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Le testament
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Llobet : Le testament d'Amelia
Guitare
Téléchargez la tablature et la partition Guitare Le testament d'Amelia …
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Téléchargez la tablature et la partition Guitare Le testament d'Amelia de Llobet. Tab pour Guitare seule -- Classique,Musique du monde
5.99 €
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Guitare
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Llobet
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Le testament d'Amelia
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Tomplay
Le Vent, Le Cri
Flûte traversière
Flute Solo,Soprano Flute - Level 1 - Digital Download SKU: A0.1435030 Composed by E…
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Flute Solo,Soprano Flute - Level 1 - Digital Download SKU: A0.1435030 Composed by Ennio Morricone. Arranged by J.Palacius. 20th Century,Contemporary,Film/TV,Soul,Standards. Individual part. 20 pages. Jhavilah #1013107. Published by Jhavilah (A0.1435030). Le vent, le cri by Ennio Morricone is a mesmerizing composition that captures the listener's imagination with its evocative melody and atmospheric soundscape.The piece begins with a delicate interplay of strings, creating a sense of anticipation and mystery. The haunting melody is then introduced, carried by a solitary flute, its notes weaving through the air like leaves caught in the wind.As the music unfolds, additional instruments join the arrangement, adding layers of depth and texture to the composition. The strings swell and recede, mimicking the ebb and flow of the wind, while subtle percussion accents evoke the rhythmic patter of raindrops on a windowpane.Throughout the piece, Morricone masterfully creates a sense of space and atmosphere, transporting the listener to a world of quiet introspection and contemplation. The music is both haunting and beautiful, its melancholic melody lingering in the mind long after the final notes have faded away.Le vent, le cri is a testament to Morricone's skill as a composer, showcasing his ability to evoke powerful emotions through the language of music. It is a piece that speaks to the soul, inviting the listener to lose themselves in its haunting beauty and timeless elegance.Le vent, le cri by Ennio Morricone is a mesmerizing composition that captures the listener's imagination with its evocative melody and atmospheric soundscape.The piece begins with a delicate interplay of strings, creating a sense of anticipation and mystery. The haunting melody is then introduced, carried by a solitary flute, its notes weaving through the air like leaves caught in the wind.As the music unfolds, additional instruments join the arrangement, adding layers of depth and texture to the composition. The strings swell and recede, mimicking the ebb and flow of the wind, while subtle percussion accents evoke the rhythmic patter of raindrops on a windowpane.Throughout the piece, Morricone masterfully creates a sense of space and atmosphere, transporting the listener to a world of quiet introspection and contemplation. The music is both haunting and beautiful, its melancholic melody lingering in the mind long after the final notes have faded away.Le vent, le cri is a testament to Morricone's skill as a composer, showcasing his ability to evoke powerful emotions through the language of music. It is a piece that speaks to the soul, inviting the listener to lose themselves in its haunting beauty and timeless elegance.
$5.99
5.48 €
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Flûte traversière
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Ennio Morricone
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J
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Le Vent, Le Cri
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Jhavilah
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SheetMusicPlus
9. Béni soit le Seigneur (Blessed be the Lord)
B-Flat Clarinet,B-Flat Trumpet,Bassoon,Cello,Congas,Double Bass,Drum Set,Flute,Horn,Oboe,T…
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B-Flat Clarinet,B-Flat Trumpet,Bassoon,Cello,Congas,Double Bass,Drum Set,Flute,Horn,Oboe,Trombone,Viola,Violin,Xylophone - Level 3 - Digital Download SKU: A0.1169155 Composed by Ralph Coleman. Broadway,Christian,Classical,Musical/Show,Religious. 62 pages. Ralph Coleman #769505. Published by Ralph Coleman (A0.1169155). This musical Ruth tells the story according to the Jewish tradition. This story is also one of the books in the Bible, in the Old Testament. While artistic and historical licence has been taken, I believe that this musical is true to the essence, values and integrity of a story that is part of the religious tradition of millions of people worldwide.The musical has been written for a small orchestra with a difficulty grade of 3, making it perfectly accessible to collegiate symphonic ensembles. Lyrics in English and French are available.The ninth piece (out of a total of 16) named Béni soit le Seigneur (Blessed be the Lord) has a duration of 04:40. Naomi rejoices that Ruth went into Boaz' field to glean, who was very generous with her. She blesses the Lord who guided her footsteps and suggests to Ruth to ask Boaz to marry her so that she will be kept from need in the future.
$50.00
45.74 €
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Ralph Coleman
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9. Béni soit le Seigneur
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Ralph Coleman
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SheetMusicPlus
14. Le chant des servantes (The maid-servants' song)
B-Flat Clarinet,Bassoon,Cello,Double Bass,Glockenspiel,Oboe,Piccolo,Tambourine,Timpani,Tro…
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B-Flat Clarinet,Bassoon,Cello,Double Bass,Glockenspiel,Oboe,Piccolo,Tambourine,Timpani,Trombone,Viola,Violin - Level 3 - Digital Download SKU: A0.1169180 Composed by Ralph Coleman. Broadway,Christian,Classical,Musical/Show,Religious. 45 pages. Ralph Coleman #769529. Published by Ralph Coleman (A0.1169180). This musical Ruth tells the story according to the Jewish tradition. This story is also one of the books in the Bible, in the Old Testament. While artistic and historical licence has been taken, I believe that this musical is true to the essence, values and integrity of a story that is part of the religious tradition of millions of people worldwide.The musical has been written for a small orchestra with a difficulty grade of 3, making it perfectly accessible to collegiate symphonic ensembles. Lyrics in English and French are available.The fourteenth piece (out of a total of 16) named Le chant des servantes (The maid-servants' song) has a duration of 03:00. After the announcement of the marriage of their master Boaz with Ruth, the maid-servants lament about it in song, because they would have dreamed to be the chosen one.
$50.00
45.74 €
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Ralph Coleman
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14. Le chant des servantes
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Ralph Coleman
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SheetMusicPlus
2. Sur le chemin (On the road)
B-Flat Clarinet,Bass Drum,Bassoon,Cello,Double Bass,Drum Set,Flute,Horn,Oboe,Tambourine,Vi…
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B-Flat Clarinet,Bass Drum,Bassoon,Cello,Double Bass,Drum Set,Flute,Horn,Oboe,Tambourine,Viola,Violin - Level 3 - Digital Download SKU: A0.1169128 Composed by Ralph Coleman. Broadway,Christian,Classical,Musical/Show,Religious. 34 pages. Ralph Coleman #769478. Published by Ralph Coleman (A0.1169128). This musical Ruth tells the story according to the Jewish tradition. This story is also one of the books in the Bible, in the Old Testament. While artistic and historical licence has been taken, I believe that this musical is true to the essence, values and integrity of a story that is part of the religious tradition of millions of people worldwide.The musical has been written for a small orchestra with a difficulty grade of 3, making it perfectly accessible to collegiate symphonic ensembles. Lyrics in English and French are available.The second piece (out of a total of 16) named Sur le chemin (On the road) has a duration of 02:50. The scene is when Naomi, Orpa and Ruth are walking on the road to Bethlehem, and Orpa decides to go back to her father's home.
$50.00
45.74 €
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Ralph Coleman
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2. Sur le chemin
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Ralph Coleman
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SheetMusicPlus
Georges Brassens: Le testament
Piano, Voix et Guitare
4.99 €
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Piano, Voix et Guitare
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Georges Brassens: Le testament
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Le testament
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Quickpartitions
Le Vent, Le Cri
Flûte traversière
Flute Solo,Soprano Flute - Level 1 - Digital Download SKU: A0.1432630 Composed by E…
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Flute Solo,Soprano Flute - Level 1 - Digital Download SKU: A0.1432630 Composed by Ennio Morricone. Arranged by J.Palacius. 20th Century,Film/TV,Lent,Romantic Period,Standards. Individual part. 20 pages. Jhavilah #1013052. Published by Jhavilah (A0.1432630). Le vent, le cri by Ennio Morricone is a mesmerizing composition that captures the listener's imagination with its evocative melody and atmospheric soundscape.The piece begins with a delicate interplay of strings, creating a sense of anticipation and mystery. The haunting melody is then introduced, carried by a solitary flute, its notes weaving through the air like leaves caught in the wind.As the music unfolds, additional instruments join the arrangement, adding layers of depth and texture to the composition. The strings swell and recede, mimicking the ebb and flow of the wind, while subtle percussion accents evoke the rhythmic patter of raindrops on a windowpane.Throughout the piece, Morricone masterfully creates a sense of space and atmosphere, transporting the listener to a world of quiet introspection and contemplation. The music is both haunting and beautiful, its melancholic melody lingering in the mind long after the final notes have faded away.Le vent, le cri is a testament to Morricone's skill as a composer, showcasing his ability to evoke powerful emotions through the language of music. It is a piece that speaks to the soul, inviting the listener to lose themselves in its haunting beauty and timeless elegance.
$5.99
5.48 €
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Flûte traversière
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Ennio Morricone
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J
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Le Vent, Le Cri
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Jhavilah
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SheetMusicPlus
Requiem
Soprano solo, baritone solo, mixed choir and orchestra (flute, oboe, cor anglais, bassoon,…
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Soprano solo, baritone solo, mixed choir and orchestra (flute, oboe, cor anglais, bassoon, 2 horns in F, harpsichord, strings) - advanced to difficult - Digital Download SKU: S9.Q26234 With texts from the Old and New Testaments. Composed by Eduard Puetz. This edition: wind parts. Parts. Duration 18 minutes. Schott Music - Digital #Q26234. Published by Schott Music - Digital (S9.Q26234). Seit jeher gehören berühmte Requiem-Vertonungen zu den großen interpretatorischen Herausforderungen im Bereich der Chorliteratur. In seiner modernen Komposition spiegelt der rheinische Komponist Eduard Pütz (1911–2000) unsere Zeit auf musikalischer aber auch gesellschaftlicher Ebene in vielfältiger Weise wider. Die Komposition wird von drei musikalischen Vorstellungen geprägt: In den Rahmensätzen des Requiems greift Pütz den traditionellen lateinischen Text der Totenmesse auf (Requiem aeternam – Agnus Dei). Der musikalische Charakter dieser Chorsätze ist ernst, erhaben und in der Tonsprache eher konservativ. Pütz knüpft hier an die überlieferten musikali¬schen Traditionen an. In den knappen rezitativähnlichen Solosätzen für Sopran und Bariton hingegen bedient sich Pütz der Klangpalette der Moderne. In den hoch expressiven Passagen der Singstimmen und der feingliedrigen, dissonan¬zenreichen Orchesterbegleitung sind die Einflüsse von Komponisten wie Igor Strawinsky oder Paul Hindemith klar zu erkennen. Mit diesen Klängen setzt Pütz die Thematik der Solosätze eindringlich um: Die vom Komponisten ausgewählten Bibelworte klagen wütend die Schattenseiten der Menschheit an, ihre Bosheit, Unvernunft und Torheit. Gleichzeitig begibt sich der Komponist auf die Suche nach Gott und dem Sinn des Lebens. Deutlich sind hier persönliche Anliegen des Komponisten wie das Streben nach einem dauerhaften Weltfrieden zu spüren, die ihn zeitlebens bewegten. In den beiden dem Chor anvertrauten deutschsprachigen Kirchenchorälen verwendet Pütz erneut traditionellere tonale Klangmuster und schöpft dabei harmonisch aus der musikalischen Tonsprache des Jazz. Die Choräle sind Hilfeschreie und Aufforderungen an Gott, die Menschheit von den Nöten dieser Welt, die sie zum Teil mit verursacht haben, zu befreien.
$29.99
27.43 €
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Eduard Puetz
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Mussorgsky: Pictures at an Exhibition for Piano Quartet - 2nd Edition - Score Only
Piano Quartet - Level 5 - Digital Download SKU: A0.1397796 Composed by Modest Petro…
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Piano Quartet - Level 5 - Digital Download SKU: A0.1397796 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 104 pages. Jmsgu3 #981065. Published by jmsgu3 (A0.1397796). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.The composition was inspired by a visit to an art exhibition featuring the works of Mussorgsky's friend, the Russian artist Viktor Hartmann. The Pictures at an Exhibition pieces aim to capture the sketches, watercolors, and architectural designs displayed at the exhibition. Mussorgsky links the suite's movements to depict the viewer's progress through the exhibition. Two Promenade movements serve as portals to the various pictures, representing the composer himself strolling through the exhibition. Mussorgsky and Hartmann were devoted to the cause of an intrinsically Russian art, and their friendship likely developed in the home of the influential critic Vladimir Stasov, who followed both of their careers with interest. Mussorgsky's original composition is known for its multi-layered music imbued with energy and vitality, requiring the performer to move between soothing melodies, humorous tunes, and pounding rhythms. The suite's diverse range of musical styles and moods is a testament to Mussorgsky's skill as a composer.Pictures at an Exhibition (Картинки Ñ Ð²Ñ‹Ñтавки) by Modest PetroviÄ Musorgskij, 1874(МодеÑÑ‚ Петрович МуÑоргÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð”Ð¶ÐµÐ¹Ð¼Ñ Ðœ. Гатри)Score: 103 pages, 924 measures, duration: 34:30. Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)   Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупившихÑÑ Ð¿Ñ‚ÐµÐ½Ñ†Ð¾Ð²  Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)   Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) ПарижÑкие катакомбы Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)   Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. ЧаÑÑ‹ в руÑÑком Ñтиле   Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект городÑких ворот в Киеве. Главный фаÑадThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.
$32.95
30.14 €
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Pictures at an Exhibition for Piano Quartet - 2nd Edition - Score Only
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jmsgu3
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SheetMusicPlus
Thinking Händel for Baroque Horn Quartet
Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931276 Composed by Alessan…
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Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931276 Composed by Alessandro Macrì. Baroque,Classical,Concert,Instructional,Standards. Score and parts. 10 pages. Music Macri Editions #6082045. Published by Music Macri Editions (A0.931276). Thinking Händel è un tributo al grande compositore Georg Friedrich Händel, coetaneo di Johann Sebastian Bach, che fu tra i più illustri rappresentanti del barocco musicale. Scrisse opere, oratori e musica strumentale, assimilando gli stili del Settecento che fuse in una sintesi personale e unitaria.I primi successiHändel nacque nel 1685 a Halle, in Germania, da una famiglia senza tradizioni musicali. Iniziò da bambino lo studio della musica, dimostrando subito un grande talento come compositore e organista. All'università di Halle intraprese anche studi giuridici. Nel 1703 si stabilì ad Amburgo, dove lavorò come violinista e dove ebbero luogo le prime esecuzioni di sue musiche, tra cui l'opera Almira, regina di Castiglia (1705).Negli anni successivi compì diversi viaggi in Italia, in Germania e a Londra, dove nel 1711 fu rappresentata con grande successo la sua opera Rinaldo. Nonostante sia oggi conosciuto soprattutto per gli oratori e la musica strumentale, ai suoi tempi Händel fu molto apprezzato per le opere teatrali, prevalentemente composte secondo il modello dell'opera seria italiana (forme musicali). Ambientata in epoca classica, di argomento letterario o di ambientazione mitologica, l'opera seria alterna, in lingua italiana, recitativi e arie. I recitativi, con un'intonazione vicina alla lingua parlata, servivano a far procedere l'azione ed erano accompagnati dal cembalo e a volte dall'orchestra. Le arie, con intonazione melodica, avevano la funzione di esprimere gli stati d'animo o 'affetti' dei personaggi e in esse i cantanti mostravano la propria virtuosistica bravura.Al tempo del soggiorno londinese risalgono anche due significative composizioni orchestrali: le tre suite Musica sull'acqua (1715-36), nate per accompagnare le feste sul Tamigi di re Giorgio I, e i Sei concerti grossi op. 3 (1730-34), ispirati al modello del musicista italiano Arcangelo Corelli.La cittadinanza ingleseNel 1719 Händel promosse la fondazione di una società musicale privata, la Royal academy of music, e ne diventò direttore. Nel 1727 ottenne la cittadinanza inglese e per molti anni dominò la scena musicale britannica. Oltre alle circa quaranta opere teatrali, tra cui Giulio Cesare in Egitto (1723), Rodelinda regina de' Longobardi (1725), Ariodante (1734), Alcina (1735), Serse (1737-38), in questi anni scrisse più di venti oratori ‒ composizioni di argomento religioso, per soli, coro e orchestra ‒ in forma drammatica e in lingua inglese (con narrazione, personaggi e dialogo ma senza scena teatrale), per lo più con testi tratti dall'Antico Testamento (tra cui Esther, 1718, Saul e Israele in Egitto, del 1738 entrambi).L'adesione di Händel alla cultura inglese non fu occasionale, ma profondamente sentita: lo dimostrano alcuni lavori vocali e strumentali, come Acis e Galatea (1718, con una seconda versione nel 1732) e l'Ode per il giorno di s. Cecilia (1739), composti su testi di poeti inglesi di grande rilievo come John Dryden e Alexander Pope.Tra la musica strumentale, Händel dedicò in particolare all'organo, di cui era valente esecutore, ben venti concerti con orchestra.Il Messia e le ultime composizioniL'oratorio Messia è uno dei lavori più conosciuti di Händel: eseguito a Dublino nel 1742, fu scritto per una istituzione benefica in soli ventiquattro giorni. Il libretto di Charles Jennens, in inglese, illustra in tre parti i momenti più rilevanti della vita di Cristo con brani delle Sacre Scritture (è l'unico oratorio tratto dal Nuovo Testamento). La prima parte tratta dell'Avvento e del Natale; la seconda della Passione e della Resurrezione, culminante nel celebre Halleluja; la.
$3.00
2.74 €
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Alessandro Macrì
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Thinking Händel for Baroque Horn Quartet
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Music Macri Editions
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SheetMusicPlus
Jacques Leguerney: De L'Abîme Profond for soprano, baritone and piano
Voix duo, Piano
Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.534403 Composed b…
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Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. 15 pages. Musik Fabrik Music Publishing #3457407. Published by Musik Fabrik Music Publishing (A0.534403). This is one of two duets that Leguerney wrote for Geneviève Touraine and her brother, the famous French baritone Gérard Souzay. It was completed on 21 January 1950. The first performance, with Souzay and Touraine, was 21 June 1950 in the Parisian Salle Gaveau with Jacqueline Robin (Bonneau) at the piano. Previously unpublished, De l’abîme profond, was first recorded by soprano Danielle Borst and baritone Philippe Huttenlocher with Mary Dibbern at the piano. This was for the CD 50-9618, 28 Mélodies issued by Claves Records-Radio Suisse Romande: Espace 2 in 1996. The recording was recognized with the Grand Prix du Disque de l’Académie Charles Cros. The US premiere performance was by soprano Jill Pearon and baritone David Pittman-Jennings, accompanied by Mary Dibbern, during a recital at the Crane School of Music, SUNY-Potsdam, New York, 23 October 2007. The vocal range for the soprano line is C1-G#2 and for the baritone line is B-F1. The text’s poet, Jean de La Céppède (1550-1622), was born in Marseille and spent most of his life working as a lawyer and magistrate in Aix–en–Provence. His principal work, Théorèmes, consists of 515 sonnets dealing with the life of Jesus Christ and the “sacred mysteries of our redemption.†La Céppède’s poem is a translation of a psalm by David from the Old Testament of the Bible. Leguerney also set a psalm of David for medium voice and chamber orchestra, which was premiered by Gérard Souzay in 1954. This orchestral Psaume LXII de David is also published by Musik Fabrik. The French author Jean Roy, reviewing this duet in Le Monde de la Musique (January, 1997), wrote: “There is a grandeur and a dramatic sentiment that surpasses [a] work that one might dismiss as minor.†For a detailed discussion of the music and both a word-by-word English translation and International Phonetic Alphabet transcription of the French text, see The Songs of Jacques Leguerney: A Guide for Study and Performance by Mary Dibbern, Carol Kimball and Patrick Choukroun. Series VOX MUSICAE: The Voice, Vocal Pedagogy, and Song. General Editor : Kathleen L. Wilson. New York: Pendragon Press, 2001. 
$12.95
11.85 €
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Voix duo, Piano
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Jacques Leguerney
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Jacques Leguerney: De L'Abîme Profond for soprano, baritone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Requiem
Soprano, baritone, mixed choir and orchestra (flute, oboe, cor anglais, bassoon, 2 horns i…
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Soprano, baritone, mixed choir and orchestra (flute, oboe, cor anglais, bassoon, 2 horns in F, harpsichord, strings) - advanced to difficult - Digital Download SKU: S9.Q25979 After Texts from the Old and New Testament. Composed by Eduard Puetz. This edition: piano reduction with solo parts. Downloadable, Piano reduction with solo parts. Duration 18 minutes. Schott Music - Digital #Q25979. Published by Schott Music - Digital (S9.Q25979). Latin.Seit jeher gehören berühmte Requiem-Vertonungen zu den großen interpretatorischen Herausforderungen im Bereich der Chorliteratur. In seiner modernen Komposition spiegelt der rheinische Komponist Eduard Pütz (1911–2000) unsere Zeit auf musikalischer aber auch gesellschaftlicher Ebene in vielfältiger Weise wider. Die Komposition wird von drei musikalischen Vorstellungen geprägt: In den Rahmensätzen des Requiems greift Pütz den traditionellen lateinischen Text der Totenmesse auf (Requiem aeternam – Agnus Dei). Der musikalische Charakter dieser Chorsätze ist ernst, erhaben und in der Tonsprache eher konservativ. Pütz knüpft hier an die überlieferten musikali¬schen Traditionen an. In den knappen rezitativähnlichen Solosätzen für Sopran und Bariton hingegen bedient sich Pütz der Klangpalette der Moderne. In den hoch expressiven Passagen der Singstimmen und der feingliedrigen, dissonan¬zenreichen Orchesterbegleitung sind die Einflüsse von Komponisten wie Igor Strawinsky oder Paul Hindemith klar zu erkennen. Mit diesen Klängen setzt Pütz die Thematik der Solosätze eindringlich um: Die vom Komponisten ausgewählten Bibelworte klagen wütend die Schattenseiten der Menschheit an, ihre Bosheit, Unvernunft und Torheit. Gleichzeitig begibt sich der Komponist auf die Suche nach Gott und dem Sinn des Lebens. Deutlich sind hier persönliche Anliegen des Komponisten wie das Streben nach einem dauerhaften Weltfrieden zu spüren, die ihn zeitlebens bewegten. In den beiden dem Chor anvertrauten deutschsprachigen Kirchenchorälen verwendet Pütz erneut traditionellere tonale Klangmuster und schöpft dabei harmonisch aus der musikalischen Tonsprache des Jazz. Die Choräle sind Hilfeschreie und Aufforderungen an Gott, die Menschheit von den Nöten dieser Welt, die sie zum Teil mit verursacht haben, zu befreien.
$18.99
17.37 €
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Eduard Puetz
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Requiem
Soprano, baritone, mixed choir and orchestra (flute, oboe, cor anglais, bassoon, 2 horns i…
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Soprano, baritone, mixed choir and orchestra (flute, oboe, cor anglais, bassoon, 2 horns in F, harpsichord, strings) - advanced to difficult - Digital Download SKU: S9.Q25963 After Texts from the Old and New Testament. Composed by Eduard Puetz. This edition: score. Downloadable, Score. Duration 18 minutes. Schott Music - Digital #Q25963. Published by Schott Music - Digital (S9.Q25963). Latin.Seit jeher gehören berühmte Requiem-Vertonungen zu den großen interpretatorischen Herausforderungen im Bereich der Chorliteratur. In seiner modernen Komposition spiegelt der rheinische Komponist Eduard Pütz (1911–2000) unsere Zeit auf musikalischer aber auch gesellschaftlicher Ebene in vielfältiger Weise wider. Die Komposition wird von drei musikalischen Vorstellungen geprägt: In den Rahmensätzen des Requiems greift Pütz den traditionellen lateinischen Text der Totenmesse auf (Requiem aeternam – Agnus Dei). Der musikalische Charakter dieser Chorsätze ist ernst, erhaben und in der Tonsprache eher konservativ. Pütz knüpft hier an die überlieferten musikali¬schen Traditionen an. In den knappen rezitativähnlichen Solosätzen für Sopran und Bariton hingegen bedient sich Pütz der Klangpalette der Moderne. In den hoch expressiven Passagen der Singstimmen und der feingliedrigen, dissonan¬zenreichen Orchesterbegleitung sind die Einflüsse von Komponisten wie Igor Strawinsky oder Paul Hindemith klar zu erkennen. Mit diesen Klängen setzt Pütz die Thematik der Solosätze eindringlich um: Die vom Komponisten ausgewählten Bibelworte klagen wütend die Schattenseiten der Menschheit an, ihre Bosheit, Unvernunft und Torheit. Gleichzeitig begibt sich der Komponist auf die Suche nach Gott und dem Sinn des Lebens. Deutlich sind hier persönliche Anliegen des Komponisten wie das Streben nach einem dauerhaften Weltfrieden zu spüren, die ihn zeitlebens bewegten. In den beiden dem Chor anvertrauten deutschsprachigen Kirchenchorälen verwendet Pütz erneut traditionellere tonale Klangmuster und schöpft dabei harmonisch aus der musikalischen Tonsprache des Jazz. Die Choräle sind Hilfeschreie und Aufforderungen an Gott, die Menschheit von den Nöten dieser Welt, die sie zum Teil mit verursacht haben, zu befreien.
$33.99
31.09 €
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Eduard Puetz
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Requiem
Soprano, baritone, mixed choir and orchestra (flute, oboe, cor anglais, bassoon, 2 horns i…
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Soprano, baritone, mixed choir and orchestra (flute, oboe, cor anglais, bassoon, 2 horns in F, harpsichord, strings) - advanced to difficult - Digital Download SKU: S9.Q25989 After Texts from the Old and New Testament. Composed by Eduard Puetz. This edition: set of parts. Downloadable, Set of parts. Duration 18 minutes. Schott Music - Digital #Q25989. Published by Schott Music - Digital (S9.Q25989). Seit jeher gehören berühmte Requiem-Vertonungen zu den großen interpretatorischen Herausforderungen im Bereich der Chorliteratur. In seiner modernen Komposition spiegelt der rheinische Komponist Eduard Pütz (1911–2000) unsere Zeit auf musikalischer aber auch gesellschaftlicher Ebene in vielfältiger Weise wider. Die Komposition wird von drei musikalischen Vorstellungen geprägt: In den Rahmensätzen des Requiems greift Pütz den traditionellen lateinischen Text der Totenmesse auf (Requiem aeternam – Agnus Dei). Der musikalische Charakter dieser Chorsätze ist ernst, erhaben und in der Tonsprache eher konservativ. Pütz knüpft hier an die überlieferten musikali¬schen Traditionen an. In den knappen rezitativähnlichen Solosätzen für Sopran und Bariton hingegen bedient sich Pütz der Klangpalette der Moderne. In den hoch expressiven Passagen der Singstimmen und der feingliedrigen, dissonan¬zenreichen Orchesterbegleitung sind die Einflüsse von Komponisten wie Igor Strawinsky oder Paul Hindemith klar zu erkennen. Mit diesen Klängen setzt Pütz die Thematik der Solosätze eindringlich um: Die vom Komponisten ausgewählten Bibelworte klagen wütend die Schattenseiten der Menschheit an, ihre Bosheit, Unvernunft und Torheit. Gleichzeitig begibt sich der Komponist auf die Suche nach Gott und dem Sinn des Lebens. Deutlich sind hier persönliche Anliegen des Komponisten wie das Streben nach einem dauerhaften Weltfrieden zu spüren, die ihn zeitlebens bewegten. In den beiden dem Chor anvertrauten deutschsprachigen Kirchenchorälen verwendet Pütz erneut traditionellere tonale Klangmuster und schöpft dabei harmonisch aus der musikalischen Tonsprache des Jazz. Die Choräle sind Hilfeschreie und Aufforderungen an Gott, die Menschheit von den Nöten dieser Welt, die sie zum Teil mit verursacht haben, zu befreien.
$55.99
51.22 €
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Eduard Puetz
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Requiem
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Schott Music - Digital
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SheetMusicPlus
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