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Vous avez sélectionné:
Première Suite
Partitions à imprimer
49 partitions trouvées
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26
Rondeau (From Première Suite)
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1454090 Compose…
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Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1454090 Composed by Jean-Joseph Mouret. Arranged by Dina H. L. Slechta. Baroque,Chamber,Classical,Wedding. 8 pages. Dina H. L. Slechta #1033264. Published by Dina H. L. Slechta (A0.1454090). Standard prelude repertoire in the Wedding Music Series, Rondeau from Première Suite, by Jean-Joseph Mouret, is arranged here by ArrangeMe.com arranger, Dina H. L. Slechta, for Violin and Cello Duet. The approximate playing time for Rondeau is two and a half minutes for the entire piece. Rehearsal letters are provided at the beginnings of phrases to allow some possibilities for starting and stopping places within the arrangement for different times needed in weddings.Cover, Score, Violin and Cello Parts - altogether 8 pages.Recommended for late intermediate musicians.
$7.99
7.32 €
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Violon, Violoncelle (duo)
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Jean-Joseph Mouret
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Dina H
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Rondeau
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Dina H. L. Slechta
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SheetMusicPlus
Rondeau from Premiére Suite for Viola Solo
Alto seul
Viola Solo - Level 3 - Digital Download SKU: A0.1187039 Composed by Jean-Joseph Mou…
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Viola Solo - Level 3 - Digital Download SKU: A0.1187039 Composed by Jean-Joseph Mouret. Arranged by Sherry Lewis. Baroque,Classical,Wedding. Individual part. 5 pages. Sherry Lewis Publishing #786669. Published by Sherry Lewis Publishing (A0.1187039). Rondeau from Premiére Suite for Viola SoloViola Solo Intermediate LevelScore: 0Parts: 2 pagesTime: 3:30If you can't find a title then contact me through https://baysbest.com/contact/ and I'll give you the link back to SMP. Thank you for your order!
$4.90
4.49 €
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Alto seul
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Jean-Joseph Mouret
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Sherry Lewis
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Rondeau from Premiére Suite for Viola Solo
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Sherry Lewis Publishing
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SheetMusicPlus
L'Arlésienne Suite No. 2
Orchestre
Orchestra - Digital Download SKU: S9.Q21191 Composed by Georges Bizet. This edition…
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Orchestra - Digital Download SKU: S9.Q21191 Composed by Georges Bizet. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, study score. Ernst Eulenburg & Co. GmbH - Digital #Q21191. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21191). The première of Daudet's play, L'Arlésienne, with incidental music by Bizet, given at the Théâtre du Vaudeville on 30 September 1872, was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber, however, was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion, for the première of the first Arlésienne suite took place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Bizet, however, did not turn to preparing a second suite from L'Arlésienne. Some four years after Bizet's death, the success of the first suite may have prompted his original publisher to commission the arrangement of more excerpts from the Arlésienne MS from Bizet's good friend Ernest Guiraud who had earlier written recitatives and put together a ballet for Carmen.In 1872 Bizet wrote the incidental music to Daudet’s famous tragedy ‘L’Arlésienne’. He had to tailor his composition to an orchestra of only 26 players, but these limited forces turned out to pose a stimulating challenge rather than an obstacle. Shortly after the premiere, he arranged four of the movements and formed them into the Suite No. 1 for large orchestra. The Suite No. 2 was arranged by Ernest Guiraud four years after Bizet’s death.
$13.99
12.82 €
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Orchestre
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Georges Bizet
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L'Arlésienne Suite No. 2
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
L'Arlésienne Suite No. 1
Orchestre
Orchestra - Digital Download SKU: S9.Q12512 Composed by Georges Bizet. This edition…
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Orchestra - Digital Download SKU: S9.Q12512 Composed by Georges Bizet. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. New URTEXT Edition. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q12512. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12512). The première of Daudet's play, L'Arlésienne, with incidental music by Bizet, at the Théâtre du Vaudeville on 30 September 1872, was a devastating event for both playwright and composer and the production was removed from the repertory after 19 performances. The critic Johannès Weber, however, was alert to the quality of Bizet's score and suggested that the composer should excerpt and rescore several pieces for the Concerts populaires where 'the lovely music would be better appreciated than at the Vaudeville'. Bizet must have moved rather quickly to follow Weber's suggestion, for the première of the first Arlésienne suite took place only six weeks later at the Concerts populaires on 10 November 1872 and the work in its new abridged form was soon taken up by many other orchestras. Thus, before his death in June 1875, Bizet had the satisfaction that his suite from L'Arlésienne was played by all the major concert societies in Paris and it has remained firmly in the concert and recorded repertoire ever since.
$13.99
12.82 €
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Orchestre
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Georges Bizet
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L'Arlésienne Suite No. 1
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
The Nutcracker Suite (1st Part) for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.528381…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.528381 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 51 pages. Diego Marani #5884413. Published by Diego Marani (A0.528381). Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 première, forming The Nutcracker Suite, Op. 71a, intended for concert performance.This arrangement for clarinet quartet (Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet) includes the first four numbers:1. Overture Miniature2. March3. Dance of the Sugar Plum Fairy4. Russian Dance (Trepak).
$24.99
22.9 €
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Quatuor de Clarinettes: 4 clarinettes
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P
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Diego Marani
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The Nutcracker Suite
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Diego Marani
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SheetMusicPlus
The Nutcracker Suite (2nd Part) for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.528382…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.528382 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 57 pages. Diego Marani #5884415. Published by Diego Marani (A0.528382). Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 première, forming The Nutcracker Suite, Op. 71a, intended for concert performance.This arrangement for clarinet quartet (Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet) includes the last four numbers:5. Arabian Dance6. Chinese Dance7. Reed Flutes8. Waltz of the Flowers.
$24.99
22.9 €
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Quatuor de Clarinettes: 4 clarinettes
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P
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Diego Marani
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The Nutcracker Suite
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Diego Marani
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SheetMusicPlus
Première Suite
Flûte à bec Alto, Piano
Treble recorder and piano - Digital Download SKU: S9.Q47517 Composed by Charles Bat…
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Treble recorder and piano - Digital Download SKU: S9.Q47517 Composed by Charles Baton. This edition: Sheet music. Schott Archive. Downloadable. Op. 2/1. Schott Music - Digital #Q47517. Published by Schott Music - Digital (S9.Q47517).
$19.99
18.31 €
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Flûte à bec Alto, Piano
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Charles Baton
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Première Suite
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Schott Music - Digital
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SheetMusicPlus
Rondeau from Premiére Suite for Cello Solo
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.1209524 Composed by Jean-Joseph Mou…
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Cello Solo - Level 3 - Digital Download SKU: A0.1209524 Composed by Jean-Joseph Mouret. Arranged by Sherry Lewis. Baroque,Classical,Wedding. Individual part. 5 pages. Sherry Lewis Publishing #807666. Published by Sherry Lewis Publishing (A0.1209524). Rondeau, Jean-Joseph MouretCello Solo Intermediate LevelScore: 0Parts: 2 pagesTime: 2:50ABOUT THE AUDIO: Audio starts a few bars into the songIf you can't find a title then contact me through https://baysbest.com/contact/ and I'll give you the link back to SMP. Thank you for your order!
$4.50
4.12 €
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Violoncelle
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Jean-Joseph Mouret
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Sherry Lewis
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Rondeau from Premiére Suite for Cello Solo
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Sherry Lewis Publishing
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SheetMusicPlus
Première Suite
Oboe (flute) and basso continuo (piano or harpsichord) - intermediate - Digital Download
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Oboe (flute) and basso continuo (piano or harpsichord) - intermediate - Digital Download SKU: S9.Q47518 Composed by Charles Baton. This edition: Sheet music. Schott Archive. Downloadable. Op. 2/1. Schott Music - Digital #Q47518. Published by Schott Music - Digital (S9.Q47518).
$18.99
17.4 €
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Charles Baton
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Première Suite
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Schott Music - Digital
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SheetMusicPlus
Korean Simple Suite No.1 (For Viola and Piano)
Violoncelle, Piano
Instrumental Duet Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.51…
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Instrumental Duet Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.511711 Composed by Han-Ki Kim. 20th Century,Contemporary,Multicultural,Standards,World. Score and parts. 27 pages. Han-Ki Kim #4629467. Published by Han-Ki Kim (A0.511711). “Korean Simple Suite†No.1 For Viola and Piano Op.267 As far as melodies are concerned, all 5 movements mainly use the traditional 5 notes of Korea(Do, Re, Mi, Sol, La), and Originally, this music is composed for Violin and Piano and dedicated to Andreas Buschatz, the Concertmaster of Leipzig Gewandhaus in Germany.1mov. Prologue-Greeting : This is a short song with a bright atmosphere in d minor in 3/4 time.2mov. Oriental Flute : In G major in 4/4 time, the natural harmonics of string instruments are partially used to describe the sound of oriental flute. 3mov. Cheerfulness : In D major in 8/12 time, tried to express Korean joy by using our traditional rhythms, Kutkuri Jajinmori 4mov. Sorrow : In 3/4 time G major, not in minor, but in major, expressing deep sorrow. 5mov. Finale-Festival : In d minor in 4/4 time, tried to describe the excitement of the festival atmosphere, and it was composed in a rondo style quoting korean traditional Children's nursery rhyme “Fox.â€The music was world premiered on June 1, 2019 at the Seoul Arts Center (IBK Chamber Hall) by Professors Kyung-sun Lee(violin), and Hee-seung Joo(piano).This music transcribed for Cello and Piano was a Competition Repertorie Requirement of Tennessee Cello Workshop(2021.2.26.-28), University of Tennessee, School of Music. Attached Music file is recorded with Violin and Piano, it’s just for a referrence. You Tube link-played by Orchestra.Han-Ki Kim Violinist, Composer, He earned his Master’s degree from the Michigan State University(Majored in Violin). Kim has formerly been concertmaster of Daegu City Sym. Orchestra as well as for the Michigan State University Orchestra. He was an advising professor for the Czech Republic’s DobÅ™ichovice International Music Camp, and now Korean Suzuki Association. Since 2004, his compositions have been periodically performed by I Musici. His compositions have also been performed and recorded by the Vienna Waltz Orchestra, in Austria, the French Chamber Orchestra in France, and the Sophia Chamber Orchestra in Russia. Mr. Kim is a former Dean of Changwon National University’s College of Performing Arts. Currently he teaches student as Emeritus professor of Changwon National University.
$15.99
14.65 €
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Violoncelle, Piano
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Han-Ki Kim
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3mov
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Korean Simple Suite No.1
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Han-Ki Kim
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SheetMusicPlus
The Flying Dutchman
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
39.39 €
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Elegy
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4276 Composed by Mark Houghton. Sco…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4276 Composed by Mark Houghton. Score. 9 pages. Les Productions d'OZ - Digital #DZ 4276. Published by Les Productions d'OZ - Digital (ZZ.DZ-4276). ISBN 9782898521935.Elegy' is a homage to the influential 20thC English composer John W. Duarte (1919-2004). Elegy does not reflect the compositional style of Duarte, but rather is an acknowledgement of his editorial publication for Chester Music (1984) of 'Homenaje pour le Tombeau de Claude Debussy', composed by Manual de Falla (1920). Consequently, 'Elegy' adopts the compositional style of the Habanera. I first met John W. Duarte in 1990, at the Wirral International Guitar Festival and it was on this occasion that he shared with me advice about composing for guitar. Subsequently, thereafter I met him several times at the same event and was always struck by his enthusiasm to generously share his knowledge about music. In 2020 I was honoured to be asked, by JWD's son, Chris Duarte, to edit some previously unpublished works written by his father - works that are now also published by Les Productions d'OZ.Elegy has been recorded by the Argentinian guitarist Daniela Rossi on Brilliant Classics 97470 - John W. Duarte Guitar Music Vol.5, Homages.« Elegy » est un hommage à l'influent compositeur anglais du XXe siècle, John W. Duarte (1919-2004). L'élégie ne reflète pas le style de composition de Duarte, mais plutôt une reconnaissance de sa publication éditoriale pour Chester Music (1984) de « Homenaje pour le Tombeau de Claude Debussy », composé par Manual de Falla (1920). Par conséquent, « Elegy » adopte le style de composition de la Habanera.J'ai rencontré John W. Duarte pour la première fois en 1990, au Wirral International Guitar Festival et c'est à cette occasion qu'il m'a partagé des conseils sur la composition pour guitare. Par la suite, je l'ai rencontré à plusieurs reprises lors d'un même événement et j'ai toujours été frappé par son enthousiasme à partager généreusement ses connaissances en matière de musique. En 2020, j'ai eu l'honneur d'être invité par le fils de JWD, Chris Duarte, à éditer des œuvres inédites écrites par son père - œuvres qui sont désormais également publiées par Les Productions d'OZ.Elegy a été enregistré par la guitariste argentine Daniela Rossi sur Brilliant Classics 97470 - John W. Duarte Guitar Music Vol.5, Homages.
$5.95
5.45 €
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Mark Houghton
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Elegy
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Les Productions d'OZ - Digital
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SheetMusicPlus
Grieg, Edvard : Dans la Grotte du Roi de la Montagne (Collection Anacrouse) + MP3
1 Piano, 4 mains
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>En janvier 1874, Grieg collabore avec le dramaturge Henrik Ibsen, lui offrant la composition de la musique d'accompagnement de sa pièce de théâtre Peer Gynt. Ayant besoin d'argent, il accepte ce travail qu'il mène avec peine, mais qui doit à son insu assurer une grande partie de sa gloire internationale. L'oeuvre est jouée sous les feux de la rampe à Oslo le 24 février 1876. Sur ses 23 numéros qu'il compose, il en choisit quatre en 1888, pour une première suite d'orchestre, et cinq en 1891 pour une seconde, mais la dernière pièce est vite abandonnée.<br> La grotte du roi de la montagne est un morceau que nous connaissons tous. Son pouvoir évocateur n'a pas échappé au publicitaire qui, pour accompagner une situation haletante, l'utilise en bande son.<br> La première suite s'achève sur ce célèbre passage et nous ouvre le volet de la deuxième suite. Cet extrait est une transcription fidèle pour piano 4 mains, avec la partie droite plus facile, pour permettre aux débutants de jouer ce morceau, accompagnés d’un pianiste plus avancé. C’est une marche assez marquée en la mineur à quatre temps. Le thème prend au fur et à mesure son essor, avant de gagner tout le piano symphonique jusqu'à la frénésie qui atteint son paroxysme dans les dernières mesures.<br> Polyphonie, onirisme et frénésie, cet extrait tout à fait saisissant combine grâce, exaltation et sentiments. Transcription pour piano 4 mains + Biographie + Notes sur l'oeuvre
5.50 €
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1 Piano, 4 mains
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Grieg, Edvard
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Dans la Grotte du Roi de la Montagne
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Note4Piano
Drei Stücke
Quatuor à cordes: 2 violons, alto, violoncelle
String quartet - advanced to difficult - Digital Download SKU: S9.Q49180 Aus der…
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String quartet - advanced to difficult - Digital Download SKU: S9.Q49180 Aus der Musik zu Shakespeares Viel Lärmen um nichts. Composed by Erich Wolfgang Korngold. This edition: score and parts. Downloadable, Score and parts. Op. 11. Duration 11 minutes. Schott Music - Digital #Q49180. Published by Schott Music - Digital (S9.Q49180). German • English • French.New incidental music was required for a performance of William Shakespeare’s comedy Much Ado about Nothing in the Schönbrunn Schloßtheater in Vienna in 1920. Erich Wolfgang Korngold had already composed this music two years previously; he also conducted the première in May 1920. In January of the same year however, Korngold’s entertaining suite also received its first performance and its catchy melodies have guaranteed its popularity up to the present day. A third version arranged by the composer for string quartet surfaced at an auction in 1984 : this version of the work had however never been performed. The Gesellschaft der Musikfreunde [Society of Music Lovers] in Vienna succeeded in purchasing this three-movement version which will receive its much belated performance almost a century after its creation.
$36.99
33.89 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Erich Wolfgang Korngold
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Drei Stücke
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Schott Music - Digital
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SheetMusicPlus
Franz Liszt: "Orage" - Arranged for Organ by S. Haddad
Orgue
Organ - Level 5 - Digital Download SKU: A0.1375157 Composed by Franz Liszt. Arrange…
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Organ - Level 5 - Digital Download SKU: A0.1375157 Composed by Franz Liszt. Arranged by Salim Haddad. 19th Century,Instructional,Romantic Period. Score. 21 pages. Salim Haddad #959769. Published by Salim Haddad (A0.1375157). A transcription for organ of Liszt's mighty piano work, Orage (Storm), from his Années de pèlerinage, Première année: Suisse (Years of Pilgrimage, First Year: Switzerland). A powerful evocation of a winter storm, this piece is well suited to the organ. Recorded by the composer. Salim Haddad is an avid pianist and composer from Edmonton, Canada. https://www.youtube.com/@Haddad.Composer/about
$3.00
2.75 €
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Orgue
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Franz Liszt
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Salim Haddad
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Franz Liszt: "Orage" - Arranged for Organ by S. Haddad
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Salim Haddad
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
10.07 €
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Orchestre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.66 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.66 €
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Orchestre de chambre
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.66 €
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Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
3.66 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.66 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.66 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Bach, Jean-Sébastien : 1ère Invention à 2 voix BWV 772 (Collection Anacrouse)
Piano seul
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>Jean Sebastien Bach a écrit 15 Inventions à deux voix (BWV 772-786) et 15 Inventions à trois voix (BWV 787-801) qu'il a nommées Sinfonias. Il les publie en 1723 à Cöthen. Ce sont des ouvrages didactiques. Avec ces trente inventions Bach vise surtout à instruire et à mettre en place une méthode pour les enfants. Il exprime sa pensée en préface dans un des manuscrits autographes des Inventions : « Méthode sincère destinée aux amateurs, aux apprentis pour leur apprendre à jouer correctement à deux parties, à procéder ultérieurement juste et bien avec deux ou trois parties obligées, à avoir de bonnes inventions, acquérir une manière chantante de jouer, ainsi qu'un avant goût de la composition. » Ainsi les morceaux sont groupés suivant l'ordre des demi-tons de la gamme et non pas selon la complication croissante des tonalités. Chaque invention a un seul motif thématique. Ce motif peut être agrandi en thème et par la suite, mené en contrepoint avec d'autres petits motifs et la recherche d'un équilibre rigoureux dans chaque invention est une grande difficulté qui peut dépasser la compréhension d'un pianiste novice. Bach intègre dans ces morceaux toute une panoplie de procédés techniques comme le canon, le contrepoint, la complexité de la composition nécessitant l'utilisation de la pédale harmonique et la façon d'ornementer un motif thématique. On peut entrevoir dans ces Inventions une manière de synthétiser sa méthode de travail et une initiation à l'écriture musicale. Constitué d'une mesure binaire à quatre temps, le thème initial de l'Invention n°1 est présenté d'abord à la main droite et se conclut par une réponse immédiate à la main gauche. Puis les deux mains contribuent à son enrichissement en se développant jusqu'à sa réexposition à la neuvième mesure où il se révèle à nouveau dans son inverse sur le ton de la dominante. Composé de vingt-deux mesures, ce thème et son inverse obnubilent toute cette première invention et expriment de manière chantante des pensées délicates. La sensation fugitive du sentiment mélangée au contrepoint de Bach demande aux pianistes une dextérité pour la recherche de l'absolu. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano seul
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Bach, Jean-Sébastien
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1ère Invention à 2 voix BWV 772
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Note4Piano
Symphony No. 104 - Allegro from the 1st movement
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.1031107 Composed by Franz Joseph H…
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Flute,Piano - Level 1 - Digital Download SKU: A0.1031107 Composed by Franz Joseph Haydn. Arranged by F Matthews. Classical. Score and part. 3 pages. Atlas Nash #3663237. Published by Atlas Nash (A0.1031107). This is a lively arrangement of the Allegro theme taken from the 1st movement of Haydn's Symphony No. 104 - one of Haydn's London symphonies. The allegro is arranged here for flute and piano, but can easily be played on violin or other instruments suited to the range. The range of the flute part is from C-sharp5 (octave above middle C), to a high E (E6) - a range that would approximately suite a flautist at Grade 3 level - upper end of easy/beginner. The piano accompaniment has been arranged to be at the higher end of easy - with some more complex elements including octave and running quaver passages. Dynamics and articulation have been added in as a guide only. This download includes a score and separate flute part. The original work was written in 1795 while Haydn was living in London and was premiered to great acclaim. It remains a popular choice today for concerts around the world. This arrangement could work nicely alongside an arrangement of the second movement - or as part of a medley of short pieces in a concert. The expected duration of the piece is likely to be between 1.5 to 2 minutes long, though the arrangement can be played at a tempo suiting the individual performer. Some professional performances of this work would be more in the range of one minute only! I hope you enjoy this arrangement and I'd welcome any feedback by email to franmatt100@gmail.com.
$1.99
1.82 €
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Flûte traversière et Piano
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Franz Joseph Haydn
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F Matthews
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Symphony No. 104 - Allegro from the 1st movement
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Atlas Nash
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SheetMusicPlus
Grieg, Edvard : Danse d'Anitra (Collection Anacrouse)
Piano seul
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.<br><br>Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>En janvier 1874, Grieg collabore avec le dramaturge Henrik Ibsen, lui offrant la composition de la musique d'accompagnement de sa pièce de théâtre Peer Gynt. Ayant besoin d'argent, il accepte ce travail qu'il mène avec peine, mais qui doit à son insu assurer une grande partie de sa gloire internationale. L'oeuvre est jouée sous les feux de la rampe à Oslo le 24 février 1876. Sur ses 23 numéros qu'il compose, il en choisit quatre en 1888, pour une première suite d'orchestre, et cinq en 1891 pour une seconde, mais la dernière pièce est vite abandonnée. La danse d'Anitra représente le quatrième de cette pièce. Elle est basée sur un Tempo de mazurka en la mineur à 3/4. Son histoire se déroule en Afrique du Nord. Le héros, Peer Gynt est pris pour un prophète. Il est invité par le roi et la belle Anitra danse pour le séduire.<br> La composition est basée sur le modèle de la danse populaire appelée « Springar ». Envoûtante par son mouvement obsessionnel et raffiné, cette danse nous transporte dans un univers merveilleux, celui du conte de fées musicalement scandinave.<br> Venez respirer le parfum exotique nordique d'une puissante séduction de Peer Gynt en interprétant ce passage célèbre. Transcription pour piano + Biographie + Notes sur l'oeuvre
3.30 €
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Piano seul
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Grieg, Edvard
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Danse d'Anitra
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Note4Piano
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