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Angels, Lambs, Ladybugs & Fireflies - Director's Manual
Director's Edition Children's Choir; Choral (Director's Manual) SKU: HL.8738002 …
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Director's Edition Children's Choir; Choral (Director's Manual) SKU: HL.8738002 Children's Christmas Musical. Composed by Betty Hager and Fred Bock. Fred Bock Publications. Christmas, Christmas Sacred, Christmas/Advent Sacred, Musicals. Fred Bock Music Company #BG0690. Published by Fred Bock Music Company (HL.8738002). UPC: 073999380026. 9.0x12.0x0.132 inches. Betty Hager & Fred Bock.Our wings are fluttering, our lights are all lit, and we're genuinely excited about this clever presentation which tells the Christmas story in a new, and fantasy-sort-of-way. Insects and Little Creatures, as well as shepherds and Big People, needed to know and spread the Good News of Jesus' birth. This is their story!This is the original Bock/Hager children's musical - over 100,000 in print! It's a Christmas musical fantasy that includes dialogue and singing by costumed insects, creatures, shepherds, and Mary & Joseph. The animal kingdom comes alive to tell of the Savior's birth - arranged for unison choir with occasional two-part voicing. Available: Director's Edition, Singer's Edition, Accompaniment Track Cassette, Listening Cassette, Preview Pak (Singer's Ed. & Listening Cassette). For Pre-kindergarten to 5th grade.Songs, dialog and piano accompaniments, teaching materials, lesson plans and movement.
Song List: This Little Light of Mine Away in A Manger (W. Kirkpatick/Arr: J. Heggie) This Is A Story You Should Know (B Hager/F Bock) March of the Insects & Birds (B Hager/F Bock) Will You Go? (B Hager/F Bock) Butterfly, Butterfly (B Hager/F Bock) COME, ALL YOU LITTLE CREATURES
Song List
: This Little Light of Mine Away in A Manger (W. Kirkpatick/Arr: J. Heggie) This Is A Story You Should Know (B Hager/F Bock) March of the Insects & Birds (B Hager/F Bock) Will You Go? (B Hager/F Bock) Butterfly, Butterfly (B Hager/F Bock) COME, ALL YOU LITTLE CREATURES
$24.95
22.77 €
#
Betty Hager and Fred Bock
#
Angels, Lambs, Ladybugs & Fireflies - Director's Manual
#
Fred Bock Music Company
#
SheetMusicPlus
Frederick Frahm: Fiestas de Santa Fe for organ (manuals only) or piano or harpsichord
Orgue, Piano (duo)
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 4 - Digital Down…
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 4 - Digital Download SKU: A0.534004 Composed by Frederick Frahm. Christian,Concert,Contemporary,Sacred,Standards. Score and parts. 18 pages. Musik Fabrik Music Publishing #3095065. Published by Musik Fabrik Music Publishing (A0.534004). Fiestas de Santa Fe is a collection of music inspired by the culture and geography of Santa Fe, New Mexico.The four pieces are written for a modest instrument and with the exception of a few passages requiring the use of a pull down pedal registration, the sores are playable on the manuals only. With a few adjustments, the music can also be played on a Harpsichord or Pianoforte. The set may be played complete or individually as the performer elects.Santos, in three movements, features musical depictions of New Mexico saints which are often represented by local folk artists in either retablos (wooden panels) or bultos (carved figures). These images are not considered icons, but merely symbols of the invisible power or personages to whom an individual's prayers are addressed. San Acacio is the patron of soldiers and headaches. San Cayetano patiently ministered to the sick and the poor. San Geronimo was a flagellant who frequently heard the voice (or call) of God.Tierra Roja is inspired by the distinct natural colors and qualities of light found in the American Southwest. Sunrises and sunsets are often spectacularly colorful events which leave an indelible impression on the mind. This score includes programmatic music to suggest a timeless of the desert, the crystalline blue skies, and even the scampering of a gecko inthe noonday sun.Farolitos en la Nieve is an evocative setting of an old Christmas hymn which offers an image of the city on Christmas Eve as it is bedecked in softly lit candles on the sidewalks in the falling snow.La Posadas focuses on an annual Advent-tide event in Santa Fe which commemorates the journey of the Holy Family from Nazareth to Bethlehem. A procession is led (often by two children) through the town to find a house where Mary and Joseph might be welcome. A setting of Adoro te Devote is found in the midst of this piece evoking the reverence of the community around the manger bearing the Christ Child.
$19.95
18.21 €
#
Orgue, Piano (duo)
#
Frederick Frahm
#
Frederick Frahm: Fiestas de Santa Fe for organ
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.47 €
#
Trompette
#
Eric Bolvin
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The Arban Manual - Hooten Edition
#
SheetMusicPlus
Te Manu Iti (No 3. from "Waiata Reorua mÅ te Rangatahi (Bilingual Songs for Young People)".
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1331940 By Leon Gray. By Leo…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1331940 By Leon Gray. By Leon Gray. Arranged by Leon Gray. 21st Century,Children,Classical,Instructional,Multicultural,World. Score. 5 pages. Leon Gray #918712. Published by Leon Gray (A0.1331940). Explore how beautiful it is to sing in Maori, the language of the indigenous people of New Zealand, known as Te Reo, with Waiata Reorua mÅ te Rangatahi (Bilingual Songs for Young People).Leon Gray writes funny, moving, silly and creative songs, perfect for young people learning singing technique. Included in each of the five songs are verses sung in English, transliterating the text for audiences.In the thoughtful piece, Te Manu Iti (Little Bird) the singer wonders what the birds must think of humans in the forest.With rich piano accompaniments, this collection is suitable for all ages, and teachers, students and pianist will love performing them.
$2.00
1.83 €
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Piano, Voix
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Leon Gray
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Leon Gray
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Te Manu Iti
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Leon Gray
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SheetMusicPlus
O Come O Come Emmanuel
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1145270 By Donna Mitchell. By Tradi…
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Piano Solo - Level 2 - Digital Download SKU: A0.1145270 By Donna Mitchell. By Traditional. Arranged by Donna Mitchell. Christmas,Holiday,Instructional,New Age,Sacred. Score. 3 pages. Donna Mitchell Studio #745543. Published by Donna Mitchell Studio (A0.1145270). Part of the collection called Peaceful Christmas set in a relaxed style. This arrangement for early intermediate level piano solo is sold alone here. 2 page score plus a color cover.
$3.00
2.74 €
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Piano seul
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Donna Mitchell
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Donna Mitchell
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O Come O Come Emmanuel
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Donna Mitchell Studio
#
SheetMusicPlus
Midnight Musings - One Organ Manual Solo
Orgue
Organ - Level 3 - Digital Download SKU: A0.1165864 By James Michael Stevens. By Jam…
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Organ - Level 3 - Digital Download SKU: A0.1165864 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Easter,New Age,Sacred. Score. 4 pages. James M Stevens Music ASCAP #766237. Published by James M Stevens Music ASCAP (A0.1165864). Written January 22, 2023, this is an original organ composition in a free flowing reflective style in the key of D minor and written for one manual organ with no pedal. James Michael Stevens is a prolific composer residing in Nashville, TN and whose organ works are performed around the world.
$4.99
4.55 €
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Orgue
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James Michael Stevens
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James Michael Stevens
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Midnight Musings - One Organ Manual Solo
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James M Stevens Music ASCAP
#
SheetMusicPlus
Emmanuel ("A New Thought for Choirs" Edition)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1003542 Composed by James …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1003542 Composed by James C. Vandenburg. Christmas,Gospel,New Age,Sacred,Spiritual. Octavo. 23 pages. James C Vandenburg #2858339. Published by James C Vandenburg (A0.1003542). For SATB Choir and Soloist; Moderate to Easy; A High-Energy, Faced Paced, Big and Bold Gospel Celebration for Christmas! God with us - Emmanuel!God in us - in us to dwell! God through us - into the world! ​God with us, Emmanuel!** This edition is part of the collection, A New Thought for Choirs and includes a Vocals-Only version to save in printing/copying and to help in rehearsals.
$2.50
2.28 €
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Chorale SATB
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James C
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Moderate to Easy
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Emmanuel
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James C Vandenburg
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SheetMusicPlus
Midnight Musings - One Organ Manual Solo
Orgue
Pipe Organ - Level 3 - Digital Download SKU: A0.1165848 By James Michael Stevens. B…
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Pipe Organ - Level 3 - Digital Download SKU: A0.1165848 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Easter,New Age,Sacred. Full Performance. Duration 144. James M Stevens Music ASCAP #766220. Published by James M Stevens Music ASCAP (A0.1165848). This is the one manual organ demonstration recording on Stevens' Midnight Musings..
$1.99
1.82 €
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Orgue
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James Michael Stevens
#
James Michael Stevens
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Midnight Musings - One Organ Manual Solo
#
James M Stevens Music ASCAP
#
SheetMusicPlus
The Peaceful Swan - One Manual Organ Solo
Orgue
Pipe Organ - Level 3 - Digital Download SKU: A0.1166851 By James Michael Stevens. B…
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Pipe Organ - Level 3 - Digital Download SKU: A0.1166851 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. Classical,Contemporary,Instructional,New Age,Sacred. Full Performance. Duration 293. James M Stevens Music ASCAP #767229. Published by James M Stevens Music ASCAP (A0.1166851). This is the one manual organ demonstration performance of Stevens' The Peaceful Swan..
$1.99
1.82 €
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Orgue
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James Michael Stevens
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James Michael Stevens
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The Peaceful Swan - One Manual Organ Solo
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James M Stevens Music ASCAP
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SheetMusicPlus
Te Manu Iti (No 3. from "Waiata Reorua mÅ te Rangatahi (Bilingual Songs for Young People)".
Chorale 3 parties
Choral Choir,Choral (3-Part Mixed) - Level 2 - Digital Download SKU: A0.1337020 By …
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Choral Choir,Choral (3-Part Mixed) - Level 2 - Digital Download SKU: A0.1337020 By Leon Gray. By Leon Gray. Arranged by Leon Gray. 21st Century,Chamber,Classical,Multicultural,World. 9 pages. Leon Gray #922826. Published by Leon Gray (A0.1337020). Explore how beautiful it is to sing in Maori, the language of the indigenous people of New Zealand, known as Te Reo, with Waiata Reorua mÅ te Rangatahi (Bilingual Songs for Young People). Here, delightfully arranged for three-part mixed choir.Leon Gray writes funny, moving, silly and creative songs, perfect for young people learning singing technique. Included in each of the five songs are verses sung in English, transliterating the text for audiences.In this thoughtful piece, the singer wonders what the birds must think of humans in the forest.With rich piano accompaniments, this collection is suitable for all ages, and teachers, students and pianist will love performing them.
$2.00
1.83 €
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Chorale 3 parties
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Leon Gray
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Leon Gray
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Te Manu Iti
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Leon Gray
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.47 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
O Come, O Come, Emmanuel (Veni, Veni, Emmanuel)
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.820803 Composed by Public Domain, a…
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Piano Solo - Level 2 - Digital Download SKU: A0.820803 Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Christian,Christmas,Contemporary,New Age,Sacred. Score. 9 pages. Mainya Music Publishing (BMI) #6090215. Published by Mainya Music Publishing (BMI) (A0.820803). Contains:O Come, O Come, Emmanuel - taken from the Isadar solo piano collection, O Christmas (also available on SMP)
$5.99
5.47 €
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Piano seul
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Public Domain, as performed and recorded by Isadar
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Isadar
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O Come, O Come, Emmanuel
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Mainya Music Publishing
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SheetMusicPlus
O Come, O Come Emmanuel - a pop fantasy
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.901772 Composed by Traditional. Arr…
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Piano Solo - Level 3 - Digital Download SKU: A0.901772 Composed by Traditional. Arranged by Kathy McMillen. Christmas,Contemporary,New Age,Rock,Standards. Score. 2 pages. Kathy McMillen #4852681. Published by Kathy McMillen (A0.901772). O Come, O Come Emmanuel - a pop fantasy reflects the original Latin hymn that harkens back to monastic life in the 8th and 9th century. This piece is a contemporary interpretation of the original that has survived centuries, cultures and various translations to today. Arranger Kathy McMillen, known for her string arrangements for the Vitamin String Quartet as well orchestrations for the Los Angeles based American Contemporary Ballet, has 40 years of experience in the music industry.
$3.99
3.64 €
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Piano seul
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Traditional
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Kathy McMillen
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O Come, O Come Emmanuel - a pop fantasy
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Kathy McMillen
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SheetMusicPlus
O Come, O Come Emmanuel
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.910056 Composed by Carolyn Southwor…
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Piano Solo - Level 3 - Digital Download SKU: A0.910056 Composed by Carolyn Southworth. Arranged by Heron's Point Music. Christian,Christmas,New Age. Score. 5 pages. Carolyn Southworth #4629959. Published by Carolyn Southworth (A0.910056). Feel the majesty and reverence of the night of the Savior's birth.
$3.75
3.42 €
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Piano seul
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Carolyn Southworth
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Heron's Point Music
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O Come, O Come Emmanuel
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Carolyn Southworth
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SheetMusicPlus
O Come, O Come Emmanuel
Piano seul
Piano Solo - Digital Download SKU: A0.501122 Composed by Traditional. Arranged by N…
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Piano Solo - Digital Download SKU: A0.501122 Composed by Traditional. Arranged by Nicholas Carroll. Christmas,Classical,Holiday,New Age,Sacred. Score. 5 pages. Published by Nicholas Carroll (A0.501122). From the Album Christmas In Somerset. Advanced and creative arrangement of this classic hymn.
$3.99
3.64 €
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Piano seul
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Traditional
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Nicholas Carroll
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O Come, O Come Emmanuel
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Nicholas Carroll
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SheetMusicPlus
O Come, O Come Emmanuel
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.950066 Composed by Traditional. Arr…
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Piano Solo - Level 3 - Digital Download SKU: A0.950066 Composed by Traditional. Arranged by Kevin Kern. Christmas,Contemporary,New Age. Score. 4 pages. No Solution Publishing #6072135. Published by No Solution Publishing (A0.950066). Companion sheet music to the track from Kevin Kern's 2012 CD, Christmas. Carefully and lovingly transcribed by Kern himself, ensuring that these scores are as accurate to the recordings as humanly possible. As with his previous recordings and songbooks, Kevin keeps the melodies of these traditional carols and songs simple, lyrical, and evocative. What makes these arrangements unique is Kern’s use of jazz chords and voicings that gives some of the songs a slight edge and makes them distinctive. The spacing is clear, roomy, and easy to read. Even more importantly, the music is FUN to play and very enjoyable to learn. - Kathy Parsons, MainlyPiano.com For more information about Steinway Artist and composer Kevin Kern, visit his website at KevinKern.com
$5.50
5.02 €
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Piano seul
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Traditional
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Kevin Kern
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O Come, O Come Emmanuel
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No Solution Publishing
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SheetMusicPlus
O Come, O Come, Emmanuel
Piano seul
Composed by Unknown. Arranged by William Gerdes. Christian, Sacred, General Worship, …
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Composed by Unknown. Arranged by William Gerdes. Christian, Sacred, General Worship, Christmas, New Age. Score, Solo Part. 5 pages. Published by William Gerdes
$3.99
3.64 €
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Piano seul
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Unknown
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O Come, O Come, Emmanuel
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SheetMusicPlus
PLANET ORIGAMI (an original, futuristic comedy stage musical)
Chorale SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.999349 Composed by Dennis…
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.999349 Composed by Dennis A. Westgate. Children,Contemporary,Musical/Show,World. Octavo. 73 pages. Tyne Music #5888377. Published by Tyne Music (A0.999349). PLANET ORIGAMI : Is my latest play in the TYNE ONSTAGE series of family orientated musicals and takes the audience ‘Out of this World’ to a strange little planet in a far distant galaxy on a small barren rocky planet called BEEZEDON. This is a place entirely inhabited by a race of androids, who after some catastrophic event, were the only machines immune from the ensuing radiation which destroyed every living life form and fauna. Before leaving for a safer haven, the emigrating intelligencia built a new colony of these ‘droids and programmed them to make their planet beautiful again by carpeting it with new flowers, when it was deemed ‘safe.’ The droids had carried out this programme diligently for the next thousand years. However no one had thought through the consequence of instigating such a rigid programme and when their preliminary attempts ended in failure and the fauna died,these clever machines found a perfect solution by refering to their data banks and manufacturing replicas from synthesised plastic. Once the programme was completed and with no more space left, the ‘droids instantly ‘restored' themselves and began creating their world all over again. This is where my story begins:- ‘Melody Mayflower’, Is a newly appointed Earth’s Ambassador and a representative of the Commission for Harmony and Concilliation, an organisation which has been extending its borders throughout the Milky Way Galaxy. Our own star system has become a recent member and Melody is one of their many Goodwill Ambassadors. Although she doesn’t know it, she has been selected for the onerous task of convincing the Droid Nation that their programme is now obselete, as Beezedon is now free of contamination, therefore ready for re-planting with organic material.
$37.00
33.77 €
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Chorale SATB
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Dennis A
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PLANET ORIGAMI
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Tyne Music
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SheetMusicPlus
News of Great Joy! (Digital Delivery)
1 Piano, 4 mains
Piano 4-hand - Moderately Advanced - Digital Download SKU: LX.70-1943L Captivati…
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Piano 4-hand - Moderately Advanced - Digital Download SKU: LX.70-1943L Captivating Carols for Piano Four-hands. Arranged by Molly Ijames. Sacred, Christmas. Church Piano. 44 pages. Lorenz Publishing - Digital Sheet Music #e70/1943L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-1943L). ISBN 9780787713539.Nothing sparkles like the sound of four hands at one piano, and Molly Ijames brings that sparkle to the Advent and Christmas hymns in her collection News of Great Joy! Suitable for church services and Christmas concerts, these dynamic settings will delight listeners of all ages.
Song List: As With Gladness, Men Of Old Come, Thou Long-Expected Jesus He Is Born, The Divine Christ Child O Come, O Come Emmanuel On Christmas Night Silent Night, Holy Night
Song List
: As With Gladness, Men Of Old Come, Thou Long-Expected Jesus He Is Born, The Divine Christ Child O Come, O Come Emmanuel On Christmas Night Silent Night, Holy Night
$22.95
20.95 €
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1 Piano, 4 mains
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Molly Ijames
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News of Great Joy!
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Manual of Arms Polka for Bugle with Brass Quintet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.722796
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.722796 Composed by Claudio S. Grafulla. Arranged by Jari A. Villanueva. Classical,Folk,Holiday,Patriotic. Score and parts. 27 pages. JV MUSIC #5197829. Published by JV MUSIC (A0.722796). Manual of Arms Polka for Bugle with Brass Quintet by Claudio Grafulla arranged by Jari Villanueva.Bugle in Bb and Brass Quintet. Full score and parts including extra sub parts for Eb Alto Horn and Baritone TCClaudio S. Grafulla (1810-80) was an outstanding bandmaster mostly known to bandsmen as the composer of The Grand March and Washington Greys. He was known also as a talented arranger and during the war was director of the 7th Regimental Band of the New York State Militia (N.Y.S.M) in New York. This band was considered a pace-setter not only for military but also popular music. Manual of Arms Polka was written for the 7th Regiment in 1862 and incorporates the bugle signals of Assembly, Shoulder Arms, Right Face, Left Face, Right About Face, and Fix Bayonets. Some of these calls are not found in the regulation drill manuals of the day and may have been exclusive to the 7th Regiment. The last section includes the song Comrades Touch the Elbow. This was the song of the 9th Company, 7th Regiment, N.Y.S.M. The song describes how Soldiers would touch the elbow to steady their nerves as they moved forward together in battle. Touch the elbow now, my boys! Comrades, touch the elbow I Nerve the arm, and banish fear, And, comrades, touch the elbow
$16.00
14.6 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Claudio S
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Jari A
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Manual of Arms Polka for Bugle with Brass Quintet
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JV MUSIC
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SheetMusicPlus
Lutheran Songs of Worship and Praise for the New Organist + Method Songbook for Manuals Only
Orgue
Organ - Level 1 - Digital Download SKU: A0.1502203 Composed by Martin Luther. Arran…
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Organ - Level 1 - Digital Download SKU: A0.1502203 Composed by Martin Luther. Arranged by Adam Lenhart. 21st Century,Christian,Classical,Instructional,Praise & Worship. Score. 41 pages. Adam Lenhart #1078081. Published by Adam Lenhart (A0.1502203). These two collections are designed especially for the new organist as a way to engage with, and perform sacred music in settings that are both approachable and effective. Before beginning work on pedal technique, it is best for one with piano experience to adapt to the new sensation of playing at the organ manuals. These two collections include seventeen well known songs of worship, including:Morning is BrokenOld HundredthChrist Is Made the Sure FoundationGod Be with You Till We Meet AgainI Love to Tell the StoryA Mighty Fortress Is Our God...and more!Additional registrations are included in the appendix of this work as a means to explorethe various sounds of your instrument, or to provide alternative registrations for smaller organs.
$7.99
7.29 €
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Orgue
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Martin Luther
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Adam Lenhart
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Lutheran Songs of Worship and Praise for the New Organist + Method Songbook for Manuals Only
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Adam Lenhart
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SheetMusicPlus
Eight Shorter Preludes on English Hymns (for manuals only)
Orgue
Organ - Level 3 - Digital Download SKU: A0.836716 Composed by Brian Joyce. Christia…
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Organ - Level 3 - Digital Download SKU: A0.836716 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 12 pages. Brian Joyce #4966351. Published by Brian Joyce (A0.836716). For many years I have enjoyed playing the simpler manualiter chorale preludes of Zachau and J. G. Walter in the old Peters edition many organists will be familiar with. Then there are the delightful little preludes of Ernst Pepping which I first heard as a teenager in a recording by E. Power Biggs. I had something of a cross between these two influences in mind for this new set of English preludes. There are some finger-twisting moments here and there, but by and large these manuals-only pieces are meant to be shorter, more direct, and simpler (in concept, if not execution!) than my larger sets of preludes. The hymns dealt with here represent a useful mix of liturgical purposes and include Holy, Holy, Holy!, Come, Thou Almighty King, When Morning Gilds the Skies, Lift Up Your Heads, Ye Mighty Gates, All Things Bright and Beautiful, Beneath the Cross of Jesus, The Church’s One Foundation, and Christ the Lord is Risen Today. As always, sources and timings are included and the score prints in landscape format.
$7.95
7.26 €
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Orgue
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Brian Joyce
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Eight Shorter Preludes on English Hymns
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Brian Joyce
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.47 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.47 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Musik Fabrik Music Publishing
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SheetMusicPlus
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