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Cor
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Tuba
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4 Tubas
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Trombone basse et Piano
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Ensemble de Cors
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2 Tubas (duo)
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Quatuor de Cuivres
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Quatuor de cuivres: 4 trompettes
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2 Euphoniums et 2 Tubas
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Trompette, Trombone (duo)
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
129
Trio à Cordes: violon, alto, violoncelle
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Violon et Piano
15
Violon
10
2 Harpes (duo)
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9
Violoncelle, Piano
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Alto, Piano
7
Violon, Alto (duo)
6
2 Violons (duo)
6
Violon, Violoncelle (duo)
5
Harpe
4
2 Violoncelles (duo)
4
Contre Basse
4
Alto seul
3
Trio à Cordes: 2 violons, violoncelle
3
4 Violoncelles
3
Harpe, Violon (duo)
3
2 Altos (duo)
3
Violoncelle, Orgue
3
Violoncelle
3
Harpe, Violoncelle (duo)
2
Quatuor à cordes : 4 altos
2
Contrebasse, Piano (duo)
2
Alto et Harpe
2
Piano Trio: Violon, Alto, Piano
1
Violon, Orgue
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Harpe, Trombone (duo)
1
Alto, Violoncelle (duo)
1
Alto, Orgue
1
Trio à cordes: 3 violins
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Trio à cordes: 3 altos
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Trio à Cordes: 3 violoncelles
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Quatuor à cordes: 4 violons
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
255
Orchestre
39
Orchestre à Cordes
19
Orchestre de chambre
17
Ensemble de cuivres
8
Ensemble Jazz
7
Ensemble de Percussions
5
Percussion (partie séparée)
4
Batterie
3
Cloches
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Marimba
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Piano et Orchestre
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Trombone et Piano
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Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.550934 Composed by J. S. Bach -…
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Piano,Trombone - Level 2 - Digital Download SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888761. Published by jmsgu3 (A0.550934). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâs Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâs version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâs works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.75 €
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Trombone et Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32.67 €
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Trombone et Piano
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Cherry Classics Music
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John, W
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Concertino No. 2 in B-flat for Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.792631 Composed by Ferdinand Da…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.792631 Composed by Ferdinand David. Arranged by Jeremy Niles Kempton. Classical,Romantic Period. Score and part. 23 pages. Gordon Cherry #5042815. Published by Gordon Cherry (A0.792631). The Concertino No. 2 in B Flat was recently discovered while surfing the internet. The version found stated that it was a concertino for viola and piano. However the piano reduction had the solo part written for bassoon. It was followed by a separate solo part for viola. However upon examination this proved to be and orchestral viola part and not a solo part at all. From this one could conclude that there must have been, and perhaps still exists, a score and parts for a full orchestral accompaniment. Although not originally for trombone, this piece lends itself admirably to the lyrical and heroic nature of the trombone. It is challenging but well-suited to the instrument and a quality piece of music. The editor hopes that this piece will find its place as a mainstay in the literature for trombone.
$25.00
23.33 €
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Trombone et Piano
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Ferdinand David
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Jeremy Niles Kempton
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Concertino No. 2 in B-flat for Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Bach-Gounod: Ave Maria for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.549368 Composed by Bach-Gounod.…
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Piano,Trombone - Level 2 - Digital Download SKU: A0.549368 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3491299. Published by jmsgu3 (A0.549368). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano - S0.662021. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bachâs Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubertâs version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâs works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.75 €
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Trombone et Piano
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Trombone & Piano
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jmsgu3
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SheetMusicPlus
What Was I Made For?
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.1273343 By Billie Eilish. By Bi…
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Piano,Trombone - Level 2 - Digital Download SKU: A0.1273343 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865496. Published by Milanov (A0.1273343). What Was I Made For? From Barbie by Billie Eilish for trombone and piano accompaniment. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
5.59 €
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Trombone et Piano
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
What Was I Made For?
Trombone et Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.1273345 By Billie Eilish. By Bi…
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Piano,Trombone - Level 2 - Digital Download SKU: A0.1273345 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Score and part. 6 pages. Milanov #865498. Published by Milanov (A0.1273345). What Was I Made For? From Barbie by Billie Eilish for trombone and piano accompaniment. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
5.59 €
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Trombone et Piano
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
#
SheetMusicPlus
César Franck: Panis Angelicus (for Trombone and Organ/Piano)
Trombone et Piano
Instrumental Duet,Piano Instrumental Duet,Organ,Piano,Trombone - Level 3 - Digital Downloa…
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Instrumental Duet,Piano Instrumental Duet,Organ,Piano,Trombone - Level 3 - Digital Download SKU: A0.775769 Composed by Cesar Auguste Franck. Arranged by Harry Walker. Concert,Romantic Period,Sacred,Standards,Wedding. Score and parts. 9 pages. SCORE EDITIONS #6342115. Published by SCORE EDITIONS (A0.775769). César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 â 8 November 1890) was a composer, pianist, organist, and music teacher who worked in Paris during his adult life. Franckâs famous Panis Angelicus, which is Latin for bread of angels, sets the penultimate verse of a well-known preexisting text, this time a hymn by Thomas Aquinas (1225-1274), making for a powerfully inspirational vocal work. In this version, the composition was arranged for Trombone and Organ/Piano by Harry Walker.
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3.72 €
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Trombone et Piano
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Cesar Auguste Franck
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Harry Walker
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César Franck: Panis Angelicus
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SCORE EDITIONS
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SheetMusicPlus
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