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Vous avez sélectionné:
High Speed On Ice
Partitions à imprimer
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High Speed On Ice
Basse electrique
Digital Download SKU: HX.405553 By Billy Sheehan and William Sheehan. Pop,Rock. Bas…
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Digital Download SKU: HX.405553 By Billy Sheehan and William Sheehan. Pop,Rock. Bass Tab. 9 pages. Published by Hal Leonard - Digital (HX.405553).
$4.99
4.6 €
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Basse electrique
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Billy Sheehan and William Sheehan
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High Speed On Ice
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Hal Leonard - Digital
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SheetMusicPlus
Violin Caprice No. 14
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.1180276 By Wersen. By Wersen. Arra…
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Violin Solo - Level 5 - Digital Download SKU: A0.1180276 By Wersen. By Wersen. Arranged by Wersen. 20th Century,Baroque,Early Music,Multicultural,Spiritual,World. 4 pages. Wersen #780184. Published by Wersen (A0.1180276). This is very hard and fun piece to practice. Possible with slow speed but almost impossible with actually speed. This is a violin caprice written in d minor and focuses on double stop, staccato, string crosses, and high notes.
$1.99
1.83 €
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Violon
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Wersen
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Wersen
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Violin Caprice No. 14
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Wersen
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SheetMusicPlus
Angels We Have Heard on High
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1292094 Composed by Music:Traditio…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1292094 Composed by Music:Traditional / Words by: James Chadwick. Arranged by John Chamley. Christian,Christmas,Classical,Folk,Traditional. Individual part. 3 pages. John Chamley #882686. Published by John Chamley (A0.1292094). This is a festive and fun piece. It will probably take some preparing to play this up to speed if you want to play it fast. The chorus has a nice counterÂmelody in the bass. The main melody also switches octaves as you might hear a choir exchange parts between the different voices. The first verse stays in the main voice, then the 2nd verse moves up an octave, then down to the bass strings. A certain amount of syncopation will keep the fingers busy on the right hand. The left will need to handle a few stretches but nothing outrageous. A 1/2 barre is required at one point along the way.
$2.99
2.76 €
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Guitare
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Music:Traditional / Words by: James Chadwick
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John Chamley
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Angels We Have Heard on High
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John Chamley
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SheetMusicPlus
An Appalachian Christmas (Angels We Have Heard on High)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.767653 Composed by French carol. Ar…
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Piano Solo - Level 3 - Digital Download SKU: A0.767653 Composed by French carol. Arranged by c.e. walz. Christian,Christmas,Folk,Sacred. Score. 4 pages. C.E. Walz #3907417. Published by C.E. Walz (A0.767653). I don't know if you've ever seen a great-grandmother dance a jig. Well, I see Grandma kick up her heels every time I play An Appalachian Christmas. I think it reminds her of the days back on the farm when all they had to make music was an old banjo and a washboard...and what fine music it was! This intermediate level piano solo can be practiced at a much slower pace than 104 bpm, but it will be fun working your way up to that speed (or faster) for performance. In the Appalachian style of a dulcimer drone, the bass employs a lot of fifths and repeated chords.Key of F with no key changes, four pages, performance time of approximately 2:15 minutes. .
$3.99
3.68 €
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Piano seul
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French carol
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c
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An Appalachian Christmas
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C.E. Walz
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SheetMusicPlus
Alice's Adventures Under Ground
2(1.pic, 2.pic & afl).2(2.ca)1.bcl.2(2.cbsn)-2.2.1.1-timp-3perc(chimes, mar, b.d., 2 windm…
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2(1.pic, 2.pic & afl).2(2.ca)1.bcl.2(2.cbsn)-2.2.1.1-timp-3perc(chimes, mar, b.d., 2 windmachines)-str(8.6.4.4.2 minimum) - Digital Download SKU: S9.Q49413 Opera. Composed by Gerald Barry. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 50 minutes. Schott Music - Digital #Q49413. Published by Schott Music - Digital (S9.Q49413). English • German • French • Russian.Gerald Barry’s new opera is based on Lewis Carroll’s two beloved books, Alice’s Adventures in Wonderland and Through the Looking Glass. As with Barry’s last opera, the lauded The Importance of Being Earnest, the composer has created the libretto himself from the author’s original texts. Thus, the work remains faithful to many aspects of the Alice story but is trimmed and compressed into a compact 70-minute opera in one act. Barry’s characteristic highspeed energy and riotous sense of humour propel the action forward in this surreal plunge into the depths of Wonderland.
$57.99
53.46 €
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Gerald Barry
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Alice's Adventures Under Ground
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Schott Music - Digital
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SheetMusicPlus
Alice's Adventures Under Ground
2(1.pic, 2.pic & afl).2(2.ca)1.bcl.2(2.cbsn)-2.2.1.1-timp-3perc(chimes, mar, b.d., 2 windm…
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2(1.pic, 2.pic & afl).2(2.ca)1.bcl.2(2.cbsn)-2.2.1.1-timp-3perc(chimes, mar, b.d., 2 windmachines)-str(8.6.4.4.2 minimum) - Digital Download SKU: S9.Q52885 Opera. Composed by Gerald Barry. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 50 minutes. Schott Music - Digital #Q52885. Published by Schott Music - Digital (S9.Q52885). English.Gerald Barry’s new opera is based on Lewis Carroll’s two beloved books, Alice’s Adventures in Wonderland and Through the Looking Glass. As with Barry’s last opera, the lauded The Importance of Being Earnest, the composer has created the libretto himself from the author’s original texts. Thus, the work remains faithful to many aspects of the Alice story but is trimmed and compressed into a compact 70-minute opera in one act. Barry’s characteristic highspeed energy and riotous sense of humour propel the action forward in this surreal plunge into the depths of Wonderland.
$71.99
66.36 €
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Gerald Barry
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Alice's Adventures Under Ground
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Schott Music - Digital
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SheetMusicPlus
Billy Sheehan: High Speed On Ice - bass (tablature) (bass guitar)
Basse electrique
Instantly printable sheet music by Billy Sheehan for bass (tablature) (bass guitar) of MED…
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Instantly printable sheet music by Billy Sheehan for bass (tablature) (bass guitar) of MEDIUM skill level. / pop,rock
$7.97
7.35 €
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Basse electrique
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Billy Sheehan
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Virtualsheetmusic
The Be-Bop Range Book
Trompette
Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. I…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.829071 Composed by Eric Bolvin. Instructional,Jazz. Individual part. 64 pages. ERIC V BOLVIN #3579875. Published by ERIC V BOLVIN (A0.829071). The Be-Bop Range Book is a creative approach to developing range, technique and improvisational be-bop skills for trumpet.IntroductionTrumpet range and developing it is one of the most common and controversial subjects among trumpet players, teachers and authors. Without delving too far into the physical and scientific aspects of trumpet playing, allow me to paraphrase the great Yogi Berra;The upper register of the trumpet is the same as the middle and lower registers, just different.All trumpet playing is a coordination or balance of three things: air, tongue level and embouchure. It is through sensible, intelligent and consistent practice that we develop the skills necessary to play throughout the entire range of our instrument.Purpose Of This BookAlthough hitting the high note may be the quest for many trumpet players, a more useful and musical goal is developing a large playable range. This means being able to articulate and play musically and dynamically throughout the entire range of the instrument. This is accomplished through the use of Range Arcs, which are musical phrases that cover a large range. In addition to building our playable range, we are working on technique and adding to our jazz vocabulary.I originally developed the concept of Range Arcs in The Modern Jazz Trumpet Method. Many players have commented on how useful these studies are, so I decided to expand on it here. For more rudimentary range, flexibility and endurance study, seeTongue Level & Air.The Approach NoteI have found that how we approach the highest note of a musical phrase is critical to range development. This aspect of range development is presented here in a progressive, creative format.Exercises 1-5 use the Chromatic Approach. This means that the highest note of the arc is approached from a 1â„2 step below. The exercises continue, adding a 1â„2 step to the approach note every five exercises.Articulation & PhrasingAll exercises in this book are to be played in a swing style. However, if you are having trouble with an exercise, sometimes playing it straight may help. Jazz articulation should also be employed throughout. What does that mean exactly? Jazz trumpet articulation is as spontaneous and individual as an improvised solo. Honestly, if I have to think about it, I can’t do it. The best advice is to listen to the trumpet players quoted in this book and to as much jazz trumpet as you can. Transcribe and play solos while emulating their style and articulation.Immersing yourself in this will result in your own personal style of articulation. Jazz articulation on trumpet is also born out of necessity. Some slurs in a line may just not be possible so you must tongue. This will be revealed when you start some of the exercises that contain wider intervals.How To Use This BookEach exercise group consists of a Range Arc, Range Builder and Range Builder Extended. Each group should be practiced for at least one week before moving ahead to the next one.Range ArcsThe Range Arc is the original lick. Many of these have been borrowed from some of the great jazz trumpeters of all time; Freddie Hubbard, Clifford Brown, Lee Morgan, Chet Baker, Tom Harrell, Randy Brecker, Fats Navarro and Blue Mitchell.You should begin with the key that is marked with an asterisk * ; it is an easy key and range and will help you familiarize yourself with the lick. Practice slowly at first and then work for speed. Once you are familiar with the * lick, start at the beginning of the Range Arc. Work on each key until you get it smoothly. Repeat as needed and rest between each key. Take the D.C. and play 8va through the indicated key (see the box at the end of the Range Arc) that takes you to High C. Rest for 15 minutes.Range BuildersAfter resting, you are ready for the Range Builder. These are short.
$16.95
15.63 €
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Trompette
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Eric Bolvin
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Air
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The Be-Bop Range Book
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ERIC V BOLVIN
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SheetMusicPlus
Eternal Bridge For Oboe Harp And Strings
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SK…
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
23.05 €
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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SheetMusicPlus
Race to the Peak
1 Piano, 4 mains
Piano duet - Early Intermediate - Digital Download SKU: F0.E1061 This title is o…
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Piano duet - Early Intermediate - Digital Download SKU: F0.E1061 This title is on the 2017-2021 National Federation of Music Clubs list. Composed by Melody Bober. Sheet Music. The FJH Piano Ensemble Series. Duet Sheet. 5 pages. The FJH Music Company - Digital #E1061. Published by The FJH Music Company - Digital (F0.E1061). UPC: 674398222087.Race to the Peak is an energized, high-speed duet that explores the full range of the piano. Written in the key of D minor, this piece contains a quick rhythmic tempo with easy to learn patterns, a catchy melody in the primo part, often played in unison by both hands, and a variety of accompaniment patterns in the secondo part. Students will definitely be enthusiastic to practice and perform this duet with accuracy and speed!
$3.50
3.23 €
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1 Piano, 4 mains
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Melody Bober
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Race to the Peak
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The FJH Music Company - Digital
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SheetMusicPlus
RAGING FURIES - Goettinnen der Rache
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orches…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
46.05 €
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Orchestre
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der Rache
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Fajora Music
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SheetMusicPlus
Horn Sonata - No. 1 - 3rd Movement - Allegro
Cor
French Horn Solo - Level 5 - Digital Download SKU: A0.767342 Composed by Lyons Musi…
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French Horn Solo - Level 5 - Digital Download SKU: A0.767342 Composed by Lyons Music Services. Concert,Contemporary. Individual part. 4 pages. Lyons Music Services #3512417. Published by Lyons Music Services (A0.767342). This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc.I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still usefull to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting hoirn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly.The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better.This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$9.00
8.3 €
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Cor
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Lyons Music Services
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Horn Sonata - No. 1 - 3rd Movement - Allegro
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Lyons Music Services
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SheetMusicPlus
Horn Sonata No. 1 (Complete)
Cor
French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons…
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French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
16.59 €
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Cor
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Mike Lyons
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Horn Sonata No. 1
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Lyons Music Services
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SheetMusicPlus
Entrainment (2009)
Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - Digital Download …
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Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - Digital Download SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Enigma Music #4984881. Published by Enigma Music (A0.816703). Entrainment (2009)Written for New Noise​Oboe & PercussionEntrainment is the process by which two oscillating systems, which have different periods when they function independently, assume the same period when interacting. The principle of entrainment is universal, appearing in chemistry, pharmacology, biology, medicine, psychology, sociology, astronomy, architecture to name but a few.This piece explores the entrainment of tempo with two initially diverse tempo structures synchronising after a period of four minutes. At the start of the score the oboe begins at 137 bpm and the percussionist at 63 bpm. Over the course of the four minutes the percussionist speeds up whilst the oboist slows down resulting in the tempi synchronising at four minutes. After four minutes the two instruments begin a discourse in unison (rhythmically, melodically, and dynamically): the musical equivalent of total synchronisation. In the final section of the piece the parts diverge with the percussionist slowing down and the oboe part maintaining its speed.As with many of my pieces, the starting point for Entrainment was an external source, in this case the song Time by Pink Floyd. The rhythmic lines throughout Entrainment are based on the rhythm to the bass line of the first part of Time. This can be clearly seen in the opening in which the oboe part employs this rhythm.Harmonically Entrainment consists of a series of key centres whose period is determined by points within the four minutes where either of the two independent parts briefly synchronise at the semiquaver level with the unit of a second. At each of these points (which become more frequent as the piece progresses), the harmonic centre changes. The harmonic centres relate directly to the chord structure of Pink Floyd's Time: at each point where either part synchronises with seconds the harmonic centre in both parts moves one chord through Time's chord sequence. At 2' 19'' the percussion and oboe part synchronise (albeit briefly) for the first time. This event was used to mark the start of more polytonal harmony as both instruments from this point forward begin their own cycles through the Time chords. Throughout the piece, points of synchronisation are highlighted musically.Performance mp3 recordings that contain a dual click track for the first four minutes of the piece can be obtained by contacting guybunce@hotmail.com. The click track is arranged so that the oboe click is on the left channel and the percussion click is on the right. An alternative click track (track 3) is also provided using a different sound (a beep). The performers should wear the headphone in one ear which corresponds to the track of their part. The dual click track can then be played on a single CD player (or mp3 player) with the output going to both sets of headphones using a headphone splitter or other device. Alternatively, files can be put on either two iPods or Mp3 players. The players will then have to synchronize the beginnings of each track.It is possible to play the piece without the use of the click track(s). If this is the case, performers should use the metronome markings and general layout of the score to aid performance. It is advisable that one player (possibly the oboist) sets the tempo and tempo changes, and the other player follows.It was not always possible to represent accurately the relationship between the two parts in the score. Arrows have been added on the score to show points of synchronisation where the score layout differs.
$7.99
7.37 €
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Guy Bunce
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Entrainment
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Enigma Music
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SheetMusicPlus
1917: The Halifax Disaster
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenn…
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Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
21.19 €
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Orchestre d'harmonie
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Wheels Duets
Instrumental Duet - Level 3 - Digital Download SKU: A0.1392905 Composed by Jordan M…
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Instrumental Duet - Level 3 - Digital Download SKU: A0.1392905 Composed by Jordan Morrison. 21st Century,Chamber,Contemporary,Instructional,Multicultural,World. 4 pages. Jordan Morrison Music #976431. Published by Jordan Morrison Music (A0.1392905). These two alternative notation duets are geared towards making a duo communicate, listen, flex their creativity, focus on sounds, and make artistic choices. You can read more below from the performance notes for the series but the highlights include: Choice of open instrumentation, choice of paper orientation, choice of rotation (clockwise or counter-clockwise), and choice of speed. More info below!The outside of the wheel connects to the events which are to be played upon an instrument capable of producing the written chords, while the inside wheel connects to the events which are to be played upon an instrument capable of the range and 3 timbres (open, muted, and either a harmonic of a multiphonic)***. This piece is meant to begin at whichever musical event the performers agree upon and rotate in a clockwise or counter-clockwise motion which is also determined and agreed upon by the performers. The orientation of the page is also left to the players discretion but must be agreed upon. When the lines connecting the musical events to the wheel are staggered around the wheel then each musical event must be played in full before the other performer starts his or her next event. When the lines are directly across from one and other the events are to be played simultaneously. The musical events must stay in the order in which they occur around the wheel. When two lines connect a single musical event to the wheel, that event is to be vamped(repeated) until the completion of the other player's event which occurs within that time. The moments of locking in time(both performers playing the selected notes in time with one another) are indicated by parentheses around one or more notes in two simultaneous events***. Accidentals only apply to the note indicated and do not carry through the event. Feel free to connect with me on Instagram @jordan.morrison.music.
$15.00
13.83 €
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Jordan Morrison
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Wheels Duets
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Jordan Morrison Music
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SheetMusicPlus
Dance of the Tumblers (Dance of the Clowns)
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.808695 Composed by Nikolai Rims…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patriotic,Romantic Period. Score and parts. 44 pages. Sweetwater Brass Press #4819845. Published by Sweetwater Brass Press (A0.808695).   Nikolai Rimsky-Korsakov composed his third opera, The Snow Maiden, during the period 1880-1881. Based on Alexander Ostrovsky’s play of the same name, The Snow Maiden uses fairy-tale characters to portray the opposing forces of nature, winter versus summer. Act 3 contains the Dance of the Skomorokhi. Skomorokhi were traveling performers in old Russia and, in connection with this composition, the term is usually translated as tumblers or clowns. Rimsky-Korsakov also included this selection as one of four movements he compiled into a concert suite based on the opera. Dance of the Tumblers has become one of his most frequently performed and best known pieces.  Light and uplifting, Dance of the Tumblers is vibrant, energetic and addictive. It takes the form of, as one commenter wrote, a classical sonata-structure, complete with development section, invigoratingly intensified reprise, and a veritable whirlwind of a coda. This brass quintet arrangement retains the original key signature of C but adjusts register to make the melodies accessible and playable. As a result, most notes are well within the normal playing range of the five brass instruments. Trumpet 1’s highest note is its A above the staff. At measures 132 and 133, Trumpet 2 has the option of playing some high notes (including one C above its staff) an octave down. Tuba plays mostly in the lowest register, with quite a few low F notes and one low E. Most instruments have some octave jumps, but all have a lot of notes to play in a very short time: many, many sixteenth notes. The score is marked Vivace, and the audio sample moves along at a pretty fast clip. But of course, the speed at which performers actually play the piece is up to them, a matter of interpretation.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$14.95
13.78 €
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Ensemble de cuivres
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Nikolai Rimsky-Korsakov
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F
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Dance of the Tumblers
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Sweetwater Brass Press
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SheetMusicPlus
Local Hero - Wild Theme
Guitar,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1277982
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Guitar,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1277982 By Dire Straits. By Mark Knopfler. Arranged by Derek Hasted. Film/TV,Pop. 16 pages. Derek Hasted #869685. Published by Derek Hasted (A0.1277982). LOCAL HERO - WILD THEME - TENOR SAX and GUITAR DUETSuits Classical, Acoustic or Electric GuitarDerek Hasted writes Rightly described as an astonishingly beautiful piece, this music from the film Local Hero actually features twice on the soundtrack album, in different keys with different solo instruments.My arrangement for Tenor Sax and Classical Guitar exploits the sustain of the sax and the soft tones of nylon strings and works well at a slightly more modest pace compared to the original. I’ve taken the theme from the closing soundtrack version, where the melody is clear and powerful. My arrangement includes one or two little bits of Mark Knopfler’s quasi-improvised variations on the tune. Note that the guitar part is played with a Capo on the first fret so that both players can enjoy an accessible key signature. The guitar part goes up the neck, and the position numbers are relative to the Capo (ie one fret higher than if there was no Capo fitted).There are two arrangements here - one in the husky low register of the sax, to suit a less experienced player, and one an octave higher that has a few challenging notes at the top, but sings out in a gloriously powerful way. The sound clip on the SheetMusicPlus website has a little of both arrangements.There are no dynamics, but the changing texture of the accompaniment creates the illusion of dynamic changes and you are welcome to add phrasing and dynamics to make the performance “yoursâ€.The guitar part is a little challenging at speed but this will suit confident intermediate players.This enjoyable concert item has a wonderfully captivating melody that the audience will be humming all the way home...I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.6 €
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Dire Straits
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Derek Hasted
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Local Hero - Wild Theme
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Derek Hasted
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SheetMusicPlus
Magic.. For Flute solo
Flûte traversière
Flute Solo - Level 4 - Digital Download SKU: A0.954360 Composed by Jaycee Brown, JC…
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Flute Solo - Level 4 - Digital Download SKU: A0.954360 Composed by Jaycee Brown, JCBmusic. Contemporary,Instructional,World. Individual part. 2 pages. Rachel Brown #3530331. Published by Rachel Brown (A0.954360). Flute solo using the East European scale. Length is approximately 2 minutes depending on your end speed. (It's not on the computerized recording, but the piece is to start slowly and get faster) Aimed at high intermediate to advanced players - the end is quite hard work for the fingers and brain with lots of ornaments and a high Bb with no run up. Something to have fun with, but could also be a nice little filler for performances. Please let me know about any public performances. Thanks.
$1.99
1.83 €
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Flûte traversière
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Jaycee Brown, JCBmusic
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Magic.. For Flute solo
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Rachel Brown
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SheetMusicPlus
Forest Green
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1199167 By Kathleen Ryan. By Kathle…
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Piano Solo - Level 5 - Digital Download SKU: A0.1199167 By Kathleen Ryan. By Kathleen Ryan. Arranged by Kathleen Ryan. Classical,Contemporary,New Age. Score. 6 pages. Indigo Mesa Music LLC #798231. Published by Indigo Mesa Music LLC (A0.1199167). English folk song.I have set this melody in several arrangements; this is actually the most rambunctious of the lot! This is bravura piano playing and not for the faint of heart. The right hand has a long passage of double notes at 16th-note speed. The left hand plays 8th-note many-octave-spanning double notes for much of the arrangement, and then has double notes at 16th-note speed for the final section. To perform this will require a lot of practice and then sheer (relaxed!) bravado.Forest Green is really my all-time favorite melody. I anticipate setting it a dozen or more different ways.For example, this is the melody the English use for the Christmas carol O Little Town of Bethlehem, and I have arranged it more lyrically for that song. Perhaps someday it will make it onto a CD.I have also used this melody for the final section of my arrangement of All Through the Night on Under the Greenwood Tree. That is a far more lyrical arrangement as well.This melody, in a highly arranged version, also makes a cameo in These Hands Held Music, on Passages.All of these arrangements are currently available in pdf. Who knows, perhaps someday I’ll create an entire album of arrangements of Forest Green!~ Kathleen
$5.25
4.84 €
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Piano seul
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Kathleen Ryan
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Kathleen Ryan
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Forest Green
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Indigo Mesa Music LLC
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SheetMusicPlus
In My Life
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1240327 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Baroque,Pop,Rock,Wedding. 9 pages. RayThompsonMusic #835697. Published by RayThompsonMusic (A0.1240327). Arranged wind quartet: fl, ob, clt and bsnIn My Life is a song by the English rock band the Beatles. It appeared on their 1965 album Rubber Soul. Its lyrics were written primarily by John Lennon, credited to Lennon–McCartney. George Martin contributed the  solo bridge passage.The song was recorded on 18 October 1965, and was complete except for the instrumental bridge. At that time, Lennon had not decided what instrument to use, but he subsequently asked George Martin to play a piano solo, suggesting something Baroque-sounding. Martin wrote a Bach-influenced piece that he found he could not play at the song's tempo. On 22 October, the solo was recorded with the tape running at half speed, so when played back at normal pace the piano was twice as fast and an octave higher, solving the performance challenge and also giving the solo a unique timbre, reminiscent of a harpsichord.According to Lennon, In My Life was his first real major piece of work because it was the first time he wrote about his own life.In 2000, Mojo named In My Life the best song of all time. Rolling Stone ranked it number 23 on its 2004 list of The 500 Greatest Songs of All Time, and number 98 on the 2021 revised list, as well as fifth on its list of the Beatles' 100 Greatest Songs.i have given 1st verse to oboe, and the 2nd verse to the clrinet.The mp3 excerpt is the end of the clarinet verse going into the bridge.
$14.99
13.82 €
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Flûte, Hautbois, Clarinette, Basson
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The Beatles
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Ray Thompson
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In My Life
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RayThompsonMusic
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SheetMusicPlus
In My Life
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1273254 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 10 pages. RayThompsonMusic #865399. Published by RayThompsonMusic (A0.1273254). Arranged wind quintet: fl, ob, clt, hn and bsnIn My Life is a song by the English rock band the Beatles. It appeared on their 1965 album Rubber Soul. Its lyrics were written primarily by John Lennon, credited to Lennon–McCartney. George Martin contributed the  solo bridge passage.The song was recorded on 18 October 1965, and was complete except for the instrumental bridge. At that time, Lennon had not decided what instrument to use, but he subsequently asked George Martin to play a piano solo, suggesting something Baroque-sounding. Martin wrote a Bach-influenced piece that he found he could not play at the song's tempo. On 22 October, the solo was recorded with the tape running at half speed, so when played back at normal pace the piano was twice as fast and an octave higher, solving the performance challenge and also giving the solo a unique timbre, reminiscent of a harpsichord.According to Lennon, In My Life was his first real major piece of work because it was the first time he wrote about his own life.In 2000, Mojo named In My Life the best song of all time. Rolling Stone ranked it number 23 on its 2004 list of The 500 Greatest Songs of All Time, and number 98 on the 2021 revised list, as well as fifth on its list of the Beatles' 100 Greatest Songs.i have given 1st verse to oboe, and the 2nd verse to the clarinet.The mp3 excerpt is the end of the clarinet verse going into the bridge.
$17.95
16.55 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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The Beatles
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Ray Thompson
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In My Life
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RayThompsonMusic
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SheetMusicPlus
In My Life
Hautbois, Clarinette, Basson (trio d'anches)
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download
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Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.745315 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Baroque,Pop. 7 pages. RayThompsonMusic #353329. Published by RayThompsonMusic (A0.745315). In My Life is a song by The Beatles released on the 1965 album Rubber Soul, written mainly by John Lennon and credited to Lennon–McCartney. George Martin, who produced the recording, contributed the instrumental bridge. It is ranked 23rd on Rolling Stone's The 500 Greatest Songs of All Time as well as fifth on their list of the Beatles' 100 Greatest Songs. The song was recorded on 18 October 1965, and was complete except for the instrumental bridge. At that time, Lennon had not decided what instrument to use, but he subsequently asked George Martin to play a piano solo, suggesting something Baroque-sounding.Martin wrote a Bach-influenced piece that he found he could not play at the song's tempo. On 22 October, the solo was recorded with the tape running at half speed, so when played back at normal pace the piano was twice as fast and an octave higher, solving the performance challenge and also giving the solo a unique timbre, reminiscent of a harpsichord.I have arranged it for a woodwind trio of flute, clarinet and bassoon. (The flute part could be played by oboe) Check out all of my Beatles trios:Because, Blackbird,Hey Jude, In my life, Ob-la-di, Strawberry Fields Forever.
$14.95
13.78 €
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Hautbois, Clarinette, Basson (trio d'anches)
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The Beatles
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Ray Thompson
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In My Life
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RayThompsonMusic
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SheetMusicPlus
Local Hero - Wild Theme
B-Flat Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1277944
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B-Flat Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1277944 By Dire Straits. By Mark Knopfler. Arranged by Derek Hasted. Film/TV,Pop. 13 pages. Derek Hasted #869648. Published by Derek Hasted (A0.1277944). LOCAL HERO - WILD THEME - Bb CLARINET and GUITAR DUETSuits Classical, Acoustic or Electric Guitar Derek Hasted writes Rightly described as an astonishingly beautiful piece, this music from the film Local Hero actually features twice on the soundtrack album, in different keys with different solo instruments.My arrangement for Bb clarinet and classical guitar exploits the sustain of the clarinet and the soft tones of nylon strings and works well at a slightly more modest pace compared to the original. I’ve taken the theme from the closing soundtrack version, where the melody is clear and powerful. My arrangement includes one or two little bits of Mark Knopfler’s quasi-improvised variations on the tune. Note that the guitar part is played with a Capo on the first fret so that both players can enjoy an accessible key signature. The guitar part goes up the neck, and the position numbers are relative to the Capo (ie one fret higher than if there was no Capo fitted).There are no dynamics, but the changing texture of the accompaniment creates the illusion of dynamic changes and you are welcome to add phrasing and dynamics to make the performance “yoursâ€.The guitar part is a little challenging at speed but this will suit confident intermediate players.This enjoyable concert item has a wonderfully captivating melody that the audience will be humming all the way home...I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.6 €
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Dire Straits
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Derek Hasted
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Local Hero - Wild Theme
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Derek Hasted
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SheetMusicPlus
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