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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TUBA
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VENTS
2 Flûtes traversières, Piano
25
Quatuor de Saxophones: 4 saxophones
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
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17
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2 Saxophones (duo)
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Quatuor de Clarinettes: 4 clarinettes
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Quintette de Saxophone: 5 saxophones
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5 Flûtes à bec
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Piccolo, Piano
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Flûte à Bec
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Flûte, Hautbois, Clarinette (trio)
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Saxophone et Orgue
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Flute (partie séparée)
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Flûte, Alto (duo)
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Flûte traversière, Orgue (duo)
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Clarinette, Violon (duo)
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Clarinette et Alto
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3 Flûtes à bec (trio)
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Flûte, Basson et Piano
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2 Hautbois (duo)
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Cor et Piano
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Trombone et Piano
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette, Piano
5
Trombone (partie séparée)
4
Quatuor de cuivres: 4 trombones
4
Trombone
3
Euphonium, Piano (duo)
3
Cor anglais, Piano
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Cor
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Trompette
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Cor et Harpe
2
Tuba
2
Ensemble de Trombones
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Trompette (partie séparée)
2
2 Trompettes (duo)
2
2 Trombones (duo)
2
Tuba et Piano
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Trompette, Saxophone (duo)
2
Cor (partie séparée)
2
2 Tubas (duo)
1
Trombone basse et Piano
1
Tuba (partie séparée)
1
Trompette, Trombone (duo)
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 trompettes
1
2 Euphoniums et 2 Tubas
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Ensemble de Trompettes
1
Quatuor de cuivres: 4 cors
1
4 Tubas
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Ensemble de Cors
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
130
Trio à Cordes: violon, alto, violoncelle
16
Violon et Piano
15
Violon
10
2 Harpes (duo)
9
Violoncelle, Piano
9
Violoncelle (partie séparée)
9
Alto, Piano
7
Violon, Alto (duo)
6
2 Violons (duo)
6
Violon, Violoncelle (duo)
5
Contre Basse
4
Harpe
4
2 Violoncelles (duo)
4
Violoncelle, Orgue
3
4 Violoncelles
3
Trio à Cordes: 2 violons, violoncelle
3
Alto seul
3
2 Altos (duo)
3
Harpe, Violon (duo)
3
Violoncelle
3
Quatuor à cordes : 4 altos
2
Contrebasse, Piano (duo)
2
Alto et Harpe
2
Harpe, Violoncelle (duo)
2
Alto, Violoncelle (duo)
1
Alto, Orgue
1
Violon, Orgue
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Piano Trio: Violon, Alto, Piano
1
Trio à cordes: 3 violins
1
Trio à cordes: 3 altos
1
Harpe, Trombone (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
255
Orchestre
39
Orchestre à Cordes
19
Orchestre de chambre
17
Ensemble de cuivres
8
Ensemble Jazz
7
Ensemble de Percussions
5
Percussion (partie séparée)
4
Batterie
3
Cloches
2
Piano et Orchestre
1
Marimba
1
Xylophone
1
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AUTRES
Théorie de la musique
1
Vous avez sélectionné:
Exist
Quatuor de Saxophones: 4 saxophones
Partitions à imprimer
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Satellite to Planet Nine
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.939376 Composed by Adam Grim. Concert,Contemporary,Standards. 111 pages. Adam B. Grim #6196935. Published by Adam B. Grim (A0.939376). Satellite to Planet Nine is a saxophone quartet inspired by the cosmos surrounding planet Earth. The opening movement, Takeoff, is about the mystery and fear surrounding a possibility of another planet - or black hole - yet to be discovered and the beginning of the journey to find it. The second movement, Hymn for the Moon is dedicated to the closest body of natural rock in our solar system. This movement features the tenor saxophone using a mix of disjunct melodies, smooth jazz, and thick chords to produce a movement of both mysticism and peace as the rocket travels by it. Soca for Saturn is the following movement and is inspired by the Trinidadian popular music known as soca. It is the spark of joy and pure energy that holds the astronauts together as they hold their hopes high traveling to a land that might not even exist at all. The fourth movement depicts the first amount of struggle for the team, Solar Flares, which batter and beat at the crew as they try to find a way through. In the movement the mood is instantly changed with the realization that it is too calm, and soon, meet the purest form of heat and energy. Movement five continues the struggle, but this time with hasty success. Arrival continues where the fourth movement leaves off, but finally they see something in the distance â the planet they have been looking for. They prepare for landing, but with their equipment being nearly destroyed from the solar flares it is not smooth landing. In the final movement, New Gravity, the team ventures out into the new world, which is dark and barren. They feel a disturbing presence around them, and as they search further and further into the cold and dusty landscape, they realize what they are up against â survival. Using what they know, they build on their wreckage and create a new home - The Satellite to Planet Nine.
$30.00
28 €
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Quatuor de Saxophones: 4 saxophones
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Adam Grim
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Satellite to Planet Nine
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Adam B. Grim
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SheetMusicPlus
Hello
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.584272 By Lionel Richie. By Lionel Richie. Arranged by Jeff Tincher. Film/TV. 15 pages. Jeff Tincher #5359329. Published by Jeff Tincher (A0.584272). My favorite Lionel Richie song. A ballad about a person in love with someone that doesn't even know they exist. One of the biggest songs of the 80s. Duration = 4:13. Visit my websites: http://jefftincher.wixsite.com/sheetmusic, http://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
12.12 €
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Quatuor de Saxophones: 4 saxophones
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Lionel Richie
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Jeff Tincher
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Hello
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Jeff Tincher
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SheetMusicPlus
Londonderry Air - Sax Quartet - higher
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Lev…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.721247 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Holiday,Wedding. 7 pages. Music-Scores.com #4276773. Published by Music-Scores.com (A0.721247). Londonderry Air, also known as Danny Boy, or I Cannot Tell. The melody existed before any of the words known to us today, and has been recorded by many illustrious singers.For Saxophone Quartet - to top E.About 2 minutes.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$7.95
7.42 €
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Quatuor de Saxophones: 4 saxophones
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Traditional
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Londonderry Air - Sax Quartet - higher
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Music-Scores.com
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SheetMusicPlus
Eruption
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1208764 By Elp. By Keith Emerson. Arranged by Jeff Tincher. Contemporary,Rock. 20 pages. Jeff Tincher #806866. Published by Jeff Tincher (A0.1208764). Here is the first movement from Emerson, Lake & Palmer's epic song Tarkus. In the original key from the Tarkus LP, this is the epitome of math rock before the term math rock existed. Duration = 2:45. It's catagorized as Advanced Intermediate because of the tempo and the many time changes. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99
12.12 €
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Quatuor de Saxophones: 4 saxophones
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Elp
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Jeff Tincher
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Palmer's epic song Tarkus
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Eruption
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Jeff Tincher
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SheetMusicPlus
Bach: English Suite No. 4, BWV 809, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1414284 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 59 pages. Jmsgu3 #996057. Published by jmsgu3 (A0.1414284). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95
49.42 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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James M
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Bach: English Suite No. 4, BWV 809, for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Bach: English Suite No. 5, BWV 810, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1414906 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 63 pages. Jmsgu3 #996653. Published by jmsgu3 (A0.1414906). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95
49.42 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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James M
#
Bach: English Suite No. 5, BWV 810, for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Bach: English Suite No. 6, BWV 811, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1415704 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 83 pages. Jmsgu3 #997410. Published by jmsgu3 (A0.1415704). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95
49.42 €
#
Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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James M
#
Bach: English Suite No. 6, BWV 811, for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Bach: The Six English Suites Complete for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1415714 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 393 pages. Jmsgu3 #997421. Published by jmsgu3 (A0.1415714). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$98.85
92.26 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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James M
#
Bach: The Six English Suites Complete for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Brahms: Fugue, WoO 8, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1416919 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 17 pages. Jmsgu3 #998509. Published by jmsgu3 (A0.1416919). The Fugue in A-flat minor, WoO 8, is one of the early organ works by Brahms, composed around 1856-57. It is an intense, brooding fugue published without an opus number. The fugue is part of a small set of four early organ pieces by Brahms, including the chorale prelude and fugue O Traurigkeit, o Herzeleid (WoO 7). These early organ works demonstrate Brahms' mastery of counterpoint at a young age. While Brahms did not have a close personal relationship with the organ, the genre of the chorale prelude allowed him to pay homage to his musical heritage, following the conventions of the form by paraphrasing and elaborating on pre-existing Lutheran chorale melodies. The Fugue in A-flat minor is considered one of the most significant and high-quality of Brahms' early organ works. It was eventually assigned the posthumous opus number 122, which is still known today. So, in summary, the Fugue in A-flat minor is an essential early organ work by Brahms that demonstrates his mastery of counterpoint, even though the organ was not his primary instrument. It is considered a significant and high-quality piece within Brahms' overall organ output.
$32.95
30.75 €
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Quatuor de Saxophones: 4 saxophones
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Johannes Brahms
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James M
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Brahms: Fugue, WoO 8, for Saxophone Quartet
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jmsgu3
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SheetMusicPlus
Bach: English Suite No. 2 for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1411850 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 69 pages. Jmsgu3 #994079. Published by jmsgu3 (A0.1411850). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95
49.42 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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James M
#
Bach: English Suite No. 2 for Saxophone Quartet
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jmsgu3
#
SheetMusicPlus
Bach: English Suite No. 3, BWV 808, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1413555 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1413555 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 29 pages. Jmsgu3 #995358. Published by jmsgu3 (A0.1413555). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$32.95
30.75 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: English Suite No. 3, BWV 808, for Saxophone Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Bach: English Suite No. 3, BWV 808, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1413866 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 57 pages. Jmsgu3 #995653. Published by jmsgu3 (A0.1413866). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95
49.42 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: English Suite No. 3, BWV 808, for Saxophone Quartet
#
jmsgu3
#
SheetMusicPlus
Bach: English Suite No. 1, BWV 806, for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1413891 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 62 pages. Jmsgu3 #995668. Published by jmsgu3 (A0.1413891). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$52.95
49.42 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: English Suite No. 1, BWV 806, for Saxophone Quartet
#
jmsgu3
#
SheetMusicPlus
Bach: English Suite No. 1, BWV 806, for Saxophone Quartet - Score Only
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1408827 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1408827 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 28 pages. Jmsgu3 #991429. Published by jmsgu3 (A0.1408827). The English Suites were likely composed around 1713-1714 during Bach's time in Weimar, making them among his earliest and most virtuosic keyboard suites. The origin of the English title is unclear, but it may reference the influence of French keyboard suites by composers like Charles Dieupart, who were popular in England then. However, no substantial evidence exists that the suites were composed expressly for an English patron. The English Suites combine German, Italian, and French stylistic elements rather than being distinctly English in character. Â The term English was likely a later addition, possibly by Bach's biographer Johann Nikolaus Forkel. The English Suites were widely disseminated and studied by later composers, indicating their importance and lasting influence in the keyboard repertoire. They represent Bach's early and highly influential contribution to the keyboard suite genre.
$32.95
30.75 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
James M
#
Bach: English Suite No. 1, BWV 806, for Saxophone Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Symphony No. 7 by Beethoven for Alto Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 1 - Digital Download SKU: A0…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone - Level 1 - Digital Download SKU: A0.1137254 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #737455. Published by Woods Only, Arrangements (A0.1137254). This arrangement adapted for alto sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
7.46 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 7 by Beethoven for Alto Sax Quartet
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Woods Only, Arrangements
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all itâs own. The story of how the work came to be written has to come to us through Bachâs first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis dâor in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bachâs estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bachâs son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.82 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Michelle
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.786300 By The Beatles. By John Lennon and Paul McCartney. Arranged by Bill Malcolm. Rock. 7 pages. Bill Malcolm #6434505. Published by Bill Malcolm (A0.786300). The sound clip is from measure 26 through the next 30 seconds, which is a strange place to start it, but the arrangement starts with a quirky semi-classical feel (and ends the same way) and I wanted the melody to be present in the clip. This arrangement exists in a wind quartet and clarinet quartet version both available on this website.
$15.00
14 €
#
Quatuor de Saxophones: 4 saxophones
#
The Beatles
#
Bill Malcolm
#
Michelle
#
Bill Malcolm
#
SheetMusicPlus
Symphony No. 7 by Beethoven for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137258 Co…
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1137258 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #737460. Published by Woods Only, Arrangements (A0.1137258). This arrangement adapted for sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
7.46 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 7 by Beethoven for Saxophone Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Symphony No. 7 by Beethoven for Tenor Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A…
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Saxophone Quartet,Woodwind Ensemble Tenor Saxophone - Level 2 - Digital Download SKU: A0.1137255 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #737456. Published by Woods Only, Arrangements (A0.1137255). This arrangement adapted for tenor sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
7.46 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 7 by Beethoven for Tenor Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Symphony No. 7 by Beethoven for Baritone Sax Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU…
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Saxophone Quartet,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1137257 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,March,Romantic Period. 14 pages. Woods Only, Arrangements #737459. Published by Woods Only, Arrangements (A0.1137257). This arrangement adapted for baritone sax quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$7.99
7.46 €
#
Quatuor de Saxophones: 4 saxophones
#
Ludwig van Beethoven
#
Ander
#
Symphony No. 7 by Beethoven for Baritone Sax Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all itâs own. The story of how the work came to be written has to come to us through Bachâs first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis dâor in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bachâs estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bachâs son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.82 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all itâs own. The story of how the work came to be written has to come to us through Bachâs first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis dâor in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bachâs estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bachâs son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.82 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all itâs own. The story of how the work came to be written has to come to us through Bachâs first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis dâor in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bachâs estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bachâs son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.82 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Six Bagatelles
Quatuor de Saxophones: 4 saxophones
Saxophone quartet (SATBar) - difficult - Digital Download From Musica ricercata for w…
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Saxophone quartet (SATBar) - difficult - Digital Download From Musica ricercata for wind quintet. Composed by Gyorgy Ligeti (1923-2006). Arranged by Fabian Oehrli. This edition: score and parts. Downloadable. Duration 13 minutes. Schott Music - Digital #Q6446. Published by Schott Music - Digital
These six character pieces come from Ligeti's famous piano cycle 'Musica ricercata'. Now wild, now cheerful, now contemplative, now excited - each of these miniatures is an unmistakable gem.<br> The minimalist bagatelles already exist in popular arrangements for wind quintet, wind ensemble and accordion. Their new arrangement for saxophone quartet by Fabio Oehrli sounds very convincing, as if the composition has almost been made for this instrumentation.
$29.99
27.99 €
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Quatuor de Saxophones: 4 saxophones
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Gyorgy Ligeti
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Fabian Oehrli
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Six Bagatelles
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Schott Music - Digital
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SheetMusicPlus
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