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Vous avez sélectionné:
Not How Our Story Goes
Partitions à imprimer
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1
Not How Our Story Goes
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1321417 By Monster Hi…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1321417 By Monster High. By Cal Shapiro. Arranged by SCMusic. Broadway,Children,Film/TV,Halloween,Musical/Show,Pop. Score. 10 pages. SCMusic #909876. Published by SCMusic (A0.1321417). 'Not How Our Story Goes' from the Nickeloden & Paramount+ movie 'Monster High 2', arranged for voice and piano with guitar chords, in the original key.
$5.75
5.15 €
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Piano, Voix et Guitare
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Monster High
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SCMusic
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Not How Our Story Goes
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SCMusic
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SheetMusicPlus
Not How Our Story Goes
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1322495 By Monster High. By Cal Sha…
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Piano Solo - Level 3 - Digital Download SKU: A0.1322495 By Monster High. By Cal Shapiro. Arranged by SCMusic. Broadway,Children,Film/TV,Halloween,Musical/Show,Pop. Score. 4 pages. SCMusic #910795. Published by SCMusic (A0.1322495). 'Not How Our Story Goes' from the Nickelodeon Movie 'Monster High 2', arranged for piano.
$4.99
4.47 €
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Piano seul
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Monster High
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SCMusic
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Not How Our Story Goes
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SCMusic
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.58 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
That's How the Story Goes - A Christmas Musical for Children
Chorale 2 parties
Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805210 By Joanna Mills. …
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Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805210 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 76 pages. Joanna Mills Music #412247. Published by Joanna Mills Music (A0.805210). This charming, original musical pageant retells the Christmas Story through the eyes of the angels and reminds us to always trust in God. In That’s How the Story Goes, the archangels Michael and Raphael are hosting a heavenly campfire, and all the youngest angels want to hear the Christmas Story. Happy to oblige, the other archangels take turns telling their parts of the story. Gabriel tells of visiting Mary, Uriel tells of visiting Joseph, Sealtiel & Jehudiel tell of their visit to the shepherds, and Barachiel tells of visiting the three wise men in their dreams to warn them about King Herod. The musical features a simple script with minimal memorization which allows for maximum flexibility with age-range, cast size, and rehearsal time-- the longer, adapted scripture readings may be read from a book or binder. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries. Approximate performance time 30 minutes That’s How the Story Goes features five original songs written and arranged for school-aged children by Joanna Mills. The songs are all set in an accessible range for young children, and feature simple tunes which are easy to learn. This package contains two versions of each song; an easy unison version (with optional easy descant or counterpoint harmonies on the final chorus), and a 2-part choir version, which features simple, easy-to-learn harmonies. This allows you to mix and match your arrangements to suit the abilities of your singers and your rehearsal time constraints. For those students who do not read music, the lyrics are included in the script. The piano accompaniments are at an intermediate level and guitar chords are included, which allows older youth to participate as musicians (or allows experienced accompanists to learn them quickly). This complete package contains: • Director’s notes – including suggestions for staging and casting • List of props and costumes • Five songs with the following arrangements provided for each song: o Unison lyric sheets included in the script (for children who do not read music) o Unison Choir arrangement with piano accompaniment and guitar chords o 2-Part Choir arrangement with piano accompaniment and guitar chords visit www.joannamills.ca for more savings and free offers.
$4.99
4.47 €
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Chorale 2 parties
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Joanna Mills
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Joanna Mills
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That's How the Story Goes - A Christmas Musical for Children
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Joanna Mills Music
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SheetMusicPlus
Nothing Is Impossible With God (An Original Children's Christmas Anthem) for Unison Choir
Chorale Unison
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.781347 Composed by Joann…
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Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.781347 Composed by Joanna Mills. Blues,Children,Christmas,Holiday,Sacred. Octavo. 6 pages. Joanna Mills Music #4836581. Published by Joanna Mills Music (A0.781347). This fun, bluesy children's Christmas anthem is arranged for unison choir (with an optional counterpoint harmony at the end) and is perfect for children's choirs-- use it in your Advent service, Christmas Pageant, or your Lessons & Carols service! It tells the story of the Angel Gabriel's visit to Mary, and is pitched in an accessible key for most young voices. The simple blues melody is easy to learn, even for very young children, and the piano score is easy to learn. Guitar chords included. Approximate performance time: 2:00. This is one song from the complete children's musical That's How The Story Goes - also available here.
$1.99
1.78 €
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Chorale Unison
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Joanna Mills
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Nothing Is Impossible With God
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Joanna Mills Music
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SheetMusicPlus
Nothing Is Impossible With God (An Original Children's Christmas Anthem) for 2-Part Choir
Chorale 2 parties
Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.781348 Composed by Joann…
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Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.781348 Composed by Joanna Mills. Blues,Children,Christmas,Holiday,Sacred. Octavo. 7 pages. Joanna Mills Music #4837633. Published by Joanna Mills Music (A0.781348). This fun, bluesy children's Christmas anthem is arranged for 2-Part choir (with an optional extra counterpoint harmony at the end) and is perfect for children's choirs-- use it in your Advent service, Christmas Pageant, or your Lessons & Carols service! It tells the story of the Angel Gabriel's visit to Mary, and is pitched in an accessible key for most young voices. The simple blues melody is easy to learn, even for very young children, and the piano score is easy to learn. Guitar chords included. Approximate performance time: 2:00. This is one song from the complete children's musical That's How The Story Goes - also available at Sheet Music Plus S0.661113
$1.99
1.78 €
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Chorale 2 parties
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Joanna Mills
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Nothing Is Impossible With God
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Joanna Mills Music
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SheetMusicPlus
In Your Slumber
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. C…
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Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
13.45 €
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Orchestre d'harmonie
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
Etudes pour piano
Piano Facile
Piano - difficult - Digital Download Deuxieme livre. Composed by Gyorgy Ligeti (1923-…
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Piano - difficult - Digital Download Deuxieme livre. Composed by Gyorgy Ligeti (1923-2006). This edition: Sheet music. Contemporary music, Piano. Downloadable. Op. Vol. 2. Duration 22 minutes. Schott Music - Digital #Q16454. Published by Schott Music - Digital
At first, it all sounds very easy. The notes leap through and over one another as if conjured up by a magician. However, nothing goes quite as smoothly as it seems, and here and there the music snags. notes get in each other's way and somehow it all gets somewhat out of hand. Our young Harry Potter still has a lot to learn ... Ligeti has a brilliant grasp of how to capture the essence of this scene in music. With a generous portion of wit and reminiscences of "minimal music" a la Steve Reich, the composer allows the story to unfold and is effortlessly successful in creating one of the most difficult pieces in the entire piano literature. Tempo and hectic activity, active agitation and slapstick stumbling: this all combines to illustrate "The Apprentice Wizard".
$27.99
25.09 €
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Piano Facile
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Gyorgy Ligeti
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Etudes pour piano
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Schott Music - Digital
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SheetMusicPlus
Sifting the Stars
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873028 Composed by Sa…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873028 Composed by Sally Whitwell. Contemporary,Musical/Show. 8 pages. Sally Whitwell #3867233. Published by Sally Whitwell (A0.873028). Composer’s Note - Sifting the StarsIn 2015 I was commissioned by Sydney Philharmonia Choirs to create a Christmas show for kids. Being me, I decided that I wanted to make it a narrative show because I’m ambitious that way. It was called Cog in the Machine (a family Christmas tale with a twist) and alongside the carols was a gentle commentary on the commercialisation of the festive season, and how our priorities of family celebration are often overshadowed by the extravagance of gift giving.One of the main characters in the story is a smart, sassy teenage girl called Stella. She loves science, particularly astronomy (hence the name!) and it was therefore a family tradition for her to put the star on the top of the Christmas tree each year. This particular Christmas, she has a bit of a disagreement with her mother and as she’s putting the star on the tree, she goes into a kind of dream sequence, floating about the galaxies inside her head, trying to process her adolescent need for independence and protection in equal amounts. It’s a coming of age song.-- Sally Whitwell
$2.99
2.68 €
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Voix Soprano, Piano
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Sally Whitwell
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Sifting the Stars
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Sally Whitwell
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SheetMusicPlus
The Abduction of Persephone (for String Orchestra)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonz…
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String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00
17.93 €
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Orchestre à Cordes
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Aaron Fonzi
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The Abduction of Persephone
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Aaron Fonzi
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SheetMusicPlus
Aphelion
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1205194 Composed by M.Y Owusu. Cont…
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Piano Solo - Level 3 - Digital Download SKU: A0.1205194 Composed by M.Y Owusu. Contemporary. Score. 3 pages. M.Y Owusu #803377. Published by M.Y Owusu (A0.1205194). Aphelion is one of my few pieces that's meant to tell a story and it's not incredibly specific, but here is the story of Aphelion. However, the definition of aphelion first is incredibly important.aphelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is furthest from the sun.And it's very important to know the definition of its absolute antonym: perihelion.perihelion (noun):the point in the orbit of a planet, asteroid, or comet at which it is closest to the sun.These are terms used in astronomy to describe a celestial object's extreme distance from the sun. I'm using this to describe a relationship between two people. The type of relationship does not matter, it is simply just a relationship. However, you perceive it: platonic, romantic, etc.That is up to your interpretation.Aphelion follows the story of two people, with the start of the piece not actually being the aphelion, but however the perihelion, starting in D Major.It highlights their relationship as perfect, well-rounded, and flawless relationship. Some may call it a honeymoon era/phase or just the possible closest two people could be, i.e the perihelion.Then the two slowly drift away, with a shift to B Minor and D Minor. Issues, flaws, and problems that weren't there before begin to appear. These issues are quickly shoved under the rug, and the two pretend that they are nonexistent. The piece shifts back to D major incredibly quickly, however, there is a slight sense of uneasiness within the piece that I intended to create as it goes through this relationship that is clearly rocky, but it isn't being addressed because neither are choosing to communicate these issues.Then, the mysterious part hits very quickly, this is the aphelion. following a D Minor chord progression, then a shift into D minor itself. This part is where the relationship issues reach a boiling point, neither can stand the other and any attempt to resolve the issues is essentially useless. They stay in a toxic relationship. However, it's labeled as mysterious because the future is an absolute mystery to the two. They don't know what will happen. Then, one confronts the other, they choose to genuinely communicate.It's where the shift back to D Major occurs. They finally come to an understanding. At this point, they can choose to stay in the relationship, and work on the issues, or come to an understanding that it might not work from here, because a relationship takes two. There is a sense of peace, they are finally at peace with one another and their situation. Life can continue moving on, and the piece ends on an A Major chord. This is because A Major can be interpreted as one finally becoming content.That is the story that I intended to tell by writing Aphelion.
$5.00
4.48 €
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Piano seul
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M
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Aphelion
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M.Y Owusu
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SheetMusicPlus
The Spear of Destiny
Violon et Piano
Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1…
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Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1030742 Composed by Jesus J. Martinez. Contemporary. Score and parts. 1 pages. Jesus Martinez Music #2019881. Published by Jesus Martinez Music (A0.1030742). PROGRAM NOTES: The Spear of Destiny is titled and inspired by the supposed spear that was used to kill Jesus Christ. The spear is said to have extraordinary powers. He who possesses it will rule the world and he who loses it thereafter will die an untimely death. The last person recorded to have had it was Adolf Hitler. This musical composition journeys through the time of Hitler and his obsession to obtain the spear, his atrocious acts during his tenure of the spear, and the loss of the spear. The spears main thematic motions are the glissandos in the violin that represent the spears anger and tortuous ways. I. Spear Found takes place during his times as an understudy of Dietrich Eckart, a dedicated satanist and figure in the Occult Thule Society and founding member of the Nazi party. Dietrich said: Follow Hitler! He will dance, but it is I who have called the tune! I have initiated him into the Secret Doctrine' opened his centres in vision and given him the means to communicate with the Powers. Do not morn for me; I shall have influenced history more than any other German. Hitler became enamored with the Spear of Destiny, which claimed it called to him. Spear Found, is Hitler's journey to capturing the spear to rule the world. II. Spear Possessed begins with no time meter or key signature. It is ad liberty of the performers and is a musical representation of the spears possessive powers towards evil. This movement takes place during the time of the Holocaust and the actions committed during Hitler's reign of world domination. The movement infers a jewish folk song titled, Dayeinu, a jewish Passover song meaning it would have been enough. This song is set in context of freedom. The movement goes through variations of Dayeinu and the spears version of a possessed Dayeinu. The violin has fast and rapid rhythms with small thematic material of the folk tune. At the end of the movement, the piano strikes the low end of the piano with a soft yarn mallet to symbolize the bombs dropping and the start of World War II. III. Spear Lost takes place during WWII and the Marines efforts to take down Hitler's reign. During the 3rd movement, the Marine Corps music comes to life as they take control of the spear and ultimately end the war. The Spear however, takes its last stand as the spears motif soars over the possessed marine tune. At the end of the movement, the spear is once again screeching as it survives and goes missing once again.
$32.99
29.57 €
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Violon et Piano
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Jesus J
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The Spear of Destiny
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Jesus Martinez Music
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SheetMusicPlus
The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score and
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730482 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730482 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and Parts. 292 pages. James Nathaniel Holland #4309153. Published by James Nathaniel Holland (A0.730482). The Discontented Housewife FULL ORCHESTRAL SCORE AND INDIVIDUAL PARTS (Individual vocal parts are not included, Piano Vocal Score sold separately), A Comic Opera in One Ridiculously Short Act Music and Libretto by James Nathaniel Holland Composer Website: https://www.facebook.com/jamesnathanielholland/Â YouTube presentation of entire opera with singers and piano: https://www.youtube.com/watch?v=XAGjuXCvwzE (Duration: 30') In Czech, fully realized production: Â https://youtu.be/raDiBJAaM_0?si=Yzim2ifUyviLoKRDÂ Twenty some odd years before the Desperate Housewives phenomenon there was a discontented housewife named Margaret. Sung here by Colleen McGrath and Dennis Jesse as her husband Harold. Synopsis: This is the interesting story of Margaret. So begins the screwball one-act chamber opera about an emotionally abused housewife, and the extent she goes to change the situation life has dealt her. Not even the pianist is allowed to sit by and idly accompany Margaret's journey into self-empowerment. Is it a battle between the sexes? Certainly not. It's more like power, domination and the pure thrill of ordering others around. ARTISTS NEEDED: Soprano (Coloratura) Margaret, Harold (Baritone)ORCHESTRATION: Picc, fl12, ob12, cl12, bsn, hrn12, tpt, trm, timp, perc (or drum set), pno, strings. (Full Score in Concert Pitch, Individual Vocal Parts are not included. Please purchase the piano vocal score, sold separately.)Great vehicle for young artists. First premiered at DePauw University, Greencastle Indiana in 1987. Later performed by the New Jersey Concert Opera in 2004. Combine with either J.N. Holland's other one act operas The One Upstairs (comedy) and O Holy Art (tragedy) to make a complete opera evening entitled A New York Triptych All require same type of singers (with some addition and chorus) and same size of orchestra. Other operas also available and published, sold separately.Please note: Although this is a farce, the orchestral should have solid players, an experienced conductor and enough rehearsal time should be given so that the piece won't fall apart in performance. Due to the comedic element, there are constantly shifting tempos and effects that a community or amateur orchestra/conductor might have difficulty with.
$42.99
38.54 €
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Orchestre
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James Nathaniel Holland
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The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score and
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James Nathaniel Holland
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SheetMusicPlus
The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.730481 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730481 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and Parts. 124 pages. James Nathaniel Holland #4305803. Published by James Nathaniel Holland (A0.730481). The Discontented Housewife FULL ORCHESTRAL SCORE ONLY, A Comic Opera in One Ridiculously Short Act Music and Libretto by James Nathaniel Holland Composer Website: https://www.facebook.com/jamesnathanielholland/YouTube presentation of entire opera with singers and piano: https://www.youtube.com/watch?v=XAGjuXCvwzE (Duration: 30') In Czech, fully realized production: Â https://youtu.be/raDiBJAaM_0?si=Yzim2ifUyviLoKRDÂ Twenty some odd years before the Desperate Housewives phenomenon there was a discontented housewife named Margaret. Sung here by Colleen McGrath and Dennis Jesse as her husband Harold. Synopsis: This is the interesting story of Margaret. So begins the screwball one-act chamber opera about an emotionally abused housewife, and the extent she goes to change the situation life has dealt her. Not even the pianist is allowed to sit by and idly accompany Margaret's journey into self-empowerment. Is it a battle between the sexes? Certainly not. It's more like power, domination and the pure thrill of ordering others around. ARTISTS NEEDED: Soprano (Coloratura) Margaret, Harold (Baritone)ORCHESTRATION: Picc, fl12, ob12, cl12, bsn, hrn12, tpt, trm, timp, perc (or drum set), pno, strings. (Full Score in Concert Pitch)Great vehicle for young artists. First premiered at DePauw University, Greencastle Indiana in 1987. Later performed by the New Jersey Concert Opera in 2004. Combine with either J.N. Holland's other one act operas The One Upstairs (comedy) and O Holy Art (tragedy) to make a complete opera evening entitled A New York Triptych All require same type of singers (with some addition and chorus) and same size of orchestra. Other operas also available and published, sold separately.Please note: Although this is a farce, the orchestral should have solid players, an experienced conductor and enough rehearsal time should be given so that the piece won't fall apart in performance. Due to the comedic element, there are constantly shifting tempos and effects that a community or amateur orchestra/conductor might have difficulty with.
$13.35
11.97 €
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Orchestre
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James Nathaniel Holland
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The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
It Is Cold!
Piano Facile
Piano Solo - Level 1 - Digital Download SKU: A0.906748 Composed by Joy Gilmore, Hsi…
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Piano Solo - Level 1 - Digital Download SKU: A0.906748 Composed by Joy Gilmore, Hsin Gilmore. Contemporary. Score. 6 pages. Joyful Sound Music #3426901. Published by Joyful Sound Music (A0.906748). It is Cold for Beginner Level The story behind this song:I installed a brand new AC and heating unit at my house during the summer of 2014. The person who installed the system did not do a good job. I had a lot of problems with the brand new ac unit after they came to install it. One of the problems is that every year, when the temperature outside goes down to 30 degrees, the brand new installed heating system would not go above 65 degrees. Normally, it stays at 61 degrees. I was and still am very frustrated about this. This new heating and ac system costs a lot of money. (A person use the same amount of money to buy a nice small car.) Because the temperature has not gone above 65 degrees inside, I have had to wear two sweat shirts, one coat, one feather jacket, two pairs of cotton pants, two pairs of socks, and two warm hats almost every single day for about one month. I have been so cold every winter. A lot of times during the coldest days in the winter, I have to stay in my 1998 Toyota Sienna van. Because it is warmer in my van than in my house. One day, while I was driving, I thought about writing a song about how cold I have been.In this song, I used many seconds including Major 2nd and Minor 2nd. The Major and Minor seconds sound very sharp, like the cold that is cutting through your skin. It is very uncomfortable, and that is the idea behind this song. This PDF is designed for two-sided printing. It is going to look like a sheet music book. This is the reason why there is one blank page in some of the songs. You can also just print the sheet music pages only.
$2.99
2.68 €
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Piano Facile
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Joy Gilmore, Hsin Gilmore
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It Is Cold!
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Joyful Sound Music
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SheetMusicPlus
Grandma Got Run Over By A Reindeer
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1268127 Composed by R…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1268127 Composed by Randy Brooks. Arranged by Michael Thomas Coull. 20th Century,Christmas,Comedy,Country,Holiday. Score. 12 pages. MTC Publishing #860686. Published by MTC Publishing (A0.1268127). Grandma Got Run Over By A Reindeer - Arrangement for Voice, Piano and Guitar by Michael Thomas CoullGrandma Got Run Over By A Reindeer is a novelty holiday song.  Written by Randy Brooks, the song was originally performed by Elmo & Patsy, the husband-and-wife duo of Elmo Shropshire and Patsy Trigg in 1979. The lyrics tell the story of a grandmother celebrating at a Christmas Eve party with her family when, while drunk on eggnog and off her medication, she staggers out into a snowstorm despite everyone imploring her not to.  She is found the next day, trampled; Santa and his reindeer are determined to be the culprits when 'incriminating Claus marks' are found on Grandma's back.  Grandpa seems completely unfazed by his wife's demise and spends the holiday 'watching football, drinking beer and playing cards with cousin Mel', while the rest of the family mourns Grandma's death and wonders if the gifts they bought for her should be returned. Christmas dinner otherwise goes on as normal, with a centrepiece of roast goose, figgy pudding for dessert, and 'blue and silver candles' to match Grandma’s hairpiece.  The upshot is a warning to the listeners that Santa is unfit to carry a driver's license!This arrangment of Grandma Got Run Over By A Reindeer is for solo voice, piano and guitar, but also contains harmonized sections (backing 'oohs', and the final few bars) that also enable this arrangment to be performed by an SSA choir - with the majority of it sung in unison. However it is performed, it is a great choice for a fun, novelty song for Christmas.
$10.99
9.85 €
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Piano, Voix et Guitare
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A Reindeer - Arrangement for Voice, Piano and Guitar by Michael Thomas Coull
Grandma Got Run Over
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Randy Brooks
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Michael Thomas Coull
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Grandma Got Run Over By A Reindeer
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MTC Publishing
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SheetMusicPlus
Always Remember Us This Way
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.526202 By Lady …
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Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.526202 By Lady Gaga. By Hillary Lindsey, Lori McKenna, Natalie Hemby, Stefani (Lady Gaga) Germanotta, and Stefani Germanotta. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Wedding. 9 pages. Sarah Cellobat Chaffee #6010645. Published by Sarah Cellobat Chaffee (A0.526202). Performed by Lady Gaga in the hit 2018 movie A Star Is Born, Always Remember Us This Way is a soulful country-rock ballad that embodies the heartbreaking love story of the movie's main characters. It was not only featured as a pivotal moment in the film, but it was also released as a single, and after its release it hit the top of the charts in a number of countries and received a Grammy nomination. In short, this hit song is one that everyone needs to have in their gig binders! This arrangement for violin and cello duet recreates the beautiful lyrical melody line, the powerful groove of the piano accompaniment, and the passionate, heartwrenching dynamic and melodic builds of the original, for a chart that's just as much fun to play as it is to listen to! Perfect for weddings, parties, corporate events, solo & ensemble contests, or just playing for fun, this chart is sure to give your audience all the feels. Easily sightreadable for professionals and playable for intermediate to advanced-intermediate students -- there are some tricky rhythms throughout, and the violin part goes up to 4th position. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$9.99
8.96 €
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Violon, Violoncelle (duo)
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Lady Gaga
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Sarah Cellobat Chaffee
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Always Remember Us This Way
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Sarah Cellobat Chaffee
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SheetMusicPlus
A Hymn A Day Volume 5
Harpe, Voix
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. C…
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Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Easter, Lent. 114 pages. Published by Afghan Press Music for the Harp
The fifth of a series of five volumes that are geared toward smaller lever harps with a bass range that goes to the G which is one and ½ octaves below middle C. Volume five includes songs for Lent, Easter and Pentecost. These tunes have the added benefit of being arranged in keys that are accessible to most vocal ranges, which is especially helpful when playing along with congregational singing. Lever changes are indicated with diamond shaped notes. Some tunes have no lever changes, some have a lot. The left hand in a few of the tunes is quite active. 75 tunes, in all.<br> Table of Contents:<br> In the Hour of Trial, We Give Immortal Praise, Soldiers of Christ, Arise, How Firm a Foundation, Must Jesus Bear the Cross Alone, Lord Jesus Christ, My Life, My Light, Near to the Heart of God, Jesus, I My Cross Have Taken, Out of the Depths I Cry to Thee, Lenten Hymn, Break Thou the Bread of Life, O Love, How Deep, How Broad, How High, Here, O My Lord, I See Thee Face to Face, Tell Me the Story of Jesus, Forty Days and Forty Nights, Hail, Thou Once Despised Jesus, O Day of Rest and Gladness, Sing Praise to God Who Reigns Above, Wake, Awake, for Night Is Flying, The Lord Jehovah Reigns, Come, Thou Almighty King, Day by Day and with Each Passing Moment, I'll Praise My Maker While I've Breath, Ah, Holy Jesus, According to Thy Gracious Word, All Hail the Power of Jesus' Name, Jesus, Priceless Treasure, Before Jehovah's Awful Throne, There Is a Balm in Gilead, O Love That Will Not Let Me Go, Bread of Heaven, on Thee We Feed, Awake, My Soul, and With the Sun, The Heavens Declare Thy Glory, Lord, O the Deep, Deep Love of Jesus, Come, Christians, Join to Sing, A Wonderful Savior Is Jesus My Lord, I Am Thine, O Lord, I Am His, and He Is Mine, Turn Your Eyes Upon Jesus, Amazing Grace!, Jesus, Keep Me Near the Cross, Jesus Paid It All, There Is a Green Hill Far Away, Were You There?, Behold the Savior of Mankind, At Calvary, Come, Ye Faithful, Raise the Strain, The Old Rugged Cross, In the Cross of Christ I Glory, All Glory, Laud and Honor, O Sacred Head, Now Wounded, And Can It Be That I Should Gain?, The Day of Resurrection, Go To Dark Gethsemane, Hosanna, Loud Hosanna, Jesus Lives, and So Shall I, Christ, the Lord Is Risen Today, Bread of the World, in Mercy Broken, When I Survey the Wondrous Cross, Cross of Jesus, Cross of Sorrow, The Head That Once Was Crowned, My Savior's Love, The Strife Is O'er, The Battle Done, Christ Arose!, Never Further than Thy Cross, Beneath the Cross of Jesus, Let Us Break Bread Together, Alas! and Did My Savior Bleed?, Christ Jesus Lay in Death's Strong Bands, What Wondrous Love Is This?, Jesus Christ Is Risen Today, Loved With Everlasting Love, Low in the Grave He Lay, O Sons and Daughters, Let Us Sing, Welcome, Happy Morning
$25.00
22.41 €
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Harpe, Voix
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Hugh Callison
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A Hymn A Day Volume 5
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Afghan Press Music for the Harp
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SheetMusicPlus
Throwing The Dice
Piano seul
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Neo- Classical, Activities and Games, Recital, New Age. Sheet Music Single. 9 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "Throwing The Dice"<br> - taken from the Isadar solo piano collections, "Active Imagination / Reconstructed" (also available on SMP) <br> <br> Sounds like: Liz Story's ("Things With Wings"), Philip Aaberg, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Note: A slightly different version of this composition is also heard on the Isadar album, "Reconstructed" (Produced by Will Ackerman)<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> I love this CD! It constantly amazes me how many outstanding composer/pianists there are out there - especially in relation to the few who are highly (commercially) successful within this broad genre. I would say that Active Imagination definitely belongs near the top of the heap. Isadar’s style is original, and his pianism is excellent. He lists his inspirations as Liz Story, Keith Jarrett, and Bill Evans, and I can hear traces of all three in his playing, but find his composing and playing styles to be uniquely his own.<br> <br> The first three tracks are lively and upbeat (“Active Imagination”, “Throwing the Dice”, and “Where the Wild Things Are”) with an easy, jazzy, improvised feel. The meter changes are fascinating, and the bluesy beat on “Wild Things” is infectious.<br> <br> From there, the mood seems to gradually darken and become more introspective. “Waiting” is a beautiful, flowing mood piece full of questions and a lovely melody line. Isadar’s cover of Liz Story’s “Wedding Rain” is wonderful - this is a piece I often work on with my advanced students, and everything about Isadar’s interpretation of the piece seems right without being a carbon-copy of Liz’s recording.<br> <br> “Feu Follet (the ‘spook’ light’)” has a nice, easy flow with a strong sense of mystery; it also has an unusual rhythm that lightens the mood and adds a bounce. “Uncertainty” is cooler and more aloof, but gorgeous in its flowing introspection - that it ends with a major chord, feels like the soul-searching has had positive results. “Love Chaconne” is the closing track, and is the longest and most abstract piece on the CD. The left hand plays a repeated pattern while the right hand goes off in several different directions (one of the primary characteristics of a “chaconne”). Beautiful in its simplicity, this is the only track that seems to contain an element of pain and sorrow, but never dissolves into melodrama.<br> <br> Active Imagination is excellent from start to finish and I highly recommend it to anyone who likes solo piano with substance and complexity, but is still accessible, melodic, and rhythmic. Bravo amundo!<br> <br> Active Imagination Sheet Music Collection is the companion songbook to Isadar’s 1999 CD release, Active Imagination. The CD was one of my favorites for the year when I reviewed it for the print version of “Wind and Wire” magazine, so I was really looking forward to the sheet music! Transcribed note-for-note by David Shenton of ShentonMusic.com (I proofed about half of the book, so I can attest to how accurate it is!), it is up to you to make the music sound as close to the CD as you want or to interpret the music and make your own statements with it.<br> <br> One thing that really stands out about this collection is how much FUN it is to play. The rhythms are interesting and catchy, and the mood in several of the songs is playful and upbeat. This is especially true with the title song, “Throwing the Dice,” “Where the Wild Things Are,” and “Feu Follet (the ‘spook’ light).” “Waiting,” “Love Chaconne,” and “Uncertainty” are slower, more introspective, and a bit moody, making this a sheet music collection that contains a variety of moods and styles. The only piece missing from the book is Liz Story’s “Wedding Rain,” but the sheet music for that song is available in some of Ms. Story’s own collections.<br> <br> Early-advanced players should have no trouble with this music. The timing on some of the songs is a little bit tricky, but if you count it as you are learning it, it will fall into place.<br> <br> If you haven’t heard the CD, check it out, too! This book is available here from SMP, isadar.com and amazon.com. Highly recommended!<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.37 €
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Piano seul
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Isadar
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Throwing The Dice
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Mainya Music Publishing
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SheetMusicPlus
Waiting
Piano seul
Piano Solo - Early Intermediate - Digital Download Composed by Isadar. Contemporary…
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Piano Solo - Early Intermediate - Digital Download Composed by Isadar. Contemporary Classical, Neo- Classical, Spiritual, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "Waiting"<br> - taken from the Isadar solo piano collections, "Active Imagination / Reconstructed" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Note: A slightly different version of this composition is also heard on the Isadar album, "Reconstructed" (Produced by Will Ackerman)<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> I love this CD! It constantly amazes me how many outstanding composer/pianists there are out there - especially in relation to the few who are highly (commercially) successful within this broad genre. I would say that Active Imagination definitely belongs near the top of the heap. Isadar’s style is original, and his pianism is excellent. He lists his inspirations as Liz Story, Keith Jarrett, and Bill Evans, and I can hear traces of all three in his playing, but find his composing and playing styles to be uniquely his own.<br> <br> The first three tracks are lively and upbeat (“Active Imagination”, “Throwing the Dice”, and “Where the Wild Things Are”) with an easy, jazzy, improvised feel. The meter changes are fascinating, and the bluesy beat on “Wild Things” is infectious.<br> <br> From there, the mood seems to gradually darken and become more introspective. “Waiting” is a beautiful, flowing mood piece full of questions and a lovely melody line. Isadar’s cover of Liz Story’s “Wedding Rain” is wonderful - this is a piece I often work on with my advanced students, and everything about Isadar’s interpretation of the piece seems right without being a carbon-copy of Liz’s recording.<br> <br> “Feu Follet (the ‘spook’ light’)” has a nice, easy flow with a strong sense of mystery; it also has an unusual rhythm that lightens the mood and adds a bounce. “Uncertainty” is cooler and more aloof, but gorgeous in its flowing introspection - that it ends with a major chord, feels like the soul-searching has had positive results. “Love Chaconne” is the closing track, and is the longest and most abstract piece on the CD. The left hand plays a repeated pattern while the right hand goes off in several different directions (one of the primary characteristics of a “chaconne”). Beautiful in its simplicity, this is the only track that seems to contain an element of pain and sorrow, but never dissolves into melodrama.<br> <br> Active Imagination is excellent from start to finish and I highly recommend it to anyone who likes solo piano with substance and complexity, but is still accessible, melodic, and rhythmic. Bravo amundo!<br> <br> Active Imagination Sheet Music Collection is the companion songbook to Isadar’s 1999 CD release, Active Imagination. The CD was one of my favorites for the year when I reviewed it for the print version of “Wind and Wire” magazine, so I was really looking forward to the sheet music! Transcribed note-for-note by David Shenton of ShentonMusic.com (I proofed about half of the book, so I can attest to how accurate it is!), it is up to you to make the music sound as close to the CD as you want or to interpret the music and make your own statements with it.<br> <br> One thing that really stands out about this collection is how much FUN it is to play. The rhythms are interesting and catchy, and the mood in several of the songs is playful and upbeat. This is especially true with the title song, “Throwing the Dice,” “Where the Wild Things Are,” and “Feu Follet (the ‘spook’ light).” “Waiting,” “Love Chaconne,” and “Uncertainty” are slower, more introspective, and a bit moody, making this a sheet music collection that contains a variety of moods and styles. The only piece missing from the book is Liz Story’s “Wedding Rain,” but the sheet music for that song is available in some of Ms. Story’s own collections.<br> <br> Early-advanced players should have no trouble with this music. The timing on some of the songs is a little bit tricky, but if you count it as you are learning it, it will fall into place.<br> <br> If you haven’t heard the CD, check it out, too! This book is available here from SMP, isadar.com and amazon.com. Highly recommended!<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$6.99
6.27 €
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Piano seul
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Isadar
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Waiting
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Mainya Music Publishing
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SheetMusicPlus
Married Life
Quatuor à cordes: 2 violons, alto, violoncelle
Composed by Michael Giacchino. Arranged by Sarah Cellobat Chaffee. Film/TV, Pop, Wed…
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Composed by Michael Giacchino. Arranged by Sarah Cellobat Chaffee. Film/TV, Pop, Wedding. Score and parts. 15 pages. Sarah Cellobat Chaffee #774077. Published by Sarah Cellobat Chaffee
"Married Life," from the Disney/Pixar animated feature film Up, has become one of the most memorable pieces of music in Disney history. The song, which plays over a collection of vignettes showing the entire lifelong relationship of the main character and his wife, has one main theme throughout; the theme then goes through different variations to fit the tone of the events being shown. This song was so effective at portraying the couple's life through all its emotional ups and downs that it went on to win a Grammy award, and it has since become one of the most successful animated film scores to date!<br> <br> This song has become very popular for weddings, but if you've seen the movie, you know that this scene ends on a very depressing note -- and most couples who request the song want to hear the cheerful lilting tune, but don't want their special day to include "the sad part at the end." This Cellobat arrangement for your string quartet is a full 3-minute-long arrangement that includes just the fun variations of the melody, and stays happy and upbeat the entire time! This will be perfect for weddings, receptions, cocktail hour, proposals, or any other occasion you want your fairy tale to have a happy ending. Rated intermediate; this will be playable for students and easily sightreadable for professionals.
$16.99
15.23 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Michael Giacchino
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Sarah Cellobat Chaffee
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Married Life
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Sarah Cellobat Chaffee
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SheetMusicPlus
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