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Vous avez sélectionné:
Grand Legacy March
Partitions à imprimer
7 partitions trouvées
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Grand Legacy March
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1083599 Composed by James K. Tayl…
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Concert Band - Level 4 - Digital Download SKU: A0.1083599 Composed by James K. Taylor. Contest,Festival,Instructional,Multicultural,Standards,Traditional,World. Score and parts. 75 pages. James K. Taylor #687801. Published by James K. Taylor (A0.1083599). This is another march written in honor of band directors in whose bands I have played, is this case, Joseph L. Frank, Band Director at Richardson (Texas) High School. This is a traditional concert march, but you can direct at a faster tempo if you wish (like a circus march). This recording is by the Mesquite Community Band under the direction of Dale Coates with yours truly playing the bass drum.
$40.00
36.57 €
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Orchestre d'harmonie
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James K
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Grand Legacy March
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James K. Taylor
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SheetMusicPlus
Toreador Song / March of the Toreadors (MEDIUM PIANO) Opera "Carmen" [Georges Bizet]
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1276425 By Georges Bizet. By George…
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Piano Solo - Level 3 - Digital Download SKU: A0.1276425 By Georges Bizet. By Georges Bizet. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 1 pages. Darek #868155. Published by Darek (A0.1276425). Toreador Song / March of the Toreadors (MEDIUM PIANO) Opera Carmen [Georges Bizet]Intermediate arrangement for pianists of Toreador Song / March of the Toreadors, Opera Carmen by Georges Bizet. Intermediate version for pianists | Intermediate piano arrangement | Intermediate Version | Intermediate Piano Sheet Music Classical Music | Romantic Music | Intermediate arrangement | Piano | Keyboard | For Intermediate Pianists. Included: Fingering, Articulation, Dynamics and video YouTube tutorial. Step into the world of musical sophistication with the meticulously curated sheet music offering: Toreador Song / March of the Toreadors from Georges Bizet's iconic opera Carmen. Immerse yourself in the grandeur of this celebrated composition, elegantly arranged for intermediate pianists who seek a captivating challenge. Embark on a journey through time, as the haunting melodies of the 19th century resonate through every note. With meticulously added fingering, articulation, and dynamics, each phrase comes alive, allowing you to infuse your interpretation with depth and nuance. This arrangement ensures a seamless transition from proficiency to mastery, enabling you to capture the essence of the era and make the composition uniquely your own. Enhance your practice sessions with the accompanying YouTube tutorial, where every intricacy is unveiled, enriching your learning experience. Whether seated at a piano or a guitar, this arrangement resonates with both passion and precision, appealing to a wide array of musicians. Elevate your musical journey with this captivating piece, an homage to Georges Bizet's genius. With each stroke of the keys, you'll embrace the beauty of musical expression, honoring a legacy that continues to inspire generations of artists. Keywords: Toreador Song, March of the Toreadors, Carmen opera, Georges Bizet, intermediate pianists, fingering, articulation, dynamics, YouTube tutorial, piano, guitar, musical expression, sophistication, iconic composition, era, interpretation, challenge.
$2.00
1.83 €
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Piano seul
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Georges Bizet
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Darek
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Toreador Song / March of the Toreadors
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Darek
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SheetMusicPlus
Toreador Song / March of the Toreadors (HARD PIANO) Opera "Carmen" [Georges Bizet]
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1276427 By Georges Bizet. By George…
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Piano Solo - Level 4 - Digital Download SKU: A0.1276427 By Georges Bizet. By Georges Bizet. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 2 pages. Darek #868161. Published by Darek (A0.1276427). Toreador Song / March of the Toreadors (HARD PIANO) Opera Carmen [Georges Bizet]Advanced arrangement for pianists of Toreador Song / March of the Toreadors, Opera Carmen by Georges Bizet. Advanced version for pianists | Advanced piano arrangement | Advanced Version | Advanced Piano Sheet Music Classical Music | Romantic Music | Advanced arrangement | Piano | Keyboard | For Advanced Pianists. Included: Fingering, Articulations, Dynamics and video YouTube tutorial. Embark on an exhilarating musical journey with the meticulously curated sheet music offering: Toreador Song / March of the Toreadors from Georges Bizet's timeless opera Carmen. Immerse yourself in the grandeur of this iconic composition, meticulously arranged for advanced pianists seeking a captivating and rewarding challenge. Step back in time and embrace the opulent melodies of the 19th century as they come to life under your fingertips. With intricate fingering, articulation, and dynamics markings, every note becomes a canvas for your artistic expression. This arrangement transcends mere proficiency, allowing you to delve deep into the heart of the composition and channel the essence of the era. Elevate your practice sessions with the accompanying YouTube tutorial, meticulously crafted to unveil the subtleties and intricacies of this masterpiece. Whether you're seated at a piano or a guitar, this arrangement resonates with both passion and precision, making it a captivating choice for accomplished musicians. Indulge in the magic of this composition, a testament to Georges Bizet's genius, and witness the profound impact of your musical interpretation on the soul of the piece. With each note you master, you pay homage to a legacy that has shaped the course of musical history. Keywords: Toreador Song, March of the Toreadors, Carmen opera, Georges Bizet, advanced pianists, fingering, articulation, dynamics, YouTube tutorial, piano, guitar, musical interpretation, exhilarating journey, iconic composition, era, challenge, artistic expression, masterpiece.
$4.00
3.66 €
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Piano seul
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Georges Bizet
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Darek
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Toreador Song / March of the Toreadors
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Darek
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SheetMusicPlus
Toreador Song / March of the Toreadors (EASY PIANO) Opera "Carmen" [Georges Bizet]
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1276418 By Georges Bizet. By George…
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Easy Piano - Level 2 - Digital Download SKU: A0.1276418 By Georges Bizet. By Georges Bizet. Arranged by Darek. 19th Century,Classical,Romantic Period. Score. 1 pages. Darek #868152. Published by Darek (A0.1276418). Toreador Song / March of the Toreadors (EASY PIANO) Opera Carmen [Georges Bizet]Simplified arrangement for pianists of Toreador Song / March of the Toreadors, Opera Carmen by Georges Bizet. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners | Classical Music | Romantic Music | Simple arrangement for Beginners | Piano | Keyboard | For Novice Pianists. Included: Fingering, Articulation, Dynamics and simple video YouTube tutorial. Experience the enchanting world of classical music with the meticulously crafted sheet music offering: Toreador Song / March of the Toreadors from Georges Bizet's renowned opera Carmen. Immerse yourself in the grandeur of this beloved piece, elegantly arranged to suit beginner pianists seeking an engaging challenge. Step into the realm of musical artistry as you journey through the 19th-century masterpiece. With meticulously added fingering, articulation, and dynamics markings, you'll effortlessly navigate the keys while infusing the composition with your unique expression. This arrangement ensures a seamless transition from novice to maestro, enabling you to capture the essence of the era. Discover the joy of learning as you follow along with the simple video tutorial on YouTube, where every nuance comes to life, creating an immersive learning experience. Whether you're seated at a piano, a guitar, or simply eager to explore the world of music, this arrangement caters to a broad audience. Elevate your practice sessions and indulge in the magic of this captivating song, a tribute to the mastery of Georges Bizet. With each note, you'll embrace the beauty of musical expression, honoring a timeless legacy that spans generations. Keywords: Toreador Song, March of the Toreadors, Carmen opera, Georges Bizet, beginner pianists, fingering, articulation, dynamics, video tutorial, piano, guitar, musical expression, classical music, sheet music, era, masterpiece, challenge.
$2.00
1.83 €
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Piano Facile
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Georges Bizet
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Darek
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Toreador Song / March of the Toreadors
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Darek
#
SheetMusicPlus
Nölck Gavotte Op 7 for Cello and String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1458175 Composed by August N…
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String Orchestra - Level 3 - Digital Download SKU: A0.1458175 Composed by August Nölck. Arranged by Paul Wood. Romantic Period. 36 pages. MyMusicScores.com #1037149. Published by MyMusicScores.com (A0.1458175). Rediscover the charm of August Nölck, a prolific composer whose legacy includes over 300 diverse works ranging from concertos to funeral marches. Despite the unfortunate loss of many compositions during the World Wars, Nölck's cello repertoire continues to captivate audiences worldwide.Among his hidden gems is the Gavotte Op. 7, a delightful piece that deserves far more recognition. Now, with this special arrangement for cello and string orchestra, young cellists have the unique opportunity to showcase their talents in a grander setting.Product Features:A Hidden Gem: Experience the beauty and joy of Nölck's lesser-known Gavotte Op. 7.Arranged for Ensemble: Ideal for young cellists seeking to perform with a string orchestra.Celebrated Composer: Discover the rich musical heritage of August Nölck, a master of diverse genres.Preserve Musical Legacy: Contribute to the revival and appreciation of Nölck's remarkable compositions.The PDF file contains the score and all parts.
$24.99
22.85 €
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Orchestre à Cordes
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August Nölck
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Paul Wood
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Nölck Gavotte Op 7 for Cello and String Orchestra
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MyMusicScores.com
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SheetMusicPlus
Greensleeves 2012
Piano seul
Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. …
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Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing
Contains:<br> "Greensleeves 2012"<br> - taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)<br> <br> Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.<br> <br> Note: “Greensleeves 2012” is a revisited and evolved arrangement which like my earlier version, was inspired by – and also pays ‘homage’ to – Liz Story’s brilliant take on this timeless piece.<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album review by: Michael Diamond (http://michaeldiamondmusic.com):<br> <br> Fresh on the heels of his highly acclaimed chart-topping CD, Reconstructed, Isadar gifts us with a sparkling new album of holiday-themed instrumental music for solo piano, entitled “O Christmas.” Given the proximity to his recent release, one might assume that this one was quickly produced, but in reality O Christmas has been 7 years in the making. Various circumstances including other recording projects, a segue into the field of video production, and a cross country move from NYC to the west coast and later back again, created delays with the completion of the album. But as they say, “good things come to those who wait.”<br> One of the most interesting things about this album is the fact that the selections are traditional Christmas songs, yet some were chosen because they are less well known, or “off the beaten path” as Isadar characterizes them. This follows the pattern set by his 1999 Christmas album “In Search For The Meaning Of Christmas,” yet this new CD mines even deeper in its quest for interesting and unusual choices.<br> <br> The album begins with a track called “Good Christian Men.” Steeped in history, the song dates back to 14th century Germany and its Latin title was originally “In Dulci Jubilo” before it was translated into English in the 1800’s. Isadar’s interpretation creates a lively and festive air that makes a perfect portal to the recording. The high-spirited mood continues on the next song, “Teddy Bears Picnic,” which although not technically a Christmas song, has been interwoven by Isadar with “March Of The Toys” to tie it in with the holidays – a clever arrangement of these intriguing melodies. One of the more well-known carols on the album is “O Christmas Tree” and is sure to have listeners humming along with it’s familiar refrain.<br> <br> A track entitled “Still” is an innovative rendition of the classic “Still, Still, Still” which Isadar has put his own spin on, or as he jokingly puts it “jazzed up shamelessly.” No such liberties were taken on the classic “O Come, O Come, Emmanuel,” however. This song provides a showcase for Isadar’s accomplished grand piano work, featuring lush left hand arpeggios creating a strong foundation for his more delicate right hand melodies to dance upon – a powerful and moving combination. Another of the less well known, yet equally inspiring tunes is a Puerto Rican carol entitled “Song Of The Wise Men.” It has been said that: “Christmas is, above all, a children’s holiday, and many hymns are addressed to children, reminding them that the real reason for the sugarplums and Christmas trees is the celebration of the birth of the Christ Child.” This theme is well reflected in Isadar’s choice of “O Come Little Children,” based on a carol from the 1800’s.<br> <br> Among my favorite tracks on the album are the wistful strains of “Greensleeves 2012,” which Isadar interprets with elegance and grandeur and also pays ‘homage’ to Liz Story’s brilliant take on this enduring composition. This is followed by a rendition of “Masters In This Hall,” which can best be described as, well… “masterful.” The song dates back to the sixteenth century, and is another of the less well-known tunes that Isadar has chosen to feature. The album draws to a close with Isadar invoking artistic license on what is perhaps one of the most unique and liberal versions of a classic carol heard here yet. Based on “We Wish You A Merry Christmas,” Isadar characterizes it as “an uninhibited melancholy arrangement.” While I don’t know if “melancholy” is the word I would use to describe it, it does have a pensive quality and is presented more as a nocturne than usual lively carol it is known as. I really liked the interpretation and respect Isadar’s creativity and distinctive rendering of the song.<br> <br> “O Christmas” is an exceptional holiday collection, not only for Isadar’s elegant grand piano artistry, but as well for the interesting and sometimes unexpected repertoire contained within. Like ornaments on a tree, the songs adorn the album, enhancing its beauty with their diversity, individuality, and timelessness. Given the well-deserved accolades and popularity of Isadar’s distinctive piano style, I’m sure that fans will want to include “O Christmas” in their collection and make it a part of their holiday tradition.Contains:<br> "Greensleeves 2012"<br> - taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)<br> <br> Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.<br> <br> Note: “Greensleeves 2012” is a revisited and evolved arrangement which like my earlier version, was inspired by – and also pays ‘homage’ to – Liz Story’s brilliant take on this timeless piece.<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album review by: Michael Diamond (http://michaeldiamondmusic.com):<br> <br> Fresh on the heels of his highly acclaimed chart-topping CD, Reconstructed, Isadar gifts us with a sparkling new album of holiday-themed instrumental music for solo piano, entitled “O Christmas.” Given the proximity to his recent release, one might assume that this one was quickly produced, but in reality O Christmas has been 7 years in the making. Various circumstances including other recording projects, a segue into the field of video production, and a cross country move from NYC to the west coast and later back again, created delays with the completion of the album. But as they say, “good things come to those who wait.”<br> One of the most interesting things about this album is the fact that the selections are traditional Christmas songs, yet some were chosen because they are less well known, or “off the beaten path” as Isadar characterizes them. This follows the pattern set by his 1999 Christmas album “In Search For The Meaning Of Christmas,” yet this new CD mines even deeper in its quest for interesting and unusual choices.<br> <br> The album begins with a track called “Good Christian Men.” Steeped in history, the song dates back to 14th century Germany and its Latin title was originally “In Dulci Jubilo” before it was translated into English in the 1800’s. Isadar’s interpretation creates a lively and festive air that makes a perfect portal to the recording. The high-spirited mood continues on the next song, “Teddy Bears Picnic,” which although not technically a Christmas song, has been interwoven by Isadar with “March Of The Toys” to tie it in with the holidays – a clever arrangement of these intriguing melodies. One of the more well-known carols on the album is “O Christmas Tree” and is sure to have listeners humming along with it’s familiar refrain.<br> <br> A track entitled “Still” is an innovative rendition of the classic “Still, Still, Still” which Isadar has put his own spin on, or as he jokingly puts it “jazzed up shamelessly.” No such liberties were taken on the classic “O Come, O Come, Emmanuel,” however. This song provides a showcase for Isadar’s accomplished grand piano work, featuring lush left hand arpeggios creating a strong foundation for his more delicate right hand melodies to dance upon – a powerful and moving combination. Another of the less well known, yet equally inspiring tunes is a Puerto Rican carol entitled “Song Of The Wise Men.” It has been said that: “Christmas is, above all, a children’s holiday, and many hymns are addressed to children, reminding them that the real reason for the sugarplums and Christmas trees is the celebration of the birth of the Christ Child.” This theme is well reflected in Isadar’s choice of “O Come Little Children,” based on a carol from the 1800’s.<br> <br> Among my favorite tracks on the album are the wistful strains of “Greensleeves 2012,” which Isadar interprets with elegance and grandeur and also pays ‘homage’ to Liz Story’s brilliant take on this enduring composition. This is followed by a rendition of “Masters In This Hall,” which can best be described as, well… “masterful.” The song dates back to the sixteenth century, and is another of the less well-known tunes that Isadar has chosen to feature. The album draws to a close with Isadar invoking artistic license on what is perhaps one of the most unique and liberal versions of a classic carol heard here yet. Based on “We Wish You A Merry Christmas,” Isadar characterizes it as “an uninhibited melancholy arrangement.” While I don’t know if “melancholy” is the word I would use to describe it, it does have a pensive quality and is presented more as a nocturne than usual lively carol it is known as. I really liked the interpretation and respect Isadar’s creativity and distinctive rendering of the song.<br> <br> “O Christmas” is an exceptional holiday collection, not only for Isadar’s elegant grand piano artistry, but as well for the interesting and sometimes unexpected repertoire contained within. Like ornaments on a tree, the songs adorn the album, enhancing its beauty with their diversity, individuality, and timelessness. Given the well-deserved accolades and popularity of Isadar’s distinctive piano style, I’m sure that fans will want to include “O Christmas” in their collection and make it a part of their holiday tradition.
$5.99
5.48 €
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Piano seul
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Public Domain, as performed and recorded by Isadar
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Isadar
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Greensleeves 2012
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Mainya Music Publishing
#
SheetMusicPlus
The Girl from Ipanema for Solo Trumpet & Piano
Trompette, Piano
By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Musi…
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By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Arranged for Solo Bb Brass & Piano "Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel.<br> <br> The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964) which had also included the Portuguese lyrics sung by Astrud's then husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.<br> <br> Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.<br> <br> Ipanema is a fashionable seaside neighborhood located in the southern region of the city of Rio de Janeiro.<br> <br> <br> Helô Pinheiro, the woman who inspired the song, in 2006.<br> The song was composed for a musical comedy titled Dirigível (Blimp), then a work-in-progress of Vinicius de Moraes. The original title was "Menina que Passa" ("The Girl Who Passes By"); the first verse was different. Jobim composed the melody on his piano in his new house in Rua Barão da Torre, in Ipanema. In turn, Moraes had written the lyrics in Petrópolis, near Rio de Janeiro, as he had done with "Chega de Saudade" ("No More Blues") six years earlier.<br> <br> During a recording session in New York with João Gilberto, Antonio Carlos Jobim and Stan Getz, the idea of cutting an English-language version came up. Norman Gimbel wrote the English lyrics. João's wife, Astrud Gilberto, was the only one of the Brazilians who could speak English well and was chosen to sing. Her voice, without trained singer mannerisms, proved a perfect fit for the song. Ethel Ennis and Nat King Cole have also both recorded the song.<br> <br> The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helô Pinheiro), a seventeen-year-old girl living on Montenegro Street in Ipanema. Daily, she would stroll past the Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers saw the girl pass by the bar. Since the song became popular, she has become a celebrity.<br> <br> In Revelação: a verdadeira Garôta de Ipanema ("Revealed: The Real Girl from Ipanema") Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone—it is a gift of life in its beautiful and melancholic constant ebb and flow."<br> <br> Ella Fitzgerald recorded this song on her two-disc set of Brazilian music Ella Abraca Jobim, released on the label [[Pablo today}] in 1981.<br> <br> The legacy of "The Girl from Ipanema" was acknowledged by multiple aspects of the 2016 Summer Olympics and Paralympics held in Rio de Janeiro: the Olympic and Paralympic mascots were respectively named Vinicius and Tom after the song's co-writers by a public vote, while the Olympics' opening ceremony featured a segment themed around the song and the architecture of Oscar Niemeyer. Jobim's grandson Daniel performed the song during the segment, which also featured an appearance by Brazilian supermodel Gisele Bündchen. Spotify reported that the song had been streamed on its service 40,000 times per-day in the days following the ceremony (a 1200% increase), while in the U.S., the song reached #5 on Billboard's World Digital Songs chart the following week.Arranged for Solo Bb Brass & Piano "Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel.<br> <br> The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964) which had also included the Portuguese lyrics sung by Astrud's then husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.<br> <br> Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.<br> <br> Ipanema is a fashionable seaside neighborhood located in the southern region of the city of Rio de Janeiro.<br> <br> <br> Helô Pinheiro, the woman who inspired the song, in 2006.<br> The song was composed for a musical comedy titled Dirigível (Blimp), then a work-in-progress of Vinicius de Moraes. The original title was "Menina que Passa" ("The Girl Who Passes By"); the first verse was different. Jobim composed the melody on his piano in his new house in Rua Barão da Torre, in Ipanema. In turn, Moraes had written the lyrics in Petrópolis, near Rio de Janeiro, as he had done with "Chega de Saudade" ("No More Blues") six years earlier.<br> <br> During a recording session in New York with João Gilberto, Antonio Carlos Jobim and Stan Getz, the idea of cutting an English-language version came up. Norman Gimbel wrote the English lyrics. João's wife, Astrud Gilberto, was the only one of the Brazilians who could speak English well and was chosen to sing. Her voice, without trained singer mannerisms, proved a perfect fit for the song. Ethel Ennis and Nat King Cole have also both recorded the song.<br> <br> The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helô Pinheiro), a seventeen-year-old girl living on Montenegro Street in Ipanema. Daily, she would stroll past the Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers saw the girl pass by the bar. Since the song became popular, she has become a celebrity.<br> <br> In Revelação: a verdadeira Garôta de Ipanema ("Revealed: The Real Girl from Ipanema") Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone—it is a gift of life in its beautiful and melancholic constant ebb and flow."<br> <br> Ella Fitzgerald recorded this song on her two-disc set of Brazilian music Ella Abraca Jobim, released on the label [[Pablo today}] in 1981.<br> <br> The legacy of "The Girl from Ipanema" was acknowledged by multiple aspects of the 2016 Summer Olympics and Paralympics held in Rio de Janeiro: the Olympic and Paralympic mascots were respectively named Vinicius and Tom after the song's co-writers by a public vote, while the Olympics' opening ceremony featured a segment themed around the song and the architecture of Oscar Niemeyer. Jobim's grandson Daniel performed the song during the segment, which also featured an appearance by Brazilian supermodel Gisele Bündchen. Spotify reported that the song had been streamed on its service 40,000 times per-day in the days following the ceremony (a 1200% increase), while in the U.S., the song reached #5 on Billboard's World Digital Songs chart the following week.
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Trompette, Piano
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Various
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Keith Terrett
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The Girl from Ipanema for Solo Trumpet & Piano
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Music for all Occasions
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SheetMusicPlus
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