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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Partitions à imprimer
12 partitions trouvées
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WAYFARING STRANGER (Poor Wayfaring Stranger)
Chorale TTBB
Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown…
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Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes: I am a poor, wayfaring stranger - Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger. Wandering through this world of woe - Matthew 18:7: Woe to the world because of the things that cause people to sin! Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger - John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it. Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me. Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God, In that bright land to which I go - James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father - John 6:40 - For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day. I'm only going over Jordan - Joshua 22:4: Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD gave you on the other side of the Jordan. Yet though dark clouds will gather round me - 2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak, then I am strong. I know my way is rough and steep - Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand. Proverbs 15:24: The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me - Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey. Where God's redeemed their vigil's keep - Exodus12:42: Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD for the generations to come. I'm going home to see my mother - Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
$4.59
4.2 €
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Chorale TTBB
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Unknown - traditional
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Paul A
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peripatetic country preachers
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WAYFARING STRANGER
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Paul A. Jorg
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SheetMusicPlus
Jesus Christ the Apple Tree — SATB voices
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1495196 Compos…
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Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1495196 Composed by Todd Marchand. A Cappella,Christian,Christmas,Folk,Sacred. 4 pages. Con Spirito Music #1071742. Published by Con Spirito Music (A0.1495196). Jesus Christ the Apple Tree is the commonly used title for a poem published under the heading Christ compared to an Apple-tree in the August 1761 issue of The Spiritual Magazine, a London periodical for Calvinist Baptists.Above the poem in the publication are words of its author:Gentlemen,Having spent some of my vacant time in the composition of short pieces of Divine Poetry, have sent you the following, by way of specimen; which, if thought worthy of a place in your magazine, shall communicate the others regularly. I am your well-wisher and constant reader, R.H.R.H. is today believed to most likely be the Rev. Richard Hutchins, a Calvinist Baptist clergyman then serving in Long Buckby, Northamptonshire. The poem's first known appearance in a hymnal, and in America, was in 1784 in Divine Hymns, or Spiritual Songs: for the use of Religious Assemblies and Private Christians compiled by Joshua Smith, a lay Baptist minister from New Hampshire. Because of its popularity in New England churches thereafter, it has often been wrongly attributed to an anonymous early American poet or to Smith.The poem may be an allusion to the apple tree in Song of Solomon 2:3 (As the apple tree among the trees of the wood, so is my beloved among the sons. I sat down under his shadow with great delight, and his fruit was sweet to my taste), which has been interpreted as a metaphor for Jesus. It also alludes to other descriptions of the tree of life in both the Old and New Testaments. Primitive yet profound, Jesus Christ the Apple Tree has been set to music by many composers, including a very popular setting by Elizabeth Poston (1905-1987). This new setting for unaccompanied SATB voices captures the rustic quality of the text with a rising-and-falling folksong-like melody, attractively harmonized. Voices realized by Cantamus (https://cantamus.app/)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patritic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.99
2.73 €
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Chorale SATB
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Todd Marchand
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Jesus Christ the Apple Tree — SATB voices
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Con Spirito Music
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SheetMusicPlus
The Naiad for flute and harp
Harpe, Flûte (duo)
Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1174114 By Schwar…
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Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.1174114 By Schwarz Matthew H. By Matthew H Schwarz. Arranged by Matthew H Schwarz. Chamber,Classical,Contemporary. 12 pages. Matthew H Schwarz #774278. Published by Matthew H Schwarz (A0.1174114). A four-minute haunting duet for flute and harp. Generally modal/melodic accessible music. There are some more advanced rhtyhms and high passages in the flute, and Bach-like runs in the harp that will require practice for intermediate musicians.  The flute goes from low C to the B an octave above the treble cleff (but, only one 3-measure passage goes above the D above the treble cleff).The harp part can be played on a pedal harp or, with a little effort, on a lever harp. It starts in two flats, there's a middle section with F#s (with time to switch levers - the sheet music indicates some bass notes that can be skipped to flip levers), and the end adds Ab (which will require two levers flipped by reaching over with the right hand - unusual, but not too awkward with practice). The lowest note in the harp is the G below the bass cleff (however, all notes below the bass cleff are octave doublings and could be ignored on a smaller harp), and the highest is the D above the treble cleff.
$5.00
4.57 €
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Harpe, Flûte (duo)
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Schwarz Matthew H
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Matthew H Schwarz
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The Naiad for flute and harp
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Matthew H Schwarz
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SheetMusicPlus
Libera Me from "Requiem" (Faure) - Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1471485 Composed by Gabriel Fauré, Gabriel Faure. Arranged by Rob Bushnell. 19th Century,Classical,Religious,Romantic Period,Sacred. Brass Band. 79 pages. Rob Bushnell #1049258. Published by Rob Bushnell (A0.1471485). Composed between 1887 and 1890, Gabriel Fauré’s Requiem is not only one of his best-known works but one of the most popular piece of choral music in the Classical repertoire, coming 23rd in the Classic FM’s Hall of Fame 2024. Believed to be a tribute to his father (who died in 1885), Fauré himself said “My Requiem wasn't written for anything – for pleasure, if I may call it that!” It started life as a five-movement work but was later expanded to be the final seven-movement work we know today. The first version (which Fauré called “un petit Requiem”) was first performed on 16 January 1888, with Fauré conducting, a second version premiered on 21 January 1893 before the final version (reworked for full orchestra) was played on 12 July 1900; the Requiem was performed at the composer’s own funeral in 1924.The Libera Me, or Deliver Me, was actually written in 1877 and is the sixth part of the Requiem.Fauré once said of the work, “Everything I managed to entertain by way of religious illusion I put into my Requiem, which moreover is dominated from beginning to end by a very human feeling of faith in eternal rest. Upon interview, he also said, “It has been said that my Requiem does not express the fear of death and someone has called it a lullaby of death. But it is thus that I see death: as a happy deliverance, an aspiration towards happiness above, rather than as a painful experience. The music of Gounod has been criticised for its inclination towards human tenderness. But his nature predisposed him to feel this way: religious emotion took this form inside him. Is it not necessary to accept the artist's nature? As to my Requiem, perhaps I have also instinctively sought to escape from what is thought right and proper, after all the years of accompanying burial services on the organ! I know it all by heart. I wanted to write something different.”This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=fXwFNoBHCf0.
$44.99
41.13 €
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Gabriel Fauré, Gabriel Faure
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Rob Bushnell
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Libera Me from "Requiem"
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Rob Bushnell
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Double Brass Choir
Bass Trombone,Trumpet - Level 3 - Digital Download SKU: A0.549202 Composed by Giova…
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Bass Trombone,Trumpet - Level 3 - Digital Download SKU: A0.549202 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Renaissance,Standards. 47 pages. Jmsgu3 #3460779. Published by jmsgu3 (A0.549202). An antiphonal masterwork from the Sacrae Symphoniae, Venice,1597. Minimum instrumentation: 2 Trumpets, 2 French Horns, 2 Tenor Trombones, 2 Bass Trombones. Suggested instrumentation: multiples of the minimum instrumentation, e.g., 4 or 8 on each part. Place the choirs left and right - separated by enough space to accentuate the antiphonal nature of the music entirely. It is best performed in an ample reverberant space. Euphoniums might replace some of the trombones to good effect. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. It seems like Gabrieli may have invented dynamics – or was rather the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a response from the group on the other. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation here. Also, only parts marked Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – which is called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.84 €
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Double Brass Choir
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jmsgu3
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SheetMusicPlus
Dance The Night
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1494484 By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Sarah Cellobat Chaffee. Contemporary,Disco,Film/TV,Pop,Wedding. 17 pages. Sarah Cellobat Chaffee #1071068. Published by Sarah Cellobat Chaffee (A0.1494484). Special thanks to the Sienna String Quartet for their recording of this arrangement!You're probably familiar with this one, but here's a refresher just in case: Dance The Night was one of the most popular songs of the year, sung by one of the most popular singers of the decade, written for a movie about one of the most popular characters of the century -- with lyrics that also serve as a perfect allegory for performative life in the social media age. Need I say more? Originally written for the soundtrack of the 2023 feature film Barbie, Dua Lipa's smash hit Dance The Night is a disco-pop extravaganza that accompanies a dance sequence in the film. But the song quickly gained massive popularity outside of the silver screen, reaching the top of the Billboard charts and achieving multi-platinum certification in a number of countries. Critics praised not only the song's catchy grooviness and excellent production, but also its surprisingly introspective lyrics about the necessity of keeping up an immaculate public image even when your life is falling apart. But above all, this is a great song to get your audience dancing! This Cellobat arrangement for your string quartet is a harmonically lush and rhythmically vivacious take on the original -- you'll definitely have as much fun playing it as your audience will have listening to it! Rated advanced-intermediate; this will be learnable for more advanced students and sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee
$16.99
15.53 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Dua Lipa
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Sarah Cellobat Chaffee
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Dance The Night
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Sarah Cellobat Chaffee
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SheetMusicPlus
Christ Child's Lullaby (Taladh Chriosda) - Strings quintet and piano
Cello,Piano,Viola,Violin - Digital Download SKU: A0.1067511 Composed by Unknown. Ar…
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Cello,Piano,Viola,Violin - Digital Download SKU: A0.1067511 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Accompaniment. Duration 227. Connie Boss #6429819. Published by Connie Boss (A0.1067511). This is an mp3 of a beautiful Scottish Gaelic Carol is for a Strings quintet and piano. While parts of the melody are still the same, some of it is new. The lyrics are adapted from the original lyrics - changing only some words to fit the lyrics. Purchase the sheet music on here. cdboss@cvalley.netLyrics: Christ Child’s Lullaby (Taladh Chriosda) Scottish Gaelic Christmas Carol Arranged by Connie Boss  Refrain: Alleluia alleluia  alleluia  alleluia Verse 1 You are my Love and darling boy You are my treasure and my joy You are my graceful little son Your life has just begun Refrain: Alleluia alleluia  alleluia  alleluia Verse 2: You were sent from up above And now you share your father’s love A babe so poor but love so true You have much strength in you Refrain: Alleluia alleluia  alleluia  alleluia Verse 3: A helpless baby now we sing You truly are the King of Kings You are the true and rightful one For you are God the Father’s son Refrain: Alleluia alleluia  alleluia  alleluia Alleluia
$1.99
1.82 €
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Unknown
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Connie Boss
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Christ Child's Lullaby
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Connie Boss
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SheetMusicPlus
Christ Child's Lullaby (Taladh Chriosda) - Strings quintet and piano with parts
Cello,Guitar,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.801706 Compose…
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Cello,Guitar,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.801706 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. 17 pages. Connie Boss #6428081. Published by Connie Boss (A0.801706). This beautiful Scottish Gaelic Carol is for a Strings quintet and piano. While parts of the melody are still the same, some of it is new. The lyrics are adapted from the original lyrics - changing only some words to fit the lyrics. There are other forms on here to purchase if you don't have all of these instruments. If you don't see exactly what you want, email me at cdboss@cvalley.net and I can do something for you.Lyrics: Christ Child’s Lullaby (Taladh Chriosda) Scottish Gaelic Christmas Carol Arranged by Connie Boss  Refrain: Alleluia alleluia  alleluia  alleluia Verse 1 You are my Love and darling boy You are my treasure and my joy You are my graceful little son Your life has just begun Refrain: Alleluia alleluia  alleluia  alleluia Verse 2: You were sent from up above And now you share your father’s love A babe so poor but love so true You have much strength in you Refrain: Alleluia alleluia  alleluia  alleluia Verse 3: A helpless baby now we sing You truly are the King of Kings You are the true and rightful one For you are God the Father’s son Refrain: Alleluia alleluia  alleluia  alleluia Alleluia
$5.50
5.03 €
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Unknown
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Connie Boss
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Christ Child's Lullaby
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Connie Boss
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SheetMusicPlus
Manhattan
Saxophone Tenor
Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.796736 By Sara Bareilles.…
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Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.796736 By Sara Bareilles. By Sara Bareilles. Arranged by Gary D. Belshaw (ASCAP). Pop. Individual part. 11 pages. DR GARY D BELSHAW #3863315. Published by DR GARY D BELSHAW (A0.796736). A little under 5 minutes. 11 pages. This Sara Bareilles tune is destined to become a jazz standard, and it perfect for the saxophone! Transposed from the original key to exploit the range of the Tenor Sax, the tune is arranged for the Intermediate level player with only piano accompaniment. It would be a great addition to a recital or a church or social event, but it would be great for community events. This arrangement was premiered at a variety show starring the arranger. Next time someone asks if you'll play a song or two for the Lion's club, smile big and say, Absolutely.Take pride in your copy of this work. 1. Avoid cheap 20-lb office supply paper. Invest a couple extra bucks in some 22- or 24-lb. paper. 2. Avoid bright white sheets: look for beige, tan, or natural paper. 3. Always use a smooth finish product. 4. One final thought: if you have access to a printer or copier that will take 9 x 12 stock, your pages will be more like traditional printed music in size. Obtaining paper stock with the other elements listed above will result in music sheets that would look startling similar to products from long-established publishing houses.
$6.99
6.39 €
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Saxophone Tenor
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Sara Bareilles
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Gary D
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Manhattan
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DR GARY D BELSHAW
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SheetMusicPlus
Now That Winter Is Upon Us
Chorale SATB
Choral Choir (SATB divisi) - Level 2 - Digital Download SKU: A0.499188 Composed by …
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Choral Choir (SATB divisi) - Level 2 - Digital Download SKU: A0.499188 Composed by James W. Knox. 20th Century,Contemporary. Octavo. 13 pages. James Knox #112658. Published by James Knox (A0.499188). Now that winter is upon us is set to an original poem by the composer. NOW THAT WINTER IS UPON US, OUR MIND SLOWLY GOES UNDER SLUMBERING THOUGHTS. LIKE DAYS BEFORE WHEN THE GOLDEN SUN SHINES BRIGHT ACROSS THE EARTH, AND THE NIGHT'S GENTLE AIR KEEPS OUR HEARTS WARM. SLOWLY, ALL FALL ASLEEP AND SILENCE FILLS THE SKY. SILENT. EARTH'S BLANKET IS NOW WHITE, WITH SILVER GLEAMS OF WINTER'S DUST SOAR TO THE HEAVENLY STARS ABOVE. THE MOON STRETCHES DOWN ONTO THE HIDDEN TREES, ONLY TO FIND THE BARREN ARMS OF THE THINGS IT ONCE HELD. LIFE IS STILL. LIFE IS CALM. PEACE SURROUNDS WHAT IS LOST AND WILL GUARD YOUR HEART, UNTIL THE RETURN OF ALL THAT IS ANEW!
$3.25
2.97 €
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Chorale SATB
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James W
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Now That Winter Is Upon Us
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James Knox
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SheetMusicPlus
Now that Winter is Upon Us
Chorale SATB
Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.942868 Composed by James …
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Choral Choir (Mixed) - Level 5 - Digital Download SKU: A0.942868 Composed by James W. Knox. Contemporary. Octavo. 13 pages. Knox Music #4803265. Published by Knox Music (A0.942868). Now that Winter is Upon Us is an original poem by composer James W. Knox. Written for SATB divisi with piano/ advanced level.NOW THAT WINTER IS UPON US,OUR MIND SLOWLY GOES UNDER SLUMBERING THOUGHTS.LIKE DAYS BEFORE WHEN THE GOLDEN SUN SHINES BRIGHT ACROSS THE EARTH,AND THE NIGHT'S GENTLE AIR KEEPS OUR HEARTS WARM.SLOWLY, ALL FALL ASLEEP AND SILENCE FILLS THE SKY.SILENT.EARTH'S BLANKET IS NOW WHITE,WITH SILVER GLEAMS OF WINTER'S DUST SOAR TO THE HEAVENLY STARS ABOVE.THE MOON STRETCHES DOWN ONTO THE HIDDEN TREES,ONLY TO FIND THE BARREN ARMS OF THE THINGS IT ONCE HELD.LIFE IS STILL.LIFE IS CALM.PEACE SURROUNDS WHAT IS LOST AND WILL GUARD YOUR HEART,UNTIL THE RETURN OF ALL THAT IS ANEW!
$3.50
3.2 €
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Chorale SATB
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James W
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Now that Winter is Upon Us
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Knox Music
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SheetMusicPlus
Greensleeves 2012
Piano seul
Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. …
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Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing
Contains:<br> "Greensleeves 2012"<br> - taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)<br> <br> Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.<br> <br> Note: “Greensleeves 2012” is a revisited and evolved arrangement which like my earlier version, was inspired by – and also pays ‘homage’ to – Liz Story’s brilliant take on this timeless piece.<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album review by: Michael Diamond (http://michaeldiamondmusic.com):<br> <br> Fresh on the heels of his highly acclaimed chart-topping CD, Reconstructed, Isadar gifts us with a sparkling new album of holiday-themed instrumental music for solo piano, entitled “O Christmas.” Given the proximity to his recent release, one might assume that this one was quickly produced, but in reality O Christmas has been 7 years in the making. Various circumstances including other recording projects, a segue into the field of video production, and a cross country move from NYC to the west coast and later back again, created delays with the completion of the album. But as they say, “good things come to those who wait.”<br> One of the most interesting things about this album is the fact that the selections are traditional Christmas songs, yet some were chosen because they are less well known, or “off the beaten path” as Isadar characterizes them. This follows the pattern set by his 1999 Christmas album “In Search For The Meaning Of Christmas,” yet this new CD mines even deeper in its quest for interesting and unusual choices.<br> <br> The album begins with a track called “Good Christian Men.” Steeped in history, the song dates back to 14th century Germany and its Latin title was originally “In Dulci Jubilo” before it was translated into English in the 1800’s. Isadar’s interpretation creates a lively and festive air that makes a perfect portal to the recording. The high-spirited mood continues on the next song, “Teddy Bears Picnic,” which although not technically a Christmas song, has been interwoven by Isadar with “March Of The Toys” to tie it in with the holidays – a clever arrangement of these intriguing melodies. One of the more well-known carols on the album is “O Christmas Tree” and is sure to have listeners humming along with it’s familiar refrain.<br> <br> A track entitled “Still” is an innovative rendition of the classic “Still, Still, Still” which Isadar has put his own spin on, or as he jokingly puts it “jazzed up shamelessly.” No such liberties were taken on the classic “O Come, O Come, Emmanuel,” however. This song provides a showcase for Isadar’s accomplished grand piano work, featuring lush left hand arpeggios creating a strong foundation for his more delicate right hand melodies to dance upon – a powerful and moving combination. Another of the less well known, yet equally inspiring tunes is a Puerto Rican carol entitled “Song Of The Wise Men.” It has been said that: “Christmas is, above all, a children’s holiday, and many hymns are addressed to children, reminding them that the real reason for the sugarplums and Christmas trees is the celebration of the birth of the Christ Child.” This theme is well reflected in Isadar’s choice of “O Come Little Children,” based on a carol from the 1800’s.<br> <br> Among my favorite tracks on the album are the wistful strains of “Greensleeves 2012,” which Isadar interprets with elegance and grandeur and also pays ‘homage’ to Liz Story’s brilliant take on this enduring composition. This is followed by a rendition of “Masters In This Hall,” which can best be described as, well… “masterful.” The song dates back to the sixteenth century, and is another of the less well-known tunes that Isadar has chosen to feature. The album draws to a close with Isadar invoking artistic license on what is perhaps one of the most unique and liberal versions of a classic carol heard here yet. Based on “We Wish You A Merry Christmas,” Isadar characterizes it as “an uninhibited melancholy arrangement.” While I don’t know if “melancholy” is the word I would use to describe it, it does have a pensive quality and is presented more as a nocturne than usual lively carol it is known as. I really liked the interpretation and respect Isadar’s creativity and distinctive rendering of the song.<br> <br> “O Christmas” is an exceptional holiday collection, not only for Isadar’s elegant grand piano artistry, but as well for the interesting and sometimes unexpected repertoire contained within. Like ornaments on a tree, the songs adorn the album, enhancing its beauty with their diversity, individuality, and timelessness. Given the well-deserved accolades and popularity of Isadar’s distinctive piano style, I’m sure that fans will want to include “O Christmas” in their collection and make it a part of their holiday tradition.Contains:<br> "Greensleeves 2012"<br> - taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)<br> <br> Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.<br> <br> Note: “Greensleeves 2012” is a revisited and evolved arrangement which like my earlier version, was inspired by – and also pays ‘homage’ to – Liz Story’s brilliant take on this timeless piece.<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album review by: Michael Diamond (http://michaeldiamondmusic.com):<br> <br> Fresh on the heels of his highly acclaimed chart-topping CD, Reconstructed, Isadar gifts us with a sparkling new album of holiday-themed instrumental music for solo piano, entitled “O Christmas.” Given the proximity to his recent release, one might assume that this one was quickly produced, but in reality O Christmas has been 7 years in the making. Various circumstances including other recording projects, a segue into the field of video production, and a cross country move from NYC to the west coast and later back again, created delays with the completion of the album. But as they say, “good things come to those who wait.”<br> One of the most interesting things about this album is the fact that the selections are traditional Christmas songs, yet some were chosen because they are less well known, or “off the beaten path” as Isadar characterizes them. This follows the pattern set by his 1999 Christmas album “In Search For The Meaning Of Christmas,” yet this new CD mines even deeper in its quest for interesting and unusual choices.<br> <br> The album begins with a track called “Good Christian Men.” Steeped in history, the song dates back to 14th century Germany and its Latin title was originally “In Dulci Jubilo” before it was translated into English in the 1800’s. Isadar’s interpretation creates a lively and festive air that makes a perfect portal to the recording. The high-spirited mood continues on the next song, “Teddy Bears Picnic,” which although not technically a Christmas song, has been interwoven by Isadar with “March Of The Toys” to tie it in with the holidays – a clever arrangement of these intriguing melodies. One of the more well-known carols on the album is “O Christmas Tree” and is sure to have listeners humming along with it’s familiar refrain.<br> <br> A track entitled “Still” is an innovative rendition of the classic “Still, Still, Still” which Isadar has put his own spin on, or as he jokingly puts it “jazzed up shamelessly.” No such liberties were taken on the classic “O Come, O Come, Emmanuel,” however. This song provides a showcase for Isadar’s accomplished grand piano work, featuring lush left hand arpeggios creating a strong foundation for his more delicate right hand melodies to dance upon – a powerful and moving combination. Another of the less well known, yet equally inspiring tunes is a Puerto Rican carol entitled “Song Of The Wise Men.” It has been said that: “Christmas is, above all, a children’s holiday, and many hymns are addressed to children, reminding them that the real reason for the sugarplums and Christmas trees is the celebration of the birth of the Christ Child.” This theme is well reflected in Isadar’s choice of “O Come Little Children,” based on a carol from the 1800’s.<br> <br> Among my favorite tracks on the album are the wistful strains of “Greensleeves 2012,” which Isadar interprets with elegance and grandeur and also pays ‘homage’ to Liz Story’s brilliant take on this enduring composition. This is followed by a rendition of “Masters In This Hall,” which can best be described as, well… “masterful.” The song dates back to the sixteenth century, and is another of the less well-known tunes that Isadar has chosen to feature. The album draws to a close with Isadar invoking artistic license on what is perhaps one of the most unique and liberal versions of a classic carol heard here yet. Based on “We Wish You A Merry Christmas,” Isadar characterizes it as “an uninhibited melancholy arrangement.” While I don’t know if “melancholy” is the word I would use to describe it, it does have a pensive quality and is presented more as a nocturne than usual lively carol it is known as. I really liked the interpretation and respect Isadar’s creativity and distinctive rendering of the song.<br> <br> “O Christmas” is an exceptional holiday collection, not only for Isadar’s elegant grand piano artistry, but as well for the interesting and sometimes unexpected repertoire contained within. Like ornaments on a tree, the songs adorn the album, enhancing its beauty with their diversity, individuality, and timelessness. Given the well-deserved accolades and popularity of Isadar’s distinctive piano style, I’m sure that fans will want to include “O Christmas” in their collection and make it a part of their holiday tradition.
$5.99
5.48 €
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Piano seul
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Public Domain, as performed and recorded by Isadar
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Isadar
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Greensleeves 2012
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Mainya Music Publishing
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SheetMusicPlus
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