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FLUTE A BEC
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FLUTE TRAVERSI…
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HAUTBOIS
LIVRES
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Non classifié
3355
PIANO & CLAVIERS
Piano seul
2793
Piano, Voix
1230
Piano Facile
1145
Orgue
239
1 Piano, 4 mains
108
Instruments en Do
97
Piano, Voix et Guitare
86
Piano Trio: piano, violon, violoncelle
85
Accompagnement Piano
74
2 Pianos, 4 mains
50
Piano Quatuor: piano, violon, alto, violoncelle
37
Piano Quintette: piano, 2 violons, alto, violoncelle
14
Clavier
12
1 Piano, 6 mains
12
Accordéon
9
Piano Quatuor: piano, 2 violons, violoncelle
7
Ensemble d'Accordéons
4
Orgue, Piano (duo)
4
Piano grosses notes
4
Instrument seul et Orgue
2
Orgue, Trompette (duo)
2
2 Pianos, 8 mains
2
2 Accordéons
1
Clavecin
1
Piano (partie séparée)
1
Orgue et Orchestre
1
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GUITARES
Guitare
244
Guitare notes et tablatures
187
2 Guitares (duo)
72
Ukulele
49
Ligne De Mélodie, (Paroles) et Accords
49
Piano, Guitare (duo)
20
Basse electrique
16
3 Guitares (trio)
14
4 Guitares (Quatuor)
10
Guitare, Violon, Violoncelle (trio)
10
Mandoline
7
Ensemble de guitares
7
Paroles et Accords
4
Dulcimer
3
Ukulele Baryton
3
Guitare (partie séparée)
2
Guitare Pedal Steel
2
Guitare, Flûte, Clarinette
1
2 Ukuleles
1
Banjo
1
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VOIX
Chorale SATB
258
Chorale 3 parties
130
Chorale 2 parties
60
Chorale TTBB
47
Chorale SSAA
29
Chorale Unison
22
Voix duo, Piano
21
Voix Tenor, Piano
18
Voix Soprano, Piano
18
Voix duo
13
Voix basse, Piano
13
Voix haute
8
Voix moyenne, Piano
5
Voix Baryton, Piano
5
Voix Alto, Piano
4
Chorale
4
Voix seule
3
Voix basse
3
Voix Tenor
3
Voix, Guitare
3
Voix Soprano
1
Chorale SSATTB
1
Soli, choeur mixte et accompagnement
1
Chorale SSAATTBB
1
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VENTS
Flûte traversière et Piano
728
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
436
Clarinette et Piano
427
Quatuor de Saxophones: 4 saxophones
383
Hautbois, Piano (duo)
371
Saxophone Alto et Piano
313
Quatuor de Clarinettes: 4 clarinettes
283
Flûte, Hautbois, Clarinette, Basson
278
Clarinette
275
2 Saxophones (duo)
206
Saxophone Tenor et Piano
189
Saxophone Soprano et Piano
186
Flûte traversière
182
Quintette de Saxophone: 5 saxophones
167
Quatuor de Flûtes : 4 flûtes
146
2 Flûtes traversières (duo)
125
Saxophone Alto
124
Saxophone (partie séparée)
120
Hautbois (partie séparée)
112
2 Clarinettes (duo)
107
Cor anglais, Piano
80
Ensemble de Clarinettes
75
Ensemble de saxophones
70
Saxophone Baryton, Piano
70
3 Saxophones (trio)
66
Ensemble de Flûtes
59
Flûte, Clarinette (duo)
54
3 Clarinettes (trio)
53
Quintette de Clarinettes: 5 clarinettes
52
2 Hautbois (duo)
51
Trio de Flûtes: 3 flûtes
48
Hautbois
42
Flûte et Guitare
42
2 Flûte à bec (duo)
38
Clarinette Basse, Piano
38
Clarinette, Guitare (duo)
35
Quatuor de Flûtes à bec
33
Flûte à bec Soprano
31
Clarinette, Basson (duo)
30
Hautbois, Basson (duo)
27
Clarinette, Violon (duo)
26
5 Flûtes à bec
25
Saxophone Tenor
24
Quintette de Flûte : 5 flûtes
24
Saxophone Soprano
22
Saxophone Baryton
22
Hautbois, Clarinette (duo)
21
2 Flûtes traversières, Piano
20
Flûte à bec Alto
19
Flûte, Hautbois, Clarinette (trio)
18
Cor Anglais
18
Flûte, Violoncelle
18
Flûte, Clarinette, Piano (trio)
18
Saxophone, Clarinette (duo)
17
Flûte, Clarinette et Basson
17
Flûte, Violon
17
Flûte, Violon, Piano
16
2 Clarinettes, Piano
15
Flûte, Hautbois (duo)
15
Flûte à Bec
15
Clarinette, Violoncelle (duo)
14
Hautbois, Violoncelle
14
3 Flûtes à bec (trio)
10
Clarinette, Violoncelle, Piano (trio)
10
Piccolo
10
Saxophone
10
Piccolo, Piano
9
Flûte, Violoncelle, Piano (trio)
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Clarinette et Alto
8
Hautbois, Clarinette, Basson (trio d'anches)
8
Flûte à Bec, Piano
8
Flûte, Hautbois, Basson
8
Clarinette, Trompette (duo)
8
Flûte, Alto (duo)
8
Flûte, trombone et piano
7
Flûte, Saxophone (duo)
7
Flûte, Hautbois, Piano (trio)
7
Flûte à bec Tenor
6
Clarinette, Harpe (duo)
6
Hautbois, Guitare (duo)
6
Flûte à bec Alto, Piano
6
Clarinette Basse
6
Flûte à bec, Guitare (duo)
6
2 Saxophones, Piano
5
Flûte, Violon, Violoncelle et Piano
5
Flûte, Basson et Piano
5
Clarinette, trompette et piano
5
Flûte, Trompette (duo)
5
Hautbois, Flûte
4
Ensemble De Flûte à bec
4
Flute (partie séparée)
4
Hautbois, violon (duo)
4
Flûte, Violon et Violoncelle
4
Flûte, Alto et Piano
4
Saxophone et Guitare
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
3
Clarinette, Basson, Piano (trio)
3
Saxophone et Orgue
3
Hautbois et alto (duo)
3
Saxophone et Piano
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Instruments en Mib
3
Flûte traversière, Orgue (duo)
3
2 Clarinettes, Basson
3
Flûte, Violon, Guitare
3
Flûte à bec Soprano, Piano
3
Ensemble de Hautbois
3
Flûte et Trio à cordes
2
Flûte, Violoncelle, Guitare
2
Hautbois, Harpe
2
2 Hautbois et Cor anglais
2
Flûte, Trombone (duo)
2
Ensemble à vent
2
Saxophone et Harpe
2
Harmonica
2
Clarinette, Orgue
2
Clarinette, Alto et Piano (trio)
1
Hautbois, Orgue
1
2 Flûtes à bec, Piano
1
Clarinette, Trombone (duo)
1
2 Hautbois, Piano
1
Flûte irlandaise
1
Flûte et Quatuor à Cordes
1
4 Hautbois
1
Flûte de Pan
1
Harmonica, Piano
1
Flûte, alto et harpe
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flute, harpe et violon
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
402
Trombone et Piano
308
Trompette, Piano
274
Cor et Piano
243
Trompette
213
Quatuor de Cuivres : 2 trompettes, trombone, tuba
197
Cor
162
Tuba et Piano
133
Trombone
133
Tuba
127
Quatuor de cuivres: 4 cors
109
Quatuor de Cuivres: 2 trompettes, Cor, trombone
94
Euphonium, Piano (duo)
81
Cor anglais, Piano
80
2 Trompettes (duo)
62
2 Trombones (duo)
59
Quatuor de cuivres: 4 trombones
52
Ensemble de Trombones
49
2 Cors (duo)
45
Quatuor de Cuivres
44
Trompette, Trombone (duo)
44
Ensemble de Cors
26
Trompette, Cor (duo)
24
2 Tubas (duo)
20
Quatuor de cuivres: 4 trompettes
20
Cor Anglais
18
Ensemble de Trompettes
18
Tuba et Orgue
16
Euphonium
14
Cor, Violoncelle (duo)
10
Trompette (partie séparée)
10
2 Euphoniums et 2 Tubas
10
Trombone, Cor (duo)
10
3 Trombones (trio)
10
Trombone (partie séparée)
9
Trompette, Saxophone (duo)
9
4 Tubas
9
Trompette, Violoncelle (duo)
8
3 Cors (trio)
8
Trombone basse
8
3 Trompettes (trio)
8
Trio de Cuivres
8
Trombone basse et Piano
7
Cor et Basson (duo)
7
3 Tubas (trio)
6
2 Trompettes, Clavier (piano ou orgue)
6
Trompette, Basson (duo)
6
Trompette et Guitare
5
Bass Clef Instruments
4
Trompette, Trombone, Piano
4
Euphonium, Tuba (duo)
4
Trombone, Orgue
4
Instruments en Sib
3
Trombone et orchestre
3
Cor, Tuba (duo)
3
2 Euphoniums (duo)
2
Cor et Harpe
2
Cor et Orgue
2
Trombone, Tuba (duo)
2
Tuba (partie séparée)
1
Cor (partie séparée)
1
Cor, Violoncelle et Piano
1
Ensemble de Tubas
1
Trompette, Tuba (duo)
1
Trompette, Violoncelle et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Orchestre
1
Trompette, Euphonium (duo)
1
Cornet et orchestre
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1039
Violon et Piano
753
Violoncelle, Piano
501
Alto, Piano
431
Violon
277
Violon, Violoncelle (duo)
174
Alto seul
147
Violoncelle (partie séparée)
142
2 Violons (duo)
126
Trio à Cordes: violon, alto, violoncelle
126
Contre Basse
112
Harpe
107
Contrebasse, Piano (duo)
106
2 Violoncelles (duo)
87
Quintette à cordes: 2 violons, alto, violoncelle, basse
79
Violon, Alto (duo)
73
Violon, Guitare (duo)
67
Violoncelle
63
2 Altos (duo)
62
Alto (partie séparée)
46
Violoncelle , Guitare (duo)
41
4 Violoncelles
39
Alto, Violoncelle (duo)
36
2 Harpes (duo)
35
Trio à Cordes: 2 violons, violoncelle
35
Piano Trio: Violon, Alto, Piano
32
Alto, Guitare (duo)
26
Trio à cordes: 3 violins
25
Quatuor à cordes: 4 violons
24
Trio à Cordes: 3 violoncelles
20
Violon (partie séparée)
18
2 Contrebasses (duo)
16
Violon, Basson (duo)
15
Quatuor à cordes : 4 altos
15
Trio à cordes: 3 altos
14
Harpe, Violon (duo)
14
Harpe, Flûte (duo)
12
Alto et Basson
10
Trio à Cordes: 2 violons, alto
7
Flûte, Contrebasse (duo)
5
Violoncelle, Orchestre
5
Ensemble de Violons
5
Violoncelle, Contrebasse (duo)
4
Violoncelle, Orgue
4
Ensemble de Violoncelles
4
Contrebasse (partie séparée)
4
Ensemble d'Altos
4
Violon, Orgue
3
Violon, Clarinette, Piano (trio)
3
Alto, Orgue
3
Trio à cordes
3
4 Contrebasses
3
2 Violons, Piano
3
Harpe, Orchestre
2
Harpe, Violoncelle (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Violoncelles, Piano
2
Harpe, Trombone (duo)
1
Harpe et Piano
1
Alto et Harpe
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
380
Orchestre à Cordes
349
Orchestre
254
Ensemble de cuivres
136
Orchestre de chambre
116
Ensemble Jazz
42
Cloches
19
Marimba
16
Ensemble de Percussions
13
Fanfare
13
Xylophone
12
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
10
Xylophone, Piano
6
Quatuor à Vent : 4 instruments à vents
5
Quintette à Vent
4
Quintette de Cuivres: autres combinaisons
4
Batterie
3
Jazz combo
3
Instrumentation Flexible
3
Ensemble d'École
2
Orchestre, Violon
2
Vibraphone
1
Piano et Orchestre
1
Percussion (partie séparée)
1
Batterie (partie séparée)
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Music of Romantic
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10 Easy Romantic Pieces - for Flute and Piano
Flûte traversière et Piano
Composed by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, …
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Composed by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann. Arranged by Francesco Leone. Chamber,Classical,Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820315. Published by Glissato Edizioni Musicali
This collection of 10 easy pieces from the Romantic Period arranged for Flute and Piano is the perfect resource for students of the first courses in music. Not only is it ideal for essay writing and concerts, but it also provides an excellent introduction to the music of the Romantic Period. With pieces from composers such as Beethoven, Schumann, Brahms, Tchaikovsky, Mussorgsky, Rubinstein, Paganini and Dvorak, this collection offers an exciting and accessible way to explore the music of the Romantic Period. The pieces are easy enough for students of the first courses to play, but still provide enough challenge to keep them engaged. With this collection, students will be able to develop their skills and knowledge of the music of the Romantic Period, making it invaluable for any beginner musician.Complete parts for Flute and Piano.<br> Easy keys and range for Flute<br> Easy Piano accompaniment<br> Musical themes taken from the original compositions:<br> Largo from “New World Symphony” – A. Dvorák <br> Theme from "Le Streghe" - N. Paganini <br> Melody in F – A. Rubinstein <br> Soldier March – R. Schumann <br> The Great Gate of Kiev - M. Mussorgsky<br> Theme from "New World Symphony" (IV mov.) - A. Dvorák <br> Theme from "Symphony n. 1" (IV mov.) - J. Brahms <br> Theme from "Symphony n. 5" (II mov.) - L. van Beethoven <br> Theme from "Symphony n. 7" (II mov.) - L. van Beethoven <br> Theme from "Swane Lake" - P. I. Tchaikovsky.
$14.99
14.03 €
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Flûte traversière et Piano
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Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann
#
Francesco Leone
#
10 Easy Romantic Pieces - for Flute and Piano
#
Glissato Edizioni Musicali
#
SheetMusicPlus
Music of Romantic
Flute I/II - Digital Download SKU: S9.Q2661 This edition: separate part. Orchestra …
(+)
Flute I/II - Digital Download SKU: S9.Q2661 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2661. Published by Schott Music - Digital (S9.Q2661).
$5.99
5.6 €
#
Music of Romantic
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Schott Music - Digital
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SheetMusicPlus
Music of Romantic
Violon (partie séparée)
Violin II - Digital Download SKU: S9.Q22718 This edition: separate part. Orchestra …
(+)
Violin II - Digital Download SKU: S9.Q22718 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q22718. Published by Schott Music - Digital (S9.Q22718).
$5.99
5.6 €
#
Violon (partie séparée)
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Trumpet I/II - Digital Download SKU: S9.Q2665 This edition: separate part. Orchestr…
(+)
Trumpet I/II - Digital Download SKU: S9.Q2665 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2665. Published by Schott Music - Digital (S9.Q2665).
$5.99
5.6 €
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Clarinet I/II - Digital Download SKU: S9.Q2663 This edition: separate part. Orchest…
(+)
Clarinet I/II - Digital Download SKU: S9.Q2663 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2663. Published by Schott Music - Digital (S9.Q2663).
$5.99
5.6 €
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Basson (partie séparée)
Bassoon I/II - Digital Download SKU: S9.Q2664 This edition: separate part. Orchestr…
(+)
Bassoon I/II - Digital Download SKU: S9.Q2664 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2664. Published by Schott Music - Digital (S9.Q2664).
$5.99
5.6 €
#
Basson (partie séparée)
#
Music of Romantic
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Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Horn I/II - Digital Download SKU: S9.Q10826 This edition: separate part. Orchestra …
(+)
Horn I/II - Digital Download SKU: S9.Q10826 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q10826. Published by Schott Music - Digital (S9.Q10826).
$5.99
5.6 €
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Violon (partie séparée)
Violin I - Digital Download SKU: S9.Q50424 This edition: separate part. Orchestra p…
(+)
Violin I - Digital Download SKU: S9.Q50424 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q50424. Published by Schott Music - Digital (S9.Q50424).
$5.99
5.6 €
#
Violon (partie séparée)
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Oboe I/II - Digital Download SKU: S9.Q2662 This edition: separate part. Orchestra p…
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Oboe I/II - Digital Download SKU: S9.Q2662 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q2662. Published by Schott Music - Digital (S9.Q2662).
$5.99
5.6 €
#
Music of Romantic
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Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Various options for instrumentation - Digital Download SKU: S9.Q2660 This edition: …
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Various options for instrumentation - Digital Download SKU: S9.Q2660 This edition: score. Orchestra pieces for schools. Downloadable, Score. Schott Music - Digital #Q2660. Published by Schott Music - Digital (S9.Q2660).
$21.99
20.57 €
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Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Cello/Double Bass - Digital Download SKU: S9.Q10814 This edition: separate part. Or…
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Cello/Double Bass - Digital Download SKU: S9.Q10814 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q10814. Published by Schott Music - Digital (S9.Q10814).
$5.99
5.6 €
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
Music of Romantic
Alto (partie séparée)
Viola - Digital Download SKU: S9.Q22719 This edition: separate part. Orchestra piec…
(+)
Viola - Digital Download SKU: S9.Q22719 This edition: separate part. Orchestra pieces for schools. Downloadable, Individual part. Schott Music - Digital #Q22719. Published by Schott Music - Digital (S9.Q22719).
$5.99
5.6 €
#
Alto (partie séparée)
#
Music of Romantic
#
Schott Music - Digital
#
SheetMusicPlus
10 Easy Romantic Pieces for Bb Saxophone and Piano
Saxophone Tenor et Piano
By Various. By Ludwig van Beethoven. Arranged by Anton Rubinstein, Antonin Dvorak, J…
(+)
By Various. By Ludwig van Beethoven. Arranged by Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann. Classical,Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820362. Published by Glissato Edizioni Musicali
This is a collection of 10 easy pieces from the Romantic period that have been arranged for either Bb Tenor or Soprano Saxophone and Piano, making it an excellent resource for beginner and intermediate level players. The piano accompaniments are specifically designed to complement the saxophone parts, creating a harmonious and beautiful sound.<br> Whether you are a student or a beginner saxophonist looking to improve your skills, or an intermediate level player who wants to explore the music of the Romantic period, this collection is a great starting point. It is also useful for essays and performances, as it offers an accessible and enjoyable repertoire that can be performed in various settings.<br> Easy keys and range for Saxophone<br> Easy Piano accompaniment<br> Musical themes taken from the original compositions:<br> Largo from “New World Symphony” – A. Dvorák <br> Theme from "Le Streghe" - N. Paganini <br> Melody in F – A. Rubinstein <br> Soldier March – R. Schumann <br> The Great Gate of Kiev - M. Mussorgsky<br> Theme from "New World Symphony" (IV mov.) - A. Dvorák <br> Theme from "Symphony n. 1" (IV mov.) - J. Brahms <br> Theme from "Symphony n. 5" (II mov.) - L. van Beethoven <br> Theme from "Symphony n. 7" (II mov.) - L. van Beethoven <br> Theme from "Swane Lake" - P. I. Tchaikovsky.
$14.99
14.03 €
#
Saxophone Tenor et Piano
#
Various
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10 Easy Romantic Pieces for Bb Saxophone and Piano
#
Glissato Edizioni Musicali
#
SheetMusicPlus
Ten Romantics for Sax
Asax. Pft. - Intermediate - Digital Download SKU: F2.FM627 Composed by Andrew Middl…
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Asax. Pft. - Intermediate - Digital Download SKU: F2.FM627 Composed by Andrew Middleton. Romantic pieces for alto saxophone and piano. Score and Part. 49 pages. Forton Music - Digital #FM627. Published by Forton Music - Digital (F2.FM627). ISBN 9790570485260.From Chopin to Schumann, Ten Romantics for Sax is an exciting collection of pieces for alto sax with piano accompaniment, arranged by Andrew Middleton. All of the pieces are from the Romantic Period (1820 to 1910), exploring the music of both famous and lesser known composers of the time, as well as a range of styles from the period including: lieder, preludes and even music from ballet! Ideal for the intermediate student, each piece has been carefully selected and arranged to help develop good playing techniques as well as introduce the player to a range of styles of music.
$17.95
16.79 €
#
Andrew Middleton
#
Ten Romantics for Sax
#
Forton Music - Digital
#
SheetMusicPlus
10 Easy Romantic Pieces - for Oboe and Piano
Hautbois, Piano (duo)
By Various. By Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethov…
(+)
By Various. By Anton Rubinstein, Antonin Dvorak, Johannes Brahms, Ludwig van Beethoven, Modest Petrovich Mussorgsky, Nicolo Paganini, Peter Ilyich Tchaikovsky, and Robert Schumann. Arranged by Francesco Leone. Chamber,Classical,Romantic Period. Score and part. 36 pages. Glissato Edizioni Musicali #820359. Published by Glissato Edizioni Musicali
This is a collection of 10 easy pieces from the Romantic period that have been arranged for Oboe and Piano. It is a highly valuable resource for students in their first courses, as it provides excellent material for essays and performances. Whether you are looking to improve your skills in playing the oboe or studying the music of the Romantic period, this collection is a great starting point. The included piano accompaniments are designed to complement the oboe parts, creating a beautiful and harmonious sound.<br> Titles:<br> 1. Largo from “New World Symphony” – A. Dvorák <br> 2. Theme from "Le Streghe" - N. Paganini <br> 3. Melody in F – A. Rubinstein <br> 4. Soldier March – R. Schumann <br> 5. The Great Gate of Kiev - M. Mussorgsky <br> 6. Theme from "New World Symphony" (IV mov.) - A. Dvorák <br> 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms <br> 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven <br> 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven <br> 10.Theme from "Swane Lake" - P. I. Tchaikovsky.
$14.99
14.03 €
#
Hautbois, Piano (duo)
#
Various
#
Francesco Leone
#
10 Easy Romantic Pieces - for Oboe and Piano
#
Glissato Edizioni Musicali
#
SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.81 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.81 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.81 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.81 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.81 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.81 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.81 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.81 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-14E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-14E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.81 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-10E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-10E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.81 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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