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Focus - Baritone T.C.
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Vous avez sélectionné:
Focus - Baritone T.C.
SheetMusicPlus
Partitions à imprimer
24 partitions trouvées
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WORSHIP MUSIC! DON'T FORGET US, Lead Sheet (Includes melody, lyrics and chords)
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Gary Lanier
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Gary Lanier
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WORSHIP MUSIC! DON'T FORGET US
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The Lanier Company
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.613072 By Gary Lanier. By Gary Lanier. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,Religious,Sacre...
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C Instrument - Level 3 - SKU: A0.613072 By Gary Lanier. By Gary Lanier. Arranged by Gary Lanier. Christian,Contemporary,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 1 pages. The Lanier Company #2030263. Published by The Lanier Company (A0.613072). DON'T FORGET US is a Praise and Worship Lead Sheet with melody, lyrics, and chords. Ideal for a praise and worship team and praise band (piano, guitar, electric bass and drum set). Also great for anyone who loves singing and playing praise and worship music from a lead sheet. The focus is on the persecuted churches throughout the world.
$4.99
Das Gebet des Herrn (The Lord's Prayer) - C. G. Mühle
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Chorale SATB
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FACILE
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C
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L
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Das Gebet des Herrn
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Müller Publishing company
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1491004 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious...
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1491004 Composed by C. G. Mühle. Arranged by L. Müller. 19th Century,Christian,Classical,Religious,Sacred. 3 pages. Müller Publishing company #1067771. Published by Müller Publishing company (A0.1491004). Das Gebet des Herrn (The Lord's Prayer)Composed by C.G. Mühle (1792-1847)Edited by L. MüllerImmerse yourself in the profound beauty of Das Gebet des Herrn (The Lord's Prayer) by the 19th-century composer Carl Gottlieb Mühle. Known for his devotional and sacred compositions, Mühle’s work reflects the spiritual depth of his time, focusing on purity of melody and the contemplative power of the Christian faith.This edition, carefully preserved by L. Müller, presents Das Gebet des Herrn in its original form. The text is a German setting of The Lord's Prayer, one of the most central prayers in Christianity. Its solemn and reverent tone captures the essence of devotion, prayer, and supplication to God.The melody follows the prayer, highlighting each phrase of the text with sensitivity and grace. From Unser Vater, der du bist im Himmel (Our Father, who art in heaven) to the majestic conclusion of Denn dein ist die Kraft und dein ist das Reich und dein die Herrlichkeit in Ewigkeit (For thine is the power, and the kingdom, and the glory forever), Mühle's composition elevates the sacred text to new heights, perfect for performances in religious services or concerts seeking a deep spiritual experience.This digital sheet music offers high-resolution quality and an accessible format for rehearsals and performances. Whether you are seeking a piece for a sacred concert, church performance, or personal reflection, Das Gebet des Herrn will resonate deeply with both performers and audiences alike.*************Das Gebet des Herrn (Das Vaterunser)Komponiert von C.G. Mühle (1792-1847)Herausgegeben von L. MüllerTauchen Sie ein in die tiefe Schönheit von Das Gebet des Herrn (Das Vaterunser), komponiert von dem Komponisten Carl Gottlieb Mühle aus dem 19. Jahrhundert. Mühle, bekannt für seine religiösen und sakralen Werke, spiegelt in seinen Kompositionen die spirituelle Tiefe seiner Zeit wider und konzentriert sich auf die Reinheit der Melodie und die nachdenkliche Kraft des christlichen Glaubens.Diese Ausgabe, sorgfältig bewahrt von L. Müller, präsentiert Das Gebet des Herrn in seiner ursprünglichen Form. Der Text ist eine deutsche Vertonung des Vaterunsers, einem der zentralsten Gebete im Christentum. Der feierliche und ehrfürchtige Ton fängt die Essenz der Hingabe, des Gebets und der Bitte an Gott ein.Die Melodie folgt dem Gebet und unterstreicht sensibel und anmutig jede Phrase des Textes. Vom Unser Vater, der du bist im Himmel bis zum majestätischen Abschluss Denn dein ist die Kraft und dein ist das Reich und die Herrlichkeit in Ewigkeit erhebt Mühles Komposition den heiligen Text zu neuen Höhen, ideal für Aufführungen in Gottesdiensten oder Konzerten, die eine tiefe spirituelle Erfahrung suchen.Diese digitale Partitur bietet eine hochauflösende Qualität und ein leicht zugängliches Format für Proben und Aufführungen. Ob Sie ein Werk für ein sakrales Konzert, eine kirchliche Darbietung oder zur persönlichen Besinnung suchen, Das Gebet des Herrn wird sowohl bei den Aufführenden als auch beim Publikum tiefe Resonanz finden.
$2.99
greensleeves Flute lead sheet - Flute - Celtic Music Chord Symbols
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Instruments en Do
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FACILE
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Traditional Music
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Arezzo Music
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greensleeves Flute lead sheet
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Arezzo Music
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1227703 By Traditional Music. By Traditional Music. Arranged by Arezzo Music. Celtic,Chamber,Irish,Medieval,Renaissance...
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C Instrument - Level 2 - SKU: A0.1227703 By Traditional Music. By Traditional Music. Arranged by Arezzo Music. Celtic,Chamber,Irish,Medieval,Renaissance,Traditional. Lead Sheet / Fake Book. 1 pages. Arezzo Music #823665. Published by Arezzo Music (A0.1227703). Welcome to our Sheet Music on how to play Greensleeves on the Flute using a lead sheet with chord symbols. Greensleeves is a popular English folk song that has been covered by countless musicians over the years. In this tutorial, we will be using a simple lead sheet that includes the melody and chord symbols to guide us through the song. The lead sheet is a great tool for learning new songs quickly and efficiently. It allows you to focus on the melody while providing you with the basic chord structure of the song. This can be especially helpful if you're new to playing the Flute or if you're learning the song for the first time. In this Lead Sheet, we will be playing the melody of Greensleeves on the Flute, while the chord symbols guide us through the changes. We'll show you how to read the lead sheet and how to use the chord symbols to add more depth and texture to your playing. We'll also provide tips on how to play the song with feeling and expression. Whether you're a beginner or an experienced Flutist, this tutorial is a great way to learn how to play Greensleeves using a lead sheet with chord symbols. We hope you enjoy our tutorial and please don't forget to like and subscribe to our channel for more Flute tutorials and performances.
$1.99
It Is Not Death to Die
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Robert Myers
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It Is Not Death to Die
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music...
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Choral Choir (SATB) - Level 4 - SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music #4767525. Published by WheatMyer Music (A0.976710). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.
$2.25
It Is Not Death to Die - Orchestration
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Robert Myers
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It Is Not Death to Die - Orche
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WheatMyer Music
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SheetMusicPlus
Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by ...
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Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00
Next Level Bassoon: Etudes, Exercises & Engaging Songs For The Emerging Bassoonist
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James Smith
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Next Level Bassoon: Etudes, Ex
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Ensemble Llama Music
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SheetMusicPlus
Bassoon - Level 1 - SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Metho...
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Bassoon - Level 1 - SKU: A0.1474103 Composed by James Smith. Classical,Contest,Festival,Instructional,Multicultural,Traditional,World. Educational Method. 44 pages. Ensemble Llama Music #1051737. Published by Ensemble Llama Music (A0.1474103). I’m a bassoonist, and I don’t like the teaching materials for bassoon that are out there. There’s not enough depth and engagement in them, and nothing that supports the everyday music teacher. So I set out to create something that I would feel comfortable giving to my private students to help them grow as musicians. There are many types of music in the book: etudes, exercises, warm-ups, backwards and upside down duets (one person plays normally, the other person reads the music in an unusual way), improvised music, and composition. Musical styles range across a variety of cultures and genres such as classical, blues, fiddle tunes, marches, contemporary, musicals, and more. Using carefully crafted etudes, exercises, and songs in a variety of styles, your bassoon students are going to to find immediate success. The bite-sized examples encourage students to focus on tone, as they extend their technique and range on this wonderful instrument. Examples from the book:1.1 - Memories1.2 - Can-Can1.3 - Baby-Back Blues1.4 - Somewhere Nice1.5 - Go Down, Moses1.6 - Magenta Sky (A Backwards Duet)1.7 - Cakewalk1.8 - Red River Valley1.9 - Symphony No. 6, Mvt. 2 (Tchaikovsky)1.10 - Arkansas Traveler1.11 - Give My Regards to Broadway (key of B Flat Major)1.12 - In The Hall of the Mountain King1.13 - Landlord Fill The Flowing Bowl1.14 - It Ain't Gonna Rain No Mo'1.15 - Shalom Chaverim1.16 - Londonderry Air1.17 - Theme & Variations, Für Elise1.18 - Ominous (A Backwards Duet)Create & Improvise: St. Louis Blues (W.C. Handy)1.19 - Interlude1.20 - L'Adieu Des Bergers1.21 - Washington Post March1.22 - The Sea Monster - A Short Improvised Piece1.23 - Give My Regards to Broadway (key of G Major)1.24 - Anna Lisle (The Alma Mater Song)Critical Hit - Bassoon Concert Piece2.1 - More Memories2.2 & 2.3 - Ten Little Indians2.4 - Parliament (An Upside-Down Duet)2.5 - Bassoon Warm-Up2.6 - F Major Studies2.7 - Airang2.8 - Arpeggio In Blue2.9 - C Major Studies2.10 - Mazurka in A-flat Major2.11 - Etudes With Flats2.12 - Take Me Out To The Ball Game2.13 - Arpeggios (Part 1)2.14 - Etudes With Arpeggios2.15 - The Sar Spangled Banner2.16 - Arpeggios (Part 2)2.17 - More Arpeggio Studies2.18 - Battle Hymn of the Republic2.19 - Arpeggios (Part 3)2.20 - Kolme Varista2.21 - Swallowtail Jig2.22 - Jesu, Joy of Man's Desiring2.23 - St. Anne's Reel2.24 - Dear Old Stockholm2.25 - Esprit De CorpsSketch On a Theme From The Sorceror's Apprentice - Bassoon Concert Piece.
$29.99
Memorial Day March and Merry Go Round
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Piano seul
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DÉBUTANT
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Peggy Carter
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Memorial Day March and Merry G
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Peggy Carter
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1466214 Composed by Peggy Carter. Children,Contemporary,Instructional,March,Patriotic. Score. 8 pages. Peggy Carter #1044...
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Piano Solo - Level 1 - SKU: A0.1466214 Composed by Peggy Carter. Children,Contemporary,Instructional,March,Patriotic. Score. 8 pages. Peggy Carter #1044824. Published by Peggy Carter (A0.1466214). Memorial Day March- Primer Level (or early Level 1) piano students. The right Hand is in the D (minor) 5-finger position, Left Hand is in the Middle C position. A Warm-up exercise reinforces the right-hand D position and the left-hand Middle C position—there's also, a “Push-Up” exercise to strengthen the 4th finger of each hand.This patriotic march uses half notes, quarter notes, 8th notes, and quarter rests and it includes dynamic contrast as the melody emerges, shared between both hands. The arrangement includes ascending and descending steps and skips with contrasting legato and staccato techniques in an altogether exciting marcato style. Original lyrics can be used to help with memorization. This march would be a great addition to the end-of-year piano recital or even a piano competition.Merry Go Round is also Primer or Early Level 1. In Middle-C hand position the gentle Waltz Time (3/4) brilliantly compliments the March and offers dynamic contrast and staccato technique. Students will enjoy the parallel motion contrasted to contrary motion with moving 8th notes in one hand against dotted half notes in the other hand. This arrangement invites a focus on musical expression that won't go unnoticed in a recital or contest setting.
$6.00
All Creatures of our God and King Late Intermediate Piano Solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Lasst Uns Erfreuen
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Amanda Tero
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All Creatures of our God and K
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Amanda Tero
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1417376 Composed by Lasst Uns Erfreuen. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero...
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Piano Solo - Level 4 - SKU: A0.1417376 Composed by Lasst Uns Erfreuen. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero #998921. Published by Amanda Tero (A0.1417376). Delight your audience with the All Creatures of our God and King piano solo, designed for late intermediate players. Ideal for church performances or recitals, this piece includes lively triplets in both hands, making it an exciting show-stopper.The late intermediate piano solo of All Creatures of our God and King includes popular elements like fast triplets, octaves, polyrhythms (2 against 3), and a dramatic ending.I arranged All Creatures of our God and King as a traditional hymn with a contemporary flair. The driving triplets give it a “rock†feel while low left hand octaves add depth of sound. There are a lot of patterns which makes this late intermediate solo easier to learn–the challenge is getting it up to speed fluently!For church services, recitals, and spring/summer music events, All Creatures of our God and King late intermediate piano sheet music solo will capture the listeners with delight and excitement.Similar in level to most Level 4-5 piano curricula and ABRSM Level 4.The basic format of All Creatures of our God and King late intermediate piano solo is: introduction, verse, interlude, verse, ending.6 pages. Key of C major.Approx. 2:00 performance time. Musical Elements In All Creatures of our God and King late intermediate piano solo Sheet Music Key of C major Time signature: 4/4 Tempo: fast, exuberant Note values: whole notes, dotted half notes, half notes, dotted quarter notes, quarter notes, eighth notes, eighth note triplets Note reading: right hand treble clef C4 to C7, left hand bass clef C1 to G4 Ledger lines (up to 5 lines) Harmonic octaves in left hand and right hand Triplets Polyrhythms (2 against 3; eighth notes vs. eighth note triplets) Fermata Practice Tips for All Creatures of our God and King late intermediate piano solo This is an exciting arrangement that the student may be tempted to play faster than possible. Encourage the student to breathe while they play to keep the tempo steady and manageable (I like recommending breathing in for one measure, out for one measure).There may be the temptation to have a heavy pulse for each beat, but focus on phrasing an entire measure or two.If the student struggles to bring out the measure for the first verse, experiment with “shadow playing,†where the student only plays the actual melody notes and “shadow plays†(puts their finger on the key, but doesn’t press down) all other notes.
$5.99
Danny Boy (Tablature +)
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Paroles et Accords
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FACILE
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Brian Streckfus
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Danny Boy
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1124793 By Irish Traditional. By Anon. Arranged by Brian Streckfus. Celtic,Country,Folk,Irish,Multicultural,Standards,World. ...
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Guitar - Level 2 - SKU: A0.1124793 By Irish Traditional. By Anon. Arranged by Brian Streckfus. Celtic,Country,Folk,Irish,Multicultural,Standards,World. Chords/Lyrics. 3 pages. Brian Streckfus #725564. Published by Brian Streckfus (A0.1124793). I include two versions! The first being my arrangements with many changes, and the second version is a more blank version. That way, these arrangements are more all-inclusive for every purpose and skill level.1. Guitar Arrangement Lead Sheet Style2. Guitar Tab 3. Guitar Chord Charts and Chord Nomenclature4. Less stereotypical chords that take into consideration voice leading and making the main melody the forefront.5. Fingerings and letter names added to aid in sight-reading6. Grace notes addedWhat makes these versions great is that they work well no matter how many members. Completely solo guitar you can use the vocal melody to make the song more sophisticated and make the song more recognizable. Then, the larger the group you play in, the more you can focus on playing the background chords. The background chords a great for those who want to train their singing, as even the chord diagrams constantly emphasize the main melody.Edit: A better name for the G major chord in measure six is B minor. Though, G is ok since it is sort of implied.If you want me to make a small revision, I don't mind doing it for free just as long as it isn't time consuming. Please feel free to reach out to me!https://allmylinks.com/brianstreckfushttps://www.facebook.com/profile.php?id=100078682133421https://www.patreon.com/brianstreckfushttps://www.brianstreckfus.comhttps://www.facebook.com/classicalguitar2015/https://twitter.com/BrianStreckfushttps://www.instagram.com/brianstreckfus/https://www.youtube.com/user/woodenboxengineerhttps://www.facebook.com/Doppelganger-106026062029620/https://www.linkedin.com/in/brian-streckfus-9b334a92/https://steemit.com/@boxengineerhttps://d.tube/#!/c/brian0streckfus0guitarhttps://www.sheetmusicdirect.com/en-US/Search.aspx?query=Brian%2BStreckfushttps://www.sheetmusicplus.com/publishers/brian-streckfus-sheet-music/3027331https://belairmusicstudios.com/product/brian-streckfus/https://soundcloud.com/streckfusclassicalguitar.
$1.99
Happier Than Ever
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Guitare notes et tablatures
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FACILE
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Rock
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Billie Eilish
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Maja Roedenbeck
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Happier Than Ever
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Maja Roedenbeck
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SheetMusicPlus
Guitar,Voice - Level 2 - SKU: A0.1168553 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Maja Roedenbeck. Pop,Rock. Guit...
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Guitar,Voice - Level 2 - SKU: A0.1168553 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Maja Roedenbeck. Pop,Rock. Guitar Tab with Voice. 7 pages. Maja Roedenbeck #768869. Published by Maja Roedenbeck (A0.1168553). Obviously, there are lots of Happier Than Ever lead sheets and guitar tabs out there - after all, it's Billie Eilish's best song! Such a masterpiece with the quiet, very personal beginning and the powerful, hurt and angry second part. Despite looking for a while, I couldn't find a solo guitar music sheet as good as the piano versions out there. One that covers the whole song, doesn't stick with the easy chords like C and Fm, but goes with a more complex and beautiful Cadd9, Fm6/11 and such. So I came up with my own arrangement for solo guitar. It's an interesting mixture of strumming and fingerpicking worked out on 6 pages and so much fun to play. Not too hard, though, so you can also focus on the singing.
$9.99
A Hand held Out
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Tracy Dean McCallum
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Tracy Dean McCallum
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A Hand held Out
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Tracy Dean McCallum
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1476444 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. Religious. Guitar Tab. 1 pages. Trac...
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Guitar - Level 2 - SKU: A0.1476444 By Tracy Dean McCallum. By Tracy Dean McCallum. Arranged by Tracy Dean McCallum. Religious. Guitar Tab. 1 pages. Tracy Dean McCallum #1053964. Published by Tracy Dean McCallum (A0.1476444). https://tracymccallum.com/ Original Song: It's possible A Hand Out is an original song and the tablature isn't widely available online. In this case, the tab might include: Tuning: (e.g., Standard E-A-D-G-B-E) Tempo: (e.g., 120 BPM) Chords: A list of chords used throughout the song (e.g., G, D, Em, C) Picking pattern: A description of how to strum or pick the chords (e.g., down-down-up-down) Lead guitar part: If the song has a solo or melody line, the tab would show which notes to play on which frets. Misspelling of Someone Put Your Hand Out: There's a chance A Hand Out is a misspelling of the Michael Jackson song Someone Put Your Hand Out. In this case, the tablature would likely focus on the chords: Chords: Gm7, Am7, Dmaj9, Bbmaj7, A7, Em9, Gmaj7 Without seeing the actual tablature, it's impossible to say for sure which scenario applies.
$4.44
Standing 3 late beginner hymn collection (Brethren We Have Met to Worship, I Am Resolved, Standing o
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Piano Facile
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DÉBUTANT
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Musique Sacrée
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James H
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Amanda Tero
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Standing 3 late beginner hymn
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Amanda Tero
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1172421 Composed by James H. Fillmore, R. Kelso Carter, and William Moore. Arranged by Amanda Tero. Children,Christian,Re...
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Easy Piano - Level 1 - SKU: A0.1172421 Composed by James H. Fillmore, R. Kelso Carter, and William Moore. Arranged by Amanda Tero. Children,Christian,Religious,Sacred. Score. 9 pages. Amanda Tero #772646. Published by Amanda Tero (A0.1172421). Delight your late beginner students with three exciting hymns in level 2 sheet music solos. These are specifically arranged for the students who like a little bouncy touch to their hymns.Great for church services or recital for both piano students and piano teachers. This works well for the smaller church offertories that only need about 1 minute of piano playing.This piano sheet music is equivalent to most Level 2 or ABRSM Grade 2.6 pages total. 1 piece in F. 2 pieces in C. Musical elements in Brethren We Have Met to Worship Note values: whole notes, dotted half notes, half notes, half rests, quarter notes, eighth notes Note reading: bass clef C2 to F4, treble clef Bb3 to A5 8va RH reading bass clef RH over left hand Accidentals Ties Finger numbers Practice tips for Brethren We Have Met to Worship The most fun–and hardest–part of this arrangement is the right hand, measures 11-14. The right hand is not only reading bass clef, but is reading the lowest notes in the piece of music. This is a great place to start. Additionally, the left hand for the first page is an open fifth the entire time but changes on the second page. So it may be beneficial to start learning the left hand intervals on the second page first. Musical elements in I am Resolved Note values: whole notes, half notes, quarter notes, eighth notes, eighth rests Note reading: bass clef C2-E4, treble clef C4-E5 Drop-roll (slur-staccato) Staccatos Moving left hand Accidentals LH octave reach A lot of thirds Broken chords Practice tips for I am Resolved While the left hand starts with a catchy left hand pattern, it does get more complicated for the chorus, starting in measure 11. It would benefit the student to focus a little extra attention on the rapidly changing notes of the left hand for the chorus. While the chorus is harder, it does feature repetition, so have the student identify the measures that are the same. Musical elements in Standing on the Promises Note values: whole notes, half notes, half rests, quarter notes, quarter rests, eighth notes Note reading: bass clef C2-E4, treble clef C4-C6 Fermata Staccatos Accidentals Chromatic scale LH octave reach Practice tips for Standing on the Promises If your student doesn’t know their chromatic scale yet, this is the perfect piece to teach it to them! If they already know a chromatic scale, then they will be able to easily master the last two measures. There is a solid left hand pattern that will be beneficial to help the student analyze. If they figure out the pattern it will make learning easier.
$9.99
A New Day
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Piano Facile
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FACILE
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Neb I
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A New Day
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Neb Ironhands Amstradankis
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1027907 Composed by Neb I. A. Contemporary,Romantic Period. Score. 1 pages. Neb Ironhands Amstradankis #3073589. Publishe...
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Easy Piano - Level 2 - SKU: A0.1027907 Composed by Neb I. A. Contemporary,Romantic Period. Score. 1 pages. Neb Ironhands Amstradankis #3073589. Published by Neb Ironhands Amstradankis (A0.1027907).  This title is meant to be a simple piano piece, easy to learn! Being in C major, this piece forms a simple legato melody, and in all it is intended to sound deep and pretty yet be simplistic and sort. I wrote this piece a few years ago, back then I wasn't very good at playing and what I usually wrote was too complicated for me to learn. I wanted to be able to perform one of my songs, so thus I wrote a song I knew I would be able to play with practice. Practice to your own liking. For any player, focus on making the rhythm as smooth as possible, add some dynamics if you would like, or maybe even some tempo changes.Social Media: https://www.facebook.com/nebironhands.amstadankis
$1.99
Contemplation, for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Alison Harbottle
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Contemplation, for String Orch
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Martini Strings
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.873911 Composed by Alison Harbottle. Contemporary. Score and parts. 15 pages. Martini Strings #4333455. Published b...
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String Orchestra - Level 3 - SKU: A0.873911 Composed by Alison Harbottle. Contemporary. Score and parts. 15 pages. Martini Strings #4333455. Published by Martini Strings (A0.873911). Sometimes our thoughts don’t go very far. Sometimes they swirl around, catching the same feelings again and again, then other times they take a sudden turn in a different direction. Sometimes we just sit and think, or daydream. That’s a bit what this piece is like. Enjoy the drifting, the wafting, the rise and fall, and watch out for the change. Consolidation of C# & G# intonation is a focus for this piece, along with the use of compound time and a chance to just sit...and contemplate.Score & parts, 15 pages.
$45.00
Spy Game - for young concert band
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Orchestre d'harmonie
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DÉBUTANT
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John McAllister
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Spy Game - for young concert b
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John McAllister
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1210714 Composed by John McAllister. 20th Century,Contemporary,Film/TV,Instructional,Video Game. Score and Parts. 49 pa...
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Concert Band - Level 1 - SKU: A0.1210714 Composed by John McAllister. 20th Century,Contemporary,Film/TV,Instructional,Video Game. Score and Parts. 49 pages. John McAllister #808463. Published by John McAllister (A0.1210714). Spy Game is a sneaky piece. There are twists and turns, creeping in the shadows and epic action sequences. This piece truly has a cinematic flair. And though each sequence doesn’t have specific programmatic connotations, teachers and students should use their imagination as to what the spy protagonist has gotten mixed up in! The form is roughly an A-B-C-A-B-Coda. There is much repetition in repeated sections to not add too much extra material for younger players to learn. There are also a few “Easter eggs†of semi-quotes buried within. Spy Game would be a great programming choice to add some excitement and intrigue to the young band concert!This piece directly correlates with the Foundation Warm-Up Series. This series is designed to follow most beginning band methods. The early sets focus primarily on airflow, common patterns, and reinforcing concepts presented in the method books. As the series develops, the sets become more like a traditional band warm-up, including long tones, flexibility exercises, articulation, scale patterns, and a chorale.
$30.00
Orchestraining No. 01 [Orchestra]
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Orchestre
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FACILE
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Juan MarÃa Solare
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Orchestraining No. 01 [Orchest
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Juan Maria Solare
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and P...
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Full Orchestra - Level 2 - SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and Parts. 20 pages. Juan Maria Solare #820190. Published by Juan Maria Solare (A0.1224099). Orchestraining is a cycle of orchestral studies, each of which focuses on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The particular study Orchestraining Nr. 01 focuses on the subject of simultaneous attacks, presenting a series of staccato chords in different parts of the bar. The piece will be played twice, with different dynamics and (partly) different performing techniques (particularly in the strings: pizzicato vs. arco).Orchestraining No. 01 - simultaneous attacks*Orchestraining es un ciclo de estudios orquestales, cada uno de los cuales tematiza diferentes aspectos de la ejecución. Estos estudios están concebidos especÃficamente para orquestas no profesionales; sin embargo, cualquier orquesta mejorará si toca alguna de estas piezas durante los ensayos. Siempre es necesario cuidar la afinación y muchos otros aspectos de la ejecución orquestal.Adicionalmente, estos estudios son también útiles para estudiantes de dirección orquestal. Por ejemplo, es imprescindible saber cómo dirigir un ataque simultáneo de un acorde que no comienza en el uno, sino una corchea después del tercer tiempo.Comencé a escribir estos estudios hacia 2013, cuando asumà la dirección de la Bremer Orchestergemeinschaft y noté la ausencia total de repertorio de este tipo. Como pianista estoy acostumbrado a los estudios de Carl Czerny o a tocar escalas. Cada instrumentista, individualmente, conoce sobradamente estudios de técnica para su instrumento. Sin embargo no existen, o no conozco, estudios similares para la técnica de ejecución orquestal y las dificultades especÃficas de ensamblaje que ésta requiere. El ciclo Orchestraining intenta cubrir esta laguna.El estudio Orchestraining Nr. 01 en particular trata el tema de los ataques simultáneos, presentando una serie de acordes staccato en distintas partes del compás. La obra se tocará dos veces, con distintas dinámicas y (en parte) con distintas técnicas de ejecución (particularmente en las cuerdas: pizzicato vs. arco).
$5.00
The House We Build
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Lukas C Jaeger
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The House We Build
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Lukas C Jaeger
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1292341 By Lukas C Jaeger. By Lukas C Jaeger. 21st Century,Contemporary,New Age. 22 pages. Lukas C Jaeger #882681. Published by Lukas C Jaeger (A0.1292341). As a creator, something I value above all else is the ability to do so with others. There’s a beauty found where minds meet that no one person can achieve alone.   So, in search of that beauty, before I even started to work on this piece, I met with the students of Waukesha North High School at the end of their 2023 school year. And we talked. We talked about how life was going. The good and bad. The ups and downs. Things lost. Things found… They shared some laughs and even some tears… The conversations we had were unexpectedly poignant and stuck with me throughout the writing process.   School is a time of great change in our lives and often we are so focused on “getting through†that we don’t really stop to appreciate it until later. This piece celebrates that part of the process. The way we build onto ourselves- acknowledging and accepting that our experiences we have during this time, both good and bad, are crucial to our identity and our ability to move forward in life. They are the cornerstones of who we are and who we become… Inspired by these experiences we shared, I wrote this text. It’s about building a house. The “house†being our self.
$3.00
Mi Burrito Sabanero
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Ensemble de Flûtes
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FACILE
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Traditional Venezuelan Carol
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Constance Clark
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Mi Burrito Sabanero
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Constance Clark
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Flute,Piccolo - Level 2 - SKU: A0.1489670 Composed by Traditional Venezuelan Carol. Arranged by Constance Clark. Chamber,C...
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Flute Choir,Woodwind Ensemble Flute,Piccolo - Level 2 - SKU: A0.1489670 Composed by Traditional Venezuelan Carol. Arranged by Constance Clark. Chamber,Children,Christmas,Holiday,Traditional. 14 pages. Constance Clark #1066542. Published by Constance Clark (A0.1489670). Mi Burrito Sabanero is a traditional Venezuelan children's carol. This beginner/intermediate C flute choir arrangement is festive and bright, sure to please flutists and audiences alike. Piccolo, 3 C flutes, and an optional beginner flute part. Flute 1-3 carry the load here, and piccolo adds great cheer. The easy flute part allows you to include even your newest beginners. It only contains 5 notes: C, B, A, G, F#. The rhythm can be learned as a groove even if the students can't quite count it yet. I recommend listening and learning to sing the carol instead of focusing on the difficult rhythms.I’d love to hear from you if you are considering or playing this piece. Any questions or feedback are welcome. Email: constance@constanceclarkflute.com.
$15.99
My Old Kentucky Home
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Guitare
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FACILE
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyr...
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Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
Valentine's Day Choral Activity/Game Sight Singing
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Chorale SATB
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INTERMÉDIAIRE
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J
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Valentine's Day Choral Activit
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J. Gallagher
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.978029 Composed by J.C. Baker, Fermata Nowhere. Instructional,Standards. Octavo. 1 pages. J. Gallagher #5034151....
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Choral Choir (SATB) - Level 3 - SKU: A0.978029 Composed by J.C. Baker, Fermata Nowhere. Instructional,Standards. Octavo. 1 pages. J. Gallagher #5034151. Published by J. Gallagher (A0.978029). For a whole week of Valentine's Day have your students use this fun and engaging sight reading practice with love songs THEY WILL KNOW! I use it as a warm up/ do now at the start of band and choral classes for the first 5-10 minutes or so.These are quick 2, 4, and 8 measure examples totaling 10 songs for the students to practice sight reading using solfege.There are some tricky syncopated rhythms involved as well as key changes (C, G, F, D, Bb).The songs included in the 10 examples are, in order:1. Can't Help Falling In Love - Elvis2. Thinking Out Loud - Ed Sheeran3. We Found Love - Rhianna4. Just The Way You Are - Bruno Mars5. She Loves You - The Beatles6. I Will Always Love You - Whitney Houston7. Shallow - A Star Is Born8. All Of Me - John Legend9. Can You Feel The Love Tonight - Elton John/Lion King10. Love Is An Open Door - FrozenThis is a great warm up exercise at the start of class or rehearsal to get the students focused and their brains warmed up for singing, sight singing, reading, and learning new music.Typically students can take either the whole sheet down in one day and we spend a good majority of a day on it OR spread it out over the week and do 1 or 2 a day.Structure it as best you see fit.The students love competing with each other to see who can figure out the solfege and the song first!Bonus points if they can name the song, artist, and the correct lyrics!
$1.99
Numb
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Piano seul
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INTERMÉDIAIRE
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Isadar
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Numb
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1203048 By Isadar. By Isadar. 20th Century,Contemporary,Jazz,New Age. Score. 7 pages. Mainya Music Publishing (BMI) #8017...
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Piano Solo - Level 3 - SKU: A0.1203048 By Isadar. By Isadar. 20th Century,Contemporary,Jazz,New Age. Score. 7 pages. Mainya Music Publishing (BMI) #801732. Published by Mainya Music Publishing (BMI) (A0.1203048). Contains:Numb - taken from the Isadar solo piano collection, The Purple Heart (improvisational solo piano) (available soon on SMP) Sounds like: Keith Jarrett's Köln Concert, Bill Evans, Liz Story, George Winston, early Windham Hill solo piano artists Transcribed by:  David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording Album & Songbook review by:  Kathy Parsons (MainlyPiano.com):The Purple Heart is Isadar’s solo piano tribute and memorial to the people who lost their lives in the 9/11/01 tragedy. Recorded as a 56-minute improvisation on 12/25/02, the music is thoughtful, somber, and quite elegant. There are actually thirteen pieces on the CD, but they segue into each other, making it difficult to tell where one song ends and another begins. This is very definitely NOT a problem, as the album unfolds naturally and organically, asking questions, looking inward, and expressing shock and grief. However, this is not music about only despair or rage. I also hear hope and determination as well as quiet reverence - the strange mix of emotions we all felt during those dark days. Titles include From Cradle to Coffin, Bravery, Numb, New York Skyline, and Truth. Isadar has a wonderful way of wearing his heart on his musical sleeve, pouring deep emotion and heartfelt expression into his music. The music was recorded in one take, but rather than meandering all over the place, Isadar used recurring themes that make the work cohesive and consistent enough to hold together even after many listens. This is a very strong and passionate work, but it was recorded with a rather quiet voice which allows it to be very comfortable and soothing background music as well as evocative solo piano music for concentrated and focused listening. The Purple Heart Sheet Music Collection is a note-for-note solo piano transcription of Isadar’s 2003 memorial CD by the same name (transcribed by David Shenton). The recording and book are a tribute to those who died in the attacks of 9/11/2001. The music was recorded in one take and although there are thirteen titles, the pieces segue into each other, creating a seamless 56-minute improvisation. The book indicates where the various pieces begin and end, but can also be played as one long piece. Although the theme of the music is very somber and bleak, the music covers the broad range of emotions we all felt during that period - anger, sadness, hope, determination, resolve, fear, grief, etc. Although the recording is an improvisation, Isadar incorporates a recurring theme that holds the work together as a single entity. Some pieces are very slow while others are lively and even fast. All thirteen pieces are in C minor/Eb major, but the variety of moods and tempos keep the music evolving without becoming repetitious. When the recurring theme pops up, it’s like seeing an old friend!The difficulty in playing someone’s improvisation is that the creation of the music was spontaneous and free-flowing. It isn’t easy to read an improvisation and give the music that quality of freedom. Less advanced pianists might find this frustrating. The time signatures change frequently, but a competent pianist will have no trouble with that. As I was playing this book, I sensed that I was looking directly into Isadar’s heart and feeling what he was feeling as the music was being born - a very powerful experience! Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, featuring today's biggest names in solo piano music.
$5.99
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Focus - Baritone T.C.
