PARTITIONS GRATUITES :
- Modal Mass

SKU: CA.3550100

Composed by Giovanni Pierluigi da Palestrina and Johann Pachelbel. Edited by Barbara Wiermann. Arranged by Johann Sebastian Bach. This edition: Paperbound. Edition Bach-Archiv Leipzig - Musical Monuments. German title: Messen und Einzelsatze. Sacred vocal music, Masses, Latin, Mass sections, Missa brevis in Latin. Full score. 112 pages. Carus Verlag #CV 35.501/00. Published by Carus Verlag (CA.3550100).

ISBN 9790007049188.

Duri ng his lifetime Johann Sebastian Bach compiled an extensive music library, which today can only be reconstructed in a fragmentary manner. It reflects Bach's continued curiosity to learn about compositions of various styles and eras, a curiosity which was already present in his younger years and into his advanced age. The two complete masses and six individual movements from the Mass by Palestrina testify to Bach's interest in compositions from the 16th century. During his Weimar years Bach initially used these works to study the stile antico, with its characteristic voice leading and modal harmonies. In the last years of his life, Bach planned performances of at least two of the masses. In this connection he added instrumental parts and a basso continuo to these works. The Palestrina masses arranged by Bach comprise an important document for the performance practice in the 18th century of works in the strict style.

Assembly,SATB choir,cantor, keyboard accompaniment, guitar,keyboard

SKU: GI.G-003220

Composed by Jan Vermulst. Sacred. With guitar chord names. GIA Publications #003220. Published by GIA Publications (GI.G-003220).

This heritage Mass setting has been adapted by Richard Proulx (1937-2010) giving it a fresh, new sound, while keeping its original style. Perfect for small choirs, this setting is set for four-part choir with organ accompaniment. Through-composed with a chant-like, modal sound, Mass for Christian Unity will live in the hearts of worshipping communities for many years to come.

(For Soprano, Alto, Flute and String quartet or Organ). By Jehan-Ariste Alain (1911-1940). Mass. For soprano, alto, flute, 2 violins, viola, cello (organ). Flute part

(For Soprano, Alto, Flute and String quartet or Organ). By Jehan-Ariste Alain (1911-1940). Mass. For Soprano voice, Alto voice, 2 violins, viola, cello (or Organ). Set of parts. 20 pages. Published by Doblinger Music Publishers

(For Soprano, Alto, Flute and String quartet or Organ). By Jehan-Ariste Alain (1911-1940). Mass. For soprano, alto, flute, 2 violins, viola, cello (organ). Choral score. 10 pages. Published by Doblinger Music Publishers

For Soprano, Alto, Flute and String quartet or Organ. By Jehan-Ariste Alain. Mass. For Soprano voice, Alto voice, 2 violins, viola, cello (or Organ). Score. 24 pages. Published by Doblinger (Austrian import).

Composed by David Barton. Text: 15th century texts. Medieval-flavor motet. Christmas. Octavo. Published by CanticaNOVA Publications (C5.5054).

Concert Band - Grade 6

SKU: BT.EMBZ14686SET

Composed by László Dubrovay. EMB Concert Band Series. Concert Piece. Set (Score & Parts). Composed 2010. 656 pages. Editio Musica Budapest #EMBZ14686SET. Published by Editio Musica Budapest (BT.EMBZ14686SET).

9x12 inches.

Symphony no. 6 dates from the spring of 2009. It is dedicated to the conductor Károly Neumayer and his orchestra, the Pécs Railway Workers' Concert Wind Ensemble. About the work, the composer writes: 'This three-movement composition follows the classical traditions, but the first movement further develops the Scriabin-type sonata form, combining two fast movements. In contrast to the lyricism of the second movement a subterranean, negative force also makes its presence felt but in a dramatic conflict is overcome by the massive, inspired communal singing of the lyrical material, which becomes chorale-like as it emanates from the modal scales. The third movement is acheerful, dance-like scherzo, with comical, humorous sound-effects '

Die 6. Symphonie entstand im Frühling 2009. Sie ist dem Dirigenten Károly Neumayer und seinem Orchester, dem Bläserorchester der Ungarischen Staatsbahnen Pécs, gewidmet. Der Komponist schreibt über sein Werk: 'Die dreisätzige Komposition folgt den klassischen Traditionen, der erste Satz aber entwickelt durch die Verbindung von zwei schnellen Sätzen die Form von Skrjabin weiter. Im zweiten Satz erscheint als Gegenspieler zur lyrischen Grundstimmung auch eine negative, in die Tiefe ziehende Kraft. Letztere wird aber im dramatischen Gefecht vom lyrischen Stoff und vom choralähnlichen, aus der modalen Tonleitern stammenden, blockförmigen, gemeinschaftlichen Lied besiegt. Der dritteSatz ist ein fröhliches, tänzerisches Scherzo mit komischen, humorvollen Klangeffekten.'.