Arrangement | Children Music | Song for Children | Very Easy Version for Pianists | Beginner Version | Vert Easy Piano Sheet Music | Arrangement for Beginners | Grand Piano | Very Easy Piano Arrangement | Simple Arrangement For Beginners | Sheet Music Children Collection | Various Children Songs| Very Easy Sheet Music Collection | Songs for Kids | American Patriotic Song | Early Childhood Music Education.
$2.00
1.8 €
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Piano Facile
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Children Songs and Traditional
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Darek
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This Old Man – Traditional [VERY EASY]
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Darek
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SheetMusicPlus
Don't Let the Old Man In by Toby Keith - Leadsheet
Sheet Music for Don't Let the Old Man In from The Mule arranged for Leadsheet;Lyrics/…
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Sheet Music for Don't Let the Old Man In from The Mule arranged for Leadsheet;Lyrics/Melody/Chords in D Major. Digital sheet music from Musicnotes. --
$3.99
3.59 €
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Leadsheet
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Musicnotes
Don't Let the Old Man In by Toby Keith - Piano/Vocal/Guitar
Piano, Voix et Guitare
Sheet Music for Don't Let the Old Man In from The Mule arranged for Piano/Vocal/Guita…
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Sheet Music for Don't Let the Old Man In from The Mule arranged for Piano/Vocal/Guitar in D Major. Digital sheet music from Musicnotes. --
$5.79
5.21 €
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Piano, Voix et Guitare
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Piano/Vocal/Guitar
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Musicnotes
Don't Let the Old Man In by Toby Keith - Piano Solo
Piano seul
Sheet Music for Don't Let the Old Man In from The Mule arranged for Instrumental Solo…
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Sheet Music for Don't Let the Old Man In from The Mule arranged for Instrumental Solo in D Major. Digital sheet music from Musicnotes. --
$5.79
5.21 €
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Piano seul
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Piano Solo
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Musicnotes
Don't Let the Old Man In by Toby Keith - Piano/Vocal/Chords, Singer Pro
Piano, Voix
Sheet Music for Don't Let the Old Man In from The Mule arranged for Piano/Vocal/Chord…
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Sheet Music for Don't Let the Old Man In from The Mule arranged for Piano/Vocal/Chords;Singer Pro in D Major (Transposable). Digital sheet music from Musicnotes. --
$5.79
5.21 €
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Piano, Voix
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
Don't Let The Sun Go Down On Me
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.547798 By Elton John. By Bernie Ta…
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Flute,Piano - Level 3 - Digital Download SKU: A0.547798 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu3 #3053389. Published by jmsgu3 (A0.547798). Elton John: Don't Let The Sun Go Down On Me arranged for Alto Flute & Piano. The performance part is included. Duration: 5'27 Score: 7 pages. Solo part: 2 pages. Piano part: 4 pages. Co-written by Elton John and Bernie Taupin in January of 1974, this song was originally recorded in 1974 for Elton's studio album Caribou. It was released as a single that peaked at number two on the Billboard Hot 100 chart. In the US, the single was certified Gold on 6 September 1974 by the RIAA. Many consider this to be Elton John's greatest song. The melody fits well in the tessitura of the solo instrument and features some challenging rhythms for sight-reading. The arrangement is well suited for performance in church, nightclub or recital stage.
$53.95
48.59 €
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Flûte traversière et Piano
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Elton John
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James M
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Piano
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Don't Let The Sun Go Down On Me
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jmsgu3
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SheetMusicPlus
Don't Let The Sun Go Down On Me
Clarinette et Piano
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.547804 By Elton John. By…
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.547804 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu3 #3053403. Published by jmsgu3 (A0.547804). Elton John: Don't Let The Sun Go Down On Me arranged for Clarinet & Piano. Duration: 5'27 Score: 7 pages. Solo part: 2 pages. Piano part: 4 pages. Co-written by Elton John and Bernie Taupin in January of 1974, this song was originally recorded in 1974 for Elton's studio album Caribou. It was released as a single that peaked at number two on the Billboard Hot 100 chart. In the US, the single was certified Gold on 6 September 1974 by the RIAA. Many consider this to be Elton John's greatest song. The melody fits well in the tessitura of the solo instrument and features some challenging rhythms for sight-reading. The arrangement is well suited for performance in church, nightclub or recital stage.
$53.95
48.59 €
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Clarinette et Piano
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Elton John
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James M
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Piano. Duration: 5'27
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Don't Let The Sun Go Down On Me
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jmsgu3
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SheetMusicPlus
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